“Three Moons Over Maple Grove” by Susan Gower

Cover Image
“Body with Fire” by Laura Didyk, Sharpie on paper, 2015.
(See also “No One Scars the Same Landscape” by Meg Tuite.)

Wide awake and nervous about my approaching medical appointment, I wandered into the bathroom at four in the morning. Through the window, I saw three moons. The one in the center was a storybook moon. It was so large and bright that I could clearly see the topographical features. There was another moon on each side of it, perfectly spaced, but each of them smaller and less vivid. Quickly I found my glasses and looked again. Yep. Three moons.

The sky was a deep pre-dawn blue. The river birch, decorated with new leaves, looked silver in the moonlight. A slight breeze stirred the curtain. The young leaves on the birch shivered and so did I.

Oh God, I thought, breaking into a sweat. I’m having a stroke, or some kind of neurological event. I woke Mike and pulled him by the hand into the bathroom.

“Look out the window,” I said urgently. “Tell me what you see.”

“I see,” he said slowly, “three moons.”

“Thank you. Go back to sleep.”

By taking a step to the right, I discovered that three moons shone through the left pane of glass, but only one, the big, bright moon, shone through the right. I concluded that it was some sort of optical illusion, produced by the bathroom mirror and who knows what scientific process. But I stood for a long time, looking at the three moons.

Over the next few days, things happened quickly.

After ten years of living with cardiomyopathy, my heart function had dropped again and was dangerously low. I was in atrial fibrillation and my heart was dancing a strange little dance all its own. On the heart monitor, the line ran in irregular peaks and valleys like a piece of modern art.

Eventually they moved me to the cardiac ward and attempted to shock my heart back into rhythm.   “It didn’t work,” they told me when I woke up.

Finally, late in the afternoon, they geared up to try it again. This time I was truly and deeply frightened. I tried to distract myself by singing “I Got Rhythm” in my head.

This time, my cardiologist adjusted the patches himself. “Deep breaths,” he said.

When I came to, the nurse’s face swam in and out of focus, but she was smiling. “It worked,” she said. I burst into tears.

“What’s the matter, honey, I said IT WORKED,” she said distinctly.

Back in my bed, I watched the heart monitor. It beat in a steady rhythm.

Before I left the hospital, my favorite nurse, Bernie, instructed me in administering shots of blood thinner to myself. I have had a phobia about hypodermic needles as long as I can remember. She waved the needle in front of my face. “See how little and thin it is?” she coaxed.

I loathed the needle.

“See how easy it is?” She said as she stuck the needle firmly into my abdominal area. She disposed of the needle and took me by the shoulders. “You can do this,” she said. “Do this to honor your sister.”

Six months after my initial diagnosis, my sister Sharon had also been diagnosed with cardiomyopathy. But we were hopeful. Her heart was less damaged than mine and the odds were in her favor. One evening in April, Sharon and I met at the bookstore. We had coffee and joked about our bad hearts. We decided to write a book together called “I love you from the Bottom of My Ticky Tocky Heart.” We laughed and laughed.

It was the last time I ever saw her. A week later she was dead of a sudden heart attack. I still miss her. I always will.

As soon as I got home from the hospital, both the washer and dryer broke down.   Mike and I went to the Laundromat. Up until then there had been no time to process the events of the week. There, in the Laundromat, it all caught up with both of us. Every worry, every fear, large and small, crouched in that grimy room.

The cardiologist, while encouraging, had been straightforward. He talked to us about the future, about a transplant, or a mechanical heart. “We’re not there yet,” he emphasized, “but it’s down the road.” He was telling me to get ready. I still had options, but this had been a serious setback.

Although it was late when we returned from the Laundromat, I wandered restlessly around the house. Finally, I went outside in my pajamas. A thick fog was rolling in from the wetlands. I scanned the sky, but the moon was hidden from view. The next day my son would turn eighteen. On Sunday he would graduate. I was grateful to be here to bake his birthday cake, to celebrate his graduation.   Mike said we just have to take each thing, good and bad, as it came and keep going. I knew he was right and I made a silent promise to do this. But at night I watched the sky and listened to the wind moving through the trees, waiting for what would come next.

I saw the three moons again, at three a.m. on a beautiful June night. The moons were not full this time. They were three-quarters full. They looked like three cookies with a bite nibbled out of each.   I knew I should go back to bed, because the next night I was scheduled for a sleep study and, thereofore, expected to get little or no sleep.   But even so I stood in the bathroom for a long time, watching.

The next night I checked in to the sleep center. David, my technician, attached electrodes all over my body – “twenty -seven in all,” he replied, “mostly on your head and face.”

When he was finished, I went to the bathroom and looked at myself in the mirror. My hair stuck out wildly in all directions, pasted into clumps with the glue-like gel. From all over my scalp, batches of colorful wires sprouted and more wires dragged on my already baggy eyes. Under the harsh, florescent lights, my face was white. I looked demented.

Finally I was settled in bed, David was monitoring me from the next room. I lay in the dark, windowless room. It was the darkest dark I had ever seen. And disturbingly quiet. I longed to hear the sounds of teenagers in the kitchen, giggling and making brownies. Sweetie’s dog tags jingling as she trotted around. The murmur of a television turned low, or the rhythmic throb of a bass guitar. It was one thing, I thought, to share a room, or even a bed, with another person, listening to whatever nocturnal noises they might be prone to. But here I was, in bed, in this mock hotel room, wired up like a puppet and somewhere beyond that wall a stranger was watching and listening.

In my logical mind, my sane mind, I knew he was watching a series of monitors, keeping track of my heart rate, my breathing, my REM sleep. But the less than rational part of my brain had other ideas. Could he read my thoughts? What if he could see everything that was in there? Are the dark thoughts all sharp edges, etched on my brain like the jagged peaks and valleys of an EKG – here a pain, there a loss, and buried far down, shame and fear?

I pushed those thoughts away and summoned happier times. Somewhere in my head, or my heart, or maybe my soul, are the good memories, a whole lifetime of them, like a field of wildflowers.   Memories of making cookies in my grandmother’s kitchen on a fresh summer morning. Bells on my ice skates.   My baby’s first laugh. The piney scent of a Christmas tree. Violets hidden in the grass and morning glories on the trellis. The way Mike looks at me. The awkward hugs of adolescent children. The sound of my family, back home in Michigan, eating pie and drinking coffee and laughing. My mother, playing the piano, a sound which, I think, is etched into my very bones. Floating in the lake, with my father.   A warm bath and clean sheets. Giggling toddlers. Starry nights and gentle rain on the roof and the first snowfall of winter.   Rowboats and people singing and evenings on the front porch on Fourth Street. Everyone home for dinner.

I fight to regain my shaky health, but this time it feels more difficult. The hill seems steeper, the struggle harder. Perhaps this is because I am older, or because the drugs that are keeping my heart going are also triggering the depression and anxiety that lurk behind every door. I don’t tell anyone how I feel, because I don’t want people to think I am giving up. I go to work, I cook dinner, I keep whacking away at the piano, and at writing. At bedtime, I lie next to Mike and feel safe and comforted, but sometime, in the deepest part of the night, I wake up and think, I have to try harder. I have to get everything under control and buttoned down, because what if this time it doesn’t work? Once again I am trying, by sheer force of will, to get well. But I am haunted by the fear that I might fail. I still have options, I still have hope, but I am tired. I am grateful for what I have been given, but I am greedy. I want more time.

I woke at 4:30 this morning. The bathroom was bright with moonlight and there, once again, were the three moons. The bathroom seems like a peculiar place to contemplate one’s mortality. Then again, maybe not. Maybe it is in the bathroom, at 4:30 in the morning, that we see who we really are.   Are the moons a bad omen, as I thought in the spring? Or are they lighting the way in the darkness?   I know I only have this moment. And then, like the moonlight, the moment moves on.

 

 

Susan Gower is a freelance writer. Her work has appeared in magazines, newspapers and literary journals, including Woman’s Day, Good Housekeeping, and Talking Stick. She lives in Luck, Wisconsin, with her husband Mike.

“Flame” by Chloe Ackerman

Flame
“Black Fish” by Laura Didyk, Sharpie on paper, 2015

Mouse leans against the wall, close to the door. “This doesn’t look like a doctor’s office,” she says. The room is warm, dark, and messy. There are puzzles and trucks scattered on the floor, books thrown haphazardly on shelves, and stuffed animals littering the couch.

An old woman with gray hair in a bun sits on a rolling chair. “That’s because it isn’t.”

Mouse can’t see what’s on the chart in the woman’s lap, but she’s pretty sure it’s about her. “I thought you were a doctor.”

“I’m Dr. Hernandez. A psychologist. Sit down where you like.”

“I don’t want to sit down. And I don’t need a psychologist.” Mouse crosses her arms and stares at the woman, who doesn’t look up.

“Your case worker says you do.”

“What are you going to do to me?” She digs her nails into her palms.

Dr. Hernandez looks up. “I’m not going to do anything to you.” She crosses her legs under her skirt and considers Mouse. “You don’t look like a mouse.”

“Yeah, well, that’s my name.”

“It says here you’re Mary Palmer.”

“My name is Mouse.”

“Does it mean anything? Like you’re small and quick, or good at hiding?”

“I don’t hide.”

“Who calls you Mouse?”

Mouse is tired of questions but she knows that anger is what got her here in the first place. She says, “Are you a pedophile or something?”

“No, why do you ask?” Dr. Hernandez doesn’t seem offended.

“You bring little girls into your office? Ask questions about their life and shit? It’s weird.”

“You can leave if you’d like. But you’ll have to come back next week.”

Mouse glares.

“If you sit down, I won’t ask you any more questions about your life today. I promise.”

A minute passes. A minute and a half. Mouse throws herself on the couch, hood shadowing her face.

“Sometimes when I first meet people,” Dr. Hernandez says, “I don’t like to talk. I’m shy, or I don’t trust them. I’m afraid they’ll use things I say against me.” Mouse jerks her head up, more like a hawk than a rodent. “Sometimes, when I first meet people, listening feels safer.” She stops, considering, then says, “I know a story you might like—”

“You don’t know anything about me.”

Dr. Hernandez nods. “You’re right, but I think you would like this story. I could tell it over the next few weeks and when the story is over, you can think about talking.”

Mouse narrows her eyes. “I’m twelve. Too old for kids’ books.”

“This isn’t a story for children.”

Mouse glares, crosses her arms. “Are you going to tell the story or not?”

Dr. Hernandez smiles, settles in, and begins. “Once upon a time, in a land far away, there was a place where people were happy. This place had showers and sunshine, brooks with bridges and gardens with lovely flowers. In this place lived a little girl named Fiametta. Fiametta had a mother and father, the kind who tucked her into bed at night after making sure she brushed her teeth. They played hide-and-seek with her, took her to fairs and the park, gave her birthday parties and bear hugs.

“Fiametta loved her parents, and they loved her, but most of all they loved each other, and that made Fiametta feel happier and safer than anything in the world. Even if she had a bad dream or got lost at the zoo, she knew her parents would save her, and she would always have a happy ending.

“But then one day something horrible happened. It was after Christmas, and everything was snow and crackling fires and eggnog. There was an accident, and Fiametta’s mother went somewhere Fiametta could not go, and her father told her she wouldn’t see her mother again.”

“She died?” Mouse’s hood has fallen down, and her face is visible – light skin, dark hair, green eyes and freckles. Deep circles sink under her eyes; a scar traces her chin. She looks hollow and small.

When Dr. Hernandez nods, she looks sad, too. “Yes, her mother died.”

“But…what happened to Fiametta?”

“I’m afraid our time is up,” Dr. Hernandez says, as though she’s apologizing. “I’ll tell you more in a week.”

On the way back to the foster home, the case worker chatters on and Mouse thinks she sees Fiametta on the street in a blue dress, holding her parents’ hands. The case worker wants to know what Mouse and the psychologist talked about but knows she shouldn’t ask, and Mouse isn’t just going to tell her. She counts on her fingers how many days until she goes back. Six.

~

Dr. Hernandez wears a dark red and navy skirt this week, and Mouse briefly longs to own a skirt like that. She would twirl and dance all day.

“How are you today, Mouse?”

Mouse shrugs. “What did you do?”

“Nothing.”

“Do you want to hear more about Fiametta?”

Mouse shifts her gaze to her shoes. She knows how it works when someone has something you really want, so she doesn’t respond.

“Mouse? Do you?” She settles on a minuscule shrug and Dr. Hernandez clears her throat.

“Fiametta had just lost her mother, remember? And Fiametta’s world became cold and damp and nothing grew because there was no sun. One by one, Fiametta’s treasures disappeared, until all that remained was the dark. She forgot her dolls and how to play imaginary games and how to read storybooks, and instead drifted through the house humming old songs. Her father, instead of taking her to the beach or museum, wandered by himself at night, so when Fiametta had nightmares she woke crying for her mother, but found the house empty, her father roaming in the dark.

“Fiametta’s clothes were gray, her father’s hair was gray, and the sky was always gray. But she was not. She was clear, like she could walk through walls or stand very still in a room and disappear. Her father felt the same way, she thought, because sometimes he would just stop in the middle of a room and stare at the walls. Then Fiametta would take him by the hand and help him take off his cardigan and slippers and tuck him in to bed, where he could fall asleep and forget. Fiametta would sit in the dark and watch him frown in sleep because there was no one to put her to bed.

“She was scared of the dark. Darkness carried her mother away to a place she could not follow, a place her father searched for as he wandered shadowed streets, calling his dead wife’s name.

“And so Fiametta began to steal candles, slipping them into her pockets when no one was looking. She gathered one hundred of them, arranged them in her room, and lit them one-by-one in the same order every night before she tucked herself into bed. Those nights her room flickered with yellows and oranges, with color, warm like summer, with a smell like winter fireplaces. This way Fiametta could dream and not wake.”

Mouse is silent, even though Dr. Hernandez has been watching her. Mouse knows she will cry if she moves.

“I’m not going to tell you anymore today.” Dr. Hernandez speaks gently, like breaking bad news. Mouse nods. “What do you think of the story so far?”

“It’s sad.”

“Yes. Do you want to hear the rest?”

Mouse hesitates, measuring, then says, “Yes.”

“Even though it’s sad?”

Mouse thinks hard. The story doesn’t make her feel good. “I need to know what happens to Fiametta.” She bites the inside of her cheek.

“I want you to do something for me this week,” Dr. Hernandez says. “I want you to make me a picture every day, anything you like. It can be big or small, made with paint or crayons or glue and dirt, whatever you want. Can you do that for me, and bring them with you next week?”

Mouse nods. She can do that.

~

Each night, Mouse sits at the kitchen table with a piece of paper. Her foster brothers and sisters pass through, her foster mother makes dinner and everyone eats, then they come back into the kitchen to clean up. They don’t ask what Mouse is doing because they know therapists ask people to do weird things and if someone told Mouse to stare at a blank paper every night for three hours, they’re not going to comment. Mouse has already fought three of them since she moved in. No one wants to be the fourth.

And then, with the TV blaring in the living room and loud music coming from upstairs and the streetlights turning everything orange and forlorn, Mouse lights a candle and begins tracing the shadows that fall across her paper: bits of furniture, dishes, even her own hand, and then she colors them in. At the end of each night, Mouse has a piece of white paper covered in shadows.

~

Dr. Hernandez’s skirt is black this week; the color folds sorrow into Mouse’s belly. She clutches her seven sheets of paper but her hood is down and her eyes are on Dr. Hernandez.

“How was your week?”

Mouse shrugs.

“Did you do what I asked?”

She nods and clutches her pages, soft from her sweaty palms. “You aren’t going to take them?”

“Only if you want me to.”

Mouse looks at the one on top, and all she sees are stupid lines. They aren’t drawings at all. She’s done it wrong. “No.”

Dr. Hernandez nods. “Okay.” And that’s it. No argument, no pushing. “Are you ready to hear about Fiametta?” Mouse nods hard.

“Fiametta lit candles every night, remember? So she could sleep alone in the dark. And Fiametta lived like this for many years, slipping candles into her pockets as she wandered through stores when she was supposed to be in school. Every night, she lit them when the sun dipped beneath the horizon, until her room was ablaze and she could sleep.

“And then one night, as she lit her hundred candles, one tipped over, knocking over two more, and soon the room was hot and dark and Fiametta fled through the window as her room went up in flames.”

“Oh no…” Mouse whispers.

Dr. Hernandez’s eyes are sad, her voice low. “Fiametta ran and ran until she came to a river. She took off her clothes that smelled like ash and threw them in the black water, then jumped in herself, scratching the soot off her skin and out of her hair.

“In the morning, people found her shivering, naked and blue on the rocky bank, and they told her that her father had been in the house, that he had been burned up, and that they would take care of her. Then they washed her and gave her cast-off clothes that didn’t fit, then told her she would be sent away.”

Several seconds pass before Mouse realizes Dr. Hernandez has stopped. “Where is she sent?” she asks, too urgently, but she doesn’t care anymore.

Dr. Hernandez shakes her head. “That’s all for this week.”

“But…I have to know what happens next.”

“You will. I promise. Will you show me your pictures now?”

Mouse stretches out her hand. The pages are wrinkled, the pencil smudged. Dr. Hernandez examines each one. Mouse tries not to squirm.

“Will you tell me why you drew these?”

“That’s what grownups say when the drawing’s too bad to figure out.”

Dr. Hernandez raises an eyebrow. “You’re very perceptive. But I know what these are. It’s a clever idea. I never would have thought of it.”

“Really?”

“Yes, really. I’m interested in why you chose to draw shadows.”

Mouse shrugs. “That’s what was on the page.”

“What were you thinking about when you drew them?”

Mouse chews on the inside of her cheek. “I was thinking…about shadows.” Her words fall lamely between them. It was a stupid idea.

“What do shadows mean to you?”

“Darkness. And…and hiding.”

“Safety?”

Mouse squeezes her eyes shut. “No. Because there’s still light. I can still be found.”

“…and you’re still afraid.”

Mouse’s eyes snap open. “I’m not afraid of anything.”

“It’s not wrong to be afraid.” Dr. Hernandez’s voice is gentle. “Fear makes us protect ourselves or run away.”

“I don’t run away.”

“I know. But it’s okay if you do.”

“I didn’t run away.” Mouse’s fury is ebbing, her chin quivers. She will not cry.

“But it’s okay,” Dr. Hernandez says again, “if you do.”

That night, Mouse sits at the kitchen table with a pencil, a piece of paper, and a candle. A path of shadows falls across the paper. She draws it, then gets another piece of paper and draws more path, darker path, and on the next a smaller and more etched path of shadows, until the candle drowns in its own wax and she has to go to bed. She dreams her house is burning and everything is light, and she is safe.

~

“You brought me something.” Dr. Hernandez accepts the papers from Mouse’s clenched hands. She flips through them. “Let’s lay them on the floor.”

Mouse kneels and together they organize the papers into a long trail. The old woman surveys them, chin resting in her hand. Her red skirt fans around her, and Mouse only just resists the urge to rub the crinkled cloth between her fingers.

“Shadows,” she finally pronounces. “But I don’t know what they make.”

“It’s a path. To here.”

“To this room?”

Mouse nods.

“Because it’s safe here?”

Mouse pauses, then nods again.

“Will you tell me where it starts sometime?”

Mouse rests in that sometime. She nods.

“Okay. Fiametta’s house burned down, remember? Her father died, and she was being sent away.”

Mouse moves to the couch, Dr. Hernandez to her chair. Shadows stretch between them.

“’Sent away’ meant boarding school. Old musty smells and scratchy blankets and loneliness. In boarding school, Fiametta learned modest fashion and penmanship and manners. She learned to cook and type and balance a checkbook. She also learned to sneak out and smoke and sweet-talk strangers on corners at night and be back under scratchy sheets by the six o’ clock wake-up call.

“Fiametta didn’t burn candles anymore. The dormitory didn’t allow it, and the other girls made fun of her for being afraid of the dark. Instead, Fiametta took her solace from the simmering glow of cigarettes in the dark, from the flare and sizzle when she sucked in, and she held that image close as she tried to fall asleep, plagued by memories of happiness she no longer believed in.

“In the cold nights Fiametta leaned on door frames in bars and smiled at men who reminded her of her father, men with sad eyes and limp wrists and sloping shoulders, who stared at the mirror behind the bar waiting for someone they missed to walk up behind them. And so Fiametta would. She would call the man Joe and touch him like she’d known him a long time, and she would leave him sleeping with a smile on his face, the hollow shadows on his cheeks diminished.

“But each morning Fiametta felt as though the hollowness she’d taken from him had nestled behind her ribs, and she felt a hook there, pulling her out again each night to find another lonely man and offer him her name to call as he wandered empty streets.

“It didn’t help. The cigarette’s flame was not bright enough, the man never warm enough, and Fiametta shivered until her teachers thought she was ill, and she hoped she was dying. They gave her pills to stop the blue in her lips from spreading, and the pills were warm. Dissolved in gin, they were warmer, and injected warmer still.

“Slowly Fiametta forgot about the wakeup call. She forgot about the boarding school, and met in alleyways with other shivering junkies to hover around flaming barrels until they could score enough cash for a fix.

“Fiametta called herself Flame now and belonged to a man named Joe. She was sixteen years old, half-starved, half-dead, lonely and lost.”

~

“Mouse?” Dr. Hernandez whispers. She kneels by the couch and peers at the girl.

Mouse shakes her head from beneath her hood. She’s folded in, hiding in her baggy clothes. “Mouse. Will you tell me what you’re feeling?”

Mouse stifles a sob. “It’s not right.”

“What isn’t?”

“Fiametta didn’t do anything wrong. But everything went wrong anyway and she couldn’t stop it and no one helped her. No one even cared.” Mouse is now sobbing uncontrollably, barely managing words, barely managing breath.

“I know. I know. It wasn’t her fault.”

“Her parents left her!” Mouse roars. “They were supposed to keep her safe and they left her!” She pounds on the arm of the couch with tiny clenched fists.

“Is it? Could her mother have kept from dying? Could her father have stopped being sad?”

“They should have! If they loved me, they would have done anything!”

“Oh, Mouse,” Dr. Hernandez whispers. “Oh, my dear Mouse.” She places a hand on the girl’s shoulder.

They sit there for a long time, the woman with her hand on Mouse’s shoulder, Mouse curled up and crying until her head hurts and she can’t breathe through her nose. She sits up and wipes her face on her sleeve. “You have to finish the story.”

“Are you sure?”

Her nod is resolute, her face firm. Dr. Hernandez sits beside her. “What do you think happens to Fiametta?”

“She runs. She runs as fast as she can. Until she sees a policeman.”

“Are policemen safe?”

“No one is as bad as Joe.” Mouse shakes her head, clenches her fists. “But the policeman won’t help. She’s got crack on her, so she turns herself in. He takes her to jail. She’s safe there.”

“And then?”

Mouse falters.

Dr. Hernandez waits a moment. “Mouse, where does the path lead?”

“To the end of the story.” She fidgets. “Here.”

“What is the end of the story?”

“I don’t know.” Such a small voice.

“You know, Mouse. What happens?”

Silence. That inward folding.

“Mouse? Are you ready to tell me what happened?”

“…yes.”

 

 

Chloe Ackerman hails from the Land of Enchantment but currently resides with her dog in the much rainier (but no less enchanted) Pacific Northwest, where she recently completed a doctorate in clinical psychology. She has edited or contributed to a small number of literary magazines and anthologies and has been published in Mirror Dance. She hopes to one day be both a famous author and a renowned psychologist because she believes in having it all, but she would also be happy with a supply of tea and a tiny house in a forest.

“Hot Bones” by Ashley Hutson

Hot Bones
Image by Laura Didyk, Sharpie on paper, 2015.

The morning my grandfather died
I dreamed we gathered at the kitchen
table and ate him. It was a joyful
feast. My sister and I carried him in
on a silver platter the size of a stretcher
and he looked exactly like a trussed-up
chicken, headless and at rest.
We plucked through the hot bones
that burnt our fingertips, searching out
the brightest cuts of meat. It was easy
to devour him. Each of us took
a portion and kept him in our belly,
the organ right under the organ
that hurt upon waking.

After the funeral we ate another feast,
this time to his memory. It was not
as satisfying, though. The green
beans and macaroni sat limp and
dull in my mouth. The chicken tasted
of nothing.

I should have known. A memory
is an off-brand imitation
never as savory
as the real thing.

 

 

Ashley Hutson lives in rural Western Maryland.  Her work has appeared or is forthcoming in McSweeney’s, SmokeLong Quarterly, The Journal of Compressed Creative Arts, The Conium Review, Threadcount, and elsewhere.  Find her at www.aahutson.com.

“Excavation: Mobile, Alabama, 1996” by Ting Gou

Excavation by Ting Gou
“Revelation” by Mia Avramut, wax on paper, 5.8 x 8.2 in.

What happens when you leave
a house? Its body begins to rot

for you and live on for another.
As much as you deny it,

there are always two houses,
two sets of furniture—

one with refrigerator doors
collecting grime between plastic lips,

new family, new broken-down car
killing the lawn.

Then, there’s the house
as you remember it,

swimming upstream
in your imagination, year

after year, consistent as salmon.
That summer, my mother

obtained a box of fish,
their bellies emptied

of caviar.
Leaning over the counter

by the sputtering garbage disposal,
she intended to make dinner

out of those eggless pouches.
No air conditioning, no job,

no images for our eyes
but burnt grass splayed out for miles

like dirty lace doilies,
houses set in the middle

like cheap teacups.
She deroofed the scales

from spiculated skin.
Her movements calculated,

her cuts deliberate,
her gasp sharp but short

when she saw the worms,
pink pencil cores of muscle

sheathed around bone,
pockets of activity in the otherwise

dead. How I’ve tried to bury it,
the sound of useless flesh

falling into a trash bag.
How I’ve been drawn to it,

as to a place where something
remarkable happened,

how I stand in that kitchen
and it’s me who’s opening

boxes and boxes of freshwater fish,
each more terrifying than the next,

looking for what was broken,
what is still alive.

All things rot, even houses,
but what happens afterwards?

And who will stumble
upon our remains and ID us,

will they know us from our bones
or the troughs left empty

in the dirt?
I tell her we will last.

Blessed be the calcified heart,
the mineralized shell

of life hardened in the sun.
The tar that keeps us together

long enough to be found,
documented, crushed into tea,

no ingredient too taboo
for a mother, a daughter.

 

 

Ting Gou lives and writes in Ann Arbor, where she is a student at the University of Michigan Medical School.  Her poems have appeared in the Bellevue Literary Review, Best of the Net 2014, Ghost Ocean Magazine, Midwestern Gothic, and elsewhere.

Read an interview with Ting here.

 

“Europa Hides an Ocean” by Jennifer Williams

Europa Hides an Ocean cropped
“Rainfall” by Mia Avramut, wax on paper, 5.8 x 8.2 in.

The creek that runs through the fifteen-mile canyon north of Sedona is lined with box elder and ash trees. Their campground, terraced into a wooded slope, overlooks a rocky bend, and towering limestone hugs the opposite bank. The girl sits on the largest boulder, midstream. She wears checkered flannel, her last clean pair of jeans. Her shoes are good for slippery stones. She waited all morning for the light to hit the water. Now, she closes her eyes and lifts her face.

A rustling noise makes her jump. She hasn’t forgotten the host’s warning. “Rattlers,” he’d said, poking through dark vegetation. All weekend, he carried around a bucket and pronged pole. Now, she scans the bank grasses and bower vines. But all she sees moving are some white butterflies and the shifting leaf shadows on the graveled shore.

Her new walking stick lies within those shadows. It’s smooth and dove gray, with purple-rose shading along its textured lines. She wants to take it with her. She looks up at her mother wrapping the breakfast mugs in towels. Their tent is gone, stuffed into the duffle to be hauled to the car. They’ll cart things out this way—in bundled loads up the concrete steps. From where she sits, the stages are clear: bank rise, then campsites, then cars. Her gaze slips across the narrow parking lot and up the steep ramp that cuts to the road. Through the mingled canopy of pines and creek trees, the girl makes out a red car flashing around the highway curve like an apple on the move: there, then there! then gone.

When they’d arrived, someone was parked in their spot. It was late Friday, and three tents were already clustered on the site next to theirs, the largest glowing from a lamp inside. The two smaller tents were the low-slung type meant just for sleeping. They glowed, too, though more softly, and only on the side that faced in.

Her mother had dimmed the headlights coming down the ramp, and now they idled by the other car, staring through the darkness at the tents, until the host brought his face to their window. “One campground, one car,” he said, marking his clipboard. “I’ll have them move.”

The girl slides down the big rock and tests a few stones for balance. If she wanted to, she could make it to the opposite bank. But there’s not much shore, and the wall of rock goes straight up, higher than any building she’s seen. Besides, she’s already tried what she could to engage it: on their first morning, she crouched with both palms against it and pushed.

Now she balances on two flat stones and squats down, eyeing a shallow pool for the flicker of trout. She’s quiet, patient, but only something minnow-sized glides through. When she twists up she sees her mother again, closer, standing with her hands on her hips. Just above the crest, the girl can make out the tops of her mother’s boots, but the splashing of the creek makes her still seem far away. The girl frowns when her mother points towards those boots, towards the ground where she’s standing.

It takes both hands to climb up the bank. She leaves her walking stick propped at the base of a tree and uses roots and vines to pull herself up. Near the top, a wolf spider darts across her thumb. It vanishes under leaves before she even registers what it was.

“I called you three times,” her mother says, pulling a white scarf over her dark hair. The scarf reminds the girl of her old pirate costume, and she wants to make a joke—after all, this weekend was different. They’d played cribbage and cards, plowing through every two-person game they knew. Her mother didn’t try to let her win, and she won anyway.

Instead, the girl looks up. A fat squirrel sits above their heads. Flakes of what it nibbles float down, and a piece lands on the scarf, then another one. The girl is getting taller. She can see the little pieces like pepper on a tablecloth.

They start hauling bags to the car. The biggest they carry up together, with the girl pulling, stepping backwards at the top. The neighbors are cooking bacon, even though it’s lunchtime, and it smells like the pancake restaurant near their house.

“If you lived on another planet,” the girl says, stealing glances towards the campfire, “how many moons would you want?”

Her mother arms her forehead, but doesn’t stop. “How many can I have?”

“Neptune has thirteen.”

“Too bright! I’d never sleep.” They drop the bag near the trunk. “I don’t know,” her mother says, slowly thumbing a knuckle, “maybe last night’s moon was enough.”

They fill the trunk, the passenger seat, and all the space behind the driver. It’s not the best arrangement: the cooler only opens partway, and on sharp turns the aluminum chair slides off the bedrolls, smacking the girl’s shoulder. She wishes aloud that they still had the truck. Her mother is bent away from her, leaning into the stacks to make everything fit. Without looking back she answers, “I know, baby. I know.”

The girl has the same hair as her mother, dark and wavy. They used to wear it in similar braids, and it pleased the girl when people joked they were twins. But her mother recently had hers cut. “Chopped,” was her word, and she had tried to explain about fresh starts. The girl still likes her braid, but she knows the only way to match her mother again is to cut hers, too. She reaches back now, considering this, and hooks the braid forward to suck on the end.

Side-by-side, they survey the empty site. They hear less of the creek where they are now, and more small noises from the trees and other campers. Nobody talks too loudly, but they hear a few tent zippers and a short beckoning whistle that echoes. Even after the sound dies, the girl lets the fragment pulse in her memory. Her mother says the canyon is like a church.

Everything’s loaded, but they don’t leave. On previous trips, they would have been gone right after breakfast. There would have been concerns about traffic. This time, she and her mother are continuing north, passing over mountains and through national parks.

A great deal has been explained to the girl: the trip will take all summer; they are not in a hurry; they will zigzag and sleep in the tent or a cabin, every so often a motel; some of the mountain roads pass above 10,000 feet. They’ll visit old mines and swimming pools, and eat ice cream cones in every town. Everything her mother can promise has been promised.

The girl thinks she sees a Painted Redstart and whispers to her mother. They crisscross the parking lot, trying to spot it again. It becomes a race and they split up, creeping around different cars. Her mother almost laughs when they bump into each other, both of them backing up, scanning opposite trees.

Back at their own car, they spot three boys climbing single-file over the rocks down by the water. The girl recognizes them from next door, and the first boy carries her stick. “That’s mine,” she says, but her voice is quiet. He’s older, and in any case, she is never allowed to take things out of nature. Sticks, rocks, even wishbone wands: everything stays. It’s still a family rule.

The night before, the boys set up cots to sleep under the stars. The girl fell asleep thinking about whether she’d like to do the same, and in the morning, she poked her head out. Two boys had disappeared into their sleeping bags. But the one with her stick now had his face turned towards her. After a second, he pulled his arm from the warmth of his bag and gave a small wave.

The girl watches the boys reach the tree where she’d found egg-shaped stones in the space between two roots. She doesn’t protest about the stick again. She’s already pushing the want away, packing it up, taping it closed like all the boxes: winter clothes; Mom bath; tournament albums, SAVE.

Her mother looks over at the clustered tents. The adults are eating at the picnic table. Suddenly, the girl is glad about the family rule because she wouldn’t want her mother going over there, explaining. But when she looks back her mother is already hopping down the steps, striding across their campsite—not towards the adults, but towards the water. The tall boy stiffens and glances at the girl. She wants to drag her mother back. But it’s too late, her mother has dropped over the bank and is at the water’s edge, extending her hand. The girl has never seen her mother do this to a kid. The boy takes the hand slowly and shakes it.

He quickly relinquishes the stick, but her mother stays down there. She reaches out and because of whatever she is saying, they all look in the direction of the towering rock. While the girl waits, she kicks at the old retaining wall edging the lot. She looks around the treetops, the parked cars, then over at the neighbors, who don’t seem to notice her mother at all. The girl hears one of the boys laugh as she toes the crumbling mortar.

In September, she’ll start a new school. They’ll live in Spokane, first with her grandmother, then, when the boxes arrive, in an apartment. Her mother doesn’t know if the school has many stories, a lot of kids, or even if the playground has swings. The girl is almost too old for swings, but she’d like them to be there anyway.

When she spots her mother again it’s her hands that show up first, over the edge of the bank. Then come the scarf and new haircut. But the girl quickly forgets both these things because her mother’s got the stick between her teeth like a dog. At the top, her mother steadies herself and looks up. Even with the stick, the girl can tell she’s grinning. She spits it out and stands there with her hands on her hips, panting in an exaggerated way. The boys are laughing. Her mother laughs, too. But the girl covers her mouth: she’s too happy to make a sound.

Her mother starts the car, cracks the windows. Sunlight strikes their knees. “Those boys just saw a snake,” her mother says. “In the rocks where they were standing. Can you believe it?” She turns in her seat, but she doesn’t look scared, or even relieved. Just happy.

The girl smiles back. “I wish we’d seen it, too.”

Their little car crawls up the steep drive. The girl rolls her window down the rest of the way and the boys wave from the abandoned site. “Say, Bon Voyage,” the girl yells to them. At the top of the ramp, she’s surprised to realize she can still hear the water. She closes her eyes to capture the sound.

When they’re past the first big turn, the girl pats her stick propped against the stack to her left, holding back the bedrolls and aluminum chair. She feels the coziness of the car, the gentle strobe of sunlight as they skirt high walls and break away past the trees. “Jupiter has sixty-three moons,” she says, resting her feet up against the seat in front of her.

“Why so many?”

The girl shrugs. “And some of those moons are huge, with names from Greek mythology.” She pulls her braid forward, flicks the end. “They’re practically planets, too.”

 

 

Jennifer Williams is a graduate of Pacific University’s MFA Program. Prior to writing, she worked as an engineer in Phoenix. Her short story “Gore Junkies” appeared in the Oregon anthology, The Night, and the Rain, and the River and she lives in Portland, Oregon.

Read an interview with Jennifer here.

“Fred” by Shaula Evans

Fred
“The Other Side” by Mia Avramut, wax on paper, 8.2 x 11.6 in.

My grandmother’s boyfriend, whom she’ll never marry (she’s had enough of fetch and carry after three husbands), this man not my blood kin, drives my grandmother to family dinners at our house to sit in his gray wool hat at the end of the table with us children and other outsiders. Fred makes me gifts: my face, close-cropped, in roses, irises, a wineglass–no Photoshop, no fancy photography, just Fred snipping, scissor handles wedged past the inflamed knuckles of his retired craftsman hands. Fred glues me into beauty. I mumble thanks, abandoning his faces to ashtrays, water marks, Safeway slab cake icing smears, while Fred smiles with hungry old man eyes at crumbs I proffer as politeness. When grandfathers disappear overnight it is dangerous to love a man who hovers between chauffeur and family.

 

 

Shaula Evans is a writer, editor and translator. Born and raised in Canada, and educated in Montreal, France and Japan, she currently resides in New Mexico after spending 6 ½ years traveling around North America in a Mini Cooper. You can find her online at shaulaevans.com and on Twitter at @ShaulaEvans.

 

“Out of the Nest” by Heidi Siegrist

Out of the Nest
“Nest” by Mia Avramut, wax on clayboard, 6 x 6 in.

It was right around my college graduation day that the snake came. I wasn’t home to witness any of what happened. I was in Chicago, selling everything in my college apartment and using the cash to go out drinking. It was hot, and my days of packing produced a sticky feeling of discomfort that would come back like bile minutes after stepping out of a cold shower.

I had been following what was happening at home because my dad liked to write me about it most days. I imagined him typing out his emails to me in his study, around 8:00, right after the sun had gone down and his beer had leaked language into the happy peacefulness of his mind. He was elated, these days, to spend each evening after dinner out on the porch. He and my mom had recently renovated it. They bought new, comfy furniture– the familiar rusted chairs with mildewed cushions were gone. My mom hung potted flowers all around the porch ceiling, and somehow convinced ivy to grow along the beams. At the edge of the porch, as if to mark off this magical space, they strung white Christmas lights and windchimes.

Because of all this beauty, a California wren had ventured into our backyard to nest in one of the hanging porch baskets. Among my mom’s peonies, she laid her eggs. California wrens are small and fat. Their color is a humble light brown, and when they look at you with their inscrutable bird eyes you see dignity in the streak of white, eyebrow-like, on the sides of their heads. In the summers, you hear them everywhere. They sing often, and with impressive range.

June in Chicago, the sounds outside were of cars pulling up outside of soon-to-be-abandoned college homes, the growl of suitcases along sidewalks, and the smugly triumphant shrieks of day-drunk seniors. I was impatient and sloppy in packing all my stuff into boxes. I threw wine glasses in with leftover boxes of pasta and didn’t fold my clothes or even turn them right-side-out before stuffing them into duffel bags. It was hugely satisfying to see my cluttered room turn clean and empty. A guy bought my desk for $50, and I used half the money for a cheeseburger and beers at the campus pub with my friends. We talked about our plans for the summer and what we thought we might do after that, and didn’t think of how easy it was to take for granted that we would always get drunk together.

The next morning, while I dozed sweaty and headachy, my dad sent me an email about how the wren’s eggs had finally hatched. When he went out on the porch with his coffee, he heard a chorus of little squawks in brand new voices. He wanted to look at the eggshells, now empty and useless, but he didn’t want to disturb the babies. The mother wren was so excited, he wrote. She flitted back and forth, chirping at her babies with a new, joyful song he hadn’t heard before. He was proud that she had gotten so used to him that she let him listen in on their celebration.

Goodbyes came in stages: I can’t believe this is the last time we’ll eat here, the last time we’ll drink together on campus, the last week we’ll be living in Chicago, etc. They did not seem real except for one. I’d had a falling out with my oldest friend. First year, we used to laugh so hard on the floor of her dorm room that beer dribbled out the corners of our mouths. Now, we stood braced against separate walls and I told her I hoped she enjoyed Oxford. “Thanks,” she said. “Maybe next year when I come back, we can…start over, and see how it goes.” The cause of the falling out was a mutual feeling of abandonment, not worth describing, which day to day seems irrelevant but builds and builds.

The next day there was no email. My dad called me instead, while I was lying on my bed doing nothing, with the fan on. He said that when he had come outside for his beer, he had found the California wren jumping from spot to spot but never landing in her potted plant. She was calling out sharply. He could hear a commotion from the unseen baby birds, and it was a sound he had not heard from them before. When he looked in the basket, seeing the chicks’ soft brown feathers for the first time, he also saw a snake. It was curled lazily around two of the baby birds, the third a lump in its stomach. He picked up the snake and flung it by its tail into the yard. It hit the ground with the thump of a thing already in motion. Then my dad went to the shed and got the hatchet that he used to weed kudzu out of the garden. As the snake slithered away he brought the blade down hard. At the age of 62, he killed his first living being. While he stared at the two pieces at his feet, the wrens cried.

But–two babies still remaining under the safe white lights.

My bed was the only piece of furniture remaining in my room at that point. I couldn’t sell it, because a couple of the slats were broken from a drunken and overly aggressive hookup with someone I did not know well or much like. I was just going to throw the bed in the alley, after my last night in the blank white room. Graduation was a day away. When I hung up the phone with my dad, picturing the events that had led up to him standing there over the dead snake and baby bird, I felt fear swallow me. Cliches ring true because we seek them out, match them up to the experiences that would otherwise bewilder us. They become signs, omens as bright as Easter eggs.

 

 

 Heidi Siegrist is currently trying to make it/fake it in Chicago. She is also an MFA student at the University of the South, and is working on a collection of essays about entanglement (whatever that is).

 

“The West Elm Sofa” by David Alasdair

Wesy Elm Sofa
“Dusk” by Mia Avramut, wax on paper, 5.8 x 8.2 in.

Jon’s apartment is the top floor of a four-level brownstone in an aging beauty queen of a neighborhood in the heart of Washington DC. The kitchen, living room, and the small glass table in the bay window that makes up the dining area are all one space, filled with odds and ends that mostly only make sense to Jon: photos in mismatched picture frames, Argentinian love masks, decorative candlesticks, an oversized poster of a 1950s Spanish motorcycle festival, and a small flock of tourist-shop Buddhas sitting happily in scattered locations. The tiny coffee table is littered with the wanderings of a mind that can’t make itself up: a biography of Bill Belichick, Gibran’s The Prophet, Shape magazine (“for the exercises”), a reference manual on management techniques, The Complete Calvin and Hobbes, and endless notes to self. And in the middle of it all is a small L-shaped sofa.

The sofa is actually the Blake combination love seat and chaise from West Elm, a swanky furniture store for yuppies who’ve outgrown IKEA. The love seat can sit no more than two side by side without getting intimate—it is after all a love seat—but there’s room for another on the chaise next to it. Technically the chaise is a “fainting couch,” because it has a back and an arm, but West Elm’s customers are would-be-metrosexuals like Jon, not the heavily corseted ladies of Victorian times, so it’s a chaise. It’s hard not to want to faint into it, however. The flow of the room, the giant welcoming down-filled pillow behind you and the long expanse of the chaise coaxes even the most excited of guests to lie down and take a moment.

This particular West Elm combination is putty gray in color, with chocolate-colored legs, and a slightly rough, though not uncomfortable “basketweave” finish. In all honesty, it seems a pretty ordinary sofa, until you sit on it. Only then do you realize how ridiculously comfortable it is. Not in that cheap Swedish way that feels right only in one position and only in the showroom, nor in the overgenerous softness of a reclining, swiveling, drink-holding, faux suede All-American sofa. The Blake is firm, yet giving, and feels snug whether you sit upright or lounge haphazardly. It’s nothing less than a favorite lover wrapping arms around you and whispering stay awhile.

More often than not the love seat becomes the guest’s, while Jon and his partner JJ stretch out on the chaise together, her head falling to his chest, sometimes in sleep. Conversations between friends will continue on in to the night, and become increasingly dream-like. When eventually the stories and half-awake debates have ended and sleep is taking everyone together, the couple departs wordlessly, and the guest is left with the whole sofa to stretch out on.

As comfortable as the West Elm is to sit on, it is literally a dream to sleep on. It’s wide enough to roll from side to side without the gymnastics of most sofas, and it’s thick, firm padding would shut any princess up about a pea. This is the city, so there’s no true dark and no true silence. But the street light, which stands mercifully below the window, scans patterns through the treetop onto the old plaster ceiling above that are the envy of any child’s mobile, and with the window open, the distant sirens, car horns, and shouts are as reassuring as any summer’s breeze. To sleep here is to sleep like you’ve never slept before.

The record for residence on the West Elm is nine months, held by my friend Zach. After wandering around the world—fighting wildfires, acting in a “ghost town,” working as a carpenter—Zach came out of the blue to stay with Jon. He had no job, no money, and nowhere to go, though that did not seem to be a huge point of concern for either man. At one point, Jon found Zach a job painting the walls of a nearby dive pizza joint. The owner told him he could paint what he wanted. He meant white or cream. Zach instead painted a mural that took three months to complete. When he was done he refused any payment except the original fifty bucks he’d been promised. Later he was asked to fix a shelf by one of Jon’s friends who’d heard Zach was a carpenter. Zach created a small library of built-in bookshelves, and this time refused payment of any kind because it was for a friend of Jon’s.

When Zach finally moved on, his record remained. Despite many guests—family visits, travelers passing through, friends in need—his record stood for years until Sherpa arrived for “two or three days, a week at most.” Sherpa is Taiwanese not Tibetan and has never climbed any mountain, but he’d been given the name the first time we met him, the way boys do, and kept it forever. He followed a stellar college career with a high-paying Capitol Hill job, which he parlayed into entrepreneurial success, buying three townhouses in a rundown DC neighborhood that gentrified overnight and quintupled in value. For years he was the successful one while the rest of us were still finding our way. Then he fell in love with the wrong girl and his life imploded. Within a year he was heartbroken, bankrupt, and homeless, his properties having been signed over to her in a final futile act of defiant love.

At first Sherpa was concerned with being the perfect guest. He’d lost his high-paying job, but found work stocking shelves, and he’d steal steak and bottles of wine and cook dinner for his hosts as a way to thank them. He’d make sure to regularly go out for long walks to give the couple some time to themselves. But as the weeks wore on, formality gave way to familiarity. By month two, anyone walking into the apartment was less likely to find him cooking and more likely to find him in his underwear studiously working his way through a 24-pack of PBR. He stopped going out for walks and told Jon to “fuck whenever you want, it doesn’t bother me.”

By the time nine months had passed, Sherpa had gotten his life back to a semblance of together and was ready to move on. But he stayed anyway, joking that he needed to break Zach’s record. Every evening Jon would come home from work and yell, “Still here?” in mock outrage, but, in truth, Sherpa had become both sidekick and mission, and he was happy for him to stay. It was ten months before Sherpa went on his way.

When it was I who was lost, and my turn to take the West Elm sofa came, I thought of its previous occupants and where they had gone after their respite with Jon. Zach wandered for years until finally he fell in love, married, joined the Rangers, traveled to Afghanistan—where he said he’d never felt more alive or satisfied with his life—and died in a firefight at age 31. Sherpa wandered too. He packed everything he owned in a tarpaulin sheet and traveled to Argentina, studying for a month in Buenos Aries before setting off on foot across the Patagonian Mountains. I heard from him next in Paris, living in a room as big as a closet in the shadow of the Eiffel Tower, and sharing a corridor bathroom with a continually passed-out drunk. From Paris he walked for months on El Camino de Santiago—the old pilgrimage route to Galicia, Spain, to visit the remains of the apostle James in the Cathedral of Santiago de Compostela. He’d Facebook from the churches he stayed in along the way, surrounded by other glorious lost souls, as happy as I’d ever seen him.

I stayed three weeks with Jon, receiving his blunt, good-natured counsel every evening, and soaking up the West Elm’s restorative powers every night. Then I followed Zach and Sherpa back into the world. Both had come back to Jon’s sofa for far shorter stays at various moments over the years, as have I. It is the haven we have all shared. Other sofas are a place to crash. The West Elm is for those uncertain times when you don’t know where the next step will take you. Watching the lives of my friends spin off from here, even if tragically as in Zach’s case, is always heartening, because I know a similar road lies open for me.

When Zach died, Sherpa and I returned to travel with Jon to the funeral in Cape Cod. That night, we drank heavily and happily, and told endless stories of Zach. When Jon finally took his leave, Sherpa and I were left alone on the West Elm in the awkward silence of an unspoken question. Who sleeps where? After a few moments, I took the guest’s love seat, and left him the chaise. He was the record-holder after all.

 

 

David Alasdair earned an MFA from Eastern Washington University in Spokane, WA, has seen the Loch Ness Monster, been in the world’s longest chorus line, and occasionally makes Shrek-like noises with his right ear.

Read an interview with David here.

 

“New Miserable Experience” by Robert Fieseler

Europa Hides an Ocean cropped
“Rainfall” by Mia Avramut, wax on paper, 5.8 x 8.2 in.

I.

Bobby

I made my brother’s list. That’s what I was hearing. Billy wrote a list and included me on it—not at the top of the list but near. I smiled. He frowned. He readjusted his position on our mother’s couch, the leather squeaking. “Bobby,” he said, “that’s not a good thing.”

But I loved succeeding in the eyes of others, and Billy understood this: Second Place ribbon in backstroke at Maplebrook Elementary, lead in the high school musical, vice-president of my college fraternity. Billy knew I lined up these facts in my head like a trophy case. We shared a bedroom for 10 years, and he’d stand back as a kid and marvel at my wall of accomplishments. He never could catch me, first because he was four years younger and then because he seemed to “live a bit less.” That’s how he put it. My eyes drifted across our family room as my brother tried to speak.

I looked at Billy. He usually smiled right through you, like a homeless man might smile into the glare of a storefront window. But, here, my brother’s face reflected calmness, presence. His nose hooked to the left. The “Fieseler Schnoz” had always been our defining feature, and, though he’d broken his so many times, we still looked alike. Billy slid his cap backwards, which revealed the golden letters “W.F.”—honoring both Wake Forest University and, as a joke, his initials (William Fieseler). Not your school, I thought. You never went.

I knew from our sister, Annie, that November 2012 marked Billy’s first month of sobriety. We were nearing two months from that milestone. Three months, and he got a pin , maybe. “What I have to do as part of my program,” he began, and I felt trapped on the couch beside him. He talked some more, and my eyes floated to my mother’s Christmas Village by the window. Starting in 2009, when Billy fell apart, my mother would set up a miniature world on the triangle coffee table. Her fantasy became like a three-tiered cake. On the topmost pane of glass were the largest porcelain mansions, which included a Santa’s Workshop. On the second pane, a layer beneath, sat a smaller subdivision of homes and streetlamps. On the final pane, furthest below, dwelt a town ringed by a railroad.

“Part of these steps is I have to make amends,” I heard him say.

My mother took days assembling this village. She’d crack open bottles of white wine, sip and examine and reexamine. Each house lit up from within. When the arrangement pleased her, she’d lie on the couch and watch home remodeling shows and polish the bottle. Simultaneously, she’d project herself into the miniatures. Who knows what she found inside there. Her village was something children would adore, only there were no grandkids. My eyes sank to the lowest layer.

Two trains circled the same track, sometimes bumping each other like butt-sex. We’d be gods, I thought, to those people. Past the Christmas Village was a different universe entirely: our own. A tall bookshelf connected to the mantle where a boxy TV once sat. Beneath it was an air duct that blew heat on your feet straight up from the basement furnace. Billy and I used to fight for that spot. Winters, when we scooted up to the Super Nintendo, the winner got the heat.

We’d duel in a futuristic racing game called F-Zero. The fastest ride was a pink space pod, which sputtered from the gates but accelerated to the highest speed, so long as you drove her perfectly. She was my “pink gorgeous.” With her, I secured the record time on every track, writ with my initials: RWF. Then one day I caught Billy with my gorgeous about to shatter my time on the fastest track, and I kicked him to the window blinds, and she crashed. Instead of crying, he laughed as he pulled himself up, his shoulder bleeding. He laughed because he got me, found the thing that cracked the mask.

“Where the fuck are you, Bobby?” my brother asked.

“Jesus, man, I’m sorry.”

 

II.

Billy

Pulled into Mom and Dad’s driveway and sat there for a second. The engine cut out, and the car settled into the purr of the electric battery. This was a rich man’s vehicle: Dad’s Toyota Hybrid. He’d lent it in June, when I started back at work. That was nice of him. Seven months later, he still hadn’t asked for the keys back.

Grey, cloudy, Sunday. Neighbors’ houses loomed around me, some of them taller than three stories. I pictured the old wives inside with their phones and pictures of pathetic kids: Mrs. A., Mrs. Green. They’d watched me grow up into what? Their sons left Chicago, not me. 27 years old, and here I was still borrowing Dad’s things. I saw the shadow of Bobby waiting in the kitchen, the overhead light catching his head. His shape stretched towards me. 20 minutes ago, he’d sent a text saying, “Getting some food.” The garage stood open. Outside, wind blew cold.

I’d meant to do this sooner. But Bobby said he didn’t want to talk about anything serious. I let six weeks pass, and now I had to pounce before he hit the escape hatch. Tomorrow, he headed back to Columbia University and New York City, where he lived. He’d been out of town for three years, and I hadn’t even paid him a visit.

My hang-up had been the “spiritual affliction” thing. A long road to respect the concept, bouncing in and out of centers, learning not so much to stop drinking as to live spiritually—the alcohol a symptom of deeper stuff. It’s a hard realization to grab with both hands: we are not just our own person. Growing up, Christianity was a thing I did on Sundays. To say I never felt the touch of God doesn’t quite capture the sham. I looked for God at my first communion, ate the bread and nothing happened. When I kneeled before that Catholic pervert bishop at confirmation, Grandma cried, and I waited for my imaginary friend. “He’s pretend,” I told Dad when we finally had the fight about Jesus. Now, I studied Chapter 4 in the “Big Book” of Alcoholics Anonymous. Titled “We Agonistics,” it made the argument that only a spiritual life conquers alcoholism. Dogs started barking inside. Two white bichons appeared in the front window. They dove at the glass repeatedly, though never – in their combined years of living – breaking through to freedom.

Bobby prolly guessed I was here. Those fucking animals. My favorite reference manual from last year had been: “Alcoholics Anonymous: Cult or Cure?” That one did a fuck ton of good. I’d pop yellow Adderalls and tear through the pages. Few studies could explain how A.A. worked, and this book manipulated the fuzziness. It bought me time to drink. That book was my best defense. A.A. boasted more than a million people going to meetings, and I fended it away. Bill W., the former Wall Street trader and founder of A.A., had invented the idea of a “12-step program” based on the 12 Apostles. I knew this. My mind jumped to every 12-step program built on this happenstance: Gambler’s Anonymous (G.A.), Overeaters Anonymous (O.A.), Workaholics Anonymous (W.A), D.A., P.A., M.A., all based on what? Faith? Why not 10 steps or six? But I’d learned to stop calling bullshit.

Step 1 meant admitting I was powerless. Step 4 was my personal and “fearless moral inventory.” I kept my journal in the trunk. Across its pages, I catalogued every busted relationship in my life—past and present. I could recite it by heart. In the subsection marked October 9, 2013, which represented my Sobriety Day, I’d laid out three columns. The first column read “Resentful At” and beneath it “Bobby (Brother).” In the second column, I listed “Causes” of resentment in our relationship: “More successful,” “Judges me,” “Takes vacations,” and “Doesn’t want to talk about my life.” In column three, I tallied where each “Cause” cut into me: “Self-esteem,” “Relationship with others,” and “Relationship with self.” Then, if you flipped the page, you’d see three more columns. Here began my analysis of how I treated him. In the first column, titled “Selfish,” I’d written, “Blamed for starting my drug use,” “Made him buy me booze,” “Constantly drunk dialing,” and “Called him a fag.” These pages were why I was sitting in the driveway—to finish my Step 9, where I attempted to make amends for everything I wrote in Step 4. Hell, I’d made the list and one hell of a promise to my sponsor, and Bobby meant finishing it. Each step worked like an ego trap, grinding your face into the psychic crap of your past.

If I didn’t move ahead, I’d drink again. Progress meant embarrassment.

“No credibility,” I muttered. The time between January, this month, and October wasn’t much. But my sponsor and I decided, after my last slipup, that I needed to try something else. Family dogged me, we agreed, especially the thing with Bobby. My knuckles throbbed. I forgot I did his inventory on my first day back at meetings. Facing Bobby made my Step 9 with Dad and Mom feel easy. I took the keys from the ignition, stashed them in my hoodie. “God?” I asked, having taught myself to pray again and somewhat believing. “Give me help on what to say or how this should go.”

 

III.

Bobby

His voice shook me out of the village. “I was in there,” I wanted to tell him, but I wasn’t sure if he’d get the joke. Why drag up old shit? “Mom drinks because you did,” I almost said but stopped myself short. “I’m here to say that I was wrong in my behavior for a long time,” he said, his eyes unblinking. He locked onto me, drilling in sincerely.

I gazed at the Nutcrackers above the mantle and examined the iron tree, the one with the Hallmark ornaments my mother bought in June. On the bay window hovered a life-size sticker of a robin to keep birds from battering into the glass. “It wasn’t ok,” he said. The force of impact on double-paned glass was enough to kill finches from internal injuries. For some reason, the sticker (an image of a flattened bird) served as adequate warning. “I want you to know that I know that the wrong I did to you can never be undone and that I wasn’t a good brother.”

Some creatures ignored the warnings. I noticed how he avoided “sorry,” maybe on the advice of his sponsor. I’d seen him posting and seeking advice on online message boards like SoberRecovery.com. I’d done my research. Social media had sucked the mysteries out of A.A. Maybe all the addicts had held a symposium and agreed that they’d said “sorry” enough to strip the meaning. Maybe I could save that one to sting him, I debated, for saying it or for not saying it. But Billy knew I diagnosed situations to gain advantages. “And want to know how you felt about it,” he said.

And I couldn’t hurt him. This was my chance to tear open his brain and take out the broken pieces. Start with his childhood security blanket, pivot to his night terrors, crescendo with that crack-hole of a woman he met in Rehab Round 2. I could string events into a chain and use it to hang him from the ceiling. And I just couldn’t. I remembered my bedtime prayer as a kid, the one I’d say in front of him. “God bless Mommy and Daddy and me and Lauren and me.” I said me twice. I forced our eyes to meet.

He said, “This is me acknowledging the wrong that I did.” In his place, I wouldn’t say the same. His goatee looked trimmed. His arms bulged; he’d clearly been lifting for the past few months. Ever the competitor, I stifled my tendency to get jealous when Billy got buff.

“You remember the text?” I asked.

“Yes,” he said. “That summer.”

“I’m sorry I meant it.”

He’d called me late, when the light at my desk was the only light in the office. The Chicago Brown Line, which curled around my building, sat dark—done with all the commuters. My phone buzzed to life, emitting a glow that scared me because I was alone, and empty offices are creepy. It flashed “Billy” “Billy.” I guessed, by the hour, that he was smashed, and I felt stranded with his dilemmas. I couldn’t be distracted. The London office needed files by start of business, and I needed a job transfer to London. The need to keep working, keep working. I let him go to voicemail, deleted the message without listening and texted: “Billy, I’m really busy right now, and I don’t want to talk about your life with you.”

 

IV.

Billy

Why stare in the corner? Could he guess this was hard? I was saying what I was saying, and I’d practiced saying it with my sponsor, in front of the dogs, with my fiancée. Get your words right. Don’t say sorry, say apologize. Don’t make excuses if he throws it back at you.

He sat looking off and not wanting a drink, and I sat wanting a drink like always. Thoughts ran ahead of me. It was work to sit, work to talk. Work to rearrange myself on the couch instead of getting up and walking to Mom’s cabinet with the lock undone.

My voice droned. There went the part about being wrong. He mentioned the text message. Ok, he meant it, enough. I was working my way through the minute to talk and not get up. People worked for it, the ones I knew. Some worked forever and never saw the fruits. Can’t last the minute. That’s the bitch of things, and I’ve never been okay with it for one day in my life.

 

V.

Bobby

We went 21 months without speaking, during which he attempted suicide by overdosing on phenobarbital, an anti-seizure medication. I’d pass addicts begging for change on the way to the train and wonder if it was my brother. He changed his cell number, and I didn’t notice until I tried texting him six months later. I avoided mom and dad’s house for three Christmases to escape the situation that made me saddest: that Billy lost at everything, including his addiction. I want to say that I thought he would manipulate me if I tried to help, that he’d try to sink me. But the truth was I purged him easily. I couldn’t be bothered because I was too busy grasping for promotions, which I received. I wanted to tell him that he was always better than me, that, even as a kid, he saw through the playacting we do to manufacture worth. How a human was not singular in this world but the product of a family. And how that was unfair, because we don’t choose our families, but that was the truth of it, and in the truth we all become losers.

It sounded flat. It felt flat. I decided it was flat. Instead I said, “I lost my best friend,” hoping it meant something.

His head jolted back, registering surprise. He took time nodding and then replied, “It’s tough for me to even, kind of, recall what you mean by that. I’ve been so far gone that I can’t remember it, Bobby, and that makes me sad.”

I closed the garage after he ducked past the outside light. The metal door trimmed him away until he vanished. I heard the purr of the battery and the groan of my father’s engine as he sped away. I wasn’t sure where he lived, and I started crying, realizing I should have let him win something. I turned back to the family room and saw the furniture rearrange itself in my brain. I was alone, and I remembered when I used to babysit all of them: Billy, Annie and Lauren, my other sister. The couch sat in front of the bay window back then. My parents kept a stereo in a cabinet opposite the sofa. We’d listen for the sound of the van receding and then blast our ‘90s grunge rock. Billy and I reveled in those songs.

My favorite word as an 11-year-old, and thus my brother’s favorite word, was “rebel.” We planned to tear down society by buying the right CDs. In the fall of 1992, Mom wouldn’t let us buy Nirvana “Nevermind” because she hated the baby’s penis on the album cover. So we settled for the Gin Blossoms’ “New Miserable Experience,” not for the music but because the title summed up everything we believed in. Plus, their lead singer died of an overdose and that seemed to lend the band credibility.

The song “Found Out About You” commenced with airy, strumming guitars. “All last summer, in case you don’t recall…” I grooved beneath the ceiling lights on my parents’ coffee table. “I was yours, and you were mine… ” The girls pounded down the staircase in time to sing, “Forget it all! I leapt onto the sofa. “The things you said and did to me…” Billy took my place in lights. “The love I thought I’d won, you give for freeeeee…”

He mimed a solo. “Whispers at the bus stop…” We clapped. He kicked and sneered. “Nights out in the school yard…” We clapped together. “I found out about you…” This is reverie. “I found out about you…” I stole his voice. I’m stealing it. He did it with booze, I did it with winning. We didn’t know about siblings competing or anyone losing big, but he was seven years old, and that was the last time I could picture all of us clapping for him.

 

 

Robert Fieseler grew up in Chicago and graduated co-valedictorian from the Columbia Journalism School. He is the proud older brother of William (Billy) Fieseler, who also appears in this essay. Robert’s journalism has appeared in Narratively and The Big Roundtable; W.W. Norton will be publishing his debut book of nonfiction. Tweet him @wordbobby

Read an interview with Robert here.

“Fulfillment” by Avital Gad-Cykman

Fulfilled
“Womb” by Mia Avramut, wax on paper, 5.8 x 8.2 in.
(See also “Indian Remedies for Tereusitis” by Sabyasachi Nag.)

The magazine “This World” proclaimed Cassit Café an upscale Bohemia where poets and journalists drank together, and writers and singers shared stories. The article was embellished with photographs of models and air-hostesses, however, it must have been a crock.

All she saw was a half-empty darkened place with an intimidating aged waiter in black and white, standing at the entrance and staring at her until she dropped her eyes and withdrew toward the edge of the sidewalk. She didn’t want to enter anyway. A two-hour bus drive away from home, and the pavement almost danced under her feet.

Instead she was determined to find another restaurant where people ate chicken and French fries with their hands, no table manners or polite conversation, only a full mouth and oily fingers. She’d find that perfect place.

Walking tentatively toward the north, she stopped when a masculine voice called, “Hey, hello, want me to read your palm?” As expected, the man, unkempt and in his thirties, wearing an oversized jacket, leaning against a rare robust tree, was looking at her. People always thought she was easy prey. She shook her head, able to sense the rough surface of his blackened hand rubbing against the palm of her hand, and what good future could come out of that?

Despite the electric pleasure of the city, it became harder to speak with people as the hours advanced. She coughed, to hear her own voice without appearing to be crazy. She didn’t have to talk with anyone, anyway. Being a stranger made her an explorer, a magician, anything except just a girl. Back in her home town everybody knew whose daughter she was, whose friend, where she lived, where she studied, her grades, her hobbies, and who had left her for another. She really wanted French fries. The chicken must be pretty special too. Everyone assumed the other girl had something she didn’t, which was probably true. The chickens, she hoped, did not go through a slaughterhouse, like the one oddly located not far from the city center, back at home. She went there, once, out of curiosity, and despite the jutting blood she didn’t become a vegetarian, because, as her boyfriend used to say, “that’s life.” If you didn’t have what it took to survive, you didn’t.

She had thought she was pregnant, and wondered if she’d still grow up to be an air-hostess, or, if nothing else worked, a poet. She could never tell what she was or what she might be the way others could. She believed she was pregnant, though babies should happen with maturity, and not because you see a bleeding featherless chicken. Either way, he would never take her back with a baby. She was so certain, she stole money from his wallet and her father’s, and also from her mother’s purse, and though she wasn’t sure how much she needed, she assumed she had enough.

Above all, she believed it would be easier to find a doctor in the city. But now, walking down Dizengof Street, she knew that her growing belly didn’t house a baby, just the way the café didn’t house poets and writers and air-hostesses, despite its potential. She simply needed a lot to eat because nothing filled her up.

The busy street with its food stalls, clothing stores, graying three-story buildings and a ramp with a tub aspiring to be a fountain stood on the verge of greatness, like a superhero still wearing an office suit. She recognized the restaurant thanks to the large sign announcing liberation from silverware. The young waiter in a red t-shirt offered a bib and rubber gloves, which she declined. He smiled at her, he did, and as she chose a stool at the counter, he served her a large metal plate full of French fries and half a chicken.

Her face shimmered, and her eyes released dragonflies to the air. She sighed in relief and ripped the food with her bare hands.

 

 

 

Avital Gad-Cykman‘s book, the flash collection LIFE IN, LIFE OUT was published by Matter Press in 2014. Her stories have been published in The Literary Review, CALYX Journal, Glimmer Train, McSweeney’s, Prism International, Michigan Quarterly Review and elsewhere. They have also been featured in anthologies such as W.W. Norton’s International Flash Anthology, Sex for America, Politically Inspired Fiction, Stumbling and Raging, Politically Inspired Fiction Anthology, The Flash, and The Best of Gigantic. She won the Margaret Atwood Society Magazine Prize, placed first in The Hawthorne Citation Short Story Contest, and was a finalist for the Iowa Fiction Award for story collections. She lives in Brazil.

Read an interview with Avital here.