“The One-Time Return of Night Terrors” by Ron Riekki

Night Terrors (Rain)
“Drops” Image by Pam Brodersen

I beg the counselor
to help me return
to avoidance, but he
says I need to be
out in the crimson
pool of people,
that things get worse
before they get breathing
and I open my eyes
in the rivered room,
its throat of night,
and beg myself
to leave the doom-
birthdays of boot
camp and realize
fully that family
exists in rooms
nearby where
the father
cannot allow
himself
to be
strangled

I turn on
the light,

kneel
and insist
God
enter
every
cloud
of me

 

insist

insist

insist

 

 

Ron Riekki wrote U.P.: a novel (Sewanee Writers Series and Great Michigan Read nominated) and edited The Way North: Collected Upper Peninsula New Works (2014 Michigan Notable Book from the Library of Michigan and finalist for the Eric Hoffer Book Award/Grand Prize shortlist, Midwest Book Award, Foreword Book of the Year, and Next Generation Indie Book Award), Here: Women Writing on Michigan’s Upper Peninsula (2016 IPPY/Independent Publisher Book Award Gold Medal Great Lakes—Best Regional Fiction and Next Generation Indie Book Award—Short Story finalist), and And Here: 100 Years of Upper Peninsula Writing, 1917-2017 (Michigan State University Press, 2017).

 

“Quantum Mom” by Cezarija Abartis

Quantum Mom_Lands End
“Land’s End” Image by Pam Brodersen

Outside Paula’s window, the leaves were almost gone from the maple tree. She worried about her friend Andrea. Two weeks ago the tree blazed orange and scarlet, and now it was just skeletal branches against the dim and misty sky. And in six months it would bud green and gold. She hoped Andrea would get well. She closed the book that she’d been trying to read, a new translation of the Odyssey for the next semester, closed it on the page where Odysseus speaks with his mother in Hades.

Paula remembered her mother before she died. Young and slender, younger than Paula, who was fifty-two and looking matronly with her big hips. Paula never got to see her mother grow old. She had, at last, forgiven her for dying.

“Paula, dear.” Her mother appeared, wearing the apron Paula had sewn when she was in seventh grade, a cotton print of roses and baby angels with wings. “I want you to study hard.”

“Yes, Mother, I do.”

“I want you to get all A’s.”

“I only got one B. That was in Civics.”

“I know. You hate reading the newspaper.”

“I like reading books.”

“When I was your age, I liked books of fairy tales.”

“Were you twelve once?”

Her mother lightly flicked the tip of Paula’s nose. “Don’t mock your old mother.”

The next year, her slender and beautiful mother drove to the Fifth Street Bridge, got out of the car, climbed over the rail, and jumped into the river. She was thirty-seven. Paula’s brother was ten, and at first he thought she would somehow return. “Mickey expected you to come back a week later.”

“I was truly dead and gone,” her mother’s ghost said. “I missed all of you. Your father, of course, but you and Mickey most of all. I wanted to see you grow up.”

“Look at me, Mother. I’m fifty-two. You must be seventy-seven.”

“You’re beautiful, but I see a thirteen-year-old.”

“I got my Ph.D.” Paula pointed to her framed diploma with the gold-colored seal in the corner. “I’m a professor.”

“Funny, you look thirteen to me.” Her mother touched her own cheek with her familiar gesture of puzzlement.

Paula stared at this young, aproned woman with her chestnut-brown hair and her clear eyes. She wondered what her mother would’ve been like if she had survived depression. Her mother would be judging her: “You should find a nice man and have children.”

“Mother, I’m fifty-two.”

“You could adopt.”

“Mother, that ship has sailed.”

“I liked Evan.”

“You were gone before I met him. How could you have known?”

Her mother shrugged and put on a tricky expression. “I have my ways.”

“He’s dead. Cancer.”

“Perhaps in another pocket of time he would be alive?”

“What are you talking about?”

“I always liked science, you know that. Your father called it woo-woo science. But there are all sorts of things. Horatio says, ‘More things in heaven and earth than are dreamt of in your philosophy.’”

“That’s Hamlet.”

“Right.”

Paula shook her head at her woo-woo mother.

Paula’s cat, Schrödinger, trotted in, tail perpendicular, confident, alert, powerful. She bent down to pet him, and he felt warm and solid.

Paula looked up and saw a vase of wilting roses on the nightstand and an old mother lying on a bed, the golden afternoon pouring down on her. But this was not possible. This mother had white, floaty hair. Her eyes seemed cloudy. This was a future that never happened. The living room had become a bed chamber.

Paula’s head buzzed.

Her cat, Schrödinger, ambled in, now skinny and old. Then Atom, her mother’s cat, came in meowing, stropping her ankles. “Okay, sweeties. I’ll get you a fresh can.” But they weren’t interested in food.

Her father had loved that cat, especially after his wife died.

Atom jumped up on the bed, and the old mother petted him until he nipped at her. “He only likes a certain amount of petting. Such a particular, fine cat.” She smiled and turned her creamy, cataracted eyes on Paula. “I saved him from death. I found him as an abandoned kitten, and I saved him. I don’t know where he is now.”

“We put him to sleep.”

“I don’t know where he is now.” Her mother’s face was infinitely sad. “So many things I don’t know. What is love? Will the universe unravel? Will there be a union of body and soul? Will we see again the people and creatures we loved?”

“And have you been healed of your depression?”

She sliced the air with her hand. “My pain is over.”

“Oh, Mother, that’s good.”

“I love to see your happy face. I can take that memory to eternity. Are you happy, dear? No danger? You don’t have my depression?”

Her cat, Schrödinger, trotted in. In this version her mother was young again.

“I just have a bad cold,” Paula said. “My October respiratory infection.” She coughed for her mother, a little, jagged exhalation.

“Don’t make light of it.”

“Only a mom would take this seriously. My friends get colds and we just pooh-pooh their complaining.”

“I used to get those heavy infections around my lungs, hot around my heart and throat,” her young mother said.

“I feel so sorry for you.”

“That’s in the past.” She waved dismissively. “No respiratory infections anymore. All gone.” She opened her arms wide, as if to display her health.

“Andrea has lung cancer.” Paula wanted to rush into her mother’s arms and tell her about her friend. “Will she get better?”

Her mother straightened the hem of her apron. “I was remembering about the past–that is to say, you were remembering. Anyway, you and Andrea were fighting about who was responsible for tearing the apron that you sewed in Home Ec class.”

“Andrea tore it–she pulled it out of my hand and caught it on a doorknob.” The perfect, unimportant memory made Paula shake her head at herself. She wanted to embrace her mother, but knew she was just a shade. “Will you come back?”

The young mother walked to the door, whispered, “Love,” fluttered her fingers, and disappeared.

Schrödinger meowed. Paula turned, picked him up, and hugged him to her chest.

 

 

Cezarija Abartis’ Nice Girls and Other Stories was published by New Rivers Press. Her stories have appeared in FriGG, The Journal of Compressed Creative Arts, The Lascaux Review, r.kv.r.y, and New York Tyrant, among others. Her flash, “The Writer,” was selected by Dan Chaon for Wigleaf’s Top 50 online Fictions of 2012 and “To Kiss a Bear” was selected for Wigleaf’s Longlist 2016. Recently she completed a novel, a thriller. She teaches at St. Cloud State University. Her website is http://magicmasterminds.com/cezarija/

 

“Mother” by Digby Beaumont

Mother_Clowns Trailer
“Clown’s Trailer” Image by Pam Brodersen

My father stands on a branch high up in the sweet chestnut tree outside, peering through a telescope at the village along the valley. Way past my bedtime, I watch from my window, bare feet turning blue on the wood floor.

Dad leans forward. Maybe he’s searching for my mother. She hasn’t been around so much, and I wonder why. Is it something to do with him? Or me? Shifting his weight, he tries to find a firmer foothold. The branch creaks, then cracks, and he topples headlong. I catch my breath, yell to him, press my palms against the cold glass.

*

Outside the City Library, I’m singing in the school choir. I moved here to live with my foster family after Dad died. It’s Harvest Festival. We’ve drawn a big crowd. Second song in and there she is, standing at the back, my mother, in a red trench-coat and matching red beret. My voice breaks up, I stand taller, try to make eye contact, but she keeps her head bowed. I want to ask, Why are you here? To see me? After all this time?

She glances up. I can’t help myself. I run from the stage, plow through the crowd. Turning, she hurries away. I follow, my eyes on the red beret bobbing among the Saturday shoppers, but she doesn’t look back and I lose her in fog.

*

Christmas, and I’ve heard she’s moved back into the old house. I get up before the family wakes. I cycle all morning. From the top of Snowdrop Hill, the place nestles in the valley. I imagine how it will be inside. Warm. Carols on the radio. A tree, dressed in baubles and lights. The smell of turkey roasting in the oven. And her, standing at the kitchen counter, preparing vegetables, a rich cranberry sauce.

I pedal down and prop my bike against the fence, stopping to gaze at the sweet chestnut tree. From my rucksack, I take the gift I’ve bought her: a bottle of Charlie Blue. Always her favourite perfume. At least, it was. The side door isn’t locked, and I let myself in. Everywhere is cold, silent. No Christmas tree. No cooking smells.

In the living room I find her, crumpled on the sofa, sleeping. Bird’s-nest hair, smudged mascara. I kneel beside her, smooth her creased black dress. Resting my head on her chest, I feel her heartbeat, her breath cool against my face.

 

 

Digby Beaumont‘s stories have appeared or are forthcoming in The Journal of Compressed Creative Arts, KYSO Flash, Literary Orphans, Blue Five Notebook, Bartleby Snopes, Change Seven Magazine, Flash Frontier, Jellyfish Review and 100-Word Story among others. He worked as a nonfiction author for many years, with numerous publications, and lives in Hove, England.

 

“Teeth” by Joe Mills

Teeth_Captiva Inflatables
“Captiva Inflatables” Image by Pam Brodersen

Each kid on the field was just a container for teeth. A big rattling money jar for dentists and orthodontists.

Jan spent the game doing story problems: A dozen kids on a team with thirty-two teeth apiece. If they each needed braces at ten grand a crack

She should have gone to dental school. That would have meant job security and at least then she could have taken Karen to Bring Your Daughter to Work Day or to the office after hours for treatment.

On Thursday, the dentist said Karen would need braces. But first: extractions, expansions, and various other procedures that made her daughter’s mouth sound like a major construction site.

She’d known this was coming. Years ago a hygienist looked into Karen’s mouth and said, “Wow, she has a lot of teeth!”

“Yeah, all of them,” she’d laughed, assuming Karen had the same teeth everyone had, which she did, but apparently not the space.

“Crowning,” Dr. Lucas called it, and now some of Karen’s teeth had to come out. Permanently.

The thought made Jan queasy. Didn’t we need our adult teeth? All of them? Would this be the kind of thing future dentists didn’t do any more? Like tonsillectomies? No one had those done now. Plus, where would she get the money? Dropping dental insurance had been part of workplace cutbacks. Eliminated. Extracted. Their new medical plan: Don’t get sick.

Each year around enrollment time, Jan put a box of tissues by the computer in preparation for the frustrated tears she would reliably shed. The plan descriptions were so bewildering she might as well have picked at random.

There were no “kitchen table” conversations for her. Not anymore. She used to ask Cathy Cornwall what they chose and pick the same plan. Then the Cornwalls got transferred.

Jan asked the dentist if it was just a cosmetic thing with Karen’s teeth. She didn’t need cheerleader teeth. She wouldn’t be entering beauty pageants.

The dentist pointed to the x-ray, said if it wasn’t done now, later treatment would involve breaking the jaw. Dr. Lucas basically predicted Karen’s adult life would be hell if she didn’t get braces now. And even if Jan discounted half of the jargon, it still sounded like something had to be done. Somehow.

Afterwards, in the car, Karen burst into tears. “I liked the tooth fairy better,” she wailed.

Jan reached across the seat and held her daughter, thinking, “Here we are again, crying about teeth.” Years earlier, Karen’s friend Gracie had lost a tooth and been given five bucks from the tooth fairy, leaving Karen heartbroken because she only got a dollar.

Gracie’s parents had thrown the whole tooth fairy economy out of whack, and Jan didn’t know how to explain the fundamental unfairness. What could she say? The tooth fairy loved Gracie more? Gracie was cuter? They’d negotiated a better deal?

These days, Karen knew who the Tooth Fairy was. The last tooth her little brother lost was from going over the handlebars of his bike. Chuck had come home sobbing, with a bloody mouth, a gap in his smile, and a fist clenched around a fragment of white.

Although Jan calmed him down with French fries and chicken-fried steak, she forgot to put the money under his pillow. Karen ran downstairs the next morning to tell her, and together they wrote a note explaining that the Tooth Fairy had been running late, delayed by traffic over Asia and an unexpected number of children who’d eaten taffy apples.

It was the Easter Bunny, that weirdest of holiday animals, its story so thin and its elements so odd, that led Karen to insist, “It doesn’t make sense, Mommy. Tell me the truth.” Even though Jan hadn’t wanted to, she told her daughter and the toppling of one icon brought the rest crashing down. Karen instantly understood that no Easter Bunny meant no Santa Claus, no leprechauns, and no tooth fairy. She crawled onto her mother’s lap and cried.

Sometimes, when one thing was pulled out, everything came crashing down. One fantasy. One tooth. One job. One member of the family. You had to adjust to a different world. If Jan could, she would crawl into someone’s lap right now and have a comforting cry. That’s all she wanted. Someone to be there for her. Some days, that was the best she could do as a parent. Just be there.

That sounds like enough. But you also need money for the teeth. All those teeth.

 

 

Joe Mills is a faculty member at the University of North Carolina School of the Arts and holds an endowed chair, the Susan Burress Wall Distinguished Professorship in the Humanities. He has published six collections of poetry with Press 53, most recently Exit, pursued by a bear which consists of poems triggered by stage directions in Shakespeare. He edited the collection of film criticism A Century of the Marx Brothers. With his wife, Danielle Tarmey, he researched and wrote two editions of A Guide to North Carolina’s Wineries, and his essay “On Hearing My Daughter Trying to Sing Dixie” won this year’s Rose Post Creative Nonfiction Competition. More information about his work is available at www.josephrobertmills.com.

 

“An Opening” by Ree Davis

An Opening (Celestial Fantasy)
“Celestial Fantasy” Image by Pam Brodersen

The drawer smelled rancid. I dug into the narrow void, past where I could see. I hated losing things, and didn’t do it often, but somehow over the last few years I’d misplaced a box of my grandfather’s things that I’d found in his bedside table after he passed away. Its contents were gone as well, dispersed over the house by the kids during one of their various phases of fascination with Mommy and Daddy’s stuff. Of all the items the box contained, one stuck in my memory—a cardboard pheasant about three inches long and a quarter of an inch thick, the smooth, colorfully printed image laminated to the cardboard almost too detailed for the age of the other objects in the box. When I’d found it, I’d imagined it was part of a set. Now I had no idea where it was, and I was running out of places to look. My grandfather was a coal mine fire boss—he kept the pheasant in a box with his Social Security card; a silver coin that had been turned into a ring by a friend from his youth who was gassed in the war; an untitled herbal remedy that included bitters; various buttons; and an old brass-handled nutpick. I would tear apart the house to find it. Beads of sweat sprung up on my forehead despite the chill of the weather outside, which was sending another several inches of snow onto what had fallen the day before. I bent at an unnatural angle to grope the back of the drawer.

“Something missing?” Jeremy’s voice cracked as if he hadn’t spoken in a while. I took a breath in and twisted to see him.

“Nothing.” I stood and closed the drawer.

“Something smells awful.”

“It’s the drawer.”

“I highly doubt that, Michelle.” His eyes didn’t look as sunken as they had over those last few weeks. Maybe it was just my imagination. A short crop of stubble was beginning to appear on his scalp and chin. He reminded me of a school presentation our daughter had done that included a marker drawing of the top of a bald head and eyes looking up to handwritten text, Why Chemotherapy Makes You Bald. I liked him with this rough glaze of stubble, as if new life was springing from his skin. But his self-image included lots of hair, so it was a version of him that I had to keep quiet about. “Twist ties and rubber bands don’t stink.”

“We’ve kept all kinds of stuff in here. It’s a junk drawer,” I said, envisioning a small scrap of asparagus clinging to a tight purple rubber band, having rotted to pure stench over a period of a few weeks. I imagined the odor leaking out even with the drawer closed.

Jeremy poured himself a mug of water with a short gush from the faucet and punched the microwave latch. He slipped the mug into the microwave. It made a hollow rumble as he pushed it to the center of the turntable. I never microwaved water for tea because it got cloudy and tasted like metal. “Your imagination is too active,” he’d say. He punched two minutes and leaned against the counter with a tea bag in his hand. “I’m not going to make it, you know.” He looked at me only after the last word had settled in the air.

I didn’t want to listen. I’d invested too much in him. Losing the fight of his life had never been an option. I preferred to look for a cardboard pheasant. The drawer stuck out from the cabinet just a bit, as if something was jammed behind it. I could barely resist the urge to pull the drawer open. If I could figure out how to yank it out of the cabinet, I would. My hand ached to reach back in. The pheasant had been brilliantly decorated—a male with long variegated feathers. My grandfather must have treasured it. His coal-rimmed fingers must have sought out its smooth surface whenever he rifled through the box. I wished Jeremy would say something else.

The timer on the microwave beeped. He dropped the tea bag into the water, which hissed and bubbled.

“You were gonna kick this thing? We were.” My voice barely disguised a resentment I didn’t understand. I was fighting-mad.

He didn’t seem to notice. All his attention was on the surface of the tea. Was the water changing color as the bag dropped into the hot water?

I didn’t want to remember Jeremy this way. I closed my eyes and envisioned him coming in from a run with his T-shirt dark with sweat instead, his forehead glazed in salt, and his hair in thick damp curls.

“That smell, that you think is in the drawer.” He gripped the mug with both hands and moved to the window. “It’s everywhere.”

“It’s not; it’s old asparagus or something rotted into the wood, just bad housekeeping.”

“I keep thinking of all the choices I made.”

I didn’t want to hear it. I’d rather talk about about the twins or how his mother never really liked me, even after caring for him.

“Drinking, smoking.” He hesitated. “Drugs.” He stared out the picture window. I closed my eyes again because I didn’t want to roll them. Spouses of the sick do not surrender to sarcasm or impatience. “Watching TV rather than exercising. Not drinking enough water. All that fast food my mother warned me about. This is the price for being careless.”

I wanted to rest my hand on the chenille of his robe, but I couldn’t. The fabric had grown rough with frequent washings and smelled of fabric softener—lavender with a chemical edge. Underneath, something else. I rubbed my nose as a reflex. My fingers smelled like the drawer, which was almost comforting. I touched the tips to my nose and inhaled. I hated the notion of larger judgments, of a past that haunts you, bad decisions like latent viruses waiting to take hold. Biological retribution. One genetic test would have ended this discussion. “That sounds more ridiculous now than when you first said it.”

Jeremy looked at me like he knew something I didn’t. “I once heard that every heart has only so many beats—once you’ve reached that number, it’s over. A slower pulse means a longer life. Faster, shorter. That’s it.”

“Like planned obsolescence?”

“Yeah,” he said.

“I was kidding.”

“Maybe we only get so much endurance. If it’s squandered, it won’t be there when we need it.” He blew across the tea. Months ago, the lecture had been longer. “I feel like crap. My last days on earth are going to be more about feeling like crap than life. I won’t be able to remember another way of being. Images of feeling like crap will be all that flashes before my eyes as the lights go out.”

Parts of Jeremy had been completely unaltered by the process of illness—the shape of his legs, the pinkish tan lobes of his ears, the fullness of his lips. “Maybe I’d be better off with lots of morphine and a chaise lounge in the backyard. I’d be happier. I’d be in nature. The kids could play while I watched. Maybe you could take some time off and garden again.”

This didn’t work for me—the movie ending with the couple holding hands in the backyard and the sick one quietly nodding away in death. My memories deserved a fight. I took the kids to school, went to work, called him a few times a day. Work was a relief, a vacation from caregiving. I even got a raise in the middle of it all.

I tried to take in Jeremy’s look, his smell, the sense of him in the room. But I felt caged, like I was banging my head against the bars. “The doctors said there’s hope. Let’s stick with hope.”

I wanted him to reach over and rub my head, mussing my hair like he used to. Instead, I closed my eyes tight, feeling the flesh around my eyes wrinkle in on itself. Imagining his hand in my hair.

“’Chelle, I’ll jump through hoops for you if you want me to.” He really was saying, but don’t make me.

“How about for the twins.” I wasn’t exactly certain of when that look in his eyes shifted to some other plane of his existence. He could barely see the kids anymore. He’d started writing cards for each of them for future birthdays, graduations, weddings. All the cards said the same thing, “Know I’m with you. Know I love you.” I would put those cards away and only bring them out when I was alone, when I wanted to see his lousy penmanship again.

Jeremy walked to the back door and onto the patio. I watched him through the windows. The green lawn framed him in his blue robe, his pale hand held the red mug, white stubble coated his face and head like an early frost. All the colors seemed vivid and oversaturated, as if the sunlight carried its own psychedelic glow, and I realized then how much I missed our life together.

I opened the drawer again and reached deeper inside. My fingers felt a narrow, thick tab, like maybe the shape of a pheasant’s tail. I pulled, but it was lodged in the back seam of the drawer. I leaned in with a flashlight, and the smell hit me again. I almost couldn’t bear it. I held my breath and finagled my arm deeper into the drawer. As I tried to wrench the object from where it was wedged, I could see over the counter, out through the window, and into the yard. Snow filtered down from an unbroken gray sky and settled onto the black covers shrouding the lawn furniture. A spiderweb of frozen crystals moved across the panes of glass in the window. The twins piled more snow on the snowman they’d built yesterday. “Fatter, Mommy, fatter,” they’d said in unison. Around them, the late-afternoon sky changed everything to shades of gray.

~For Betsy Smith Edmunds

 

 

Ree Davis has worked as a cook, dishwasher, seamstress, farmworker, typist, and baker. She’s traveled across the Americas, Europe, and Asia. Graduating from Cornell University, she headed R&D for a Fortune 500 Company and gained masters degrees in architecture and creative writing. Ree lived on both US coasts, in Japan and China. Her work has won two Pushcart Nominations and appeared in Narrative Magazine, Daedalus: The Journal of the American Academy of Arts and Sciences, Limestone, and Penmen Review, among others. Her story “A Limitless Sky” was adapted to a radioplay by Delmarva Public Radio. She lives in southwest Virginia.

 

“It Hangs a Delicate Chain” by Rebekah Keaton

What the Monkey_Delicate Chain
“What the Monkey Dreams” Image by Pam Brodersen

She wakes to the back-hand slap
of rain against the double pane
and a dream that she can’t shake.
After coffee and a shower
it hangs a delicate chain
around her neck.

Across town he rubs his neck
a white knuckled dream slaps
cold metal chains
around his wrists, painfully
they ache. In the shower
steam rises, but he is shaking.

Outside puddles’ oily spills shake
the city awake by the scruff of its neck,
while a neighbor half asleep showers
her white blouse with coffee, slaps
her oldest child. Pain
sparks up her arm like a cold chain.

In another house, the first fight: the chains
of marriage begin to shake
the dream awake. A pained
morning commute replaces nights necking
in his father’s car. They feel the wet slap
of the day’s showers.

Upstairs, recovering from chemo, in the shower
she slips; he catches her. Nothing changes
the past, but here is the sure slap
of his calloused feet shaking
the floor to reach her–his soft kiss on her neck
forgives him, soft cools her pain.

At the flooded intersection, a car at breakneck
speed crashes. Metal showers the morning’s pane,
slaps the world awake. Everything shakes, changes.

 

 

Rebekah Keaton’s poems have appeared in various online and print journals, including recently in The Dying Dahlia, PoemMemoirStory, The Healing Muse, Rust+Moth and Common Ground Review.

 

“Shelby County Courthouse” by Kathryn Kulpa

A Note_Shelby CountyCH
“A Note” Image by Pam Brodersen

I was testifying at the hearing when I saw you sleeping.

Your meemaw beside you looked like an old tree, gnarled and bumpy from too many hard winters. The crocheted blanket that wrapped you round was two shades of pink: odd dye lots from the Dollar Salvage, and I knew just what she’d said as she bought them: “The baby won’t care if they don’t match.” And she was right. You don’t care.

The domed, painted ceiling above you is gold and blue. It looks calm and holy, the way the Sistine Chapel might look inside. Or maybe not. I’ve never been there. The only church I’ve seen is the one I was married in, and that one had a white drop ceiling. His mom picked it. It was near the Olive Garden. And even though we didn’t care about getting married I thank God every day she said what she said about custody and made us go. Thank you, Meemaw.

Because now my mama can’t take you, wherever they send me. My mama who wouldn’t quit that man, even after I told her what he did to me. She swore she was done with him, like she swore so many things, but then I came home and found him alone with you.

Things I always knew about you: that you will make it out of here alive. That you will be better than where you come from, better than all of us. Even if you’d looked like that man whose name I won’t say. I’d dream about that before, worrying I wouldn’t love you if you looked like him. It wouldn’t have mattered—I know that now—but you don’t. You’re caramel and curly. Nothing mean could ever look out of those wide brown eyes. When you dream, you dream a world where even the moon smiles down at you.

You wake, looking up at this gold-and-blue ceiling like it’s a skyful of stars, like you did that time at the carnival when I took you on the Ferris wheel, held close in my lap, and you weren’t scared at all. You looked up and waved your hands at the sky and my eyes blurred watching you, I loved you so hard, and you won’t remember that night, or me, most likely, but that was when I knew. I’d die to keep you safe. That night your face turned to rain.

 

 

Kathryn Kulpa is the author of Girls on Film, a winner of the Vella Chapbook Contest, published by Paper Nautilus. Her stories have appeared in Thrice Fiction, Reservoir, Monkeybicycle, and other journals. She leads writing workshops for teens and adults in Rhode Island and will be a visiting writer at Wheaton College in fall 2017.

 

“When Words Spill Like Rain” by Barbara Presnell

Sanibel Surf (Words Like Rain)
“Sanibel Surf” by Pam Brodersen

1

March 7, 2008

Last night’s shower has soaked the low-lying roads and swampy ground of the St. Bernard Cemetery in southeast New Orleans. I’ve driven from a work site on a street called Tiffany Court, past an overgrown marsh and a white heron posed in ankle deep water, and have paused at the edge of this damp cemetery. The heavy iron gate shines black from the steady drizzle, the angel perched on the post glaring down with misted eyes. Rain spots my windshield, spills down it. My phone buzzes, and my brother’s name pops onto the screen.

“I was playing with my phone,” Edwin says when I answer. “I wanted to see if I could get you and Ellen on a conference call.”

To find him playing with his phone on a rainy Thursday morning is not surprising or out of character. “Sure,” I say, cutting the engine. “Go ahead.”

I’m here in the St. Bernard parish with a group of 12 college students and my husband Bill, all of us volunteers in the Alternative Spring Break program sponsored by Habitat for Humanity, building houses to replace those washed out in the floods following Hurricane Katrina. We work all day then spend our nights in an elementary school building used as temporary housing for volunteers, a place now called Camp Hope. Our quarters are bunk beds built from 2 x 4s in what were once classrooms where first and second graders learned to count and spell. Over 400 college students—and just a few adults like me—share this cramped space. Rain has poured down almost every day, mocking our generosity.

This morning, for the fourth straight day, our group was assigned the chore of hammering siding onto a new house drenched by last night’s downpour. Our AmeriCorps leader said something like, “The need for housing doesn’t stop with rain, so we don’t stop either.” Our student leader, a mature young woman named Katie, said to us all, “Don’t work if you don’t feel good about it.”

I pictured broken ankles from ladder falls, lingering coughs and colds and didn’t feel good about working, so I got in the rental car and took off, taking rights, lefts, heading down roads I’d never seen before, and finally pulling into this gravel lot of the St. Bernard Parish Catholic Cemetery. It’s the oldest cemetery still in use in the state of Louisiana, its heavy mausoleums recording some of the earliest names of the Isleños, descendants of colonists from the Canary Islands, beginning in 1767. Many stones are hand-carved, and all are decorated with statuettes of saints or angels, flowers, flags, or crosses, inscriptions, and shadow boxes.

Hurricane Katrina did little damage to the cemetery, other than washing a few sheds and boats through its gates. On this day, its paths are puddled with water that poured down in relentless waves last night.

Edwin puts me on hold while he tries to reach our sister, Ellen. I watch the rivers of rain pirouette across my windshield and wait. In a few minutes, he’s back. “She’s not answering. But I’ve got her voice mail, so we can both leave her a message.”

He goes first, explaining to my sister the missed opportunity to talk to both of us at the same time. Then me: “Hey, Ellen. I’m in New Orleans, sitting here in the pouring down rain. I’m sorry we missed you. I’ll see you Saturday.”

“Okay, that’s it,” Edwin says. “I’ve got a lunch meeting. I need to go. You all right?”

“Tired, smelly, sleepy, and ready to come home, but otherwise, I’m fine.”

Then I remember: it’s March 7, a day that has set me off-kilter for the last 39 years.

 

2

March 7, 1969

My mother sits upright on the pillow end of my sister’s extra twin bed, the one that had been mine until I moved into my own room just four years earlier. The light from the nightstand casts a flat yellow beam. We three children gather on both beds around her, Edwin perched directly across from her on my sister’s bed, and Ellen and I awkwardly facing each other on the ends, our shoulders curved downward, already tired, already our burden too much for children our age, already our age much older than it was a few days earlier.

Our father has died. After what was supposed to be minor surgery to repair an ulcerated stomach, he has had a heart attack, and just like that, he’s gone.

At last the house is empty of friends, relatives, and neighbors, sometimes wanted and sometimes not. In a few days, my brother will be heading back to his dormitory at Clemson University. On Monday, my sister and I will go back to school. What would we do otherwise but sit around the house and feel sorry for ourselves? Feeling sorry for ourselves will do us no good. Missing school on Monday would only postpone the difficult return, and throw us behind in important things like algebra or the study of American government.

Outside, unrelenting rain pelts down, pounding on the roof, slicing against window panes. Inside, there are no tears. My mother’s long fingers trace the stitching on my sister’s blue bedspread. I don’t have to touch her hands to know they are cold.

“We will go on with our lives,” she says. “We will go back to school, back to work. Staying home won’t make it any better.”

“Edwin is now the man of the house,” she continues. “Ellen and Barbara, you will help me take care of things. Life will be different but we will be strong. We will not talk about this. We will move on.”

We will not talk about this. We will not call his name. There will be no laughter, there will be no joy. We will be strong, and we will make it.

That night I take the small knot of grief that is beginning to work its way from my gut to my throat and swallow it back down. The tears that flowed only one time in four days, one late afternoon behind my closed bedroom door, seep back into the impenetrable foundation my mother has laid. They will not find their way out again.

 

3

March 7, 2008

After dinner in the Camp Hope cafeteria, I wait in line in the community room so I can check my email before falling into bed. We are leaving in the morning, spending our last couple of hours at the worksite before piling into our three vehicles and heading to the airport in Biloxi, an hour’s drive. I’ve taken my last shower, stuffed my muddy clothes into plastic bags and crammed them into my suitcase.

Exhaustion defines the place this evening. It has been cold all week and rainy for half of it. The warm fuzzy feeling of our decision to come here for spring break has numbed beneath the cramped conditions and bad food. We’ll get it back, of course, but not one of our crew is sad to be leaving.

Computers line one wall of the community room, where two soft couches, a few tables for board games, and a TV mounted in a corner provide the best hang-out space of the school.

I log on and type in my password to retrieve incoming mail. There is only one, from my brother, to both me and my sister. The subject heading is left blank. I double-click, and the message opens.

Dear Sisters, I tried to get the three of us on a three-way call today because I was in a deep moment of reflection. Every year since 1969, I and presumably you, relive at some point the biggest turning point of our lives. Since then, of course, other days bring about similar emotions. . . but the events of 1969 cannot escape me as the single most defining moment of my entire life.

I read these words and the story that follows with fear and fascination. It is an hour by hour account of his life over a two day period that begins, I will never forget the dorm phone call I got from Mama on that Thursday at 6 a.m. telling me I needed to come home. . . . hitchhiking to an uncertain destiny, 250 miles that took nearly eight hours to accomplish, not realizing I was heading into a lifetime of questions, literally a lifetime of lessons. He’d spend the next 15 hours waiting by my father’s hospital bedside and the next 40 years never forgetting those hours.

His story is remarkable because I’ve never heard it. It is perhaps more remarkable that I’ve never heard it. It confesses to a truth I have felt all my life but have rarely owned up to: an addiction to loss, an inability to move beyond that single day that comes relentlessly, year after year after year.

 

4

March 7, 1994

            I live in Lexington, Kentucky, in a small, rented house with my husband Bill, who has left the newspaper business after a successful fifteen-year career and entered graduate school. Our son Will is 8. He’s a happy, rambunctious child with a creative imagination and a love for his red cat that will carry him through to adulthood. We’ve been in this town now for four years, without any family nearby but surrounded by good friends and neighbors. I love Kentucky, love myself in Kentucky. I’ve found the seeds of a poet buried inside me, and they’re sprouting and beginning to leaf out in my words on the page and the breaths of my life, my eyes focused outward on the vibrant color of the world around me.

It’s a cold morning, the remnants of an earlier week’s snow still lingering. Bill has walked to campus, and Will is home from school and is in the living room with his friends Dillon and Ryan, where they’ve turned chairs and couches on their sides and covered them with blankets to build a fort. Something luscious and economical, like a chicken or stew beef on sale, is simmering in the crock pot on the kitchen counter, and I’m stuffing clothes into the washing machine by the back door.

The phone jingles, and jingles again before I pick up. It’s my mother in North Carolina.

“What are you doing?” she asks in her now delicate, soft-pitched voice. She has remarried, is happy, her life warm and full. Still, I’m surprised to hear from her in the middle of the day during the work week. We chat oddly for a minute or two, and I answer her questions about what the rest of the family is up to, how I’m spending my day.

Then after a pause, she says, “I just wondered if you know what day it is.”

I freeze, tensing from head to toe as though a muscle spasm has claimed my entire body. I’ve always known this day, each year its spinning and darkening into a shape unlike any other in the year, never what I expect and never one I can avoid. “Yes, I know,” is all I can say.

There’s another pause, and then, as though she’s been practicing, she continues, “It’s been twenty-five years. I just wanted to know if you’re all right.”

It’s the question I’ve wanted her to ask, wanted anybody to ask, but if there’s an answer for it, I buried it deep twenty-five years ago, just like she taught me to. Part of me wants to take this moment and tell her everything, to let it spill through the phone line to the other side of the mountain and into her house. I want to let it out, but it’s tamped down too well.

“I’m fine,” I answer.

I’m not fine, of course. I’ve simply moved and moving keeps it from coming up, keeps it out of my face, takes away the daily reminders, the people, the weather, the buildings, the names, the words I cannot say and have never been able to say.

There’s little more to our conversation. A quick change of subject, a few more niceties, and we hang up. When I put the receiver back into the cradle, my hand is shaking.

A year will pass before I relocate, kicking and screaming, back to North Carolina, where my choice becomes either to open the Pandora’s box of anger, sadness, untold stories, and unspoken words long buried, or let the poison of denial finish its job of eating away my insides.

My mother will live five more years. She won’t ask about it again.

 

5

March 8, 2008

Ellen picks us up at the airport upon our return from New Orleans. Rain still teases around the edges of morning, soft patters against her windshield. After a quick rundown of trip details, I ask, ““So, did you get Edwin’s email?”

“I did,” she says. We are pulling into her driveway now, late afternoon’s overhang of winter chilling the March afternoon.

“So, what’s going on with him?” I ask. “And what are you going to do?”

As middle sister, she never makes up her mind about anything until she weighs all possibilities, checks the lows and highs of everyone’s temperature, and then finds common ground.

“I guess I’m going to answer,” she says.

Tomorrow morning, I will open my email to Ellen’s response, a remarkable account of faith and friends that saw her through the days that followed. Her story will fill four pages. We are survivors with a variety of survival techniques, she will conclude.

But tonight, it’s my turn. That night, after unpacking my suitcase and getting a load of smelly clothes in the wash, I sit down at my computer and reread my brother’s words, the tender story of a boy turned man in a single weekend. I begin my story:

What I remember is him in the bathroom, sick every morning. I tell my version of the day of our father’s death, my grandfather waking Ellen and me at 6 a.m., that day’s rain beginning in fog and unceasing through the long weekend, the long grief within the dark house that followed. Had he lived 39 more years—or even 29 or even 19—how very different our lives would have been. I write for an hour or more, lost in years, before I hit “Send” then close my screen and stand from my chair, stretching my arms behind my back.

I don’t yet know what the months and years ahead will mean. I don’t yet know that beginning to tell our stories will open into volumes of words spilling onto pages, lengthy phone calls, time spent together, the three of us, doing the work of grief that’s 39 years old. What I do know is that something larger and stronger than me has budged, and soon I will—and I’ll mean it this time—be fine.

I pull back the window blinds enough to see the gibbous moon, the face, always in it, still there.

 

 

Barbara Presnell is an essayist and poet who lives in North Carolina. Her latest poetry book, Blue Star, traces her family’s involvement in war from the Civil War to the present through military records, census reports, letters, journals, and photographs. Her book, Piece Work, won the Cleveland State University Poetry Center’s First Book Prize. She has published work in Cumberland River Review, The Southern Review, Malahat Review, Appalachian Journal, Chariton Review, and other journals and anthologies. She has received grant and residency support from the North Carolina Arts Council, the Kentucky Arts Council, Soapstone, Inc., and Willapa Bay AiR.

 

“Cactus” by Foster Trecost

Cow Hit by Lightning (Cactus)
“Cow Hit by Lightning” by Pam Brodersen

I counted telephone poles and the seconds between them. The highway cut straight through the sand, and it seemed the road would never end. No curves. No hills. Just poles.

I’m not sure when she changed. After kids, I guess. She rarely smiled, joked even less. I watched her drive. Not even a blink. Just an arid stare, dry like the desert, alone like a cactus. I wanted to say something, but I knew she just wanted to drive, to hide behind the wheel, an excuse to concentrate, a reason to focus on something other than me. Maybe I had changed, too. I went back to the poles.

She once asked me to keep her young. “There’s not much I can do about aging,” I said. So she asked me to keep her youthful. “That, I can try.” And so came the days when everyone we saw became someone else. We spent hours inventing stories about people, who they were, what their lives were like. She later told me she got the idea from a Simon and Garfunkel song. “See that woman over there,” she said in a grocery store checkout line. “She’s having an affair with her tango instructor. Her husband knows it, too. But he’s sleeping with his secretary.” She looked at me, and waited for what I would say.

“Do you think they know?” I asked.

“Know what?”

“Do you think they know her tango instructor is married to his secretary?”

She kissed me, right there in the checkout line, for a long time.

I tired of the poles and wanted to turn on the radio, but figured no stations were in reach. I also figured she’d turn it off if I found one. I wanted to talk, or break something.

I must have dozed off because I don’t remember stopping. I woke to an empty car, still running, her door open. I jumped out, looked around, and found her standing in the sand some ways away. I walked to where she was, but let her speak first. She stood in front of a cactus, prickly in bloom.

“They’re spies,” she said.

I waited.

“They’re spies from another planet, sent here to watch us. See those flowers,” she said. “Those flowers aren’t really flowers.”

It was my turn. “No, they’re not. They’re communication devices used to send information back to their home planet. Information they gathered throughout the year.”

“Yes,” she said. “That’s what they are. Communication devices.”

I wanted to ask where she’d gone, but instead I kissed her for a long time.

 

 

Foster Trecost writes stories that are mostly made up. They tend to follow his attention span: sometimes short, and sometimes very short. He lives in New Orleans.

 

“Requiem XIV” by Ekweremadu Uchenna-Franklin

Birds on a Line (Requiem)
“Birds on a Line” by Pam Brodersen

Dear mother hen
I dreamt you’re now gold-plated
angel-winged
and ruby-hearted

I dreamt you’re now a nanny
in heaven’s nursery
tending cherubs
as you had done back here
as ever
there’d be no sweeter song to your soul
than the chirps of those tender lights

pray tell
did the choirmaster make it to heaven
whose fiery voice
spurred weaklings to dare death
and melted iron hearts to tears

is our rich uncle smouldering in hell
who embarned tons of grains for thankless weevils
while you and I scavenged for crumbs
as you rode down the ever-busy new road

did you pause by the crossroad
to peep down the old alleyway
now overgrown by tall grass and spider web
did you spot our famished Patriarchs
costumed in sackcloth and ash
grieving our marriage to new Gods
who brook no rival, being jealous

 

 

Ekweremadu Uchenna-Franklin writes from Kaduna, Nigeria. He was Longlisted for the Erbacce Prize For Poetry 2015; he was the First Runner-up for PEN Nigeria/Saraba Magazine Poetry Prize 2011, and made it to the Book of Winners, Castello di Duino International Poetry Competition 2010. His works have appeared in Coe Review, The Write Room, Saraba Magazine, Wilderness House Literary, A&U American AIDS Magazine, Kalahari Review and elsewhere.