“Sometimes It’s That Simple” by April Ford

Pfeiffer Beach, California
North of Pfeiffer Beach, Big Sur, California, 2001 by Matthew Chase-Daniel

“Has your husband licked your anus recently?”

“Excuse me?” Olivia withdraws her feet from the stirrups and sits up. The paper sheet covering her from the abdomen down flutters to the floor and exposes any mystery about her Dr. Rattray might have speculated from his previously limited view.

“There’s a fungal growth irritating your hemorrhoids, a type of yeast commonly seen in oral thrush—that’s in the mouth.”

She can’t decide which is most devastating: the frankness with which this unfamiliar male doctor just asked an amazingly personal question, the way he blithely informed her she has hemorrhoids without telling her directly, or that his hand is still touching her backside, which is coated with lubricant and burning something awful. Deducing that matters can’t get worse, she presses her forearms against the examining table, politely lifts her rear off the doctor’s hand, and slides to the floor in immediate pursuit of her underwear and jeans.

Dr. Rattray goes to the sink to wash his hands and says he’ll return in a few minutes to review some details. Seeing she is safely away from public view, he opens the door to leave but then closes it and goes to the cabinet above the sink, where he retrieves a sanitary wipe and drying cloth.

“You might want to use these before you put everything back on,” he says, winking.

Olivia smiles from behind the protective covering of a chair; she can’t access her clothes without crossing to the other side of the room, and she’s exposed herself enough for one day. At work this morning when she confessed to her boss she had exaggerated on her CV about experience with social networking platforms, at lunch when her friend Molly asked why she hadn’t RSVP’d to the baby shower invitation yet, and now, the annual. If only she had waited until her regular doctor returned from vacation. No rush—although the burning and itching have become unbearable, to the point she can hardly sit through a movie at the cinema. Trenton, whose job if not life revolves around the cinema, has found this most worrying, explaining to Olivia how bad it looks when his own wife can’t sit through a screening of his film.

Yeah, well you see how it feels to have inflamed veins in your ass.

Nobody gets hemorrhoids at 34. That’s a disease for the middle-aged, and she has at least six more years to go. She’s entitled to those years and will not have some substitute doctor use words like “anus” on her. Olivia silently prepares a lecture while she dresses, but Doctor Rattray knocks on the door before she can come up with a civilized term for her anatomy.

“I apologize for the wait. Network’s all clogged up.”

“I’m sorry?”

“I phoned your prescription to the pharmacy. It will be ready tomorrow.”

“Prescription?”

Dr. Rattray holds his clipboard in the air and waves for her to sit with him at his desk. He plucks a pen from behind his ear and points it at her. “You, Mrs. Goodman, are to follow my orders for the next two weeks and then check in with your regular doctor.”

Who is this man Dr. Wein has allowed as a replacement? Olivia isn’t especially fond of Dr. Wein, but at least he never shocked her with information about her health or talked about it in such an offhand and vulgar way.

“What, exactly, is the problem, Dr. Rattray?”

As though he has been waiting all day for such a question, an opportunity not only to show off his knowledge of the medical world’s underbelly but also to showcase a hidden talent for exciting conversation, he claps his hands once and plunges into a monologue that passes right over Olivia.

“So it’s not your fault, Mrs. Goodman, and you will be able to resume all normal activities once it’s treated. In theory it has nothing to do with whether or not your husband licks your anus. But in practice, moisture makes yeast a very productive little fungus.” The doctor wags his index finger.

“Have you checked your husband for oral thrush? It’s quite easy to identify, usually a white patch on the top of the tongue that looks like hair—”

“Please, just tell me how to get rid of it. I’ll be happy to follow your instructions.”

“Get rid of it?”

“Yes, this…problem I seem to have developed.”

“Oh there’s no getting rid of hemorrhoids, Mrs. Goodman. They’re constricted veins that require treatment, sometimes even surgery, but I assure you they’re manageable. Did you know fifty-percent of people over the age of forty develop hemorrhoids?”

Olivia stares harder at the ground each time the doctor says the offensive word. It sounds like something German lovers might yell at each other during quarrels.

An hour after leaving the doctor’s office, she is stuck in traffic. According to the radio announcer, a five-car pile-up has narrowed the highway from three lanes to one. The occasional car zooms along the soft-shoulder only to encounter a roadblock of pylons up ahead, where a police officer gleefully tickets the deviant motorists and holds his hand up to assist them back into the nonexistent flow.

Summer traffic jams in Boston are unbearable; the normal level of driver aggression is amplified by the wasted time and dense humidity, and anybody who has been in this situation before knows to be on guard for cars to rev and force into the first available opening.

“Is it ever hot on this late July afternoon! If you haven’t gone to the new Toscanini’s in Cambridge yet, this is your chance. My personal favorite new flavor is Cherry Chocolate Chunk.  Think about that while you’re stuck in the throbbing heat for the next twenty minutes, and then meet me at Toscanini’s at seven pm and sign up to win a prize. That’s right, I said prize!”

Olivia leans forward in her seat and scoots her lower body back. Her legs are stiff and her rump is on fire. It’s really happening: Her body is beginning to malfunction. How utterly embarrassing. She doesn’t know if she can tell Trenton. But she has to. Apparently he might have oral thrush, although how she contracted that in her … it doesn’t make sense.

A car horn blares behind Olivia’s tree frog green hatchback and a gravelly Irish voice accuses her of holding everyone up. Sure enough, she has fallen four lengths behind the car in front.

A news helicopter circles overhead and Olivia wonders what the traffic jam looks like from an aerial perspective. Maybe it looks like a big swollen vein.

Trenton has set the dinner table and placed a single bird of paradise in a translucent red vase at the center. Small bowls of tapas fan out around the vase.

“You’re a darling for making diner,” she says, scooping a handful of tortilla chips before leaning toward Trenton for a kiss. She stops mid-lean, stuffs her mouth with chips, looks at the table again. “And my favorite wine, too!”

Trenton appears oblivious to the fact that his wife just dodged a kiss, and proceeds to explain the various tapas he spent the afternoon preparing.

“These little guys,” he says, pointing to thick finger-sized sausages marinated in a burgundy sauce, “are called ojales—or, buttonholes.”

“These,” he says, lifting a bowl of black olives in a cilantro paste, “are perdigones, or buckshots. Don’t they smell divine?”

He explains the other five dishes, but the whole time Olivia can focus on one thing only: his mouth. She’s never noticed until now that it barely moves when he speaks. In fact Trenton mumbles a lot of his words, streams them together and occasionally lisps. She remembers, vaguely, noticing the lisp when they met nine years go, but she was too polite to say anything so probably she’s just gotten used to it by now.

When his tongue finally does expose itself, Trenton covers it with the back of his hand to staunch a yawn. “Everything okay, Liv? Is the food grossing you out?”

Olivia sucks back her glass of wine. She needs courage to ask him about his oral thrush. “Do you—have you ever—did you know that….”

“What’s wrong? Tell me what’s wrong.” Trenton pushes the tapas aside and reaches across the table. “Sweetheart?”

She drops her head and stares at the tops of her thighs. “Just give me a minute.”

He stands and walks around to his wife. He hugs her against his stomach and rubs her shoulder blades. “Are you anxious about the screening tonight? You don’t have to come. I know it’s hard for you to stay awake after working all day.”

She whimpers into his stomach, his pleasantly soft yet flat stomach, and wonders if this will be the next thing on her to go. Maybe she’ll wake up tomorrow morning with a pouch that can’t be tucked behind the waist of her jeans no matter what she does. Or worse, a muffin top. She pats her stomach to check if this isn’t already the case.

Trenton pounces on the gesture. “You’re pregnant? Are you really? That’s wonderful news, Liv! Oh my God, I’m so happy I could—”

“I have hemorrhoids!”

When he releases her and steps back, she wonders if he’ll ever look at her the same again. Of all the vile things she’s ever said to her husband, this wins the blue ribbon.

She pours herself another glass of wine. “I’m sorry, I didn’t mean to yell. The doctor gave me a pamphlet, if you care to know more.”

A smile spreads across his face like a contagion—into his eyes, along the lines of his forehead, even the tips of his ears. He hugs Olivia to him once again and says, “Welcome to the club, darling.”

~

The next day Olivia leaves work early. After extensive research on the items Dr. Rattray prescribed for her, she has decided they are non-hazardous and easy to hide from Trenton. He must hide his products, after all, since she’s never seen any around the bathroom. Maybe he’s embarrassed, too. Her research has also taught her a coded vocabulary she can use with the pharmacist. Surely she isn’t the first person to fill a prescription of this nature, but she can’t risk exposing her horrifying secret.

After skillfully maneuvering her hatchback between two king cab pickup trucks with muddy off-road tires, she reaches into her purse for the CD she made during lunch break: A Free Guided Meditation for the Overburdened. She inserts the CD, presses “play,” and listens as a waterfall and gentle wind fill the car. This is kind of nice, she thinks.

A soothing male voice eventually fades in and encourages her to close her eyes and relax. “You are preparing for your spiritual enema,” the voice says.

She ejects the CD and snaps it in two.

The pharmacist tells her it will take ten minutes to prepare her order, so she walks up and down the store aisles in search of the non-prescription items she learned about online: witch hazel, fiber supplement, and stool softener. According to her research, these aides can help keep both her exterior and interior happy. She also visits the cosmetics section—her first time since adolescence, when wearing makeup had everything to do with fitting in and nothing to do with aesthetics. Other than a light sweep of clear lip-gloss, she presents herself to the world the way nature made her. And why shouldn’t she? Her skin is clear, her features are symmetrical, and she’s in her prime. Or was. She picks up a tester tube of Cover Girl lipstick and rubs the nub of dark pink onto her index finger. Next, she rubs her index finger across her lips and puckers them in front of the wall mirror. She moves down the aisle to the eye shadows and liners, then concealers, then blushes, and by the time she’s called to the prescription counter she looks like a mom whose little girl has played beauty shop on her.

The pharmacist smiles too generously as he rings up her purchases. “Tucks is on sale this week, if you’d prefer.”

“Tucks?”

“Generic witch hazel’s fine, but you’ll get more medicated pads for your money if you buy Tucks.”

She ignores the suggestion and promptly exchanges 20 dollars for her products.

Outside the store, she takes a moment to ensure she hasn’t left anything behind like her wallet or car keys. Two teenage boys lean against the brick exterior, smoking sloppily rolled cigarettes.  They are overdressed for such a blistering summer day, sweating yellow through their long soccer jerseys. With Olivia as their audience, they become animated and talk loudly at each other.  One of the boys produces a matchbook from his back pocket. He tears a match free and strikes it against the flint strip across the small square of cardboard, then holds up the lit match like he’s just performed a magic trick. The other boy sticks his thumb and index finger into his mouth and then presses his fingers around the flame. He grins at Olivia, but she is already halfway to her car.

Tonight she will ask Trenton to show her his tongue. As soon as he gets home, before he has removed his loafers, Olivia will know the secrets of his mouth. This is ridiculous! Why is she afraid to ask? They’ve shared so many things over the years, and he knows she now has hemorrhoids and a yeast infection. She just needs to take it one step further and alert him to the possibility he might have contributed to the second part of her ailment. Oral thrush can be caused by a variety of culprits—food-born bacteria, a tooth infection, aging—so this is a mystery to solve together.

Since Trenton isn’t due home for another hour, Olivia decides to familiarize herself with her cornucopia of treatments. As she lays the products out on the bathroom counter, however, she realizes she doesn’t know which to use first—the witch hazel pads or the anti-fungal cream. And how, exactly, does one “apply” anti-fungal cream? Had she not been in a rush to leave the pharmacy, she could have received a free consultation. The third product, psyllium caplets, is straightforward, so she starts here: Take one caplet with a glass of water. Next, she reads the directions on the stool softener bottle: Take one to two softgels at the first sign of hard stool. Ew. Finally, there is no getting around it; she’s left with the witch hazel pads and the anti-fungal cream. The products sit side by side on the counter like a pair of schoolyard bullies. She decides to apply the cream first, since witch hazel is merely a soothing agent. The anti-fungal leaflet instructs her to:

“Make sure infected area and hands are clean. Insert plastic applicator into tube and fill with cream until dotted line. From a standing position, bend forward at waist. Use one hand to stretch skin around anus. Use other hand to guide applicator to anus and gently insert tip. Do not force. With index finger, push down on top of applicator until all cream has been dispensed. Gently remove and rinse in warm water for reuse. Store in cool, dry place. See numbered illustration on back.”

 Olivia tosses the cream into the wastebasket beside the sink, sits on the edge of the bathtub, and cries. She weeps until Trenton comes home, blaming him for everything—the hemorrhoids, the yeast infection, the muffin top she will one day have, her indecision about what to do with her life, her stupid, aging body. By the time he comes to her, she has concluded their marriage is failing.

“What do you mean, Liv?” He appears to be suppressing a laugh—an actual laugh!

She wipes her face dry with a hand towel and confronts her husband. “You lied to me. That’s why. And you gave me a yeast infection in my ass! How is that even possible? Do you have any idea how degraded I feel?”

Trenton swishes his mouth from side to side for a moment and then says, “I have never lied to you. You’re acting a little mad right now.”

“Why didn’t you tell me about your hemorrhoids?”

“I didn’t think it was something you’d favor knowing.”

“What about your oral thrush?”

“My what?”

She squeezes her hand around Trenton’s chin. “Open.”

“Wawt?” He tries to wriggle free but she has him locked in place.

“Open your mouth and show me your tongue.” She feels an unexpected rush of bravery—a psychic liberation at having issued a command with such certainty.

Trenton’s nostrils flare with confusion, but he does as he is told. She peers into his mouth, maneuvers his head from one side to the other, shines a mini flashlight inside, releases her grip.

“You don’t have a hairy tongue,” she says.

“A hairy what?”

“A hairy tongue. Oral thrush. The reason I have an infection.”

He looks around the bathroom with intent, and then lifts his hand above his head as though to touch the light bulb that has just flashed in his mind. He turns this way and that, gathering her scented bath beads, shower gels, and beauty bars in his arms. She almost shrieks when he drops everything into the wastebasket.

“What did you do that for?”

“All those fake chemicals,” he says, hugging her to him and kissing the top of her head, “are hemorrhoid irritants. Sometimes it’s that simple. Besides, only teenage girls walk around smelling like flowers all the time.”

She slips a hand between herself and Trenton and touches her belly, which, thank God, is still neatly behind the waist of her jeans.

 

 

April L. Ford is a Montréal, Québec native. She is in her third semester at Queens University of Charlotte, and she is happily employed as a French lecturer at State University of New York, Oneonta. Her short story “Layla” appeared in the spring 2010 issue of Short Story magazine, and “Isabelle’s Haunting” will appear in the upcoming issue of The Battered Suitcase.

Read our interview with April here.

 

“In the Café” by Bev Magennis

In the Cafe
Beach at Selinunte, Sicily, 2000

In the café, you complain about your husband. A year ago, I nearly died. Dr. Moller sliced a tumor the size of a cantaloupe from my abdomen.

You talk about spying on the cheat and order a latte and ask if I’d like one. My system can’t process the acid. I order decaf green tea.

You suggest we split the tab. Sure.

On the street you say you’ll confront the creep directly, no fooling around, no games.

My eyes follow sunlight on gold leaves shifting among branches.

What if Gary were having an affair? After eight months of not leaving my side, of delivering me to the emergency room, camping by my bed, accompanying me to doctors’ appointments, labs, scanning and imaging centers, he deserves a tall brunette with tits that look implanted but aren’t, creamy legs that sprout from black stilettos and disappear under a short, satin skirt. Someone whose voice purrs, whose gestures slice the air in clean, graceful arcs, whose eyes, under heavy lashes, hint at mischief. Optimistic, with few demands. Reasonable, but generous. Kind.

I’d set him free in an instant.

Alas, he’s stuck with me. Sixty-seven. Breasts sad as teardrops, face weathered and lined from working outdoors. The clichéd arms, thighs and neck of a skinny older woman. Old woman.

Not just old, high strung and bothersome – to a quiet man. My mind swims in an ocean of gray matter, poking among reefs for endless possibilities, various approaches, seeking the best solution to minute problems, until time runs out and I opt for one of a thousand final decisions. The process aggravates a black-and-white thinker who seldom asks a question, the consequences of curiosity not worth the emotional or intellectual engagement called upon to engage in the string of thoughts my response might unravel.

Yes, I’d set him free. But he doesn’t ask for that. And I don’t offer.

 

 

Bev Magennis was born in Toronto, Canada, in 1942 and immigrated to the US in 1964. She received her MA in Art from the Claremont Graduate School, Claremont, California. After a 30-year career as a visual artist, she started writing. In 2009 she was accepted to the Iowa Writers’ Workshop Summer Graduate Class. She was awarded a 2010 Pen USA Emerging Voices Fellowship, Los Angeles. In 2011, she received the Norman Mailer Fellowship in Fiction, Provincetown, MA. She has lived in New Mexico for 35 years where she has written two novels and is currently working on a third.

 

“Stella Blue” by Brian Pietrus

Stella Blue
Headwaters of the Colorado by Matthew Chase-Daniel, 2009

When I picked my mother up at the small airport just outside of Yellowstone I felt like something of a veteran already. Of course I was excited to see her and glad she’d be experiencing the remainder of the trip with me, but I couldn’t help considering her a newbie.

Oh my God, look at the bison!

Yeah, I know—there’s a whole herd of them near the area where we’ll be camping.

They’re so cool! Can we get a picture?

If you want, I said. I have a bunch I took already.

She was excited, so I obliged. We stopped and took pictures on the side of the road with all the parked campers and SUVs from Nebraska and North Dakota. It was a little embarrassing, pulled over like a tourist. I felt like a teenager at the mall with my mom, and I hoped no one saw me, though I wasn’t sure whom I was afraid of being spotted by.

When we got to the campsite my mother wanted to call my grandparents to check in on them.

They’re fine, I assured her. Uncle George is stopping by after work.

I’d feel better, she said.

It was a tough spot for my mom. My uncle worked a lot, so he couldn’t be there as much to help out. My grandpa took good care of Grandma most of the time, but she was sick and needed extra care. It didn’t seem fair that my mom did most of the work. In retrospect it feels pretty awful that I considered it work. I love my grandparents, it was just frustrating. For both of us.

George doesn’t do things like you do, they’d confide to my mom. How long did you say you’d be gone?

All of this built up to a tremendous load of stress on my mother. I was just as needy as my grandparents, and I suppose we were pulling her apart. That was part of the reason she decided to take the time off from work to come out here and meet me. With me in college and her firmly tied down at home we were beginning to drift apart.

I set up camp in a flash. By the time she got off the phone everything was ready.

You’re pretty quick, she said.

Lots of practice.

I could set the tent up solo in 2-3 minutes. My mom brought a sleeping pad. I had been sleeping on the floor of the tent. I loved the firmness of the ground. We built a small fire and stayed up late catching up and scouting for meteors.

I love the smell of campfire, I confessed. Sometimes after camping I’ll re-wear my clothes for a few days before I wash them to hold on to that earthy smell.

It’s a nice smell, she agreed.

The night was quiet except for the occasional car driving down the road and idling when it came to an intersection. Crickets would stop their chirping and lay still in the dry grass when a car passed, and when everything was still again they sang.

The next morning we decided to rent a canoe from the outfitters up the road. My mother had never been in a canoe before. I knew a little about paddling from the times I’d gone with friends in the Adirondacks. We clumsily carried the canoe to my car with lifejackets slung over our shoulders.

Careful, I said. No, LIFT it! The lip of the canoe fell hard on my roof. I can’t lift it by myself.

I’m sorry. I’ve never done this before.

I knew she was right and I felt sore for it.

We strapped the boat to the roof. The bow and stern stuck out over the front and rear windshields. I knew it would make visibility worse when we removed it from the lake in a few hours, and the wet bow would rain down on the window, but for now it was only a looming shadow. We cranked the red straps through the doorframes so tightly I wondered if the rubber gasket would permanently scar and keep the door from closing right.

It was ten minutes to the lake. Even at low speed the wind was making the red straps vibrate like piano wire. I tried to steady one with my free hand while I steered with the other, but the tremendous reverberation felt like it would gash through my palm. It sounded awful. We turned up the radio to drown it out, but the straps overpowered all other sounds. I could have crashed into the fattest bison in the park and not heard more than a ripple in the road.

The meadows were packed with sagebrush and the wind was sweet with the smell of it, but sunscreen tainted the air everywhere we went. From the lakeshore we got the canoe into the water with ease. Moving it proved to be the hard part.

No, you paddle on that side when I’m paddling here.

Sorry.

No, we’re going in circles!

I’m sorry! You seem like you’re having a miserable time. Maybe I shouldn’t have come out here to meet you.

Don’t say that.

I didn’t know how to tell her. How to make her understand that I’d been on the road for almost a month, living out of my car and tent and more than one dirty motel off the highway with minimal human contact and how I’d gotten so used to being alone that I forgot how to interact with other people. We were floating in the shadow of one of the craggiest mountains in Wyoming. This was the kind of experience that was meant to be shared.

I’m sorry, I offered. I’m glad you’re here. Really, I am.

We cut through the inverted reflection of the peaks and I steadied the rims of the canoe and lifted my legs over the sides. The water was cold. I let it flush between my sweaty toes and up over my ankles.

Dip your feet in, I suggested. It feels great.

When Mom called my grandparents that night she told them about our canoe trip, her first, and about the mountains and the clear sky and clean air.

It sounds beautiful, my grandma told her. I’m glad you two got to go on this trip.

Mom felt guilty for leaving her parents for two weeks, but hearing those words—I’m glad—seemed to make everything better. She enjoyed the sights more and we both let down our guard.

That night we watched for meteors again. I didn’t see another shooting star until a few months later, back in the Adirondacks, the same night I got the call from Mom that Grandma had died. It was dark outside and I took a walk in the woods along a well-worn trail through white pines and maples. When I came to a clearing, I turned off my flashlight and lay on my back on the sandy soil. The grass was cold with wet dew and the sand stuck in clumps on my back and legs. It was a moonless night and the sky was dark and thick as ink. Far above me a steady stream of shooting stars blanketed the atmosphere, burning bright like broken angels, and if I blinked I might miss their icy blue streak as they faded away into the night.

 

 

Brian Pietrus recently graduated with undergraduate degrees in Biology and Writing. He is currently enrolled in the Creative Nonfiction MFA program at Eastern Washington University. He has since made an enthusiastic outdoor explorer of his mother and they often go on hiking trips together. Brian also enjoys photography, playing music, traveling and exploring.

Read an interview with Brian here.

 

“Catching My Breath” by Susan Barr-Toman

Beach
Beach at Scopello, Sicily by Matthew Chase-Daniel, 2000

I signed up for a yoga class for writers because I needed to focus.

I’d successfully written a novel; it was even published. But for the past year or so, I’d been unable to concentrate. During the first class in the series, which was about sound, Lisa, the instructor, rang a bell and we listened until the walls soaked up the ringing. We ohm-ed three times as a group, and the room vibrated with sound. We could feel it against our skin. We stretched and repeated the sun salutation; our bodies morphed into snakes, cats, dogs, and children.

For our first writing exercise, we sat in pretzel legs as my kids say. Our backs were straight; our hands palms up on our knees, thumbs and index fingers touching. Lisa instructed us on how to breathe. Inhale and fill the belly, exhale and bring the bellybutton toward the spine. I focused, in and out. How difficult could it be? But of course my breath was choppy. My belly expanded as I exhaled. I tried again. Perhaps Lisa saw the frustration on my face. She said, “Breathe without judgment, but with compassion.” I’d been breathing all my life, so I must have had some idea how to do it. I just lacked any grace in the matter. I persisted and tried to look upon myself with compassion.

We stayed seated, breathing and listening as Lisa put on John Coltrane’s “In a Sentimental Mood.” I’ve always loved Coltrane, but hadn’t listened to him in a while. I sat breathing, breathing, and then, crying. I bit my tongue and tried to keep my jaw from quivering. A tear escaped and I wiped it away, then another. I was no longer focusing on breathing, but on not crying. While I loved the music; I didn’t have an emotional connection to it. I wasn’t listening to it at the birth of either of my children, it wasn’t playing at my wedding, and I didn’t immerse myself in Coltrane following a rough breakup long ago. So why was I crying?

After a few minutes, Lisa asked us to write about the music, or about the other sounds we’d experienced in class. My first sentence was, “What the hell was that about?” I kept writing. Writing was why I had come. I needed to get back to it. For the past year and a half or so, I’d been unable to concentrate. I’d become a caregiver, not only for my children, but for my husband who at forty was diagnosed with cancer, and then later his mother, whose lymphoma had returned. Caregiver is too strong a word; it makes it sound like I did more than I did. But after all that had happened, I was emotionally bankrupt. I was empty.

Why Coltrane? I wrote. Why tears? Perhaps Coltrane was speaking to me; he understood about the past and about what was lost. I realized that it wasn’t the music alone that made me cry. It was the breathing. It was me breathing. Me, after all that had happened, catching my breath.

The class ran late, so when I arrived home our company was already there. The couple sat at the kitchen table with my husband. The children were playing upstairs.

“We’re swapping cancer stories,” my husband said.

I sat in my yoga pants with a glass of wine. Our company was a couple we’d met through friends and had seen a few times. The reason I like them is that they are unapologetic about really loving each other. The wife had thyroid cancer a few years back. Her torture was hormonal more than surgical, months of treatment, then finding the right balance of medicine so she could return to stability, to her family and life.

My husband had chemo and radiation, and four surgeries in the past year and a half. Sitting at the kitchen table, Peter was only up to recounting his second surgery, the one that was supposed to be a “procedure” followed by a few days in the hospital. Then we were to join our children down the shore. Two days after the surgery it was apparent something was wrong. My husband was a grayish green, panting and sweating, barely able to walk 100 feet. The day before he’d lapped the hospital floor fifty times. As he talked, I pulled myself into a ball on my chair and felt acid rise to my throat. I wanted my husband to tell his story. And I really didn’t.

It is all too raw for me and I find myself back in the hospital recliner, wedged between his bed and the windows, the overcast day showing on his face. Peter is asking me to stay overnight. He’s afraid and I act like I’m not. I watch him barely sleeping. He’s been the perfect patient. Everything up to this point has gone as planned. This procedure was to be the end of a yearlong ordeal. But it isn’t. He’s dying, I think, and I can’t do anything. I walk the hall and ask the resident to check him again and again. They take him into emergency surgery the next day; he’s in septic shock, then he’s in the ICU. Twelve days all told and we don’t meet our children down the shore.

In graduate school, I frequently got into discussions with my fellow fiction-writing friends about whether to write autobiographical stories. I was adamantly against it, for me. My argument was that I needed more time to process what had happened in my life, possibly for a decade or two, before I could incorporate it into fiction. Meanwhile they seemed to be able to write the story as the door closed behind their lovers or the ambulance pulled away.

Joan Didion says she writes to know what she’s thinking. After listening to Lisa, and my breathing, and to Coltrane, sitting at my kitchen table, I thought maybe I don’t need to process before I write, maybe I need to write in order to process. It won’t be fiction, at least not at first. I may never share it. But I need to write to know what I’m feeling, and maybe to let go of all that was lost.

Listening to great jazz is like listening to conversations. Sometimes it’s an argument, sometimes wooing, sometimes goodbye. That afternoon, Coltrane was whispering to me: tell me. Tell me everything. And in the quiet of my own messed up breathing, I heard him.

 

 

Susan Barr-Toman is the author of the novel When Love Was Clean Underwear, winner of the 2007 Many Voices Project. She was born and raised in Philadelphia where she still lives with her husband and two children and where she teaches creative writing at Temple University and Rosemont College. She holds an MFA from the Bennington Writing Seminars. Visit Susan at www.susanbarrtoman.com.

Read an interview with Susan here.

 

“Garnet” by Anne Colwell

Garnet
Photo Collage by Matthew Chase-Daniel, 2010.
(See also “Mei Lei” by Alena Dillon.)

Square-cut as a weight lifter’s jaw
And the hard red of congealed blood,
My grandmother’s garnet has nothing of glint,
Of sparkle.  It’s a stone of will.

Her hands in batter, bathwater,
Scrubbed down the spattered apron,
Hauling boxes of ketchup
To restaurants on her route, lifting
Children into beds, lifted in prayer
Behind two husbands’ coffins.
She willed the red ring
To my sister, whose birthstone is garnet,
Whose birthright’s this red.

The night I came to sleep on my sister’s couch,
Anemic, thin, after days of mornings
When I couldn’t lift even my small self
Out of bed, my sister slipped
The garnet on my hand.  Wear this, she said.

 

 

Anne Colwell has published a full-length collection of poetry, Believing Their Shadows (Word Press). Her chapbook, Father’s Occupation, Mother’s Maiden Name, won the National Women’s Press Association Prize for best book of verse published in 2007. She has published short stories in Octavo Magazine and The Delmarva Review. The University of Alabama Press published her book on the poems of Elizabeth Bishop, entitled “Inscrutable Houses: Metaphors of the Body in the Poems of Elizabeth Bishop.” An online chapbook of her poems appears in “The Poets” section of The Alsop Review. She has published individual poems and articles in a number of journals and quarterlies, including: Midwest Quarterly Review, Octavo, Southern Poetry Review, Eclectic Literary Forum, The California Quarterly and Dominion Review.

Read an interview with Anne here.

 

“My Mother’s Optimism” by John Guzlowski

Nea Kameni, Santorini, Greece, 2010
Nea Kameni, Santorini, Greese, 2010

When she was seventy-eight years old
and the angel of death called to her
and told her the vaginal bleeding
that had been starting and stopping
like a crazy menopausal  period
was ovarian cancer, she said to him,
“Listen Doctor, I don’t have to tell you
your job.  If it’s cancer it’s cancer.
If you got to cut it out, you got to.”

After surgery, in the convalescent home
among the old men crying for their mothers,
and the silent roommates waiting for death,
she called me over to see her wound,
stapled and stitched, fourteen raw inches
from below her breasts to below her navel.
And when I said, “Mom, I don’t want to see it,”

She said, “Johnny, don’t be such a baby.”
Eight months later, at the end of her chemo,
my mother knows why the old men cry.
A few wiry strands of hair on her head,
her hands so weak she can’t hold a cup,
her legs swollen and blotched with blue lesions,
she says, “I’ll get better.  After his chemo,
Pauline’s second husband had ten more years.
He was golfing and breaking down doors
when he died of a heart attack at ninety.”

Then my mom’s eyes lock on mine, and she says,
“You know, optimism is a crazy man’s mother.”
And she laughs.

 

 

John Guzlowski’s fiction and poetry has been published in The Ontario Review, Atlanta Review, Exquisite Corpse and other print and online journals. His poems about his parents’ experiences in Nazi concentration camps appear in his book Lightning and Ashes. Regarding the Polish edition of these poems, Nobel Laureate Czeslaw Milosz says the poems are “astonishing.” Guzlowski blogs about his parents and their experiences here.

Read an interview with John here.

“Touching Margaret Atwood” by Valerie Fioravanti

beach /images

If there is one benefit to a Brooklyn upbringing, it’s a loud, booming voice.

You learn to be heard in the schoolyard–if not the cradle. In a world where sidewalk territory was conceded square-by-square, where insults were merely the foreplay of torment, I developed a knack for exposing secret shames.

Bully bed wetter? You can’t hide that smell up close.

Vet older brother caressing lampposts in the twilight? I’m not worth the risk.

My verbal abilities became protection and rescue from the neighborhood, and they served me loyally through college. Then I trailed a lover to Switzerland, home to four languages not my own. In that strange land of starched traditions and tight-lipped disapproval, words failed me habitually, publicly, until they sputtered to a complete stop, even on the page, in English.

The overarching Swiss aesthetic is one of attainable perfection. I couldn’t order bread without being marched through pronunciation and grammar lessons, my baguette dangled outside my reach as I repeated phrases a dozen times or more.

Je voudrais du pain, s’il vous plaît.

Non! Je voudrais du PAIN, s’il vous plaît.

Non! PA-in.

Alors, JE voudrais du pain.

My enthusiastic attempts to communicate blighted their ears, and even my partner, his native traits emerging on home soil, suggested I focus on pronunciation over vocabulary, as if a thing that wasn’t said elegantly wasn’t worth saying. This implication cut as deeply as any comeuppance I’d ever inflicted.

I didn’t fight this notion like the rebel I’d always believed myself to be. Instead, I channeled Bartleby, refusing to engage in daily corrections with my neighbors. I pointed at items I wanted in shops, and relied upon my honed urban glare when challenged. I grew more and more mute until I spoke rarely, at home, among friends, or otherwise. When I finally fled the Swiss, I found my silence a difficult habit to break. I had lost sight of words as my gift.

I was home a week when I learned about a “master” class given by Margaret Atwood. I believed my favorite writer, a Canadian concerned with the silence of being from that other country, could guide me back to my former place of surety. I had missed the submission deadline by one day, but I went to the program office to plead for consideration. In my mind, Switzerland was a nation of torment, yet invoking my time living abroad didn’t elicit sympathy or an extension from the program staff. I persisted, hoping to shake off the rust, to appear worthy of Margaret Atwood’s time.

“I can read you the first paragraph, and if you don’t think it’s good enough, that’s fine. I’ll accept that. The name Ainsley is an homage to my favorite character from The Edible Woman.”

They called security.

I trailed Margaret Atwood through her NYC appearances to promote Alias Grace. If my own words had failed me, hers remained a delight. She made time to read at an independent bookstore, a haven that would not survive the release of her next book. The crowd she drew was larger than the space, so she had fans circled around her on the floor.

The microphone wasn’t working properly. Whenever she spoke, the treble squeaked and bleated, but the noise of the bookstore and the Broadway street bustle meant she couldn’t be heard without it. Twenty minutes into the equipment troubles, Ms. Atwood rested her hand on the head of a young man with wild, shoulder-length curls, and the noises disappeared. The audience whooped. When she moved her hand, the bleating returned, but the big-haired boy scuttled away.

“Was it me?” she joked. The feedback heckled her laugh.

The space around her had widened, and my friend elbowed me. “They’re never going to fix that thing.”

I tripped over my own backpack, practically tumble-salting to her side, but the audience applauded my bravery. Ms. Atwood put her hand on my head, and the mike quieted. She swatted the tech crew away.

For a delicately featured woman, she had a firm, sure touch. I was in the grip of someone in command of more than her words, and I wanted that assurance to seep into me. As she read, her description of 1850s society women— jellyfish ladies—as lovely illusions moved me so literally that the feedback returned. She adjusted my head without interrupting the rhythm of her sentences.

I thought of the women who teetered through my neighborhood, heels high and hair higher. They appeared tough as they sashayed for attention, but that attitude was its own lovely illusion. They were modern jellyfish ladies desperate for rescue, and I longed to write them beyond such outdated notions. As my left hand itched for a pen, I wanted to sweep Margaret Atwood up and dance the mad-jig of inspiration. Part of me thought she could do this without missing a word from the chapter she was reading. She had powers, that one. I believed.

After the reading, she took my hand in hers and mouthed, “Thank you.”

I beamed my reply. Words didn’t fail me. They were unnecessary.

 

 

Valerie Fioravanti writes fiction, essays, and prose poems. Her linked story collection, Garbage Night at the Opera, won the 2011 G.S. Sharat Chandra Prize for Short Fiction and is forthcoming from BkMk Press in 2012. Her nonfiction has appeared in Eclectica, Silk Road, and Jelly Bucket, and she is working on an episodic memoir of sorts. Margaret Atwood remains her literary idol.

Read an interview with Valerie here.

 

“Shaping Stone” by Mel Jones

Shaping Stone
Photocollage by Matthew Chase-Daniel

The Cliffs of Moher rise seven hundred feet out of the Atlantic Ocean, on Ireland’s west coast in County Clare. I’m never quite sure if the ocean shapes the rocks—or the rocks the ocean.

Either way, the view cuts a deep impression into everyone who sees them. They are, for many, the definition of Irishness.

Imposing.

Unapproachable.

Daring invaders to try their strength, the Cliffs have survived—intact, better than any ancient wall. I can imagine the Romans coming across the sea and stopping at the Cliffs, and deciding not to push forward, deciding that penetrating those walls wouldn’t be possible. It doesn’t matter that the Romans didn’t come, it doesn’t matter that they would have come to the other coast and likely never seen the Cliffs, I imagine it anyway and Hadrian would have been humbled.

When I saw the Cliffs of Moher for the first time, I thought about my father and the only story he ever told me about his service in World War II. I don’t even know how much truth there is to it, but he did tell it the same way every time. He was headed for the beach at Normandy, for D-day. The boat passed by the coast of Ireland. All of the American soldiers of Irish descent on board came up to the deck to gaze at the shamrock shores of what they had always been told was home. They had grown up in South Boston, Massachusetts—Southie, a little Ireland. Every man saluted. They were close enough to swim to shore, but didn’t. Instead, they watched the coast in silence as the stories told by their mothers flashed before them and then melted back into the mists of the Atlantic.

No looking back. Instead, they saw the rest of Europe filtered through the adjustable-sight of an M1 Garand. They saved the world.

Dad always said that few of them ever saw Ireland again. It faded back into imagination and fairy tales, someplace remembered in a cultural consciousness, encoded in fiddle tunes and feises.

“Ah, it’s no matter,” he’d say, “Ireland’s just another place faraway where too many dreams died.” He’d pour a cure-all from the crystal decanter and slip into a silence that filled everything and everyone around him.

It’s not faraway places that kill dreams, but the silences we create right here.

Unlike my father, my first experience of the Cliffs was on Irish soil. I gazed out at the ocean from atop the Cliffs and imagined his taibhse-long that had so long ago passed by, with a hundred men saluting back at me, each of them filled with a sort of disenchanted longing. As I walked along the pathway to O’Brien’s Tower at the top, I talked to the Travelers, Irish gypsies. They line the busy path hawking their wares to tourists and pilgrims. I listened to their music and bought their handcrafted bowls, flutes, and sarongs. I walked along the Cliffs, not too close to the treacherous drop, and took in the view from several vantage points.

I did walk beyond the Danger and Hazard signs. Because I’m like that, daring the wind, pushing the boundaries.

I approached the rickety fences along the land’s edge, about three feet from the seven-hundred-foot drop. I had come to see the entire island from a thousand angles, to find what made me feel broken inside—what made me need to test the wind. I watched the people on the other side of the fence, lying flat and hanging over the precipice—what could they be looking for? What were they trying to see? I wanted to see—understand—my family, the family that had been silenced by the great span of water below. I wanted to know how that taciturn distance had shaped me.

Who were the ancestors, long dead, about whom I knew nothing, the family my father’s mother, Nana, had left behind and tucked away in her memory—never to be shared? I wanted to know the family that died with her so many years ago. I had come armed with my grandmother’s name, Nora Reidy, and the only town she ever mentioned to me, Miltown Malbay. I had come looking for the magic that my grandmother had always claimed lived over there. I had come knowing I was coming home—whatever that would turn out to be.

My grandmother carried one suitcase and her Irishness onto the boat for the three-week journey into the unknown, alone—a ritual—an initiation. Like her ancestors before her, who had survived Christianization, Vikings, famine, and the British, Nora Reidy would survive—in America. She would not surrender. She crossed the ocean and left poverty, disease, and any sense of family history behind. Silence prevailed, except in bedtime stories that subtly carried the ancient ways forward.

“’Tis not the land that makes ya Irish, sure. ’Tis the Irish that makes the land. ’Tisn’t a nationality dear, ’tis a spirit, and one day the pipes will call ye home.” That’s what my grandmother said. Like Muslims to Mecca, many Irish-Americans return to the tiny island of their ancestry, an obligatory pilgrimage. They return to touch the passion and the poison that has infused their lives. Like salmon swimming upstream, the desire to reach the mystical isle—to go home—can be overpowering. Back to the poetry, back to the pubs.

Singing was the only thing that Nana and Dad ever did together. And as I was growing up, they did it every night. I can still hear them singing about pipes calling, in harmony, as my younger brother Danny closed his eyes and drifted off to sleep. Next, it would be my turn for a song. In my hand-me-down foot-pajamas I would climb into Nana’s lap and sleepily listen to her rich brogue as she recalled for me, again, in songs and stories, her childhood on the west coast of Ireland in County Clare. I remember more stories than songs. There were tales of abbeys, all founded by Padriac—the great saint that he was—and castles where my brother and sisters and I could—would be king and queens, at least in our imaginations.

There were tales of banshees, solitaries, and fairies—the little people who took care of the earth; the ancient people, the world’s first environmentalists, who left the planet in our care. Her stories of the vast green landscape of her youth were filled with longing and lamentation. “That’s who we’re descended from—the peoples of the West—the magic folk. They had red hair, just like you. And they’ve left them to us, the animals and plants, to take care of, don’t you know. Yes, indeed,” she’d pause to stroke the family dog, “yes, we need to tend to them.” Her commentary stirred the imagination with /images of a simple, pure life without the intrusion of alcohol, arguing, and anger.

Then the moment would pass and Nana would carefully readjust her mother’s ivory woolen shawl to protect us both from the harsh New England cold that seeped through the insulated walls and defied radiator and furnace. She wrapped it around us. The shawl was all she had of her mother’s, all she had from home.

I coveted it.

“Have yer Da fetch me some Tay,” Nana would say with a wink. Her piercing blue eyes carefully watched as I scurried off to bring her the tea that Dad prepared for her each night. She brushed her long silver hair back off of her forehead and with elegant slender fingers braided one small piece underneath; with remarkable ease she used it to tie back the rest.

“There are magic places and ancient things—the great rock table, built by fairies, or was it giants?—Oh ’tis no matter now, ’tis it?” She would start her story as I climbed into her lap. “’Tis the most amazing thing I ever did see.” Nana waxed poetically about Irish mythological women, Maeve and Deirdre. She talked about their courage, their independence, and their strength. Their ability to endure and live life on their own terms. “Be like Maeve little one. Never let any one control ya. Or be like Deidre. Die first.”

“Don’t be fillin’ her with your tempestuous tales now. Jesus, Ma, fairies and dyin’!” Dad interrupted. “She has a wild enough imagination. Jesus, Mary, and Joseph. Fairies! This is Boston, not Miltown!”  My father walked to the crystal decanter that held some curious Irish cure for regret. He filled his glass, drained it in one swift motion and filled it again. He drank it like his thirst had no bottom.

“Can’t even get the name right, it’s Miltown Malbay, son. Say the whole thing, enough of your short-cuttin’” Nana winked to me again, “’Tis off to bed with ya, lass. Don’t pay your Da no mind. Who knows what dreams tomorrow holds.” She glared at my dad, “If you don’t believe in dreamin’ that’s your own problem ’tisn’t it? All your answers are there in that glass I ’spose? Whiskey is a powerful magic, ’tis indeed. The deeds done by its magic would shame all the demons in hell. Shame on you. Remember now,” she turned back to me, “don’t let anyone control ya!” She sang a chorus from Galway Bay, or Rose of Mooncoin as I drifted to sleep.

As the only redhead born into the family I was special. Nana, took possession of me when I was a newborn. She left my siblings to the care of my mother. Nana thought my mother was inept and she made no secret of that. In return, my mother never said a gracious or complementary thing about Nana. Their contempt for one another was palpable and I was between them. I was Nana’s chosen one and therefore, by default, devalued by my mother and envied by my father. It is said that the human personality is formed in the first two years of life. Nana molded me. But she moved into a nursing home when I was four, and died when I was six leaving me the different one, the odd child, standing slightly apart in family photos—with no arm encircling me and inviting me to join in.

I’m told that my mother was not my dad’s first choice for a bride. He was in love an elegant Irish-American woman named Kathleen, Kitty. Nana loved Kitty. Dad went to Europe to help save the world during World War II and Kitty married his best friend. He was heartbroken. Dad came home from Germany, met my mom, and they were married shortly thereafter. There were no stories of anyone swept off their feet, or wild romances. They met. They married.

Period.

My parents divorced when I was fourteen years old. That meant my dad didn’t sleep in the guest room anymore and dinners wouldn’t be shrouded in resentment and non-fights. Long silences would no longer be punctuated by wounded egos, slamming doors, and hidden whiskey bottles. Nine o’clock Mass and daily confession. I naively thought it could mean that my parents would find something a-kin to happiness out there. I’ve seen pictures of my parents looking like married people but I personally never saw them behave that way. They conceived eight babies, so at some point they must have had a connection. My mother lost four third trimester babies before delivering her first healthy child. I have two older sisters and a younger brother. Somewhere in those years something happened and the tenuous connection between my parents was broken and my father, drowning in alcohol, moved out.

The silence his absence left echoed in the void of my soul. I wondered what his mother, my Nana, would think of all that had transpired. I wondered what it took to shame demons. Their divorce took me one step further from the magic places and ancient things of my childhood. It buried deep in the recesses of my mind, castle ruins and places where every one could be a king or queen. But, what we learn at bedtime comes back to haunt us—or hold us—and as the sound of my dad’s car faded into the distance, in my mind I heard my Nana’s voice say, “Be like Maeve little one. Never let any one control ya. Or be like Deidre. Die first.”

And I believed a little piece of me died.

*

But my grandmother had also told me the story of CùChulainn. He is a mythical war hero. In typical mythical hero fashion, his dad was a god. CùChulainn was the embodiment of what we typically associate with the Irish: impetuous, courageous, and proud. He was a bit of a drunkard. He faced all of his enemies, come what may. Nothing could hold him back. In his final battle, his enemy, Lugaid, who just happens to have magic arrows, attacks him. CùChulainn’s charioteer is killed, then his horse. The hero is mortally wounded. He refuses to succumb to his wounds; instead he straps himself to a stone. He will die on his feet. The sight instills terror in his enemies and the only creature brave enough to approach him is a raven. Even in death, CùChulainn surrendered nothing.

I clung to CùChulainn’s story. And it has served me well. I can be all of those stereotypical Irish things. I can even add a few more adjectives about redheaded women.   I often wonder how my dad didn’t seem to know this story. Or if he did, why he didn’t use it as a model in his own life. When my parents divorced, he moved into a one bedroom apartment where he drank away his twilight years. He never walked the streets of Milltown Malbay, or stood looking out over the Cliffs of Moher. He closed the door behind him and yielded to his demons.

At twenty-six, I moved from Boston to Virginia because I didn’t want to become that. Like Nana, I was chasing a dream into the unknown, come what may. I moved to a farm. I taught my children tales of banshees, solitaries, and fairies—the little people who took care of the earth; the ancient people, who left the planet in our care. I taught them, as my grandmother had taught me, to protect animals. I sought a simple, pure life and eventually the pipes did call me home. And each trip to Ireland has taught me something about magic, survival, and the ability to face all enemies, internal and external. About myself.

During my last trip, I spent time in a pub with several local musicians. If I closed my eyes, I could hear Nana and Dad singing Danny Boy with them. I could feel the memory of the brush of an Irish wool shawl against my cheek. But, no one was drinking tea. The air was smoky, too warm, and heavy with the smell of Guinness and Jameson. I brushed my long hair back off of my forehead and braided one small piece underneath; I used it to tie back the rest.

At last call, a young woman began to sing, Sonny don’t go away, I’m here all alone. People shushed each other. The pub became silent as the patrons respectfully listened to the commanding, poignant voice sing a story it seemed they all knew too well. Many years have rolled on, though he’s barely a man.

I had never heard the song before but a chill of recognition ran through me. It was Dad’s story. I thought about my dad playing soccer by the L Street Pier in Southie with the grandfather I never met. He was killed, hit by a car, stumbling home from the pub, drunk. There’s not much to do, but he does what he can. I thought about the New York Mets and the contract my dad passed on to stay and home and take care of my widowed grandmother, Nana.

I ordered a double. Sits by his window, in his room by the stair.

I spent the next two days thinking about my father and his unrealized dreams—his alcoholism and of all that it robbed him. Many years have rolled on, Sonny’s old and alone. As I walked paths by Dysert O’Deas, I thought about Dad, in his one bedroom apartment everyday, hiding empty bottles from himself, looking up a new word in his ragged dictionary in the evening and watching Jeopardy—calling me six-hundred miles away to tell me he’d gotten every answer right.

Surrendering.

Every day wondering what his life might have been.

As I lay in my bed in my rented room at Ashgrove House, after a third night of singing at Fitzpatrick’s, I thought about the Irish mythology I knew so well: fierce, determined women with messages to share about passionate living. Deidre, and Maeve. Every night ended with Sonny’s Dream, a pub full of little surrenders.

I thought about CùChulainn tied to a stone and facing his death without flinching. I thought about my grandmother crossing the ocean alone to chase her dream—and not surrendering. As I lay there I was sure of one thing, I didn’t want to spend my sunset years wondering what my life might have been. I had come to Ireland to find the past, so that I would not be condemned to repeating it. But I realized that the past is open to interpretation. I could have Nana’s story, or Dad’s.

On my last day in Ireland, I drove out to the Cliffs of Moher for one final look. I’m still not quite sure if the ocean shapes the rocks—or the rocks the ocean. But the view cut a deep impression. They remind me of CùChulainn. Nana.

Me.

 

 

Mel Jones had her own poetry column in a local newspaper at 15 and was determined that she would be the next Shakespeare or Tolkien. But then life intervened. She grew up and raised a family. Mel did her undergraduate work at The College of William and Mary, and graduate work at Virginia Commonwealth University and Antioch University, Los Angeles. She holds degrees in History, English, Rhetoric, Literature, and Creative Writing (Nonfiction). Yes, she’s overeducated. She’s done extensive genealogical research, edited a now defunct literary journal, and has taught children ranging from kindergarten through college. Mel writes on a small leisure farm west of Richmond, Virginia where she lives with her partner, parrots, and progeny. She recently had an epiphany: if she sent her work out more, she would be published more. She’s working on that.

Read an interview with Mel here.

 

“The Keeper of the Truth” by Anne Leigh Parrish

Tree in winter
Pinon, Santa Fe, New Mexico, 2004

The crystals in the window would have thrown a rainbow in the sun. The sun wasn’t out, though. It was winter, and the world was gray.

The woman was gray, too, not just her hair, but her suit, whose only decoration was a small pin in the shape of a seahorse angled on her right lapel. She didn’t go by Madame Zolara or any sort of exotic name that conjured an intimacy with the spirits, but by Gwen. Psychic Gwen. Painted in gold loopy letters across the dusty glass door.

Emily was there for research. She was writing a book on soothsayers, visionaries, and fortunetellers, women with gifts, women beyond the mainstream, and how they had been perceived – and treated – over time. She’d done enough reading, and needed a primary source, so had driven up South Hill in the snow, struggling to find the right address among the storefronts whose numbers had faded or disappeared.

Psychic Gwen gestured to a folding metal chair by a small, round table. Emily sat down, and Psychic Gwen took the chair opposite her. She didn’t know what to do next. The last time she had interviewed anyone was back in high school, when she’d worked for her local newspaper as an intern. The person they matched her up with was a local politician, a Second Ward alderman, a crusty old Irish Catholic who talked about “bad elements” moving to Dunston, and then offered her a cigarette.

Psychic Gwen held Emily’s gaze in a way that made her uneasy.

She said, “There are some things I’d like to ask you.” It was a short list: When did you first suspect that you were psychic? Did you tell anyone? If so, what was the reaction?

Psychic Gwen reached across the red velvet tablecloth and took Emily’s hand. She gazed into the palm, which had suddenly dampened with sweat, then turned it a little towards the only source of light in the room, a small lamp on top of a large and very dusty roll-top desk.

“You will live a long life,” Psychic Gwen said. “Much of it alone, but not all.” She peered more closely. “You will not have children, yet there was a child once.”

At twenty-two Emily had had an abortion. Her boyfriend was in love with someone else, needing Emily for comfort until his true love opened her heart. She never told him about the baby. She never told anyone.

She reclaimed her hand. “Please. There are things I must ask.”

Psychic Gwen took out a deck of Tarot cards from a drawer on her side of the table. She spread them out, face down, with the skill of Las Vegas dealer.

“The cards hold all your answers. Point to one.”

Emily sighed. This was a bad idea. She pointed to a card.

“The Chariot,” Psychic Gwen said. “This means you desire to exert control and find it difficult to do so. Choose again.”

She pointed to a second card.

“The Hanged Man. You want to let something go, change direction, reverse your fortune. These cards are in opposition, as are you, torn between two objectives, unsure of the outcome. The third card will decide your fate.”

Emily’s third choice was the Ten of Swords. “You feel like a victim, on the receiving end of another’s folly. You have put this person’s welfare above your own.”

Psychic Gwen put the cards back in the drawer, and told Emily she had a stain on her soul. “You have carried it there a long time. Yet one day, you may wash it clean.”

She gave up on the questions she’d prepared, handed Gwen the twenty-dollar bill she’d agreed to pay when she made the appointment on the phone, refused a receipt, and rose to go.

“I will see you again,” Psychic Gwen said. At those rates, Emily didn’t think that likely.

The snow fell harder. What had taken over thirty minutes on the way to Psychic Gwen’s became over an hour on the return home – to the house she had taken possession of from her mother and father when they moved to Arizona. They hoped to put it on the market within the year, and counted on Emily to supervise the sale. She lived there rent-free, because at the time the arrangement was made she was in school, plugging away on her doctoral thesis. Her parents assumed she still was. Emily had withdrawn from the university the previous autumn after the man she was having an affair with went back to his wife. At that point, school became too much.

She kept on with the project though, the book. Several weeks after seeing Gwen, she changed tack. Psychics were interesting (and unnerving, she had learned) but she wanted a wider subject, to emphasize current thinking about aberrant behavior, and then say how society had changed its mind over time about why people did what they did. Witches were just people who didn’t fit in, didn’t do what the world expected of them, had trouble following the rules. Today those witches would be labeled with low self-esteem, attention deficit or obsessive-compulsive disorder, addictive personality, or repressed memories only the most skilled therapist could uncover. People weren’t evil anymore, they were afflicted; given the right tools, the right environment, a guiding hand, they could be cured.

Emily explained this to her friend Lisa over a shared six-pack of beer, imprudently consumed on an empty stomach.

“You know why you’re so into this, right?” Lisa asked.

“Because I want to know about the human psyche. The soul.”

“No one knows anything about the soul. Except when it hurts.”

“Or has a stain.”

Lisa stared at Emily, then burped with the gusto of a seasoned drinker.

“The psychic told me my soul has a stain,” Emily said.

“Yeah, and its name is Melissa.”

Her sister wasn’t exactly a stain, she thought, though she’d definitely left her mark on the members of her family.

~

Two days after that conversation, Melissa showed up in the middle of the night from Boston, carrying all her possessions in one large backpack. Things had dried up on her there. Her contacts had moved on, and with an arrest for possession four years before, she didn’t want to chance some zealous undercover cop, maybe out to climb the departmental ladder. So she came home. She hadn’t been back two days when the calls started. Old friends, deadbeats wanting to hook up and get high, people she hadn’t seen in years showed up at all hours, woozy and smiling, or sullen, strung out, wanting to sleep on the couch.

Emily stayed out of their way. She was raised on tiptoeing around. Also on the theory of redemption. One morning, when Melissa got up before noon, Emily asked “What about What’s-his-name? Tom? Why don’t you give him a call?”

“No fucking way.”

Tom was someone Melissa had slept with on and off for years. He’d already offered her a bed at his place, but Melissa knew better. He had a bad habit of trying to rehabilitate her. He didn’t give her money, because he’d done that before, money for food and some classes at the community college that she put up her nose. Staying with him meant a lecture on free will and right choices, all the bullshit she’d heard forever.

As if sensing Melissa’s return, their parents called one night. She was out again, and Emily was free to fill them in. They made nice noises. That must be hard for you, and you’re so good to help out. The baton had been passed. Melissa couldn’t be abandoned. They just couldn’t turn their backs. A hand had always been extended, and would be again. They sent money. Emily took her share above living expenses. She was building a little bank account. As for the rest, Melissa would need new clothes – nothing expensive, just basic, practical. Jeans, shoes, underwear. Their mother was keen on new underwear. Emily would do the buying. Melissa was not to be trusted with cash. Or valuables, either, for that matter.

Two years before, Melissa had pawned their grandmother’s diamond brooch. The five thousand dollars kept her and her most recent boyfriend in pot and booze for two weeks in a Vegas hotel suite. Their mother’s face stayed hard for a month. Their father retreated behind the closed door of his study. The time for threats and rebukes had ended years earlier, after Melissa’s second arrest for drunken driving. The judge assigned her to substance abuse counseling. The sessions often involved a group. Melissa made friends easily with anyone who bought her a drink afterwards.  Her parents put her in therapy, first with an older woman who lived on a farm and raised goats and felt Melissa was responding to an unspecified childhood trauma. Then they sent her to a younger man who wore sweaters and pressed pants. Melissa tried to pull his heartstring. She wept through several sessions. He prescribed anti-depressants. She said she’d prefer Vicodin. He refused. She offered him oral sex. Again, he refused. She threatened to say he was the one who’d propositioned her. He gave her the prescription, and told her never to come back. After that, the help of outsiders was no longer sought.

~

On a gray, freezing Tuesday, Emily awoke with a taste of doom. The silence of the world was final and fatal. Her mind’s eye gave a scene of total destruction. She’d had these dreams before. The lone survivor. The keeper of the truth.

And there he was on the couch, snoring. A man she didn’t know. Her gentle nudge didn’t rouse him. Her hard slap did.

“What the fuck?” he said. He’d brought his dog, a leggy mutt with a bald patch who’d shit everywhere, then dug up her rubber tree plant.

“Out,” Emily said.

“She said she lived alone. Who the fuck are you?”

“Her mother.”

He sat up. His eyes came into focus. “Yeah, right.”

She raised her hand once more.

“Jesus. You got any coffee?”

Emily gave him five dollars from her purse, took his backpack, and tossed it out the front door. The dog ran after it, and peed liberally on the first bush it came to.

Afterwards she banged on Melissa’s door until she answered.  Her face was puffy, and her breath stank. She looked at the mess and nodded. Emily dressed and escaped.

She thought of walking by the lake, but the wind was bitter. She went to a coffee shop and sat for a long time. Melissa wasn’t bad. She was just weak. As a child, she could never resist temptation. She opened Christmas gifts early. She ate treats saved for guests. Emily, two years older, tried to correct her. They often fought. One time was particularly harsh. Their grandmother died suddenly when Melissa was six and Emily eight. Melissa said she knew it had happened when the phone call came. The grandmother was healthy and strong. They’d seen her only a week before. Her death shocked them. But not Melissa, who swore she sensed it as her grandmother kissed her good-bye and went down the walk to her car. Emily said Melissa didn’t know anything, that she invented the whole thing.

She went home. The house was clean. There was a vase of white carnations on the kitchen table, her favorite winter flower, and a card with a picture of a kitten and Melissa’s words, To new beginnings.

~

Melissa came home late, drunk, eyes dilated, stinking of cigarette smoke and sex. Her attempt to move silently through the house was foiled by breaking a glass in the kitchen. Since she had removed her shoes, the shards cut the bottom of one foot, right through the thin socks she wore. Emily found her sitting on the floor, looking at her bloody sole, sobbing.

She helped her to bed. The scope of her research had to include normal people affected by the spiritually lost. We are the light they fly to, she wrote in her notebook, then crossed it out.

Two days later, Melissa forgot her key and banged on the door well after midnight. Emily was still up, trying to organize her thoughts. She’d resurrected the light idea. We are the beacon that guides them home. When Emily didn’t answer, Melissa stood in the yard and shouted. Then she threw small pebbles at Emily’s bedroom window. Emily peered through the crack in the curtains. Melissa had no coat.

She sat another minute. She’d have to confirm if her theory were historically accurate. Had the visionaries had stable companions around them, people who helped them along? The idea of more research was thrilling and tiresome. She was a good researcher, though. Of that she was sure.

When she opened the front door, Melissa said, “You hate me.”

“Only the things you do.”

Melissa went to bed. Emily realized that her book still lacked the proper focus, and would never grab anyone’s attention. The next day, she put it in a drawer and left it there.

Spring came. The trees filled the blank spaces of winter sky with tiny soft buds and the air, still cool, was lovely and fresh. Melissa went to Florida with a college student she’d met in a bar and Emily had the place to herself.

Her parents called again. They said there was no point in doing anything with the house while Melissa was still there. Emily was relieved. They asked how her work was going. She said it was coming along nicely.

Melissa returned. She was tanned and sober. She had new clothes. The college student seemed to have a little money. She didn’t mention him, or say much about her time away. She wanted to make dinner for Emily. Emily didn’t like the idea, but she consented. Melissa was a decent cook, when she put her mind to it. She’d once talked of attending cooking school, even having her own restaurant one day. She asked Emily for thirty dollars to buy groceries. Emily said she should make a list, and she’d shop, herself. Melissa said she didn’t know what she was going to make, yet. She’d take her inspiration from what looked good at the store. Emily hesitated. Melissa got upset.

“You don’t trust me,” she said.

“No, it’s not that, it’s just . . . ”

“I know, I know. Can’t you see I’ve changed, though?”

She did look different. She was clean and neat. Even her nails were free of dirt.

At seven-thirty that evening, Emily sat alone with a glass of wine. Melissa had been gone for hours. She hadn’t called. Emily hated herself for believing that she would.

The next morning Melissa returned. She wasn’t clean or neat. Her jacket was stained with mud, and her hair, tidy and clipped the day before, hung in her face. She’d been crying.

Emily sat her down and gave her a cup of coffee.

“He threw me out.”

“The college kid?”

Melissa nodded. “He said his parents were coming up from the city, and I couldn’t be there. He didn’t want them to meet me.”

“Did you want to?”

She shrugged.

“It’s just the principal of the thing, right?”

Again, Melissa shrugged, but Emily knew she’d hit a nerve. Even Melissa, with all the harm she did to others, didn’t want to feel like a lowlife who wasn’t good enough to meet the family.

“You can’t expect people to treat you better than you act,” said Emily.

“What the fuck is that supposed to mean?”

“You make bad choices. People get tired of it, and they move on.”

“Yeah? Well, fuck them.”

“Easy to say.”

Melissa hung her head. She was still drunk, Emily could tell.

She looked around the dining room where they were sitting. The wallpaper had a pattern of daisies and bluebells. It was old, outdated, and ugly.

Melissa sneezed. “I think I’m getting sick.”

Emily put her hand on her forehead. “You feel warm. Go take a shower and get into bed.”

“Is there any wine in the house?”

“It’s ten-thirty in the morning.”

“Tell my head that.”

Emily got her a glass of wine. Melissa’s mood got better. She became expansive. She made fun of the college boy, said he was pudgy, and too fast in bed. Emily laughed. Melissa’s charm had always been like a crystal, throwing light here and there. Sometimes it fell on you, and made you a little brighter, too.

Melissa showered, got into her pajamas, and let Emily tuck her in. She was soon asleep. Emily took the manuscript she’d hidden in her desk drawer, tossed it into the fireplace and lit it. A lot of her life turned to ash as she sat and watched. Maybe that’s what she was best at – sitting and watching. It didn’t really matter. There were no visionaries, or special spirits, or gifted hearts. Only people who broke the rules. And others who covered their nakedness, kept them safe, and loved them so blindly that they never grew up or improved in any way.

 

 

Anne Leigh Parrish is the author of the story collection All The Roads That Lead From Home (Press 53, September 2011). Her work can be found in The Virginia Quarterly Review, Clackamas Literary Review, Carve Magazine, Storyglossia, The Pinch, Prime Number Magazine, Eclectica Magazine, Amarillo Bay, Knee-Jerk Magazine, Chamber Four, PANK, Bluestem, and American Short Fiction, among other publications. To learn more, visit her website.

Read an interview with Anne Leigh Parrish here.

 

“Veal” by Christina Salme Ruiz Grantham

Veal
Cattle, Novato, California, 2004

¿Adonde voy? Where am I
And where am I meant to be? Nowhere,
at home, all day, trapped in my
mother-built mind-house,
closet-sized box, still.

¿Adonde estoy?
Some days she walked me to my room, slid
the closet door, helped me climb
into the ever-empty shelf.
She told me “stay” in the closet of
her discontent, like a dog worth beating.
“A storm,” she said, “stay quiet,” she’d say,
“not one peep,” checking and
rechecking through the slit—
open, close, open, peek.
Her palpable nerves ensuring I’d stay
still, quiet, more scared she’d find me
gone, of what might happen if
I touched the door, if I fingered
the unpainted inner wood
found a grasp, a toe hold
reopened my closet from the inside, clambered
to bed. Less frightened she’d forget me
than a splinter in my hand would betray me.
I stayed quiet for hours like days, day after
infinite day, listening to her moaning fright through
the plasterboard separating their thin room from mine.
How lonely she spent the storm, how
she must be aching. Yes I’d be still
but for the shaking of those walls,
Yes but
for the metallic rumble of my shelf.
Quiet
except for the storm, my ally.

¿Adonde fuí? At five, the moving box in
an unfurnished room—room in a different country—
where we’d play hide and seek, mother,
daughters, but mostly hide
at her insistence, hide from an elder
sister, try to win any game
by being more than silent—cardboard—win
against a greater force,
a sister, a mother like a child herself,
who never came looking for me until
I’d fallen asleep
in a box too tall to crawl out of,
too narrow in which to lie down.

 

 

Christina Salme Ruiz Grantham obtained her MFA from the University of Maryland, College Park in 1998. In 1999, she received an Individual Artist Grant from the Maryland State Arts Council, and Governor’s Citation for Artistic Merit. More recently, she attended the 2004 Bread Loaf Writers’ Conference, and was a scholarship winner in 2005. Also in 2005, she won an Individual Artist’s Grant from Prince George’s County, Maryland where she lives with her husband and twin sons. Mrs. Grantham has been previously published in Earthwise Review, Mobius, The Allegheny Review, and Borderlands.