“Mourning Light” by Rachel Crawford

Mourning Light (Shimmer) 
“Shimmer,” Photograph by Fay Henexson

When I woke I thought the sun was shining,
but it was only the overhead light
burning in my daughter’s pink and white room.

Grey light filtered through the leaves of the ash
that tapped on my bedroom window all night
making me dream of rain. I drew the blinds

on the tear-streaked morning, the muddy light,
the ash. I stepped across the hall to find
my daughter fingerpainting on the wall,

her hand a rainbow in mid-air. Still drenched
in dreams of loss, I leaned in the doorway
and watched her paint, one after another,

a yellow sun
shining on a red house
next to a green tree
by a white bridge
crossing a blue river.

 

 

Rachel Crawford is a writer, teacher, and editor whose poems and stories appear in Red Rock Review, Mudlark, Lucid Rhythms, The Lyric, Figures of Speech, Apeiron Review, Red River Review, The Yellow Chair Review, Illya’s Honey, Freshwater Poetry Journal, Adanna Literary Journal (forthcoming), Literary Juice, The Wayfarer: A Journal of Contemplative Literature, Anima Poetry Journal, Crack the Spine, Her Texas, Rock & Sling: A Journal of Witness, and RiverSedge. She lives in central Texas with her husband and daughter.

 

 

 

 

 

 

“Painting the Elephant Gold” by Kay Merkel Boruff

Cover Image
“Sandstone Formations,” Photograph by Fay Henexson

Hell, we just wanted to see the show.

~W. C. Williams

The hay is mown and rolled, my summer dreams asleep. The child ascends to dance. In the grayness of gray, each step an entrance, I arrive at the window, you have just walked out the door. Wings shining, eyes bright, you smile your love to me. Wind chimes catch the breeze. Honey bees nestle flowers blanketing fresh dirt. Morning washes over me. Chords from the sonata float with the clouds. Luna moth circling through blue spruce echoes greetings. Trees sway, speckled light refracting on lichen and moss. Smooth rocks celebrate the dawn. Breath lifts me—I am floating, flying. I am once again with you.

The red dirt road snakes among chinaberries, ocher fruit of poisoned passion. I am the child dancing in winter. Day rests on the window sill. The strength death brings frees me. The powerless is the powerful. I resume the baci, the ceremony of embarkation, my altar stacked with hai blossoms and bhat, blessings from the monkey king, music for the dead, light for the living. I set my sights home, home to the red dirt: to the state of grace in wornness, to the Wabi-sabi, shards of pottery, cracks in gold paint, dissonance in the moonlight: May I be a well filled, a song sung, a dream remembered.

 

 

Kay Merkel Boruff lived in Viet-Nam 68-70 & was married to an Air America pilot who was killed flying in Laos 18 Feb 70. Her work has appeared in the New York Review of Books, Vanity Fair, Texas Short Stories 2, Taos Magazine, The Dallas Morning News, and the Wichita Falls Record News. In addition, she has work in Suddenly, Grasslands Review, Behind the Lines, Fifth Wednesday, Adanna, Stone Voices, Turk’s Head, and Paper Nautilus. Letters of her husband’s and hers were included in Love and War, 250 Years of Wartime Love Letters. NPR interviewed Boruff regarding her non-profit Merkel & Minor: Vets Helping Vets: A Class Act Production. She attended Burning Man 2012 and then climbed Wayna Picchu in Peru on her 71st birthday.

Read more about Kay’s writing journey here.

 

“Care Packages” by Jerri Bell

Care Packages (The Creation of Adam)
“The Creation of Adam,” Photograph by Fay Henexson

USS Kearsarge
June 24, 1995

Dear John,

Lisbon is for lovers and I have three days’ leave while the ship is in port, so I’ve booked a room in a romantic posada perfect for a clandestine lovers’ tryst. To reach it, you’d first turn right at the church where “Miserere mei Deus” echoes from the choir loft and the disapproving priest in the black cassock and gold filigrana crucifix is hearing confessions. You’d come to the plaza where the old men sit at sidewalk tables sipping bitter cafés negros from tiny cups. There’s a shortcut through the alley between the third and fourth restaurants whose window tanks hold live lobsters awaiting execution, claws banded so they can’t damage each other overnight in a fit of territorial jealousy. The alley ends across from a wall tiled in blue and white azulejos depicting a bullfight: the bull has gored the matador, who still raises his sword in triumph and prepares to take his brutal revenge. The next right is a straight and narrow street paved in steep limestone steps, their worn centers slick, smooth, and treacherous underfoot. Between the whitewashed houses, crisscrossed pulley clotheslines are hung with unsullied, lace-trimmed sheets. Only the spotless linen is on display; stained and tattered undergarments are hidden between the lines.

At the top, you’d have to call me from the phone box on the corner by the house where the lemon tree grows beside the back door. Tom, the ship’s medical officer, called his wife from that phone last night. He told her about the pretty lemon tree with the sweet-smelling flowers, and said he’d bought her an inlaid wooden box with a surprise inside. (I sent you a box with a surprise inside today, too. Just like the one I received at mail call yesterday. I was so excited when I saw a care package with your return address on it!) Anyway, Tom’s wife had news for him, too. She’s pregnant. And she’s four months along! Of course, since we’ve been deployed for the last seven months their divorce papers are probably following the ship from Haifa to Malta to Lisbon. She said that Tom made her feel undesirable. Less of a woman. At least she told you herself, I said. That counts for a lot. We consoled each other with gin and tonics at a bar on the Praça do Comércio and staggered back to the ship at midnight.

Remember the glamour shot I had taken for our last Valentine’s Day together? The one where they posed me on bubblegum-pink satin sheets, and everything seemed to have a rosy glow? You said you loved my blonde highlights and that negligée, the deceptively silky white thigh-high rayon with the virginal sweetheart neckline. After I gave you the photo we lingered by the dying fire with candied orange peel, and dark chocolate, and extra-dry California champagne. You joked about what might happen if you framed the picture and put it on your desk at work.

I wasn’t expecting the black leather outfit in yesterday’s care package. It’s amazing that the merry widow, the thong, even the fishnet stockings and the garters are all just my size! I was puzzled to find my glamour shot underneath, though. I was even more surprised to see the next photo in the stack. That was quite a naughty French maid costume the brunette with the green cat-eyes was wearing. And the redhead in the third photo sure has an overbite. Did whatever was under her tiger-striped teddy make up for it? The last photo – your wedding portrait, dated Christmas 1993 – explained a lot. And what it didn’t, the nice letter from your wife did. She sent me all those pictures because she wasn’t sure which of the women was me.

And now I have a similar problem. I don’t know if the leather outfit and accessories belong to the brunette or to the redhead. I’m returning them to you, so you can give them to her yourself. I’m sure that she’d rather get them back from you than from some other woman.

Sincerely,

Marcia

 

 

Jerri Bell is the Managing Editor for O-Dark-Thirty, the literary journal of the Veterans Writing Project. She retired from the Navy in 2008; her assignments included antisubmarine warfare in the Azores Islands, sea duty on USS Mount Whitney and HMS Sheffield, and attaché duty at the U.S. Embassy in Moscow, Russia. Her fiction and nonfiction have been published in a variety of journals, newspapers, and blogs. She and former Marine Tracy Crow are the co-authors of It’s My Country Too: True Stories of Women Under Fire from the American Revolution to Afghanistan, forthcoming from University of Nebraska Press/Potomac Books in 2017.

 

“On Perseverance: 5 Shorts” by Lucinda Kempe

On Perseverance (Triptych of Textures)
“Triptych of Textures,” Photograph by Fay Henexson

On Perseverance

12 step groups say: “Insanity is doing the same thing over and over again expecting different results.” No it’s not, I say, irritating the hardliners. The definition of insanity is not being able to distinguish between reality and non-reality. In psychiatric terms, people who do repetitive actions are perseverated. Perseverated means stuck. You wash your hands twenty times, three, four, five, six or more times a day, or check to see if the stove has been turned off dozens of times before you leave the house, or, like me, you never veer from taking the Manorville exit because you’re terrified to get lost.

I’m not insane. I have General Anxiety Disorder, which is a kind of Post-Traumatic Stress Disorder that can manifest in panic attacks so wild you appear momentarily schizoid. But I soldier on regardless. “Follow your fear.” My greatest fear is of success, not failure. I do failure well.

Perseverance is another way to define “doing the same thing over and over again expecting different results.” Go to enough meetings, you may never like them but you’ll learn about humility in action. Hemingway wrote the last page of Farewell to Arms, thirty-nine times to “get the words right.” Brenda Miller works on her essays for twenty years. I began the first draft of a memoir in 2000 the year after my mother’s death—I’m still writing it.

I recognize my own perseveration – it’s emotional – The beauty is I persevere anyway.

 

On Failure

Drawing, acting, being a daughter, mother, wife, and writing: I failed all of it until I got sober. Not that I was drunk from day one–albeit family lore has it that my mother put diluted gin and tonic in my baby bottle to offset diaper rash. Alcohol at my house spelled anesthesia. Weary of alcohol induced amnesia, I put it down and examined my ills. The crux began with lively and bright bifurcated parents; my mother from my father; her mother from the past; my father’s mother from four marriages; and my father from madness. They failed. Themselves, each other, and the children they produced.

“It doesn’t matter how rotten you are, or if you fail. A failed parent is better than a dead parent. A failed parent at least gives you someone to rail against.”

–Louise Erdrich

I failed to keep my father alive; I couldn’t prevent his becoming a ghost. How I would have loved his failure in the flesh; I would read to him poems by Roethke on the sadness of pencils, passages from Erdrich’s Plague of Doves, and Virginia Woolf’s failed righting of a moth. . ..

I am failing now.

I try again. I am failing better.

 

On Suicide

My father wrote poems, painted, and acted but none of that saved his life. Of course, he was a paranoid schizophrenic, dead by age thirty-nine – he hanged himself with his belt nailed to a door frame the summer of my fifteenth year. I doubt writing about his mother, who had him as a teen, could have made him well. I don’t like writing about my father. He was an absent father and his last action wasn’t a gift. I went to his funeral alone where I met his mother for the first time in my recorded memory. After his death I turned him into a potent specter I sought in the beds of strangers.

Having failed to take my own life a couple of times, I am an unsuccessful suicide. I have written about my mother and grandmother and me, but writing about my father feels insurmountable, and not just because I didn’t know him.

Maybe I like that omnipotent ghost too much.

Maybe putting him down on paper will transmogrify my flesh.

Maybe I’m a masochist who won’t let go.

 

On Funny

“Bundled in the back seat of a United Taxi cab, Mama and I set off on yet another one of our adventures: I to have an abortion and Mama, lunch—she’d brown-bagged a sandwich to take along.” That opening made me laugh. From laughter I could write my abortion story. My mother packed a sandwich to eat in the waiting room of the clinic, a few feet away from where her only child, a twenty-two-year-old college girl has the inside of her uterus suctioned out. There was never a question of keeping the baby. “I’m not going to be a nursemaid for anyone or anything unless it’s a ticket out of here,” Mama said when I’d broached the idea.

Mama called herself the head psychiatric and geriatric nurse at The Crisis Center, her term for our house. Mama was the “Boatswain of Crisis” and I was the storm. Dear God, but Mama was funny. Funny saved my life time and time again. Funny allows me to step away from what’s sad. There was such sadness at home anesthetized by alcohol and books. The booze did so much damage but the books saved us from truth—

Living with each other required fiction on all our parts.

 

On Mothers and Daughters

Mama was a looker: brilliant brown eyes, a Patrician nose and coral mouth, shoulder-length red hair, small waist on a five foot seven frame, Double D breasts, and a dancer’s calves pixilated by thousands of pale red freckles. But it was her wicked wit, powers of observation, and literate mind that brought me to my knees. Mama got her looks from Ellen Virginia Tobin White, the maternal family matriarch known as “Mummy.”

“There’s little Mr. So-and-so standing in the corner looking like a pale cocktail onion,” Mummy’s purported having said.

I have a picture of my grandmother and Mummy taken in Biloxi, Mississippi, 1935. They stand on a front porch, looking like weird Siamese twins bound at the hip, hair in identical bobs, and wearing Mary Jane pumps. Mummy coyly tilts her neck and eyes the camera. My grandmother squints; looks away.

“You’ll survive because you’re the center of your own universe,” Mama once said to me.

I look like Mummy and inherited the matrilineal tongue—when it comes to my own daughter, I bite it.

 

 

Lucinda Kempe’s work has been published or is forthcoming in Jellyfish Review, Summerset Review, Matter Press’s Journal of Compressed Creative Arts, decomP, and Corium. She won the Joseph Kelly Prize for Creative Writing in 2015 and is an M.F.A. candidate in writing and creative literature at Stony Brook University.

Read an interview with Lucinda here.

 

“What To Do On a Day Like This” by Danielle Kelly

What to Do on a Day Like This(Diamonds and Rust)
“Diamonds and Rust,” Photograph by Fay Henexson

December 14, 2012 – Authorities in Connecticut responded to a mass shooting at Sandy Hook Elementary School in Newtown. Police reported 27 deaths, including 20 children, six adults and the shooter. The rampage, coming less than two weeks before Christmas, was the nation’s second-deadliest school shooting. — The Huffington Post

Highway 34 stretches for miles. I drive with a wine carrier strapped in the passenger seat of the mini-van I borrowed from my parents. I had made the decision to transfer graduate programs, moving from Connecticut back home to West Virginia. Maybe moving was caused by homesickness. Maybe not. Either way, running was becoming my M.O. and I wasn’t going to hide from it any longer.

Cal, the automated GPS voice, reroutes me, trying his best to take me through New York City. Four trips back and forth from Connecticut had taught me the quickest way out of the state was to go north then west. My trip home to West Virginia had become a series of checkpoints: Danbury, Scranton, Wilkes-Barre, Morgantown, and, eventually, Beverly.

Newtown connects highway to interstate and nothing more. I pass through town, looking for the I-84 ramp but I can’t even find a piece of trash on the sidewalk.  It is the kind of road I took advantage of at home, the kind of road well-traveled but soon forgotten. Buildings fade into each other as the highway weaves past vintage storefronts. Mannequins stand erect and naked in the windows left of the highway. They are more like body forms. Headless. Limbless. Stumpy necks covered with wide-brimmed hats.

A crossing guard stops traffic in front of Sandy Hook Elementary School. A mom nudges her son to the crosswalk. The boy, maybe nine, headphones down to his waist, glances at his mom, then to the school, and back to his mom again. When he doesn’t move, his mom grabs his arm and leads him. The boy’s feet scrape the concrete. While I wait, I pray the van doesn’t eat my CD and force me into a twelve hour drive of silence. Idina Menzel’s gravelly voice rises from the speakers, and I try to match her tone but my voice can’t manage Idina’s grittiness.

The wine bottles clink off key as traffic begins to move. I’m not sure if it is the music or the traffic or the wine that makes me miss the turn-off for the interstate, but I miss the blue sign and pull into Newtown Fire Hall’s parking lot. I blame Cal. He recalibrates while I find the printed directions my mom always nagged me about carrying, just in case. The goal is to reach Beverly in time to enjoy St. Brendan Catholic Church’s annual Christmas party. A party where barking Jingle Bells and passing religious paraphernalia like a wind-up nun who shoots sparks from her mouth is normal.

~

Somewhere after Scranton and before Wilkes-Barre a guy at the travel plaza breaks the news first. McDonald’s and gasoline cling to my clothes. He’s in his forties, shoulders pulled back, the word LORD tattooed on his knuckles. We stand shoulder to shoulder, the coffee pots crammed together, reaching over one another for sugar and cream.

“Did you hear about those kids?” he asks.

I focus on my perfect ratio of sugar, cream, and coffee. I just want coffee; I just want to get home, reunite with family and people who I didn’t have to try to impress. I want to know the people and places around me again.

“News said twenty are dead.” His eyes are soft, sunken in from age, a bandana covering his hair.

I take in his tattoo, trace the edges of the red lettering with my eyes. “I hadn’t heard,” I say.

He says the kids are the same age as his girlfriend’s daughter Ella then rips open a handful of sugar packets, dumping them in his cup. Then he says he hopes the fucker who shot the kids at least shot himself. He hands me a lid and we walk to the register.

“Where’d it happen?” I ask. The question hangs between us and the shrill beeps of the register.

He pays for my coffee. I pull my sweatshirt around me, fumbling with my zipper. I thank him, get back in the van, and pull up the news on my phone. The picture captures a line of coatless children, their arms outstretched holding on to the classmate in front of them, like a limp chain of prisoners led out of their cells.

~

In elementary school, I rode my bike on our dead-end street listening to The Little Mermaid soundtrack on my Walkman. Hot, hot, hot, I had mouthed in time with the music. Now, as I drive up the dead-end street, I think about the coatless children, outside of Sandy Hook. See people rocking, hear people chanting. I pull the van halfway in our yard, half in the neighbor’s, the woven steering wheel cover imprinted on my fingertips.

Why did the kids hold on to each other’s shoulders and not each other’s hands? A hand is more permanent. A hand forgives more than a Spiderman t-shirt. I would have wanted someone’s hand, to feel another sweaty palm pressed against my own.

As I stare in the rearview mirror, I promise myself not to talk about driving by Sandy Hook. What I saw or might have seen. What I missed. I unbuckle the wine, fumbling with the seat belt, the heat of an unusually warm December rising to my cheeks.

Inside, Jean, a schoolteacher, sees me first, her mouth agape. “Your parents said you weren’t coming.” She wraps her arms around me and I collapse into her chest. Woodsy musk and peppermint encases me.

“They don’t know,” I say.

Up North, no one knew me, which is what I had planned on when I applied to the graduate program. I went to class two nights a week and worked two jobs around campus. But I had fed off of my manager’s stories of weekends remodeling a house all the while imagining I was with my own family weaving through Ikea’s aisles. I had fed off of courteous questions. Top five favorite books. Favorite music. Was West Virginia really its own state? Every night, though, I had sat in a 500-square-foot apartment, playing my piano and singing to a phantom audience, wondering where I had lost myself.

Cabinet doors slam in the kitchen and Mom’s voice cuts through to instruct someone to take the potato casserole out of the oven. I try to see past the crowd of people smashed together in the doorway, but they are too hungry to move from the cheese balls and Buffalo chicken dip.

“I heard there’s a party here?” I say. At first, no one turns around. I clear my throat and try again, my breath deeper and more weight in my voice. “I heard there’s a party here?” The words come out more high-pitched, almost like a scream.

Jean’s husband turns first, Buffalo dip hanging from his mustache. His eyes widen behind his glasses and he hugs me. Fast and hard. Then Carol turns, decked out in her Christmas turtleneck, drapes an arm around my shoulder. In five months, her hair has turned from gray to white. Dad sees me next and grins, the same grin I inherited from him.

“Surprise.” I hand him the wine.

Mom rushes toward us. She has stopped frosting her hair to hide the gray.

“Isn’t this the best surprise,” Jean says.

“Did you hit traffic?” Dad says.

“Not too much,” I lie, and follow mom to the kitchen.

The kitchen is at capacity. Shoulder to shoulder parishioners stand eating and drinking and asking me if I like the North or if I had met someone yet? I nod, pull open drawers, shuffle through spatulas and slotted spoons, trying to find the corkscrew. My hands shake.

“You okay?” Mom asks.

I pop the cork out of the wine and pour a full glass, spilling a little on the counter top. “I’m just tired. I think I’m going to lie down.”

As I turn to go to my room, she grabs a paper towel and cleans up my spill. I turn on CNN while Dad and Jean stand in the hallway outside my room speculating about the updated death toll. CNN shows the same images I saw earlier: ten kids bound together by fear, led out as if they were prisoners, their hands holding on to the shoulders in front of them, parents’ contorted tear-streaked faces full of relief, worry, the horror of seeing their kids forced to grow up too soon.

The cameras cut to the anchor who is fighting a catch in his voice, before focusing on the front of the fire department, now a makeshift morgue, behind him. I stare at the familiar brick building with the seven garage doors that sit off the main road. The parking lot now full of emergency cars. I had turned around in that parking lot. I keep my eyes trained on the TV. This morning nothing had seemed out of place. The storefronts had been decorated for Christmas, the mannequins dressed in the last available merchandise. No one had been out on the streets but the crossing guard and the students and parents of Sandy Hook Elementary.

I wondered, if I’d slept a little later, would things have been different? What if I’d pulled into the school instead of the fire hall? Would I have seen him, the shooter? If I saw him, could I have looked in his eyes and stopped him? To reassure him, and tell him that he would find the answer if only he would wait and suffer through like the rest of us.

Every muscle in my body constricts. I take deep breaths, the same kind of breaths I took when I had panic attacks on I-95 when I lived in Connecticut. Every breath intended to keep me from breaking down in front of our entire group of party guests. I wonder if this is how the kids at Sandy Hook felt. I imagine them hunched under desks, their backs to the door, while markers mix with bullets and cries fade into sirens forming a Christmas carol none of them had ever heard. And so they suck the air and surrender to the sting of tears waiting for the carol to be over and for someone—their teacher, their parents, even the principle dressed as Santa Claus—to hug them and reassure them everything will be all right. I imagine it’s what I would have wanted.

I don’t know how long Dad stands in the doorway before I notice him. “You’re lucky,” he says. “They closed some of the roads because of the shooting.” He walks over and places a hand on my back.

I see my reflection in his eyes. My hair frizzy and my shirt wrinkled. How do I tell him I was stuck behind the SUVs and Minivans of unsuspecting parents and how his daughter made it home.

I take the last sips of the wine. “I know,” I say, “Lucky.”

How do I explain to him why the kids held on to each other’s shoulders and not each other’s hands? A hand is more permanent. A hand forgives more than a Spiderman t-shirt.

 

 

Danielle Kelly holds an MFA from West Virginia Wesleyan College and is Managing Editor of HeartWood, an online literary journal. She is a banker, a multi-denominational church singer, and currently serves as Adjunct Instructor of English at Davis and Elkins College in Elkins, WV.

Read an interview with Danielle here.

“A Fine Line” by Cyndy Muscatel

A Fine Line (Vortex #2).pg
“Vortex #2,” Photograph by Fay Henexson

If only I hadn’t decided to go out on deck that night.

Anchored in the middle of the Galapagos chain of islands, our boat floated on the Equatorial Line with the ease of a high-wire aerialist. The lure of the night sky called, and I slipped out of our cabin to stand by the rail. How could I not go out and see the Southern Cross high above me to my right—the Big Dipper and the North Star to my left? I was smack-dab on the middle of the earth.

Who could have guessed that one of the mosquitoes using me as target practice that night was illiterate? We were in a “No Malaria Zone,” dammit. I’d checked twice with the CDC before we left for South America. My luck—Ms. Quito Mosquito, an Anopheles by genus name, was an empty-headed beauty queen who didn’t care about the pronouncements of the World Health Organization. She was an indiscriminate vampire who’d gotten mixed up with some malaria folk. Filled with their plasmodium, she paid it forward, thrusting the microscopic parasites into my bloodstream. I really don’t blame her. She was a fact of Global Warming. I became one of its victims.

I almost died. That sounds so melodramatic I feel embarrassed to write it, but it’s true.

“Her fever is still spiking at 105. Now her kidneys are shutting down,” the doctor said to my husband. They stood on either side of my hospital bed talking as if I weren’t there. I was—I just didn’t have the energy to open my eyes. I was so weak by that point my body couldn’t even gain purchase on the bed. The nurse’s aide would pull me to the top, but I’d slip to the bottom within an hour.

“Well, what do we do?” my husband asked.

“I don’t know,” the doctor said. “But I’m thinking she has only twenty-four hours left to live.”

“What are you talking about? For Christ’s sake, she’s strong and healthy. She just did the Inca Trail two weeks ago. You better figure out something.” The aggressiveness in my husband’s tone was comforting. Although he knew nothing about taking care of someone who was ill, his Type A personality got things done.

They moved out of the room, but I could hear the murmur of their voices from the corridor. I tried calling out, “What are you talking about?” but my feeble attempt went unheard. What was the doctor saying out of earshot? I wondered. Could it be any worse than what he’d just said?

We’d been having problems with the doctor from the beginning of my illness five days before. My first symptom had been an aching in my legs, which spread to all my joints. That morning I was supposed to pick out granite for our house remodel. I told my husband I felt achy and exhausted—we both attributed it to our arduous trip in Peru and Ecuador. I drove myself to the warehouse, but by the time I got there I felt I couldn’t keep my head up. I managed to choose the granite and through force of will to make it home and to my bed. From then on, the world became murky.

I do remember calling my daughter in Los Angeles and telling her how sick I felt. She started keeping close tabs on my symptoms and began plugging them into the computer. On the second day, she called the doctor to tell him she’d been checking online and she thought I had malaria.

He freaked out. “Don’t you ever call me again with this kind of crap,” he told her. “I am the doctor—I make the diagnosis.”

Even though we’d just returned from a third-world country, he refused to consider the possibility that I had an infectious disease picked up on my travels. He was obdurate until he got scared that I would die. In desperation, he relented. Fortunately for me, it wasn’t too late, and fortunately the infectious disease specialist was from Pakistan. He’d seen malaria many times and put me on the malaria antibiotic doxycycline. Within eight hours I was able to sit up and dangle my feet over the side of the bed.

The next morning, the aide who had wiped my face and arms with such care for four days while I shook with fever was able to guide me into the bathroom. It was the sixth day since I had fallen ill.

“Oh my God. My face is so yellow,” I said when I looked into the mirror.

“Not as yellow as it has been. It’s much better,” the aide said.

I looked again and thought the color appalling. Then I saw how thin I was—beyond gaunt. I hadn’t eaten anything since the aching began. When they weighed me, I had lost fourteen pounds. I also lost my appetite. It took days until I learned to eat again. When they brought me a tray of food, a slab of something covered in gravy, I was so nauseous that I almost passed out. Finally I was able to nibble on soda crackers and sip some ginger ale.

For much of the acute stage of my illness, I was in Hallucination Land. Once I was hospitalized, I saw myself in the Chicago train station every afternoon at 4:00 p.m., waiting in line to buy a ticket to Syracuse. It was always my turn next. On the Sunday the neurologist administered the spinal tap, I hallucinated up a soothing mid-century décor for the procedure. The room was low-lit with futons in aqua and coral. That night I was forbidden to move for eight hours, but the bone-aching pain made me toss and turn. A handy-dandy hallucination had me imagining I was cradled in the arms of four strong women, although in reality it was my husband holding me tight.

I had other mental experiences that were not exactly of the “real world.” I saw a faraway light with a door sliding shut on it. I knew if I didn’t keep the door open, it would be the end for me. One afternoon I was overwhelmed with the effort. “I’m too tired,” I said in my head. “I’m going to let it go.”

But my father came to stop me. I think he was dressed in one of his satin smoking jackets. He’d been dead for two years. “Daughter, we don’t give up in this family,” he said.

“Okay, Dad. I’ll keep trying then.” Knowing he was close by, the task no longer seemed as difficult. Dad was as real to me as the nurse who came in to take my temperature. Maybe more real.

Then there were the children only I could see reflected in the blank television monitor. Dressed in white, they stood around my bed, which was now in a lush garden. I leaned forward and a cherubic baby popped up from behind my pillow.

“Maybe they were angels sent to guide you to heaven,” my friend Else said when I told her later.

I shook my head. “No, that wasn’t it. They were taking care of me. I am safe with them by my side.” It was as clear a statement as my slurred speech allowed.

The slurred speech thing got me into trouble. In my head, I heard myself talking normally. I had no idea that the thirteen words came out as four aloud, and garbled at that. My husband thought I’d had a stroke. My son and daughter, both hundreds of miles away, were frantic. Friends who came to visit me in the hospital told me later they cried at the elevator when they left. They all thought they had lost me. I, of course, was in oblivion.

Going back to the general topic of malaria for a moment, the parasite burrows into the liver. I know this because malaria has become a hot topic, and it was the cover story in National Geographic. That’s why I was jaundiced. But I can tell you from experience that those little buggers hit each body organ hard. Talk about the domino effect. As they circulated, the newest system they entered went wonky. I had MRIs, CAT scans, PET scans, a colonoscopy…you name it. But I felt it was my head, inside and out, which took the brunt of the barrage. I lost everything from memory to handfuls of hair. Parts of my memory, short and long term, were wiped clean. Even today it’s hard to figure out if I’m having a senior or a malaria moment. One strange aside is that my ability with numbers increased. I am better at math and can memorize numbers that I never could before. As for my hair, it seems to have highlighted memory. Lots of it still falls out every year in May—in memory, I guess, of my case of malaria.

Joking aside, the language issue was tough on me. If I am vain about anything, it is my facility with language. Words have always come trippingly to my tongue, but for months I had aphasia—I might have said fork when I meant foot. Some words were simply gone. Like Ottawa. I was reading Middlesex and I had no idea if Ottawa was a place, a car, or some kind of food. Not knowing made me feel as if I were surreal. I couldn’t write for a year—couldn’t put the proper mix of words together. It was so frustrating, I abandoned the effort. This from a person who thought the essential items to bring to the hospital besides clean underwear and lipstick were a pen and notebook. I wrote every day while I was there. I kept the notebook—none of the handwriting looks like mine.

When I went home from the hospital, I was still very sick. My recovery was no faster than the pace of the tortoises we’d watched in the Galapagos. I had a fever and a cough for months. I woke up sweating and parched every night. I could not get my energy back. I also used to have the shakes all day long. Those tapered off, but even now, six years later, if I get overtired, I’ll wake up in the middle of the night, shaking. And I could not get my energy back. I didn’t have that buffer between feeling tired and complete depletion. It’s only in the last year that I don’t have to nap each day.

As I reread what I have written, I am struck by how close I was to dying. I wonder when it is finally my time if Dad will be there again, this time to welcome me in. In? In to where? Heaven? But I don’t believe in Heaven, do I? Or life after death, for that matter. I believe that when we die our individual spark leaves our earthly bodies and soars back into the teeming, churning mass of the collective energetic field of the universe. But what if I am wrong? What if on that May afternoon when I looked into the television that wasn’t turned on and I saw a lush garden—what if I were seeing heaven?

When you almost die, it does change you forever. As my body started to shut down, I didn’t think about the novels I never got published or whether I’d been a good mother and grandmother. I accepted I was dying and I had few regrets. Except I remember distinctly asking myself, But what about the fun I was going to have? Where did the time for enjoyment go? It will be a shame to miss out on that.

I have never forgotten that. I have a worker-bee mentality, but I am getting better at plain enjoying life. I also lost my ambition. I had a novel half finished and completely outlined. I think it was good—I liked the characters and the plot was strong. At first I wasn’t strong enough to go back and finish it. By the time I got my concentration and language back, I’d lost interest. I eventually returned to magazine writing, doing feature interviews with entertainers, authors, politicians, and professional athletes. But when my editor quit, I left with her. I wasn’t willing to put up with the unsteady ego of a new broom. And I don’t miss it. I love the freedom to be able to travel whenever we want. I love the freedom to be able to write an essay, a blog, a poem, or a short story without feeling I have to have it published to prove myself. I want to experience life not to only write about it. I no longer think I have an endless stream of days, so each one is more precious than before.

If I could, would I change that moment and not go out on the deck? Part of me says yes—I have certain health problems that I know were brought on by the trauma of the disease and the fever, and I’d certainly like my full head of hair back! But the experience is part of the fabric of my life. I have learned so much from it. Besides, I got to balance for a while on the greatest equatorial line. I got a peek into eternity.

 

 

Cyndy Muscatels short stories, poetry and essays have been published in many literary journals. A former journalist, she now writes two blogs. She teaches fiction writing and memoir, and is also a speaker and workshop presenter. She is writing a memoir of her years teaching in the inner city of Seattle.

Read an interview with Cyndy here.

 

“Cuddle the Schizophrenic and Fear the Bipolar” by Olaf Kroneman

Pink Lily Lagoon (Cuddle the Schizo)
“Pink Lily Lagoon” by Lori McNamara, 2011, oil on masonite

1967: “The Summer of Love.” It was a great time to be in San Francisco and Haight-Ashbury, smoking pot and dropping acid. But not an ideal time to be a first-year medical student in an inner-city Detroit hospital.

Location, location, location.

For five days in July 1967, Detroit burned. Forty-two civilians were killed. It was the Detroit Riot or Civilian Rebellion from Oppression, depending on your viewpoint. They brought the dead and injured into the emergency room. I saw firsthand what a fifty- caliber bullet could do to a child. Black orderlies and white nurses and white surgical residents gently, but rapidly, placed a five-year-old girl on an operating room gurney.

I heard, “She’s still breathing.”

Her hair was braided in pigtails, held in place with pink ribbons.

It was a psychedelic mix of sights, sounds, and smells.

The lights were bright and illuminated the carnage. No shadows. Nothing left to the imagination. The entourage raced out of the emergency room. The custodians followed behind, mopping the floor. An impression of her body remained on the steel stretcher. It was like a photographic negative made in blood. I was ordered to clean the stretcher. As I did, the girl’s silhouette disappeared.

Finished, I went to the lavatory and vomited.

~

In medicine we can be witness to some beautiful miracles. Childbirth always restores me. Witnessing a sick child’s fever break and health return brings professional salvation and affirmation.

But my experience in the emergency room won’t be expunged. Perhaps a neurosurgeon could remove that section of my brain that remembers. There is no debriefing in the medical profession. We are instructed to “hike them up.” Remain silent. It often works. Time is the second-best healer.

With all the women in medicine now, there must be a new expression. But the sentiment remains.

The emergency room experience was harrowing. I had to talk to somebody. I couldn’t talk to my fellow competitive classmates. Medical colleagues didn’t reveal weakness. Angst was managed with silence. Perhaps it is different now.

At age twenty-one, I reflexively turned to those with whom I shared a filial history, a strong genetic and DNA bond. I would try to reach them once again for our mutual benefit. The DNA bond was weakening, but I had to try again. It would probably be pointless; the more education I obtained, the more estranged I became. My academic accomplishments were like a wall. I was learning so much. I was learning to diagnose. I would be able to save lives. In retrospect, my enthusiasm was focused, but intimidating and threatening. I was obsessed.

My studies led me to the family secret, the hereditary curse that doomed my ancestors. At that time it was called manic-depressive illness. It was obvious. I believed it was my duty to tell them, help them. I tried once to enlighten them. I hoped they would be receptive.

My father loved it when I played football or boxed in the Detroit Golden Gloves. He basked in my glory. But once I got into medical school, there was a distance. He seemed afraid of me. My mother too. She held her breath as I talked about my studies and the things I learned. I’m sure they realized I would come to the inevitable conclusion. I would diagnose and explain why so many of our ancestors ended their days in insane asylums or prisons or as homicides or suicides. I wanted to enlighten them and educate them, get those in the family who were affected help. Help before something bad happened.

But now I needed their help. I had to talk to them.

I drove to my childhood home, which was a two-bedroom red-brick bungalow built after World War Two. My brother, sister, and parents still lived there. I looked through the big picture window. My parents sat in front of a large color television, watching Bonanza. Ben Cartwright lectured his middle-aged sons while Hop Sing waited on them.

I entered. They looked away from the glow of the television.

“Well, who’s this?” my father asked. “Too busy to see your mom and dad? Without us there would be no you.”

My mother stood. My father remained seated. “It’s good to see you, son,” my mother said. I kissed her on the cheek.

“Get your son and me a Blue Ribbon, some crackers and Velveeta.”

My mother went to the kitchen. I felt sorry for her. She was a good person but weak and lived in fear. Fear from a volatile husband who could go from paralyzing depression to a high-pressured manic zealot. During his mania he could be very funny, buying us gifts he couldn’t afford. He would entertain us with unbounded energy. He could also get rough. I grabbed my father’s arm once, when still in high school, and told him, “No. Never again.” I was his physical superior, and he was afraid of me.

I warned him about hurting any of us in the family, especially my mother. My father became an expert at psychological abuse. It left no physical marks. I asked her to divorce him. She was too afraid, and she said she didn’t want to hurt the children.

“We’re not children anymore.”

“You’ll always be my children.”

“I know, and you must protect the one with the broken wing.”

“Yes.”

She returned with the beer and snacks. “Son, what brings you here?”

I did not know how to start. I sipped the beer. “Mom, Dad, I’m seeing things in the hospital, things that upset me.”

My father rolled his eyes. Played an imaginary violin. It was what I expected. I should have left before things got worse.

My father sipped. “Beer’s not cold enough, Sue, put a few bottles in the deep freeze.”

She left to put the beer in the freezer.

“Son, when I was in the marines, there were things that were upsetting.”

“But you got in at the end of the war. You didn’t see action.”

“True, but I talked to guys who saw all sorts of things, and I saw pictures.”

I hesitated, then I told him, “I saw a young girl die.”

“How old?”

“Five years old.”

“Well it beats seeing a baby die. You ever seen that?”

“No, not yet.”

“Well,” my father said. “I saw pictures from the war.”

“What a horrible thought,” my mother said.

“I saw your sister almost die when she cut her wrists on a glass jar. It was a bad accident.”

“Dad, it was no accident. It was a suicide attempt. She needed treatment. She still does. I told you before. You can’t just keep her locked up in the house.”

“She just has headaches,” my mother said. “The light hurts her eyes. She has to stay inside, or she starts to act peculiar.”

“She has manic-depressive illness. It explains her behaviors. She’s unstable; she can’t help it,” I said.

“You think she’s crazy? Is that what you’re saying?” my father asked.

“She needs to be on medication. I told you before but you wouldn’t listen. She needs psychiatric help to undo her bizarre behavior patterns.”

They both stared at me just like before. Deer in the headlights. I could tell they didn’t get bizarre behavior patterns. I told them again about the disease; a disease that causes out-of-control emotions, anger, rage, sex drive, but short-circuits the area that allows the ability to love. The conversation ended in insults and denial. They looked at me as if I were the man from Mars speaking another language. But they knew. They didn’t know it had a name.

I changed the subject. “I’m not sure I’m cut out to be a doctor.”

“You’re not a weakling. You never backed down,” my father said. “We had such high hopes for you. You could be rich.”

My mother said, “Doctors are special people. Perhaps you don’t deserve to be a doctor.”

Her words stung. I was no longer special. I couldn’t talk. The bitterness and abuse of my father had finally leeched into my mother. She had hurt me. She’d never done that before.

“That a girl, Susie. Give him a swift kick in the ass. It’s about time.”

My mother had tears in her eyes. She knew what she did and instantly regretted it. This would be of no help. I stood. “Gotta go, thanks for the beer.”

My mother followed me out the door.

“Why don’t you leave him?”

“It would have upset you three.”

“Not me.”

“Then the other two.”

My mother walked me to my car. My sister was busily scratching the side of my car with a butcher knife. I didn’t say anything. It would be pointless now that she had entered one of her manic episodes.

“Laurel, you get away from your brother’s car. Put the knife down.”

“She can’t hurt that wreck. At least she didn’t puncture the tires this time.”

“She wants you to be able to leave.”

My sister ran toward us. I didn’t know what she would do with the knife. She waved the knife at my mother and me.

“You got into med school, but you’ll never finish.” Her voice was too loud, almost like a shout or growl. She laughed and ran into the house.

“That reminds me of those old jokes,” my father shouted. “How do you unload a truckload of dead babies? With a pitchfork. Ha.…ha…ha.”

My sister laughed as well. Her laugh was higher in pitch, but just as loud.

“I don’t know how you live with all that madness. They both have it. He passed it on to her. You have to save yourself.”

“Sometimes they’re not so bad.” My mother turned and walked into her home.

That’s all I needed. I couldn’t go back again. I knew too much. They would always be afraid of me. I decided to transfer to a medical school on the West Coast.

~

That was almost fifty years ago. In 2017 it will be fifty years since the Detroit Riot. The young girl on the stretcher would be about fifty-five had she lived. The issues then were racism, police brutality, unwanted foreign wars, and gun control. Nothing much has changed. Abortion is on the front burner again.

Naively we thought the Middle East problem was over after the Six-Day War.

Leaving Detroit was a good thing for me. I went into academic medicine. All the academic opportunity was on the coasts then, as now.

Initially I went into a psychiatry residency. I wanted to learn as much as I could about manic-depressive illness, now called bipolar disorder. It’s said that unstable physicians go into psychiatry in order to heal themselves. I don’t believe that. Unstable physicians stay as far away from psychiatry as possible. They’d be too easy to spot.

But I’ve learned enough about the disease that I can spot them. The untreated ones or the ones that go off their medication act bizarre. I saw a surgeon one time get manic, and during a surgery throw a scalpel against the wall. The scalpel ricocheted, just missed the anesthetized patient, and stuck in the surgeon’s leg.

While being sewn up, he was committed.

Unfortunately, the laws protect them. You can’t be proactive. They must do something bad. Someone must get hurt before you can intervene. I’ve seen it too many times.

The treated ones always carry water or are always at a drinking fountain. The medication, the lithium, makes them thirsty. It hurts the kidneys and they always have to pee. They chronically carry coffee because the medication makes them drowsy. I’m on alert. I’m afraid of them.

And they have a peculiar twitching at the mouth or sometimes a locked smile. The mental patient smile.

I’m not the only one with the same fear. I attended a lecture by a famous forensic psychiatrist. The lecture was titled, “Cuddle the Schizophrenic, and Fear the Bipolar.” The gist was that most violent people are not crazy, and most crazy people are not violent. But some are and psychiatry is inept at spotting the suicidal and homicidal.

This hopeless ineptitude led me to change careers in mid life. I became an anesthesiologist. I put people to sleep. I keep them safe. I control their every move while they are under. When they wake up, I’m done. I don’t have to worry if they are suicidal or homicidal.

~

I rarely went back to visit my family. I was not invited to birthdays, weddings, or holidays, but they couldn’t keep me out of the funerals. You don’t need an invitation. I never missed one. I saw them all buried. I paid for them.

Only my sister and I are left. The court got her the help she needed. She attacked her fourth husband with a hammer. Killed the dog. That husband resides in a nursing home drooling and wearing diapers.

I am one of the few physicians that smokes cigarettes, Pall Malls, unfiltered. The red pack looks regal, sophisticated. Opposite the surgeon general’s warning is the phrase “Where Particular People Congregate.” Pall Malls are hard to find. But I have a good tobacconist.

I blame the government attack on smoking as the cause of the obesity and diabetic epidemic. Smoking is a great appetite suppressant. The lives saved and the lives lost is probably a wash.

Nicotine is also a good antidepressant. It seems to me that the social ban on cigarettes caused the pharmaceutical explosion of expensive antidepressant drugs. Big tobacco’s loss is big pharma’s gain. The problem with the new antidepressants is that they unmask and unleash bipolar disorder. Add to that the lack of gun control and large clip AR-15s.

I have been spared; so have my children. But I watch for signs. So far, so good.

I sit in my library. I enjoy my Pall Malls and listen to music. I steer clear of the new antidepressants. I can’t listen to Prozac. I’ve never been adequately debriefed. But I keep myself safe: I smoke.

 

 

Olaf Kroneman has had work appear in Forge, Hawai’i Pacific Review, The Healing Muse, The Helix, inscape, Left Curve, Quiddity International Literary Journal, RiverSedge, Gemini Magazine, paperplates, and Diverse Voices Quarterly. His story, “Fight Night,” won the Winning Writers Sports Fiction and Essay Contest, and “The Recidivist,” won the Writer’s Digest short story contest. His essay “Detroit Golden Gloves” was selected as Editor’s Choice by inscape, honoring the top nonfiction piece of the issue in which it was printed.

 

“What I Meant” by Pia Z. Ehrhardt

Sea grapes (What I Meant)
“Sea Grapes” by Lori McNamara, 2008, oil on masonite.

While I waited at the traffic light on Canal Street, a toddler straddled his mother’s hip and kicked off his tiny red sandal. He looked down, wiggled his foot, but didn’t have words. I was driving home from the office with my music on loud. My family had just returned to New Orleans after living for four months in Houston. A continuous rusty waterline cut through buildings and houses. We lived a mile away and on a ridge. The woman stood at the bus stop dressed in turquoise scrubs, and her toddler waved his sippy cup at whoever might notice. There was only one hospital open five miles away, and she’d probably taken the Uptown bus to get to the Broad Street bus.

The light turned green and I didn’t pull over to pick up the shoe and return it to the woman before she boarded. When she noticed her baby’s bare foot she would rush up and down the aisle, searching, and the little shoe would be back in the cross walk, waiting, useless because it needed a match. I kept going. Chances were good that her house had flooded. Our house had come through Katrina high and dry. I went back the next day for the tiny red sandal. Someone had pushed it to the curb and I kept it as proof of this part of myself.

 

 

Pia Z. Ehrhardt is the author of FAMOUS FATHERS & OTHER STORIES. Her fiction and essays have appeared in McSweeney’s Quarterly ConcernOxford American, The Morning News, The Nervous Breakdown, Narrative Magazine, and Virginia Quarterly Review. She lives in New Orleans, where she’s a visiting artist at New Orleans Center for Creative Arts (NOCCA). www.justlivehere.com

 

“Touchpoints” by Donna Munro

gator
“Gator” by Lori McNamara, oil on masonite

Bandaged

We nurse
the unwrapped bandages,
until so worn they wash the dirt,
muddy down the arms, down the legs,
past caring how heavy the weight,
how burst the sore.

 

Junkie Air

The air is still.
Heavy to walk through,
push through, breathe through.
Fan blades clog with a soft whirring of your death,
always about to come into the room,
always about to blow through.
From the jetty, I blink signals of light
through the night as you sleep.
Last night you slept
in eye light and wave rhythm.

 

Recovery

On the half sandbar
between beach and village,
there is sea in every direction.
As the tide rises,
one browned, thin-shouldered boy
bolsters his castle with rocks,
pats it down.
His mother watches,
hoping her boy will be the one
to hold the ocean back.

 

 

Donna Munro moved to the ocean and is still searching for one grain of sand with her name on it. She writes with frankness and compassion. She helps with distribution of Cape Cod Poetry Review, is and has been a member of the Cape Cod Poetry Group, the Steeple Street Poets and the Casa Benediction Poets. An emerging poet, her poems have been or are forthcoming in Atomic: a journal of short poetry, Aleola Journal of Art and Poetry and Door Is A Jar Magazine.

 

“The Cocktail Glass” by Annie Penfield

The Cocktail Glass
“Beautiful Day” by Lori McNamara, oil on masonite.

I banished the wedding gifts into a dark cabinet corner—just a few, the ones that held grief. Seventeen years ago, we used these objects for their intended purposes but when alcohol left a bad taste in my mouth because of my husband’s drinking I removed the symbols. Empty cocktail glasses and the silver carafe pushed deep into a cabinet like my husband hiding his vodka bottles. The material possessions were champagne promises, toasting all happy times together. Looking in the sideboard for the good china for a child’s birthday dinner, I would see the silver carafe crammed in the cupboard, a beacon announcing my life had bounced alarmingly off course—no cocktail hour, no champagne dinners, no dinner parties—but instead forgotten dinner conversations and absence from dinner altogether. The carafe lay tarnishing on its side, losing its luster. Hiding the symbols as if it could hide the problem. Remove the articles and maybe the drinking would just go away and the promise of my marriage would return. We would at least look sober. Each house, a move every two years, each time, these items went deeper into dark places.

Five years ago, we built the house to take our kids through all their years in school. Nestled in a high mowing in small town Vermont, we created our home and barn, planted gardens and fenced pastures and cleared trails. I polished up the silver carafe and dropped a plant into it and moved the cocktail glasses into our glass-fronted kitchen cupboard. They were really just glasses after all. We are an open floor plan in a post-and-beam house with glass doors, dogs on the sofas, wooden blocks and Legos© in the middle of the living area, books on every surface, a large kitchen table, and horses out the window. We were not dinner parties and cocktail hours but sledding parties with soup and cookies and potlucks with mugs and paper cups.

Each day I pass the glass in my cupboard. Their presence reminds me how far we have traveled from promise to addiction to sobriety in this marriage. I quench my fears by putting them on display. The tarnished carafe was the fear, and the planter is now the abundance. A cocktail glass is now an everyday glass. At first I wanted to get rid of the objects, the remnants of alcohol and the reminders we no longer live a normal life, that we would not be grown-up in the way I imagined when I opened these wedding gifts seventeen years ago, but now I see the beauty of these everyday objects—as gifts transformed to the life we live.

Will I again be hiding these glasses and looking for hidden bottles, looking for lost conversations, and an absent spouse? Will the drinking, the disappearances, and the hiding creep back? Will I miss its arrival and will it again swallow me? I can’t know the answers. I can make my fear transparent. Now we take the time to sit down and talk. We learn to serve up our emotions, to let them spill over, and not worry that they are messy. I talk about conflicts at work and unmet sales goals, children at school and hay bales in the loft. “Is there more?” we ask each other now, an invitation, we are no longer holding in; we reveal what ails us. I trust that the glass only contains tonic. “You can’t change how you feel,” says my husband.

The glasses I have been able to redefine, my own sense of self still struggles. I hold onto the pain and memory of an alcoholic life: why can’t I put down the fear, like the glass? My glass is now empty of water. I look up at the dog on the sofa, another behind the woodstove. I look at the village of Lego around the planters. I look out my wall of glass and see the horses eating from piles of hay on a snowy field. I take a deep breath and fill myself with gratitude for all I see around me: this inspiring reflection of the life we are living. Time to move into my day: I rinse and dry the glass and put it away. It sits empty, upside-down in the cabinet, unable to hold anything, and this, as it turns out, is the power of the glass. It can’t hold what I don’t put in it.

 

 

Annie Penfield received her MFA in Creative Writing from VCFA in July 2011. She has been published in Fourth Genre, Hunger Mountain, and her essay “The Half Life” was named a “Notable Essay” by Best American Essays 2014. She has completed a memoir about her days working on a sheep farm in Australia. She lives in Vermont with her family and horses, and is a part-owner of Strafford Saddlery (and writes a lot of copy for their new mail-order catalog).

Read an interview with Annie here.