“Debbie’s Ranch” by Scott Kauffman

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Eddie McCoy was an hour’s drive out of Battle Mountain, Nevada, heading north on U.S. 95 for the Oregon border, when he slowed his Ford pickup and eased it onto the shoulder. He cut the engine, and the cylinders misfired and rattled on for a few seconds more before a final, smoky cough belched from the exhaust pipe. Eddie opened the door and stepped down into the sand, leaving his keys in the ignition. He limped around the truck bed and on out into the desert, his head down, his hands clasped behind his back, the look about him of a man who had reached the end of something.

A hundred yards from the truck Eddie came upon a shoulder-high boulder. He pulled himself up and sat, his legs dangling over the edge. A crimson fan of light was unfolding before the Rockies as the sun came up, blood red and as squat as a knifed-out heart somebody had put his boot to. Eddie reached into a shirt pocket for his Winstons and shook one out. He was edging a thumbnail under the matchbook cover when he noticed her. Eddie took out his cigarette. Pointed at him from the midnight-blue cover was a bent over, thonged bottom. Looking around from in front of the bottom smiled a woman with shoulder-length hair the color of dirty snow, “Debbie’s Ranch” etched above her head in an arc of pink script.

He shook his head. “Now, who in Hell ever heard of a cathouse advertising themselves with matchbooks? Like they was a bar or a restaurant. Some filling station a dad might consider stopping by for a Pepsi with his kids.”

Eddie rubbed a callused thumb over the woman’s bottom, shapely as any in a cowboy dream. “Well, I guess there’s a somebody out there who’s thought of everything you ain’t and are unlikely to ever will.”

He had gotten off I-80 a mile south of Battle Mountain the evening before, so dazed from the day’s driving he almost missed the exit. Twenty-four hours earlier, the clerk behind the desk in a Motel Six on the other side of Cheyenne had asked him when he checked in if he cared to reserve the room for a second night. The Weather Service was calling for a freak summer snowstorm to hit before the next nightfall.

“Room’s will be gone before you know it.” The clerk nodded at Eddie’s feet. “Hellfire, son. We’ll have folks sleeping where you’re standing.”

Eddie showered, and after he came out he sat on the bed wrapped in the towel and considered waiting out the storm in his room, catch up on some sleep. One turn through the channels on the chained-to-the-wall television settled his decision for him otherwise. Re-runs of sitcoms with no plots he thought dumb and had refused to watch the first time they’d been on. Mindless game shows with mindless contestants. People jawing about their problems who wouldn’t know a real one if it came up and kicked them in their rumps grown wide from sitting around jawing about their problems. He was up and on the road before dawn.

His truck had no air conditioning, and by evening Eddie was dehydrated from driving first
through the mountains and then the high desert. He hadn’t eaten anything since the jelly
doughnut he’d scarfed down in the motel lobby when he was checking out, and now he could hear his stomach growling even with the wind blasting through both rolled-down windows. The gas gauge needle was riding on “E” and had been for fifteen minutes. There were no cars before him and none behind, and with his bum leg, unless somebody stopped, he’d be crow bait before he limped into the next town.

Five days before, Eddie had blinked his eyes open at 4:44. The same time as he did every
morning. No alarm clock needed. He reached for Lisa, but because he was sleeping on the couch, his hand found only air.

Eddie unwound the sheet he had wrapped himself into during the night and swung his legs to the carpet and went into the quarter-bath off the kitchen. When he came out, he switched on the overhead stove light and from a cupboard took out a can of Fancy Feast. He stooped and divided it between Satchmoe and Sophie. The kitties were sitting by their respective bowls, in no hurry to get at their food and instead watching him, their ears perked, judging by his voice, his stroke of their coats, whether they would spend the day napping on their sun nook or hiding out in closet corners. On his way to the sink, Eddie emptied their water bowls in the one potted fern out of a dozen he’d not managed to kill. He filled the bowls and returned them and walked back to the bedroom.

He opened the closet door and with his toe poked at the pile of clothes heaped on the floor. He bent over and picked out a blue-denim shirt, and before he reached his arms into its sleeves he held it to his nose. As Eddie buttoned up the front, he sucked in the Rolling-Rock belly he’d been working on. He pulled on his gray canvas trousers, abraded and threadbare at the knees, and reached for his steel-toed boots. Before lacing up the left, he reached in a finger and traced the scar slicing his Achilles tendon.

“You ain’t dreamed of doin’ nothing since the day you bought this.” He took out his finger and knotted the laces. “Maybe it’s time you started.”

Eddie returned to the kitchen and scooped uncooked oatmeal into a bowl and poured over it last week’s milk. He walked out to the picture window in the living room and, as he ate, watched a full moon set over the duck pond across the street.

At the midmorning break, Eddie shut down his arc weld and walked into the supervisor’s office, his work cap in hand behind his back and asked for a couple of weeks off.

“Surprised you hadn’t asked for any before now.”

“Yes, sir.”

“You came in the day after the funeral.”

Eddie shifted his cap to his other hand. He looked at the office door window, its smoky, pebbled glass opaque. “I like to stay busy. Keeps me from wandering where I shouldn’t.”

After his shift let out, Eddie gassed up the truck and from a rack of roadmaps took one for the eastern half of the country. He’d have gotten one for the western states too, but the attendant said there wasn’t sufficient demand for the station to justify stocking them.

When he got home, Eddie walked next door to Jude and Christina Hardy’s. In their mailbox he laid a note with feeding instructions for the kitties and dropped his key on top of the note and crossed back across their lawns. Eddie put a TV dinner in the oven and went into the bedroom and packed a duffle bag and his toilet kit. At his dresser, Eddie studied her photograph, twisting his wedding band back and forth on his finger as if it were a lock whose combination he couldn’t quite get. He took it off and laid it before the frame, a thumb resting for a moment on the gold rim. Ten minutes later Eddie had eaten his half cooked supper and was in the truck, his Thermos of black coffee on the seat beside him, headed up Route 7 toward the Turnpike.

* * *

At the Battle Mountain exit, Eddie turned right and followed the sign pointing to town and
stopped at the first filling station he came to. He pulled up to one of eight rows of pumps and turned off the ignition and sat back in his seat. He looked at the gas gauge and tapped it with a knuckle. The needle didn’t so much as flicker.

He got out of his truck and walked around to a pump and studied the prices before he crossed the cement concourse and pushed open the door to the station. Behind the counter were two teenage boys, one slouched against the cash register, the other, his arms raised like a prize fighter, jabbing into the air with quick left stabs as he recounted a street fight he had witnessed the night before. The two wore identical sky-blue shirts with “Earl” stitched above the breast pocket of one and “Sam” above that of the other. Out of each ink-stained pocket protruded an air gauge and half a dozen pens. All twenty of their fingernails were broken and jagged and grease filled. They wore khaki-colored baseball caps, which bore above the bill a red and yellow “Sanderson’s Shell” decal. Out from under the caps spilled their oily, collar-length hair. Earl was cultivating a wispy mustache, and both were badly pimpled from a filling station fare of Cokes and Snickers and Lays, their faces red-budded like cactus flowers ready to pop.

Sam, the boy behind the cash register, straightened when Eddie came in. “Yes, sir?”

Eddie reached into a back pocket for his wallet and took out two fives and a ten and lay the bills on the counter. “Twenty on number thirteen pump.”

Sam reached for the money with one hand and rang up the purchase with the other. “Yes, sir. Twenty on lucky thirteen.”

Eddie turned to go, but halfway to the door he stopped and looked out the plate glass window.

The boys watched him.

“Will there be anything else?” Sam asked.

Eddie didn’t answer. He was studying his truck, which had taken on an odd hue under the
florescent lights, as though by some magic of desert air its paint had turned translucent and beneath it his truck glowed, softly, like a lanterned candle.

“I hope he ain’t going to get weird on us,” Earl whispered. He reached up and took down the restroom key that was hanging behind them and slid it under the counter. He looked out at Eddie’s truck. “Fornicate hisself all over our head like that one dude done last week.”
Eddie turned to the boys. “There some place abouts I can grab a bite to eat?”

A smile slowly spread across Earl’s face. He jostled Sam with his elbow. “Notice them plates?”

Sam nodded.

“Go ahead,” Earl hissed. “Tell him.”

“There’s Debbie’s.”

“Good place to eat?”

“None better,” Sam said. “Ask them about their desserts they serve with whipped cream
delight.”

Earl raised a hand to the other boy’s shoulder and turned his back. He seemed to have caught something in his throat.

“Which way is it?” Eddie asked.

Sam pointed out the window. “Go left when you pull back on the highway. ‘Bout two mile down the road. Big red sign out front right before their turnoff. Can’t miss it.”

Earl hacked all the harder.

“Thanks,” Eddie said and went out.

As he filled his gas tank, Eddie cleaned the dirt and the smashed, sun-baked bugs from the windshield. He went to the dispenser and grabbed a handful of paper towels. When he turned around, he took one step back toward his truck and stopped. A set of yellow eyes were pointing at him from behind the front grill. Eddie let go the towels, and the evening wind that had begun to rise at sunset scattered them across concourse and out into the desert.

He walked to the front of his truck and stooped and reached up under his bumper with the
handle of the window squeegee and pried out the carcass of the jackrabbit he’d thumped a mile this side of the Nevada line. Eddie grabbed the fur on the back of its neck and walked it to the trash container and dropped the rabbit in, pushing on its hindquarters with the squeegee handle to get it down the hole. “Let the dead bury the dead.”

He climbed back into his truck and pulled up to the road and stopped. At first the boys weren’t certain if he would go left, but he did.

“Think he’ll come back pissed?” Sam said.

“How long have you been pumping gas here?”

“Be a year in December.”

“So far, any of ‘em ever come back? Even that minister with his wife and kids in tow?”

Sam shook his head. He drummed his fingers on top of the register and looked down the road, the glow of Eddie’s taillights already swallowed by the coming of night, the red desert dust filling the air.

“Miss Debbie ought to be aputting us on commission for all the business we’re sending her way,” Earl said. “At least let us take it out in trade now and again with one of them big-titted girls of hers.”

Sam grinned. “You are one horned-up toad tonight.”

“No different than any other.”

When he saw the twenty-foot-tall billboard, Eddie took his foot from the gas pedal and touched his brakes. The lower row of bulbs had either not yet come on or burned out and not been replaced. The top row was lit, though, and beneath the lights “Debbie’s Ranch” was written in script.

A hundred feet beyond the sign he came to a gravel drive and stopped. He leaned over and
cranked open his passenger window. He saw no buildings, no window lights, just a blue neon “D” that hovered in the dark. Eddie shifted into first and followed the drive to a parking lot where the only other vehicle was a dust-covered Ram Charger. He switched off his headlights.

Outside his windshield, heat lightning flashed above the desert floor, illuminating within tall,
Telarian skeins hundreds of cacti, T-shaped like graveyard crosses. Along the horizon, he could make out the silhouette of the western most Rocky Mountains he had come out of late that morning as the snow had started to spit on his windshield.

When he climbed down from his pickup, the sand carried in the wind stung his eyes almost shut.

He lowered his head and limped as quickly as he could across the lot to the front door. Inside, Eddie took out his bandana and wiped the grit from his face, and he stood there a moment, his eyes graying a dark lit by brass lanterns hung from overhead beams.

The room had about it a queer odor, something similar to an alchemy of cow manure and
Channel Number 5. The sides of the adobe building swayed and had two-inch cracks running from floor to ceiling, and its walls were buttressed with piers not all a part of the original Spanish architecture. Hung on the walls were oil paintings framed in black patina as finely cracked as old enamel glazing. Portraits of formally dressed men and women who stood out in front of the premises, a woman in one holding a Winchester .30-.30 carbine in the crook of her arms.

Beneath the prints a collection of pioneer antiques. A foot-pedaled Singer sewing machine. An ancient stereopticon.

At a table near the bar sat a pot-bellied, wide-butted rancher, maybe ten years older than
Eddie, outfitted in too-tight jeans and ostrich-leather cowboy boots. He wore a snap-button
shirt made of red-checkered gingham, and an inch-thick dewlap of fat rolled over his neck collar he had drawn tight with a black string tie. A woman with orange-dyed hair and dressed in a rainbow-colored robe and matching turban sat dealing him cards, five times larger in size than cards from an ordinary deck and oddly printed. No spades or clubs. No hearts. The only card Eddie could make out had on it a hooded skeleton holding a scythe.

On the other side of the room sat two women, smiling at him with a casual carnality. One,
looking at him from over her shoulder, wore a pink, long-sleeved evening gown, similar to one he had seen on television when he managed to stay awake for the Academy Awards, except this woman’s dress was cut so low in the back the crack of her bottom showed. The other wore something like a one-piece bathing suit. Banana yellow, frilly and lacy, the woman’s enormous breasts all but spilling like cantaloupes out onto the table. The two kept on talking even as they appraised him from head to toe but mostly in the middle, eating him with their predacious eyes, and for the first time in months Eddie felt a swelling inside his trousers.

A white-haired man with a Colonel Sanders’ goatee stood behind a polished counter cut from birds-eye-maple. Eddie walked over to him and sat on a stool upholstered in rawhide and ran a hand through his hair.

“What’ll it be?”

Eddie didn’t look at him. He was trying to keep his focus on a square foot of wood-planked floor halfway between him and the two women. Out of the corner of his eye he saw the turbaned woman studying the cards before her, shaking her head as though what she saw met with her disapproval. He told the barman to bring him a Rolling Rock.

The fat man sitting at the table with the turbaned woman twisted around and smirked. The
barman arched his white eyebrows. He studied Eddie’s washed out, button-down shirt and
craned his neck over the counter and nodded at his boots. “Shoot. I could tell you was an
Eastern dude soon as you come through my door.”

“A what?”

“Ain’t no Rock served west of Omaha, son.”

“No?”

“Hardly any served west of St. Louis.”

Eddie nodded thoughtfully, as though the barman had graced him with one of life’s smaller
epiphanies. “I guess I hadn’t been paying all that much attention. Last few days I’ve been tryin’ some of the brews I can’t ordinarily get.”

Eddie scanned the backbar, studying the signs advertising Budweiser and Blue Ribbon and Mail Pouch Chewing Tobacco. “Just give me whatever you got on draught.”

“We only carry about ten.”

Eddie leaned forward and squinted at the tap handles.

“How ‘bout a nice cold Mich?” the barman said. “You got the look of about you of one of them Reno-high-rollers.”

Eddie grinned. “In that case . . .”

“Tall Michelob comin’ at you.”

The barman walked down the counter and crouched. Out of a freezer beneath the bar he took a frosted, fishbowl mug so large it took him both hands to hold. He stood and put mug beneath a tap, whistling as he drew the beer.

Along the backbar hung plastic-bagged snacks of peanuts and cashews. A raunchy Penthouse calendar. At one end, stood a tall jar with a rattlesnake coiled inside, the alcohol evaporated down so the tip of its tail had rotted white and a bit of its spine showed. Above the row of beer taps midway to the ceiling hung a chrome-plated reading light and beneath it a sign:

Our Pleasure Menu
Appetizers
Sensual Breast Massage
Lingerie Show
Power Shower for Two
Very Naughty Dancing
Entrees
Straight Lay
½ and ½
Reverse ½ and ½
Bondage for You or Me

The barman set the foaming mug before him. “That’ll be two-fifty.”

Eddie swallowed, his eyes locked on the Pleasure Menu.

“Two dollars and fifty cents,” the barman repeated, slowly and raising his voice, holding onto the mug by its stem.

The fat man at the table looked up to the ceiling and shook his head.

“Sorry,” Eddie said and reached for his wallet and put down a five-dollar bill.

The barman let go the mug and picked up the bill. “That’s okay, son. His first time here, our
menu has a way of sucking a man’s wind out right down to his gonads.”

Eddie looked back to the menu. “Boy, you got that right.”

The barman went to the register. When he came back, he lay down Eddie’s change and went to the sink at the other end and began to wash out the glasses he’d left soaping. Eddie lifted the fishbowl with both hands and emptied half of it. Across the room, Eddie could hear the whispers of the two women, but not the words. Their eyes never strayed from him. When he tried to get a better look, the women in pink gave him a pout, and with her hand parted the slit in the gown running along her thigh.

Eddie took another long drink of beer and stood and walked over to the old-time Wurlitzer
setting against the wall opposite from the two women and reached into his jeans’ pocket.

“It’s unplugged,” the barman called over to him.

Eddie turned around.

The barman was holding a glass up to a lantern, twisting it in the waxen light. He huffed on the glass and wiped at it some more with his cloth. “Got us a live orcheestra coming on in a bit.”

“You got a band?”

“No, an orchestra. One with violins and a cello and the whole shebang.”

“Shebanged before you get banged,” said the fat man at the table.

Eddie pushed the quarter back into his pocket. Above the jukebox hung a row of pencil
sketches. One of empty train tracks, a thin spire of smoke rising into the air far in the distance, the mountains in the background resembling those he’d seen from out in the parking lot. One of what looked like a portrait of the goateed barman. Pretty good likeness too. Another of a car plunging over a cliff into nothingness, a girl behind the wheel, an older woman behind her in the back seat holding up a bottle, the mouth of the girl open, her hair coming out in her hands like bunches of charred straw. A voice behind Eddie spoke.

“See anything you like?”

Eddie McCoy was an hour’s drive out of Battle Mountain, Nevada, heading north on U.S.
95 for the Oregon border, when he slowed his Ford pickup and eased it onto the
shoulder. He cut the engine, and the cylinders misfired and rattled on for a few seconds
more before a final, smoky cough belched from the exhaust pipe. Eddie opened the door
and stepped down into the sand, leaving his keys in the ignition. He limped around the
truck bed and on out into the desert, his head down, his hands clasped behind his back,
the look about him of a man who had reached the end of something.

A hundred yards from the truck Eddie came upon a shoulder-high boulder. He pulled
himself up and sat, his legs dangling over the edge. A crimson fan of light was unfolding
before the Rockies as the sun came up, blood red and as squat as a knifed-out heart
somebody had put his boot to.

Eddie reached into a shirt pocket for his Winstons and shook one out. He was edging a
thumbnail under the matchbook cover when he noticed her. Eddie took out his cigarette.
Pointed at him from the midnight-blue cover was a bent over, thonged bottom. Looking
around from in front of the bottom smiled a woman with shoulder-length hair the color of
dirty snow, Debbie’s Ranch etched above her head in an arc of pink script.

He shook his head. “Now, who in Hell ever heard of a cathouse advertising themselves
with matchbooks? Like they was a bar or a restaurant. Some filling station a dad might
consider stopping by for a Pepsi with his kids.”

Eddie rubbed a callused thumb over the woman’s bottom, shapely as any in a cowboy
dream. “Well, I guess there’s a somebody out there who’s thought of everything you ain’t
and are unlikely to ever will.”

He had gotten off I-80 a mile south of Battle Mountain the evening before, so dazed from
the day’s driving he almost missed the exit. Twenty-four hours earlier, the clerk behind
the desk in a Motel Six on the other side of Cheyenne had asked him when he checked in
if he cared to reserve the room for a second night. The Weather Service was calling for a
freak summer snowstorm to hit before the next nightfall.

“Room’s will be gone before you know it.” The clerk nodded at Eddie’s feet. “Hellfire, son.
We’ll have folks sleeping where you’re standing.”

Eddie showered, and after he came out he sat on the bed wrapped in the towel and
considered waiting out the storm in his room, catch up on some sleep. One turn through
the channels on the chained-to-the-wall television settled his decision for him otherwise.
Re-runs of sitcoms with no plots he thought dumb and had refused to watch the first
time they’d been on. Mindless game shows with mindless contestants. People jawing
about their problems who wouldn’t know a real one if it came up and kicked them in their
rumps grown wide from sitting around jawing about their problems. He was up and on the
road before dawn.

His truck had no air conditioning, and by evening Eddie was dehydrated from driving first
through the mountains and then the high desert. He hadn’t eaten anything since the jelly
doughnut he’d scarfed down in the motel lobby when he was checking out, and now he
could hear his stomach growling even with the wind blasting through both rolled-down
windows. The gas gauge needle was riding on “E” and had been for fifteen minutes. There
were no cars before him and none behind, and with his bum leg, unless somebody
stopped, he’d be crow bait before he limped into the next town.

Five days before, Eddie had blinked his eyes open at 4:44. The same time as he did every
morning. No alarm clock needed. He reached for Lisa, but because he was sleeping on the
couch, his hand found only air.

Eddie unwound the sheet he had wrapped himself into during the night and swung his
legs to the carpet and went into the quarter-bath off the kitchen. When he came out, he
switched on the overhead stove light and from a cupboard took out a can of Fancy Feast.
He stooped and divided it between Satchmoe and Sophie. The kitties were sitting by their
respective bowls, in no hurry to get at their food and instead watching him, their ears
perked, judging by his voice, his stroke of their coats, whether they would spend the day
napping on their sun nook or hiding out in closet corners. On his way to the sink, Eddie
emptied their water bowls in the one potted fern out of a dozen he’d not managed to kill.
He filled the bowls and returned them and walked back to the bedroom.

He opened the closet door and with his toe poked at the pile of clothes heaped on the
floor. He bent over and picked out a blue-denim shirt, and before he reached his arms into
its sleeves he held it to his nose. As Eddie buttoned up the front, he sucked in the Rolling-
Rock belly he’d been working on. He pulled on his gray canvas trousers, abraded and
threadbare at the knees, and reached for his steel-toed boots. Before lacing up the left,
he reached in a finger and traced the scar slicing his Achilles tendon.

“You ain’t dreamed of doin’ nothing since the day you bought this.” He took out his finger
and knotted the laces. “Maybe it’s time you started.”

Eddie returned to the kitchen and scooped uncooked oatmeal into a bowl and poured over
it last week’s milk. He walked out to the picture window in the living room and, as he ate,
watched a full moon set over the duck pond across the street.

At the midmorning break, Eddie shut down his arc weld and walked into the supervisor’s
office, his work cap in hand behind his back and asked for a couple of weeks off.

“Surprised you hadn’t asked for any before now.”

“Yes, sir.”

“You came in the day after the funeral.”

Eddie shifted his cap to his other hand. He looked at the office door window, its smoky,
pebbled glass opaque. “I like to stay busy. Keeps me from wandering where I shouldn’t.”

After his shift let out, Eddie gassed up the truck and from a rack of roadmaps took one
for the eastern half of the country. He’d have gotten one for the western states too, but
the attendant said there wasn’t sufficient demand for the station to justify stocking them.

When he got home, Eddie walked next door to Jude and Christina Hardy’s. In their
mailbox he laid a note with feeding instructions for the kitties and dropped his key on top
of the note and crossed back across their lawns. Eddie put a TV dinner in the oven and
went into the bedroom and packed a duffel bag and his toilet kit. At his dresser, Eddie
studied her photograph, twisting his wedding band back and forth on his finger as if it
were a lock whose combination he couldn’t quite get. He took it off and laid it before the
frame, a thumb resting for a moment on the gold rim. Ten minutes later Eddie had eaten
his half cooked supper and was in the truck, his Thermos of black coffee on the seat
beside him, headed up Route 7 toward the Turnpike.

* * *

At the Battle Mountain exit, Eddie turned right and followed the sign pointing to town and
stopped at the first filling station he came to. He pulled up to one of eight rows of pumps
and turned off the ignition and sat back in his seat. He looked at the gas gauge and
tapped it with a knuckle. The needle didn’t so much as flicker.

He got out of his truck and walked around to a pump and studied the prices before he
crossed the cement concourse and pushed open the door to the station. Behind the
counter were two teenage boys, one slouched against the cash register, the other, his
arms raised like a prize fighter, jabbing into the air with quick left stabs as he recounted a
street fight he had witnessed the night before. The two wore identical sky-blue shirts with
“Earl” stitched above the breast pocket of one and “Sam” above that of the other. Out of
each ink-stained pocket protruded an air gauge and half a dozen pens. All twenty of their
fingernails were broken and jagged and greasefilled.
They wore khaki-colored baseball caps, which bore above the bill a red and yellow
Sanderson’s Shell decal. Out from under the caps spilled their oily, collar-length hair. Earl
was cultivating a wispy mustache, and both were badly pimpled from a filling station fare
of Cokes and Snickers and Lays, their faces red-budded like cactus flowers ready to pop.

Sam, the boy behind the cash register, straightened when Eddie came in. “Yes, sir?”

Eddie reached into a back pocket for his wallet and took out two fives and a ten
and lay the bills on the counter. “Twenty on number thirteen pump.”

Sam reached for the money with one hand and rang up the purchase with the
other. “Yes, sir. Twenty on lucky thirteen.”

Eddie turned to go, but halfway to the door he stopped and looked out the plate
glass window. The boys watched him.

“Will there be anything else?” Sam asked.

Eddie didn’t answer. He was studying his truck, which had taken on an odd hue
under the florescent lights, as though by some magic of desert air its paint had
turned translucent and beneath it his truck glowed, softly, like a lanterned candle.

“I hope he ain’t going to get weird on us,” Earl whispered. He reached up and
took down the restroom key that was hanging behind them and slid it under the
counter. He looked out at Eddie’s truck. “Fornicate hisself all over our head like
that one dude done last week.”

Eddie turned to the boys. “There some place abouts I can grab a bite to eat?”

A smile slowly spread across Earl’s face. He jostled Sam with his elbow. “Notice
them plates?”

Sam nodded.

“Go ahead,” Earl hissed. “Tell him.”

“There’s Debbie’s.”

“Good place to eat?”

“None better,” Sam said. “Ask them about their desserts they serve with whipped
cream delight.”

Earl raised a hand to the other boy’s shoulder and turned his back. He seemed to
have caught something in his throat.

“Which way is it?” Eddie asked.

Sam pointed out the window. “Go left when you pull back on the highway. ‘Bout
two mile down the road. Big red sign out front right before their turnoff. Can’t
miss it.”

Earl hacked all the harder.

“Thanks,” Eddie said and went out.

As he filled his gas tank, Eddie cleaned the dirt and the smashed, sun-baked
bugs from the windshield. He went to the dispenser and grabbed a handful of
paper towels. When he turned around, he took one step back toward his truck
and stopped. A set of yellow eyes were pointing at him from behind the front grill.
Eddie let go the towels, and the evening wind that had begun to rise at sunset
scattered them across concourse and out into the desert.

He walked to the front of his truck and stooped and reached up under his
bumper with the handle of the window squeegee and pried out the carcass of the
jackrabbit he’d thumped a mile this side of the Nevada line. Eddie grabbed the fur
on the back of its neck and walked it to the trash container and dropped the
rabbit in, pushing on its hindquarters with the squeegee handle to get it down
the hole. “Let the dead bury the dead.”

He climbed back into his truck and pulled up to the road and stopped. At first the
boys weren’t certain if he would go left, but he did.

“Think he’ll come back pissed?” Sam said.

“How long have you been pumping gas here?”

“Be a year in December.”

“So far, any of ‘em ever come back? Even that minister with his wife and kids in
tow?”

Sam shook his head. He drummed his fingers on top of the register and looked
down the road, the glow of Eddie’s taillights already swallowed by the coming of
night, the red desert dust filling the air.

“Miss Debbie ought to be aputting us on commission for all the business we’re
sending her way,” Earl said. “At least let us take it out in trade now and again
with one of them big-titted girls of hers.”

Sam grinned. “You are one horned-up toad tonight.”

“No different than any other.”

When he saw the twenty-foot-tall billboard, Eddie took his foot from the gas
pedal and touched his brakes. The lower row of bulbs had either not yet come on
or burned out and not been replaced. The top row was lit, though, and beneath
the lights Debbie’s Ranch was written in script.

A hundred feet beyond the sign he came to a gravel drive and stopped. He leaned
over and cranked open his passenger window. He saw no buildings, no window
lights, just a blue neon “D” that hovered in the dark. Eddie shifted into first and
followed the drive to a parking lot where the only other vehicle was a dust-
covered Ram Charger. He switched off his headlights. Outside his windshield, heat
lightning flashed above the desert floor, illuminating within tall, Telarian skeins
hundreds of cacti, T-shaped like graveyard crosses. Along the horizon, he could
make out the silhouette of the western most Rocky Mountains he had come out
of late that morning as the snow had started to spit on his windshield.

When he climbed down from his pickup, the sand carried in the wind stung his
eyes almost shut. He lowered his head and limped as quickly as he could across
the lot to the front door. Inside, Eddie took out his bandana and wiped the grit
from his face, and he stood there a moment, his eyes graying a dark lit by brass
lanterns hung from overhead beams.

The room had about it a queer odor, something similar to an alchemy of cow
manure and Channel Number 5. The sides of the adobe building swayed and had
two-inch cracks running from floor to ceiling, and its walls were buttressed with
piers not all a part of the original Spanish architecture. Hung on the walls were oil
paintings framed in black patina as finely cracked as old enamel glazing. Portraits
of formally dressed men and women who stood out in front of the premises, a
woman in one holding a Winchester .30-.30 carbine in the crook of her arms.

Beneath the prints a collection of pioneer antiques. A foot-pedaled Singer sewing
machine. An ancient stereopticon.

At a table near the bar sat a pot-bellied, wide-butted rancher, maybe ten years
older than Eddie, outfitted in too-tight jeans and ostrich-leather cowboy boots.

He wore a snap-button shirt made of red-checkered gingham, and an inch-thick
dewlap of fat rolled over his neck collar he had drawn tight with a black string tie.

A woman with orange-dyed hair and dressed in a rainbow-colored robe and
matching turban sat dealing him cards, five times larger in size than cards from
an ordinary deck and oddly printed. No spades or clubs. No hearts. The only card
Eddie could make out had on it a hooded skeleton holding a scythe.

On the other side of the room sat two women, smiling at him with a casual
carnality. One, looking at him from over her shoulder, wore a pink, long-sleeved
evening gown, similar to one he had seen on television when he managed to stay
awake for the Academy Awards, except this woman’s dress was cut so low in the
back the crack of her bottom showed. The other wore something like a one-piece
bathing suit. Banana yellow, frilly and lacy, the woman’s enormous breasts all but
spilling like cantaloupes out onto the table. The two kept on talking even as they
appraised him from head to toe but mostly in the middle, eating him with their
predacious eyes, and for the first time in months Eddie felt a welling inside his
trousers.

A white-haired man with a Colonel Sanders’ goatee stood behind a polished
counter cut from birds-eye-maple. Eddie walked over to him and sat on a stool
upholstered in rawhide and ran a hand through his hair.

“What’ll it be?”

Eddie didn’t look at him. He was trying to keep his focus on a square foot of
wood-planked floor halfway between him and the two women. Out of the corner
of his eye he saw the turbaned woman studying the cards before her, shaking
her head as though what she saw met with her disapproval. He told the barman
to bring him a Rolling Rock.

The fat man sitting at the table with the turbaned woman twisted around and
smirked. The barman arched his white eyebrows. He studied Eddie’s washed out,
button-down shirt and craned his neck over the counter and nodded at his
boots. “Shoot. I could tell you was an Eastern dude soon as you come through
my door.”

“A what?”

“Ain’t no Rock served west of Omaha, son.”

“No?”

“Hardly any served west of St. Louis.”

Eddie nodded thoughtfully, as though the barman had graced him with one of life’
s smaller epiphanies. “I guess I hadn’t been paying all that much attention. Last
few days I’ve been tryin’ some of the brews I can’t ordinarily get.”

Eddie scanned the back bar, studying the signs advertising Budweiser and Blue
Ribbon and Mail Pouch Chewing Tobacco. “Just give me whatever you got on
draught.”

“We only carry about ten.”

Eddie leaned forward and squinted at the tap handles.

“How ‘bout a nice cold Mich?” the barman said. “You got the look of about you of
one of them Reno-high-rollers.”

Eddie grinned. “In that case . . .”

“Tall Michelob comin’ at you.”

The barman walked down the counter and crouched. Out of a freezer beneath the
bar he took a frosted, fishbowl mug so large it took him both hands to hold. He
stood and put mug beneath a tap, whistling as he drew the beer.

Along the backbar hung plastic-bagged snacks of peanuts and cashews. A
raunchy Penthouse calendar. At one end, stood a tall jar with a rattlesnake coiled
inside, the alcohol evaporated down so the tip of its tail had rotted white and a
bit of its spine showed. Above the row of beer taps midway to the ceiling hung a
chrome-plated reading light and beneath it a sign:

Our Pleasure Menu
Appetizers
Sensual Breast Massage
Lingerie Show
Power Shower for Two
Very Naughty Dancing
Entrees
Straight Lay
½ and ½
Reverse ½ and ½
Bondage for You or Me

The barman set the foaming mug before him. “That’ll be two-fifty.”

Eddie swallowed, his eyes locked on the Pleasure Menu.

“Two dollars and fifty cents,” the barman repeated, slowly and raising his voice,
holding onto the mug by its stem.

The fat man at the table looked up to the ceiling and shook his head.

“Sorry,” Eddie said and reached for his wallet and put down a five-dollar bill.

The barman let go the mug and picked up the bill. “That’s okay, son. His first time
here, our menu has a way of sucking a man’s wind out right down to his gonads.”
Eddie looked back to the menu. “Boy, you got that right.”

The barman went to the register. When he came back, he lay down Eddie’s
change and went to the sink at the other end and began to wash out the glasses
he’d left soaping. Eddie lifted the fishbowl with both hands and emptied half of it.

Across the room, Eddie could hear the whispers of the two women, but not the
words. Their eyes never strayed from him. When he tried to get a better look,
the women in pink gave him a pout, and with her hand parted the slit in the gown
running along her thigh.

Eddie took another long drink of beer and stood and walked over to the old-time
Wurlitzer setting against the wall opposite from the two women and reached into
his jeans’ pocket.

“It’s unplugged,” the barman called over to him.

Eddie turned around.

The barman was holding a glass up to a lantern, twisting it in the waxen light. He
huffed on the glass and wiped at it some more with his cloth. “Got us a live
orcheestra coming on in a bit.”

“You got a band?”

“No, an orcheestra. One with violins and a cello and the whole shebang.”

“Shebanged before you get banged,” said the fat man at the table.

Eddie pushed the quarter back into his pocket. Above the jukebox hung a row of
pencil sketches. One of empty train tracks, a thin spire of smoke rising into the
air far in the distance, the mountains in the background resembling those he’d
seen from out in the parking lot. One of what looked like a portrait of the goateed
barman. Pretty good likeness too. Another of a car plunging over a cliff into
nothingness, a girl behind the wheel, an older woman behind her in the back seat
holding up a bottle, the mouth of the girl open, her hair coming out in her hands
like bunches of charred straw. A voice behind Eddie spoke.

“See anything you like?”

Eddie turned around. She looked to be maybe twenty, tall for a girl even
accounting for her three-inch stiletto pumps. She wore a loose-fitting, black linen
dress that fell half way down her cheerleader-muscled thighs. The dress was
short-sleeved to her elbows, and not low cut across the bust that showed off all
the more her brickhouse figure. When she turned her head, the girl’s dangling
earrings winked in the lantern lights. Her eyes were a forget-me-not blue, shiny,
like those of a small-town girl the first time she thinks a boy likes her. She had
the prettiest smile Eddie had ever seen, yet impish, as though she was about to
have some fun, not with any malice, but only to see if he caught her sense of
humor. She had highlighted her sparrow-brown hair with hints of henna and
permed it into ringlet curls that fell to her neck and gleamed as though she had
wandered in from the rain.

Eddie’s eyes darted across the room to the two women. He looked back to the
girl. “Miss?”

She nodded at the wall behind the jukebox. “See anything you like?”

He turned and looked again at the drawings. “They’re all good.”

“Thank you.”

Eddie tapped a thumb knuckle against his chin. “Very good.”

“I drew them.”

He turned back to her. “No fooling?”

She smiled and cocked her head toward the bar. “Buy a lady a drink?”

The barman had a napkin on the counter next to Eddie’s beer and stood waiting.

“Your usual, sweet pea?”

“Yes, easy on the ice for the first one.”

“As always.” The barman turned to Eddie. “Another fishbowl for you, pardner?”

“I would, thank you,” Eddie said, and reached for his wallet and brought out a
twenty and lay it before him. “In case you’ll be wanting a re-fill,” he said.

A television set was turned on in a room behind the backbar. God talks to us in
Genesis about Adam and Eve. He doesn’t say anything about Adam and Steve.
Not in Genesis and not anywhere else.

The girl giggled. “Debbie loves Jerry Falwell.”

“Really?”

“Sunday mornings he’s on too early. So she videotapes his sermons and watches
the show in the evening.”

The barman set down their drinks.

“Debbie says preachers make the best lays.”

“I’d never heard that.”

The girl twisted around on the stool and with her painted eyes looked about the
bar. She sipped on her straw. “You’d be surprised what you can learn here about
people.”

She set her drink on the bar and rotated the stool so the outside of her knees
touched the inside of his. “So what’s your name, sweetie?”

He told her. “Yours?”

The girl looked up at the lantern above them. She twisted a ringlet of hair about
her forefinger. “Have you ever read Moby Dick?”

Eddie glanced down at his steel-toed boots, dusty and grease stained. He shook
his head. “Never been much of a reader.”

The girl smiled. She took her hand from her hair and put two fingers over the
inside of her wrist as if she’d some blemish to conceal. “Call me Isabella.”

Eddie whispered her name half aloud. “I ain’t never met no Isabella before.”

“Or Izzy if you like.”

He considered her suggestion, slightly rocking his head from side to side. “All
right. Izzy suits me fine.”

“Where you headed to?”

“Portland.”

“As in Oregon? Or the other direction, as in Maine?”

“No, Oregon,” Eddie said. “My buddy, George, works on a paper up there. When I
get to his place he’s fixing to take a few days off to take me fishin’.”

Izzy leaned and sipped at her drink, a tall concoction of various colored liquids
layered one atop the other. She looked at the turbaned woman, and when she
straightened from her drink she sighed. “You have to admire someone who will
cheat at tarot, don’t you think?”

“Excuse me?”

“Of course, it will do her no good. Your fate is your fate. Ahab will tell you as
much.”

Eddie looked down the bar to the cash register. “He the bartender?”

The girl shook her head. A woman came in through the back door, hips swaying
to her own drummer, and Izzy called out. “Now, there’s a real honey.”

The woman put a hand to her peroxide scalded hair. “There’s a real honey,
herself.”

The girl stirred her drink. “Where you from?”

When he told her, Izzy’s eyes lit up. “Me too.”

“Really?”

“Athens. You know where that is?”

“Not exactly.” Eddie emptied his fishbowl and to the bartender pointed two
fingers at their glasses.

“Wasn’t born there,” Izzy said.

“Where was it you was born?”

“Germany. Frankfurt.”

“How’d you come to be born there?”

“My dad was in the Army.”

The barman brought their drinks. She raised her glass to Eddie. “Thank you.”

“My pleasure.”

“It can be,” Izzy said. She put her plum shaded lips to the straw and winked.
Eddie’s face reddened, and Izzy laughed and laid her hand on his forearm. “Just
kidding. Debbie doesn’t pressure us to get down to business. If a guy wants to
come in and talk, what she loses in tricks she makes up on the drinks they buy
us.”

She took back her hand. “I don’t normally start out with a guy by giving up my
life story. Not even a little of it.”

“How come you did with me?”

The girl put her fingertips to the rim of her glass and twisted it back and forth as
she might the channel dial on a car radio. “Because you’re from home.”

“Your mom and dad still there?”

“Her and my step-dad.”

“Step-dad?”

“Mom left my real dad a couple of months after I came along.”

Through the door adjacent the back bar came three young men, striding almost
in a parade march, clean cut, their faces as solemn as door-to-door Jehovah’s
Witnesses, instrument valises in hand and dressed in black tuxedos and white
bow ties and scarlet cummerbunds. They crossed the room to a redwood dais in
the far corner and uncased their instruments. Eddie watched as they tightened
and tuned the strings. After a while he asked Izzy what kind of band they were.

“Chamber orchestra.”

“I can’t recollect ever hearing one of them.

“The blond kid is Debbie’s nephew. He’ll be a senior at UNLV come fall. She pays
his tuition. Makes him come up here on his breaks. Says it gives the place some
class. Entice some of those high rollers from Reno to come our way before they
head back to Tahoe and San Francisco.”

She finished her drink. The bartender set before her another. They watched the
musicians. “What kind of tunes is it they play?” Eddie said.

“Lots of Bach. Some Teleman. Debbie prefers baroque to classical, the German
composers to the Italian, seeing how she was brought up Lutheran, but she’ll
allow them to play some Mozart now and again.”

“Charlie Daniels most likely is out of the question?”

“Oh, they could, but they wouldn’t get past the first chord before Debbie would
be out here, cussing them red, Reverend Jerry on Sunday be damned.”

The musicians raised their instruments. “They’re really very good.”

The cello player slowly drew his bow across the strings. Izzy closed her eyes and
smiled like a woman just kissed. “I love the cello.”

As they listened, the girl’s long, unringed fingers moved gently to the music like
they were brushing away smoke.

“Too bad about your folks divorcing when you was so young and all.”

“Better than when I got older. One less person I don’t have to forget.”

“Was your mom expecting when she got married?”

Izzy stirred her drink.

“Sorry. I’ve picked up a bad habit of nosing where I shouldn’t be.”

“She was an orphan.”

“I see,” Eddie said, and nodded, as though her mother being an orphan explained
how it was her daughter had ended up selling herself.

“Mom’s father died of a heart attack before she was born. Her mother when she
was five. Breast cancer. She and Aunt Mary and Uncle Ralph were raised by Aunt
Iris. My great-aunt.”

The musicians had come to the end of the first piece and were leafing through
their sheets of music, quietly debating among themselves what next to play. Izzy
slipped off her stool and crossed to the dais and said something to Debbie’s
nephew. He spoke to the others who again raised their instruments. The girl
returned to the bar.

“It’s an allegro,” Izzy said. “By Vivaldi.”

Eddie lowered his head. It sounded similar to church music only with more joy. He
told her it was very pretty.

“On the day I’m married, this will be my recessional.”

Izzy leaned back and rested both her elbows on the bar behind her so that she
faced the musicians. “On New Year’s Eve, when Iris was at her Saint Patrick’s
bingo extravaganza, Mom snuck out with her cronies and drove to a bar down in
Parkersburg. That’s where she met my dad.”

“Short courtship?”

“Goodness no. Mom’s not cheap. They dated for more than a month. Got married
on Valentine’s Day.”

“Love at first sight?”

Izzy shook her head. “Mom wanted to get away from Iris is all, and she met a
man horned up enough to take her on, warts and all. When I came along, she
was a year younger than I am now. After she dumped him and came home, she
dumped me on Iris. Moved up to Columbus, and from what Iris told me it was
party central.”

“How old was you when she remarried?”

“Almost six.”

“You go to live with them?”

“Yeah. Didn’t want to.”

“I can see why not,” Eddie said.

“She scared me. Before Mom remarried, on the days she could recover from her
hangover and bother herself to drive down, she had a temper that was all match
and no fuse. Sometimes I hid out under the porch until she left.”

Since Eddie had come in, the wind had steadily picked up, and now it whistled
through the cracks that fissured the adobe, swinging the lanterns. The candle
flame in the lamp above them flickered as it healed in a circle around the glass.

“She only got worse,” the girl said.

The orchestra came to the end of the music that some day would usher Izzy into her
new life. The musicians turned the pages.

“After I flunked sophomore chemistry this spring, she told me to get the fuck out of
her house. Her exact words.”

She laughed.

“What’s so funny?”

“Not only did I get the fuck out of her house, I got out of her house fucking.”

Izzy rolled up her right sleeve. “Let me show you. Better than any Reno-Front-Street-
tattoo.”

She shifted around on the stool and held out her arm so that the light illuminating the
Pleasure Menu shone upon it. Below the shoulder, her arm concaved in, a third of the
deltoid muscle carved away, the skin wrinkled and discolored to a deep purple, like an
eggplant someone had set in the oven to bake and forgotten.

Eddie started to reach out to touch her shoulder, but stopped. He emptied his beer.

When the barman brought him another, Eddie asked for a shooter of Old Granddad.

“I ain’t even gonna ask how you managed that one.”

The barman brought the shooter. Eddie downed it before the barman could leave and
handed back the glass and asked him to bring another.

“I was sitting at the kitchen table, working on a sketch of Aunt Iris for art class. Mom
was at the stove, frying cod and drinking wine. Too much wine. Maybe her third or
fourth glass. Like always, mad as hell about something, muttering goddamnit this and
fuck that.”

Izzy raised her glass as if to drink, but set it back on the bar. “Mom lifted the skillet,
like she was going to drain the grease in the sink, holding it on her side between us.

As she passed, I twisted my drawing around to show her, but she was already staring
at it, her hand holding the skillet handle quivering, the grease in the pan swishing
around the rim.

“She tipped the skillet, and the grease splattered over my shoulder. Cooked it like one
more piece of cod. When she ripped off my sweater, she took with it every stitch of
skin right down to the elbow. I must have passed out because the next thing I
remember is waking up in intensive care.”

The barman brought his shooter. Eddied took the drink and downed it, nodding as he
handed back the glass.

“After the social worker allowed me to go home, I had to bathe my arm three and four
times a day because of the puzzy seepage. The odor reminded me of dead fish with
their plucked out eyes that wash up on the beach that I could smell before I saw
them. That was me. You could smell me before you saw me. Know exactly what room
I was in before you came in. Or didn’t come in.

“In the summer, a quack surgeon Mom found in Columbus did the skin grafts. I read
in the paper a while ago he lost his license for over-billing insurance companies and
kicking back half to the patients.”

Izzy fingered the stubble on her shoulder, the hair as thick and fine as that on a
shaved cat. “He took the grafts from my lower abdomen. I hadn’t yet reached
puberty, and in a year or so when I did, not only did I have an ugly scar, but surprise!
I had an ugly scar that grew pussy hair. One I get to shave once a week just like I do
my legs.”

She pulled down her sleeve and smoothed out the material. “She missed my face only
because she was drunk. If she hadn’t, I’d be a star attraction with Barnum & Bailey
rather than in a whorehouse. Come see the girl who grows cunt hair on her face.

“When she told me to get out, I went to Iris. She bought me ‘Hector,’ that yellow
Plymouth parked in back. The next week I headed for California. Got as far as Battle
Mountain before my money ran out.”

She twisted around on the stool, her eyes sweeping over the bar. “I couldn’t have
ended up in a nicer place. I like the guys that come in. Got some regulars going now.”

Eddie emptied the shot glass the barman had set before him. He washed it down with
a good portion of the fishbowl. “Guess you’re glad to be clear of her.”

The girl shook her head. “There’s a dream I started having not long after I got here. I’
ll be driving Hector car west on I-80. My back seat stacked high and my trunk filled full
with everything I own. The sun is shining and a cloudless sky gleams turquoise blue.

The wind is blowing through the rolled-down window and whips my hair so that it
flows out like the tail of a mare at full gallop, and when me and Hector cross the state
line into Indiana, I let go with my best, cheerleader-touchdown whoop.

“As we cross the country, oceans of corn surround us, and I’m the intrepid voyager,
an Ishmael of the Mid-west, finally set free on my life’s journey. I sing along to every
song that plays on the radio, even the country western tunes when I have trouble
picking up rock stations west of the Mississippi, and I sing these all the louder
because Mom hated them so much, and for the first time in a long while I am happy.

“When we climb into the Rockies, Hector struggles up the steep grades. I keep
watching his engine temperature, and as the needle gets close to the red “H” I drop
our speed, sometimes down to 20 miles an hour. Steam smokes out of the radiator. I
hold my breath and ask God to please see us through to California. Please. If He will, I
would never ask for anything more. Oh, please, please, please.

“I pray and pray and pray until a sign tells me that we have crested the Continental
Divide. As Hector and me start our decent to the Pacific, the temperature gauge
drops. I begin to sing California Here We Come, repeating the verses over and over
until in the mirror I see my mother in the back seat, holding up a bottle of Drano, my
possessions strewn across the Interstate behind us.

“She scolds me not to be a nitwit. To watch the road. I do. In the mirror I am
watching her too. As she twists off the bottle cap, my fingers feel glued to the
steering wheel, and I want with all my heart to let go. Bottle in hand, she reaches
over the seat, smiling, her gleaming white teeth pointed, sharp as a she wolf’s, and
pours the Drano over my head, like a priest blessing me into a new life might
administer a baptismal, burning into my scalp, eating away my skin, blinding my eyes.

I finally let go the steering wheel and reach up and my hair comes out in handfuls.
Hector careens off the road and crashes through the guardrail. As we’re falling, my
mother leans over the seat and whispers in my ear, asking me if I really believed
escaping her would be all that easy. Asking me why I was so silly to believe it even
possible.”

Izzy emptied her glass. She raised it to the barman, but his back was to her, pouring
a drink for the fat man who had left the tarot cards and now stood at the far end of
the counter. When he saw the girl, he puckered his thick lips at her. She shrugged.

She lowered her glass to the bar and turned to Eddie, who sat staring into his cupped
hands. Izzy reached over and took his left into both of hers. She rubbed a thumb
over his ring finger. “You’re not married, sweetie?”

Eddie didn’t answer.

“Divorced?”

When he still did not answer, Izzy reached up and jostled his shoulder. “Hey, anybody
home?”

Eddie shook his head.

“I hope you’re not queer. One wonders in every now and again. Why I don’t know.”
She squinted at him with one eye. “You don’t look like a pillow biter.”

Eddie lifted his fishbowl. “No. Not yet, leastwise.”

She ran her fingertips through his hair above his ear. “Good looking guy like you
never been married?”

“Yeah. I was.”

“Long ago?”

“Long enough.”

Izzy raised her glass to the barman again who this time saw her. They sat. When the
orchestra began an adagio, Izzy asked if he cared to slow dance, and Eddie told her
about his gimpy leg.

“You sure you just don’t know how? I can teach you.”

Eddie lifted his boot and rested its heel on his knee. He loosened the laces and pulled
his foot part way out and rolled down his sock. She bent forward and ran her finger
from the outside ball of his anklebone to the inside ball along the jagged scar that
sliced his Achilles tendon.

“Nice,” she said.

“Not as nice as yours.”

“At least I can dance. Girl who can’t dance doesn’t stand a chance in her life.”

“Her life,” Eddie repeated.

“What about it?”

He looked at the girl’s neck. Her breasts. Her eyes. “You know what a Y-scar is?”
“It’s what you get when you’ve been autopsied.”

Eddie pulled his sock up. As he re-laced his boot, a kid came in, his black Stetson
cocked back a little, grinning crookedly as though to the punch line of a randy joke he
didn’t quite get. When he spotted the two women who had been eyeing Eddie, he
walked over to their table and said something. He waved to the barman and made a
circling motion around the table with his finger, and told the barman to bring him a
Coors.

The bar had been filling, and a girl who didn’t look old enough to drive was waiting the
tables. After the barman poured the drinks the kid had ordered, he placed them on a
tray and pushed it toward the girl, who carried the tray over to the table. As she bent
to serve the drinks, the girl knocked over the kid’s beer. The kid grinned all the more
and said something. The women laughed, and the girl hurried back to the bar.

“What is it, Sylvia?” the bartender said.

The girl’s eyes were wet. “He said my tits were too big.”

“He said what?”

“That hick sonofabitch said the reason I knocked over his stupid beer was on account
of my tits being too big.”

The barman tried not to smile. He walked to the end of the bar. He seemed to be
studying the tall jar holding the rattlesnake. When he came back, the barman told
Sylvia to see if any of the girls needed help getting dressed. “I can handle the tables
for a while until you collect yourself.”

“All right.”

“Don’t be too long.”

After the girl left, Izzy said that Sylvia had just gotten into town. “Hitchhiked in from
Montana. Sheep ranch twenty miles outside of Billings. Been here not quite a week.

Hasn’t got used to the guys having their fun. Teasing her and such.”

“Who’s the cowboy?”

Izzy looked over at the table. “Oh, that’s Hanky.”

“Hanky?”

“My Sunday sweetie.”

Eddie grinned. “You got one for every day of the week?”

“Not yet. He’s one of my regulars, though. Comes in to see me after his wife’s gone
off to prayer meeting.”

“Kindly taking his life into his own hands, ain’t he?”

Izzy shook her head. “Closest Baptist church holding Sunday evening services is the
one way over in Reno. Be close to midnight before she’s home. Later, if she stops to
play the slots. It’s early, and he’s a bit quick on the draw so he’ll be home and tucked
in long before she’s back.”

“I thought maybe he was interested in one of them two at the table,” Eddie said.

“No, he’s just flirting with Delores and Sweet Sally, trying to get me jealous, see if I’ll
give him a Sunday special. He’ll be over directly.”

The orchestra began again.

“Bach,” Izzy said, and smiled. Joy.

They listened. When the barman came by, he picked up her empty glass, leaving
behind on the wood a circle of damp breath. She watched as it waned inward from the
edges until it disappeared altogether. “You know, sweetie, you’re not going to find
her in here.”

Eddie fingered the threads fraying from a sleeve of the shirt she had bought for him
on his last birthday, his and her interlinked initials sewn into the cuffs.

“You don’t seem like the type to even try to.”

“Didn’t know where I was until I came in.”

Izzy grinned. “I’ll bet you stopped at the Shell station.”

“How’d you know?”

“Sanderson’s brats are always sending some unsuspecting soul this way. They must
have got wind about Debbie’s thing for preachers because a month back they sent
one over, him wearing a white collar. He and his wife and a half dozen, snot-nosed-
bastard brats. The oldest even pinched my butt while Debbie was trying to talk his
parents into a threesome.”

The musicians played. As the bar filled with men, women came in by the back door.
Some wore little more than fancy underwear beneath see-throughs. Others could
have been Cinderella stopping by on her way to the ball. One woman wore a black
satin blouse and a tight, blue leather skirt with a whip looped around her belt and
boots that reached halfway up her thighs. There was no formality about them, and
they and the men seemed as well acquainted as Elks at a lodge meeting.

The bartender came up to Izzy. “I hate to ask you this, darlin’, but you being the
newbie and all.”

“That’s ok.”

“We’ve gotten too busy for me both to be waiting tables and working the bar.”

Izzy got down from the stool.

“It’ll just be for another minute ‘til Sylvia collects herself.” He looked at Eddie. “Let me
get you another on the house until she comes back on.”

Eddie raised his hand.

Izzy smiled. “I think my friend might be finished for the night.”

Eddie nodded. He reached for his wallet and lay a ten-dollar bill on top of the change
pile and twisted his stool around toward the door. As he started to rise, Izzy placed
two fingers on the inside of his wrist. “Thank you for not asking me why I became a
whore.” Her eyes swept the room. “For some men, my loving isn’t enough. They have
to have my soul too.”

He took her fingers from his wrist, and holding both her hands in his looked into the
girl’s eyes where he saw his reflected self dropping down a well with no bottom to it.

“Didn’t see the need.”

He gave her hands a squeeze. “You take care, sweetie.”

“You too.”

Eddie started for the door. He stopped and turned back. “I hope you get what you’re
after. Whatever it is.”

Izzy looked over to the table where the kid still stood. She looked at Eddie. “When
you get back, go see my mom. Let her know where I ended up. Maybe then I’ll be
ready to move on.” She gave him a wink. “And you never know who it might be with.”

Eddie smiled. “Couldn’t get that lucky.”

“You better sleep off the beers and shots in your truck before you head out. I’d let
you use my trailer out back, but you know . . . .”

“Gotta take care of business.”

“Girl’s got to pay the rent.”

Eddie raised his hand and turned and limped out into the night. Izzy went to where
the bartender had a tray waiting. “Got away from you, did he?” the bartender said.

“Had me confused with somebody else.”

* * *

When Eddie woke in the early morning dark, he pushed himself up from the truck seat
and looked out his windshield. Dust clouds boiling off the desert rolled across the
parking lot, distorting the air so that the world looked as though he were seeing it
through the bottom of a beer glass. A black-clothed woman may have gone out the
back door and into a trailer. He lay back down. When Eddie woke again, he was
shivering from the cold and his mouth tasted of barf. He slowly sat up and looked at
his watch.

“Ought to be a place opening up soon where I can get some breakfast.”

He started up the truck and followed the drive out to the road and stopped. From the
glove box he took a roadmap. He reached up and switched on the dome light and
unfolded the map and studied it. “Maybe I should stick to the back roads and stay out
of the fast lane.”

Eddie put his truck in gear and turned the other way from the Interstate. He drove
for about an hour until he pulled off the road and limped out into the desert.

When he came back to his truck, he walked up to the fender by the front tire. He
listened. No coming traffic. Nothing, not even a bird cackle. He unzipped, and when he
finished urinating he wiped his hands on the thighs of his jeans and climbed back into
the truck and continued on up U.S. 95.

 

 

Scott Kauffman graduated summa cum laude from Ohio University in Athens, Ohio, and in the upper ten percent of his class from the Lewis & Clark Law School in Portland, Oregon, where he was a member of the Environmental Law Review. Following graduation, Scott tried dozens of criminal cases, first as an assistant state prosecutor and then as an assistant public defender in a rural Ohio community. His first novel, In Deepest Consequences, was published by Medallion Press in 2006. Scott resides in Newport Beach, California where he maintains an active law practice. He is currently at work on a second novel and a collection of short stories. When not working or writing, Scott gardens, reads, and listens to baroque music.

“Mother’s Keeper” by Thea Zimmer


“Portrait of the Artist’s Mother” by Camille Pissaro

Emerging from the gate, her smile was like a seven-year-old kid’s, gone to Six Flags, all adventuresome and free, meeting up with her best buds. Just to have someone to talk to, somewhere to go besides her bedroom, was a great thrill for her, though she always claimed, when asked, that it didn’t bother her to be alone, to lack a reason to get up, while family members were off at work.

I met her at the gate, a gentle surge of mother-love in her eyes, or at least a greatly weathered sweetness. I whisked her away, relieved that we’d avoided some terrific hassle like her getting lost along the way, or a security breech—the plane making an emergent stop to expel a dangerously disoriented old lady. Jaunty and lightweight, she practically skipped down the concourse, tra-la-la-ing past the security station. When we met up with my husband Luke, his face reflected, in his more patient manner, my own apprehension.

“Three weeks?” Luke and I asked each other after we’d brought her back to our temporary and tiny one-bedroom apartment. “How many more days?” we then asked at least once every day of Mom’s visit, our eyes rolling in that oh-my-God manner, neither of us ever even having children to contend with. “What’ll I do if Mom throws up?” I asked. Luke promised to clean it up, though he reminded me that the idea for the visit had been mine. My sister Mary, with whom my mom lived, had greatly welcomed it, agreeing to give me a little money from Mom’s account for my loss of work time.

Despite our efforts to explain otherwise, Mom had it all figured out: we were staying in her apartment—not the other way around. In Mom’s mind, our two cats were hers, which we were graciously feeding. Though she didn’t know precisely who we were, this was of no concern to her; she just kept thanking us for being such nice people in that kind, chipper manner that seemed to have only intensified with the loss of so much else.

“Who is Mary?” Mom asked when I announced I was calling Mary. Exasperated by her relentless questions, which seemed to have become even more ridiculous, I ignored her.

“Why didn’t you warn me of Mom’s deterioration,” I asked Mary on the phone.

“She’ll get better, more oriented as the weeks go by; you’ll see,” Mary answered, ignoring my question.

With Mom having gone to the little girl’s room, I felt free to complain. “If it wasn’t for her neurotic personality, the selfish narcissism she’s always had, she wouldn’t be near so difficult.” Mary agreed heartily. “Have fun dear,” she said with sisterly sarcasm. But I wasn’t laughing—awash as I was with all the old feelings: the guilt, oh yes, but also the anger, resentment, and pain. Why!—why had she never encouraged in me the greatness I’d so desperately wanted to see in myself? Why had she not sent me, as a girl, to therapy after my father left. She’d had to work full-time, and I’d felt she’d neglected me in particular. My father having been out of the picture, I had only her to blame for my teenage depressions, the deadening apathy that completely took hold, leaving me to feel only a few blips of pleasure or happiness over the years. I was sure I’d never felt real love, not even for my lovely and tolerant husband.

“I’ll just go to my room now and be quiet,” Mom said, as I set about to make dinner. Mom had always been a good girl, a daddy’s girl (her own mother dying when she was nine).

“Nooo Mom. That room’s for Luke. He has to get up and work in the morning. We’ll sleep out here in the living room, you on that futon, me on that one.”

“Okay, dear,” she answered, not seeming to mind the cramped quarters—the fact that her futon and mine were almost touching with just a few steps from hers to the bathroom and a few steps from mine to the front door. “We’ll have a good time,” she said.

“Yeah,” I said, remembering she snored loudly. Mary also mentioned that Mom talked, muttered, incessantly in her sleep.

Because Mom liked to rearrange things, I’d gone to great lengths to hide things that she might rearrange or mistake for trash or things she might eat. Once, I caught her, gritting her teeth with effort, attempting to pull a rigorously glued-on decoration—a fake piece of peppermint candy—from my antique candy jar. All pills, of course, had to be hidden so she wouldn’t assume they were hers, which, left to her own attempts at dosing, might kill her. Various tapes and bells were placed on drawers, stove knobs, freezer and fridge handles. She giggled, seeming not to understand their purpose, asking if it was Christmas (not a clue it was April). Since she thought our beloved indoor-only cats were hers, there was no telling how she might rearrange them. Triple sets of bells had been placed on windows and doors. I felt, with such armaments, there was no way she’d wander out in the middle of the night, setting our fluffy babies free. “Maybe we should let them out,” mom would say.

“No mom, they never go out.”

Little did I anticipate that all her undiagnosed OCD tendencies of the past had greatly intensified. Before going to bed, she spent hours rearranging the bedding on her futon. Of particular concern to her was the crackly plastic shower curtain underneath the fitted sheet. I’d put it there to protect the futon, though I really had no reason to believe she pee-pee’d in her sleep. I kept it there, feeling it best not to try and explain its purpose, even as she spent hours circling the futon, smoothing out the crackles and wrinkles, clearly confused by their origin. She’d take exasperated breaks, only to start folding and refolding the bedding, deciding and un-deciding on the arrangement of pillows and covers.

Finally, late one night, with Luke and me even more exhausted than the night before, my “interventions” reached that perfect parental pitch. “Stop it. The bed is fine. Pleeease go brush your teeth.” With effort, I pushed the futon frame against the wall, thwarting her circles. “Please put your pajamas on,” I commanded, pleaded.

“Shut up,” she snapped, hands on hips, her tone drippingly sarcastic, uncharacteristic at least in recent memory. With super-human strength, she yanked the futon away from the wall and resumed circling and smoothing.

“Pajamas, pleeease,” I begged.

“Shut up!” she shrieked. She’d amazingly morphed into me as a teenager, yet also with the innocence that her complete obliviousness to time and place afforded. “What’s it to you if I want to fix my bed, stay up late?”

“Pajamas pleeease.” I surged with anger, sure she was waking the neighbors.

“Shut the hell up,” mom ranted. “It’s my house,” she raged. “I can do what I want!”

“No,” Luke intervened, “it’s our house,” his calm authority making Mom stop, something flickering across her face, and then the rage bursting over her again.

“Here!” Spittle flying. “Is THIS want you want?” she screamed, pulling her shirt and her bra up over her head, flashing her fallen breasts.

Luke, in shock, turned away just in time. Miraculously, I managed to sit her down, distract her, and she cheerfully put her PJs on and went to bed. Interestingly enough—although she claimed to not remember the incident even minutes after it—from this night on, she ceased the rearranging whenever I asked, going to bed thereafter as complacently as a lamb.

“The child becomes the mother; the mother becomes the child,” Mom had become fond of saying. “What’s this? What’s that?”

“That’s soap Mom, that’s shampoo.”

“Do I wash my hair with this?”

“No, mom, that’s toothpaste. Get in the shower now.” Although my brusqueness tended to sadden and discourage me, there was nothing I could do to stop its guilty flow.

“It’s too cold, too hot, too cold,” she’d say with a little whine, wanting me to spend a good five minutes adjusting the shower’s temperature.

“Mom…it’s fine,” I’d exclaim. “You’re being ridiculous, like a little child.” (I refrained from saying, like you’re retarded.) I gladly left her to dry herself, a task which took over thirty minutes, instructing herself the entire time, indicating to herself where to dry real good. Coming back to dress her, facing her in her most naked and vulnerable, I’d sometimes try to explain: “Mom, I never asked, never wanted, to be a mom…that’s why I never had kids.” I didn’t come right out and say it sickened me that she wanted me to be her mom, when she’d never been a proper mom to me, never instilled in me the mother-love.

As the weeks passed, I became filled with irritation at her joy as she sat across from Luke and me, hanging on our every word as we talked and ate, apparently her favorite “big folks” in all the world. It was hard to tell with whom she was more captivated. Luke was wonderful with her. He’d talk to her of art and science, eventually coming back to God or the existence of space aliens (her two favorite subjects) proving that, if someone tried enough, a real conversation could still be had. After dinner, they’d settle in front of the Internet, looking up childhood songs that Luke noticed she was always humming: “Rachel, Rachel, Reuben, Reuben” and the one about “giving babies away for a half a pound of tea.”

“I was brilliant, you know,” Mom interjected into many conversations. It dawned on me during this visit that it’d become like a broken record, an obvious badge of self-defense. She’d been telling friends and family about her magnificent brain for as long as I could remember—how she’d skipped grades in school, entered college when she was 15; how she was one of the few women in her era to earn a graduate degree in chemistry, from Vanderbilt no less. Although the details had become lost to her, she continued to speak of her past brilliance. In fact, she seemed to be bringing it up more in recent days, making me realize, in a rare objective moment, that some part of her must’ve known her repetitive questions, her abject helplessness, were aggravating to others.

My objectivity, however, was fleeting, considering my need to confront her yet again: Why hadn’t she motivated her children to be academic successes? Why hadn’t she told us we were brilliant? I cross-examined her as I always had, though it ate me up a little. Why hadn’t she been concerned about my apathy? I pushed on in the manner we’d always jabbed at each other—she, perhaps inadvertently, even when fully cognizant.

“Mom,” I asked, “why is your brilliance the only thing you can remember?”

“I was a great student,” she insisted quite moodily, jauntily, “my children never did well in school. It’s the grades, the grades.” Actually, there was one other thing she persistently remembered. “Men are jerks,” she remained quick to conclude. Although she’d ultimately forgotten who my father was or that she’d been abandoned by him, her jokes and jibes remained full of admonitions regarding men and, more recently, hubbies. “Be nice to him, honey, or he’ll find himself a little chickie,” giggle, giggle.

“Mom, they’re not all like that.” I’d been rather desperately trying to convince her since I was a girl. I gave up, though, by the third week. Any attempt at sustained conversation had just become too much.

By the third week, the world was dropping out from under me. “God dammit! Mom’s pooping in her pants.” I called Luke at work. “I can’t believe it,” I lamented, “a little even got on the futon.” I called big sis. She said it’d never happened at home, and the CNA who’d started helping with mom had never mentioned it. “Ooohhh freakin gross,” I bellowed, but I set about then, with amazing resolve, bleaching the sheets after herding mom off to the shower, scolding her. I resigned myself to the inevitable: Diapers. I made plans to restrict her foods: smaller quantities, less veggies, spice, and grease. I could only pray her sphincter wouldn’t completely give out. Or my last nerve. I was beyond exhaustion. I continued to be woken up several times a night by Mom’s babbling, snippets of which seemed to pertain to longstanding issues between us, making them impossible to ignore.

“I did the best I could,” she’d say, far more convincing than I’d ever heard her in any waking, lucid state. “He tried to come back…,” babble, gurgle, babble, cough.

“Mom, pleeease,” I’d say, turning up the TV; it never seeming to wake her. I wasn’t sure what bothered me more, the genuine remorse in any recognizable statements, or the raw, saliva-filled mutters, the braying of the very old, the demented.

“Mary…Maaary…” By the third week, her sleep babble intensified in the form of calling out for big sis. I’d gotten up early, defeated, a virtual zombie, perhaps long-tired of shouldering my rebellious front, of justifying my reasons for being the selfish daughter as she’d so long-ago implied. “Mary…Mary…where?”

The raw need in her voice was impossible to ignore, even as I turned on my computer, trying to grab some rare work time. I sat there with my coffee, watching her toss and turn, listening to her increasingly bewildered muttering. Her dark turmoil seemed to confirm what I’d sensed we shared in waking hours—the stubborn regret, the mutual disappointment, clouding up the air between us, denser and blacker than ever. I turned back to my computer, fighting tears.

“Mary…MAAAry!” She screamed—“MAAAryyy!”—the sound of it ear-splitting, blood-curdling, the sound of a woman on a precipice, facing death itself. Her terror so lancing, it cut through me, curiously engendering a symbiosis, so rich and pure. “MARY!”

Rushing to her, rousing her from sleep, my words flowed out: “I love you; I love you so much.” I sat her up, hugged her hard.

“I was on a boat,” she said, still trembling, “falling off.”

Three days later, Mom flew home. I called to make sure she’d arrived okay. “Who are you?” she said with her little chuckle, “you know I can’t remember.” “Don’t worry,” I told her. It didn’t really matter so much anymore. I was just glad to hear her voice again. I was still glowing from the night before when she’d been rolling around in her sleep, babbling, still working things out. “I did the best I could.” “Yes mom, I know you did,” I’d responded. Surprisingly, my words stirred her. She’d sleep-moved closer, down to the end of the bed. I did all I knew how,” she said. “You are a wonderful mother,” I’d said, fighting easy tears. She smiled, that peaceful, knowing smile she’d always had in our best moments.

Hanging up the phone, I turned to Luke. “I miss Mom …” that little ache in my voice. “Me, too,” he said emphatically.

 

 

Thea Zimmer’s fiction appears in Fringe and Infinity’s Kitchen, both featuring her interactive narrative “Cake it!”  Thea’s more “traditional” short stories appears in such publications as New Dead Families, Unlikely Stories of the Third Kind, Hackwriters, Weirdyear, Infective Ink, and Dial Magazine. She was a finalist in the Summer Literary Seminars contest. She wrote the libretto for a multimedia opera, funded by a major arts foundation, to be performed in Miami Beach.

“To Love Again” by Steve Cushman

 

Pulling onto I-4, heading out of Orlando, Fay told herself to relax.
On the seat next to her was her purse and an overnight bag stuffed
with a couple days worth of clean clothes, suntan lotion, a romance
novel, and a manila envelope with the divorce papers.  She was going
to Cocoa Beach for the weekend, just long enough to clear her mind
and sign the divorce papers Dale, her soon to be ex, had the nerve to
send certified mail to Dr. Hasell’s office where she worked as a dental
hygienist

Fay concentrated on staying between the white lines of the highway.
Driving had gotten somewhat easier in the last month.  More than
once, in those first few weeks after the separation, she’d had to fight
the urge to jerk the steering wheel hard to the right and plow into the
pine trees lining the highway.  She wasn’t sure she wanted to die as
much as go to sleep for a while, perhaps long enough to make it
through the grieving process, however long that might be, maybe wake
up on the other side, ready for life again.

She’d reserved a room at the Ocean Shore Suites.  The front of the
motel faced US 1 and the back faced the beach.  While her first floor
room didn’t offer a view of the ocean, only sand dunes, she could smell
and taste the salt in the air.

Hungry from the drive, Fay walked across the street to Sonny’s Pit
Bar-B-Q.  She ordered a pulled pork sandwich and watched a baby boy,
maybe a year old, at the table across from her, gobble up a plateful of
baked beans.  His face and hands were covered in the red-brown
sauce.  The parents, a scruffy looking pair of nineteen or twenty year
olds, didn’t seem to notice when the baby started running his dirty
hands through his blonde hair.  Fay had to fight the desire to reach
over and stop him, to fling one of her French fries into the back of that
worthless father’s head.

She could not help but think of Dale and her son Owen, who was a
high school senior and still living with his father.  Dale had come to her
that Sunday morning on his way out the door to go fishing.  He had on
that stupid hat with the hooks and lures fastened to the brim.  She
was reading the paper without much concentration, thinking that what
she really needed to do was get out there and tidy up the garden, get
it ready for winter.

“With Owen graduating this year I think we should consider splitting
up,” Dale said as easy as could be, as if it were something he’d
practiced hundreds of times before and were no bigger deal than
suggesting they plant a new crepe myrtle in the front yard.

At first she didn’t quite understand what he’d said; she didn’t listen
to half of what he said.  He was always talking.  Plans for expanding his
landscaping business, plans for buying a new work truck.  Talk, talk,
talk.  Always something she didn’t really care about.  Lowering the
newspaper, she noticed a cartoon was on the TV behind him.  This
seemed strange to her, because weren’t cartoons for Saturday
mornings?

“What do you mean?” she asked.

“Split up, divorce.”

“But why?”  Other questions occurred to her: Is it another woman?
Have you felt this way a long time?  Is it me?  Am I fat?  Am I not
attractive?  But the words to these questions, thankfully, she would
think later, didn’t come out of her mouth.

“You know neither of us are happy,” he said.

And it was true.  She hadn’t been particularly happy with the
marriage for years.  But half the people she knew weren’t happy with
their marriages.  Were you even supposed to be married and happy?
She didn’t know.  They had a decent life—minus romance and
excitement and shared secrets—but it hadn’t been awful.  He had never
slapped her around or come home drunk wanting rough second-hand
sex after a night at the strip clubs like some of her friend’s husbands.
He had never, as far as she knew, cheated on her.

“I’ve got to go,” he said.  “I’m already late.”  And then he walked out
the door.

Fay spent the rest of day shopping, buying flowers and a new
blouse, some shoes.  Anything at all but to think about the fact she
would have to start living alone.  What upset her most was that she
would probably have to move out.  Dale hadn’t yet said he wanted to
stay in the house, but he’d built a three-car garage out back the year
before so he could store his lawn equipment and they’d converted the
back bedroom into his office.

*
She leaned back in the motel bed, her head and neck up against the
strange headboard.  The old, green comforter was on the floor at the
foot of the bed.  Julie, Dr. Hasell’s wife and the other hygienist in the
office, had told her to never touch those things.  She said they were
only washed once a month and you never know what type of bodily
fluids might be on them.

This weekend trip had actually been Julie’s idea: get away, she’d said,
it’ll help you clear your mind and make plans for your future.  To Fay,
this sounded like a good idea at the time.

Fay took two big mouthfuls of the beer she’d bought at 7-Eleven on
the way back from the restaurant, then pulled the papers out of the
manila envelope.  His name Dale Ray Brown was above hers, Fay Alice
Brown.  The details of the divorce were what they’d already discussed
and decided: he’d get the house and pay her half its value over the
next ten years.  They would split the cost of Owen’s college education
and she’d cover his insurance.  There were no surprises here.

All she had to do was sign, slide her pen across those three lines
with the red X beside them and the marriage would officially be over.
But she couldn’t sign them just yet.  While she knew the marriage was
over and that she didn’t love Dale, the movement from one person, a
married woman, to the next, a divorcee, was more difficult than she’d
imagined.  She slid the pen back into her purse and turned the bedside
light off.  The beer and her breathing exercises helped ease her toward
sleep in only a matter of minutes.

*

Fay was at the beach by ten the next morning.  She’d bought the
bathing suit Tuesday night, after work, at Target.  It was a little loose
in the hips.  Without trying, she had lost fifteen pounds since moving
out.  The only time she bothered cooking dinner was when Owen came
over on the weekends.  Most nights she was in bed by eight, a half-
eaten bowl of cereal on her bedside table.

The beach was not crowded yet, but it was April and a Saturday—
temperatures in the mid-80’s—so Fay was sure it would fill up
eventually.  She found a spot twenty yards from the water, set her
towel down and her bag with the change of clothes, her lotion and
sunglasses, and the romance novel, To Love Again, Julie had given her
for the trip.

Fay had woken an hour ago, but the water and sun and sand made
her sleepy again, so she closed her eyes and drifted off.  The crashing
of the waves against the beach was calming and easy.

*
She had met Dale twenty-two years ago.  He’d come in to have a
tooth pulled.  He was well-built and attractive, but she was not
available.  Two days before, a man she’d been dating for over a year,
and whom she didn’t truly love, had asked her to marry him.

As she prepped Dale’s tooth for the extraction, she began telling him
about this other man—a man whose name she could no longer pull
from her memory—and about how he was a nice enough guy.  He wore
suits and argyle socks to work and had a yellow canary named Finch.

“Sounds like a fag,” Dale said.

“He’s a good man.”

“You know what you need?”

“No,” she said.  “What?”

“You need to go out to dinner with me, tonight.  I’ll show you a good
time.”  Dale reached over and ran his hand against her naked calf.  And
while she knew she should have been offended, she was not.  She
slapped his hand away, but took him up on his offer for dinner.  Four
months later they were married.

It was the sound of children that pulled her back to the beach.  Two
boys, no older than ten or eleven, were running in and out of the
water, screaming.  Fay sat up and pulled To Love Again from her bag.
On the cover, a couple stood arm-in-arm facing the sea.  In the right
corner of the book was a round sticker with 25 cents scribbled in black
pen.  It was not a new book.  Julie had told her to read it, said it would
show her there were more men out there.

The first chapter introduced the reader to Marie, a woman whose
husband was leaving her for another woman after twelve years of
marriage.  Chapter two and three went through the next couple
months of Marie trying to understand what to do with her life now that
she was alone.  A woman in her forties who had not worked in years.
There were obvious similarities to Fay’s life and she knew Julie had
given it to her for that reason.  She could imagine what was going to
happen; Marie would meet a man and they would fall in love and she’d
be happier than she’d ever been with that old cow of a husband.

Fay had read forty pages of the three-hundred page book when she
felt the need to pee.  Her motel room was only fifty yards behind her
but she didn’t want to leave her things out here unattended and she
didn’t want to lose this prime spot, so she headed to the water.  It was
cooler than she thought it would be.  It was only April.

In waist-deep water, she could see the crowd of people on the
beach.  White-fleshed tourists from places she’d never been:
Minnesota, New York, and Iowa.  She squatted and felt the warm rush
against her thigh, swimming around her knees, her ankles, and then it
was gone.  She was embarrassed as she walked out of the water, sure
that everyone knew exactly what she’d done.  But she told herself it
didn’t matter.  She would never see these people again.  Anything she
did this weekend would stay here, away from her other life back in
Orlando.

On her stomach now, propped up on her elbows, Fay continued to
read the novel.  Marie had started working the counter at a flower shop
where a customer named John came in every Friday and bought a
dozen tulips.  He didn’t wear a ring, so Marie assumed they must be for
his girlfriend.  After his fourth visit, she asked him who the flowers
were for and he’d smiled and said shyly that they were for his mother’s
room at a nearby nursing home.

When she told him how sweet that was, John invited her to come
with him and meet his mother and to have dinner afterwards.  Marie
accepted his offer.  What harm, she wondered, could happen to her in
a nursing home?  Or from a man who was kind enough to bring his
mother fresh flowers every week?

Fay smiled and shook her head.  Of course, it was ridiculous and
predictable, but still she read on, turning to on one side when she felt
her back starting to burn.  Over the course of the next few weeks,
Marie learned that John was an investment banker.  His wife had died a
dozen years earlier in a boating accident.

Through the next hundred pages, the couple began kissing, holding
hands, taking long walks on an unnamed, empty beach.  There were
long passages where they gave each other massages, would not have
sex, but would lie side by side, running their hands across each other’s
excited, naked bodies.  Marie would ask John to make love to her, but
he said he didn’t think he could move on to that stage of the
relationship while his mother was still alive.  She had loved his ex-wife
as if she were her own daughter.

In the parts of the book which detailed these massages, and oiled
hands gliding over  foreign flesh, Fay could feel a stirring inside of
herself.  She ignored it, pushing forward, wanting to know what was
going to happen and how they would finally consummate their love.

But for the next fifty pages, they continued to visit John’s ailing
mother and to explore each other’s bodies with their hands and to tell
secrets of their previous lives: the time John kissed a man in college,
Marie’s admitting she once watered her backyard naked.

With thirty-five pages left to go, Fay’s back and shoulders felt
officially sunburned.  She walked back to her room.  She’d been out
here long enough.  She closed the curtains and took a cool shower and
instead of putting her clothes back on climbed into bed naked.  Her skin
tickled.  The fan swirled overhead.

Fay leaned against the headboard and continued to read.  John’s
mother died.  Her heart simply gave out.  The night of the funeral, after
all the guests had left, Marie stripped John naked and made love to
him.  The book ended with them waking up the next morning with sun
streaming through tall, white curtains.

By the time Fay turned the final page, and dropped the book, her
right hand was stroking herself, pressing and pushing, and that was all
it took.  The force of the orgasm surprised her.  All alone in this
strange motel room with her hand moist, resting on her stomach, Fay
felt a little dirty, a little embarrassed and sore, but, all in all, she felt
pretty damn good.

After a nap, she took another quick shower and got dressed for
dinner.  A mile up US 1, there was a bar named Conchy Joe’s.  She’d
eaten there years ago with Dale.  She decided to go there tonight, have
a beer or two, some oysters and a plate of conch fritters.  Then she
would come back and sign those damn divorce papers, be done with it
once and for all.

Conchy Joe’s was hopping and Fay took a seat on the balcony bar
under a faux straw-mat roof. Behind her was the Intercoastal Waterway
and she watched as a pair of sailboats cruised under the bridge. It was a
fine evening. The heat of the day, though mild, had burned her shoulders
and her neck. She could feel the fabric of the shirt touching her skin and
this, she thought, was not completely unpleasant. She hadn’t worn a bra
and her nipples felt firm, reacting to the soft cotton of her top.

The bartender was tall and young and cute and he winked at her. But
she knew he probably winked at every woman who came in here. His tips
counted on it. There were a couple men, both older than her, sitting at
one corner of the bar and a married couple sitting to her right.

Just relax, she told herself again. The beer tasted good. The oysters
felt soft and soggy on her tongue but she didn’t care. She was miles
away from her home and that apartment, from her son who had
disappointed her by choosing to stay with his father, from her all-but-final
divorce. She was a woman alone at the beach enjoying herself. This, in
itself, was a new life for her, one she couldn’t have imagined a year ago.

She thought about that little apartment she’d lived in for almost five
months. The only personal decoration she’d added was a pair of framed
photos atop the entertainment center: one of her and Owen at the state
fair and Owen’s senior photo. The apartment had come furnished and she
was grateful that she had not had to go out and purchase furniture that
would be hers, and not theirs, for the first time in twenty-one years.

Maybe she shouldn’t sign those divorce papers as they were written.
Originally she’d agreed to leave Dale the house because it was set up for
his business, but now with the conviction of beer and distance she
wondered why in the hell he should get it. Sure he would be paying her,
but she deserved it as much as him, if not more. She’d painted almost
every room, had picked out the carpet and appliances and she’d hung the
borders. Plus, she had been the main breadwinner for almost all of their
marriage. If she had to move out and start over, maybe he should have
to do the same thing. They could sell the house and split the profits. But
she knew it would be easier to just let him stay in the house. Plus, Owen
would have that little bit of consistency when he came home from college
on summer breaks.

“May I buy you another?”

It took Fay a moment to realize someone was talking to her. She
turned. He was a thick man, a couple years older than her, with gray hair
and a deeply tanned face. His pale blue button-up shirt was not tucked
into his linen slacks.

Fay smiled, lifted her bottle to finish it and said, “Sure.”

“Chuck,” he said, extending his hands. “Chuck Mulhauser.” The only
jewelry he wore was a gold band on his pinky.

“Fay,” she said, shaking his rough, calloused hand.

“Another beer for the lady and a Jack and Coke for me,” he said to the
bartender. He turned back to Fay. “So the obvious question is what is a
beautiful lady like you doing alone in a place like this?”

She could see tufts of his grey chest hair at the top of his shirt. Dale
was practically hairless. She could see a slight shaving nick by his right
ear. Dale wore a beard. This man’s lips were full. Dale’s lips were almost
non-existent. Chuck Mulhauser was the physical opposite of Dale and this
alone was enough to make him attractive to Fay.

“A little vacation from life,” she said. She considered telling him why she
was really here, the divorce papers and whatnot, but did not want to seem
like easy prey.

“We all need one of those sometimes.”

She knew this was playful banter. For twenty-four years now, she’d
done that, leaning over patients and talking, saying words that didn’t add
up to anything. “And you, what are you doing in a place like this?”

Fay was well on her way to being drunk. She’d had two beers before he’
d approached her, and she knew she was a certifiable lightweight when it
came to alcohol. What was she doing talking, even flirting, with this
strange man? For all she knew he could have been a murderer, a
rapist.

“I was hungry,” he said and smiled.

He ordered another dozen oysters and eventually each of them another
drink. Fay felt herself leaning into him. He ran his hand along her knee, an
inch or two up her thigh. A respectable distance, she thought, confident
but not too aggressive. As they ate and drank, he told her that he was in
the import/export business over at the docks. Boring stuff, he said,
except plenty of money to be made.

“I’m not sure why I’m even talking to you. Women, I’ve discovered, are
the enemy. My wife, Sheila, married twenty-nine years—two sons—built
her the fancy house she wanted. You name it, I gave it to her. Well, she
runs off and leaves me for some pansy-ass out of work physicist. I
should have beat the shit out of both of them. But what are you going to
do? Am I happier now without her? Hell, no. Would I take her back in a
minute if she called me? Hell, yes.

“I don’t even understand how these things happen. You think
everything is going along at whatever rate it’s supposed to and then
bamb, you’re blindsided. Hell, I just don’t know.”

Fay saw the tears in the corner of his eyes and she reached out and took
his hand in hers. Why couldn’t Dale be more like this man? Huh, why
not? Because, she knew, life is not fair and never would be.

“Let’s go back to your hotel,” he whispered. She looked into his eyes
and nodded.

*

Inside the hotel room, they went at each other’s clothes before the door
was even shut. He was thicker around the middle than she’d imagined,
but this Chuck Mulhauser was a sure and confident lover. She closed her
eyes and held on and enjoyed herself. Although he was not particularly
big, maybe even smaller than Dale down there, it hurt a little at first. But
she liked his smell and the way his rough hands gripped her waist and
squeezed her breasts. And then as quickly as it had begun it was over.

She rested her head against his hairy chest, could feel his heart
thumping wildly. “Was it good?” she asked, embarrassed as soon as the
words left her lips.

“Amazing,” he said in a low, satisfied voice.

“Tomorrow we’ll go for breakfast,” she said.

“I’ll serve you fresh eggs and fruit,” he said. “Orange Juice. We’ll take
my boat out.”

Fay closed her eyes, thought that sounded damn good. Maybe Julie had
been right after all. Just let yourself go and you’ll find happiness, you’ll
find something. Chuck started to snore and she slid away from him,
listening to his even breathing.

When Fay woke early in the morning, he was still sleeping and snoring
on his side of the bed. She thought about what he’d promised, about
breakfast in bed, a day out on his sailboat. That sounded good to her,
the way something like this should begin. She wanted to do that, but
knew she couldn’t, not yet. She’d come here, met a man and discovered
that she just might be able to love again. While she knew two people
meeting at a bar for a one-night stand wasn’t exactly love, it was a start,
perhaps a sign that her life could be filled with a sort of intimacy she’d
forgotten she was capable of.

Fay got dressed quietly. She wrote him a quick note on motel
stationary: thanks & take care, Fay. After writing the first three numbers
of her phone number, she scribbled through them. Walking outside, the
bright sun almost took her breath away. Fay blinked a couple times and
headed to her car, climbed in.

Instinctively, as she always had in times of crisis, Fay dialed her old
phone number. It rang two, three times. She could see Dale standing
there with his mug of coffee, one hand scratching his fat ass. Then his
voice was in her ear: “Hello.” When she didn’t say anything, he said it
again, annoyed this time, “Hello.”

She turned the phone off and dropped it on the seat beside her, pulled
the divorce papers from the envelope. After signing all three required
lines, she slid the papers back inside and sealed it shut. Then Fay climbed
out of the car and walked back to the motel room and knocked on the
door. When Chuck answered, he had a towel around his waist, his eyes
cloudy with sleep. “I thought you left,” he said.

“Not yet,” Fay said, taking him by the hand and leading him back to bed
and those still warm comfortable sheets.

 

 

Steve Cushman has worked as an X-ray Technologist for the last fifteen years. He is the author of the novel, Portisville, and a forthcoming short story collection,
Fracture City.

“The Beetle’s Gleaming Back” (Author Unknown)

 

Image result for black beetle

Even now, she couldn’t help looking at her watch to see how long she had left. It was
something like the ghost of a feeling, the excitement that used to get her through the
trudging and the tiredness, the gradual erosion of her patience by the queues and the
crowds. It was time to go to the café where they always met, to put down the bags that
were biting into their fingers, to rest their legs and recharge.

This year he would not be there. She stood on a corner and tried to understand this,
looking out on the slow-moving shoppers, the coloured lights from the Christmas displays
casting patterns across their bobbing heads. It was strange, the world that he had left
behind. When something tragic happens in your life, suddenly everything else seems
surreal. The ridiculous things that people do with their time, like Christmas shopping, here
on Oxford Street, in late December. The strange things that people do to earn their money,
like their son Jerome, persuading people to change from one mobile phone company to
another.

Standing there on the slush-covered pavement, outside a temporary shop selling
perfume and underwear, tears began to swell behind her glasses. To fight them back she
decided to go to their café anyway. She could still get some enjoyment out of it, surely?
Falling back into a big chair and taking the weight off her feet. Choosing a cake with which
to complement her first slurp of coffee.

After much too long in the queue, she paid for her gigantic latte, and took her place at a
table that was crammed with cups and plates. She poised her bags, full of carefully
considered presents, between her feet to protect them from thieves. Warming her hands on
the mug, she thought of all the potential presents she had seen, decided who would like
what, and tried to plan a route to pick up the winning gifts.

This had been one of the few areas in their marriage in which she had been equal to
Leon, in which she had occasionally been able to impress him. A few years ago, when
Jerome had been around thirteen, she had bought him a Playboy calendar and, from a
different shop – she had been sure to keep the presents in their separate bags – some
matching Playboy tissues. When she’d shown Leon this, he had tossed back his head and
laughed, that deep, warm laugh that was free of pretension, and people at the surrounding
tables had turned their heads.

Now she was alone.  She stared out of the window at the dark mass of bodies, shuffling
along under the street lights. This was very near where it had happened. The CCTV had
captured five of them even though only had been charged; the two who came back. The
magistrate asked if she would like to see the footage herself.  At first, she refused, with
what she felt must have looked like a television widow’s grief. You were never prepared and
it never seemed real.

Leon had been driving at a snail’s pace round the car park under Park Lane, looking in
vain for a space, when another car turned on its engine and backed out suddenly, straight
into the side of his. She only imagined the crumpling sound of the metal, the tinkle of their
brake lights hitting the pavement. As usual, Leon lost his temper, but his gesticulating must
have stopped when the car doors opened in unison, and five young black men got out. He
was black too, of course, one of the few with a real reputation in Comparative Literature.
Sometimes, guiltily, she thought his career trajectory might have been boosted by his charm
and undeniable good looks. It was this winning combination that massaged away her
mother´s stiffness the first time Leon met her parents; by no means the first black man to
cross their threshold, but definitely the first to eat at their table. Perhaps it was this same
strength of personality that  aggravated the young men in the car park even more.

They shouted at him, forming two finger guns and pretending to shoot. On the CCTV it
looked both child-like and terrifying. Right then, although it was a strange thing to think, he
must have rejoiced in the long line of cars, creeping inch by inch along the concrete. She
often tried to imagine how he had experienced that night’s chain of events, through a wash
of adrenaline, relieved to feel the animal warmth of the people in their slow-moving packs. It
must have taken a long time for him to calm down, maybe an hour or so of shopping, until
the difficult process of selecting gifts became meditative.

She assumed that by the time he finished and returned to the car park, he’d succumbed
to temptation, and started to do what he had enjoyed doing most: turning the experience
into a set of ideas, an intellectual exercise. The mob mentality that can be provoked by
enforced proximity. The paradox of crowds, how badly people behaved in them, restriction
giving rise to freedom. Maybe it had been this, his absorbing train of thought, that
prevented him from noticing that they were still there. In the long corridor that connected
the car park’s entrance to the bay where his VW Golf was parked, two of them waited to
settle the score.

“Mind if I sit here?”

The voice snapped her back into the present, in which ‘Christmas Goes Jazz’ was playing
a little too loud, and people were lurking at the edges of the seating area, to swoop upon
when a table became free. She felt a familiar, embarrassed smile appear on her face, and
nodded. The stranger, a boy around seventeen, thanked her and sat down, sliding a single
carrier bag onto a small space at the corner of the table. He had spiky hair in which a bluish
dye had nearly washed out and ear-rings that were actually inside his ears. In spite of this,
she thought him good looking for his awkward age, around the same age as Jerome. Like
her son, this boy’s features were in a fascinating state of suspension that presaged
imperceptible change. She realised now that she found this beautiful, this age at which
time’s work on the face was still welcome.

She wondered what the boy thought when he looked back at her. He would see the
brown eyes, almost black. Short dyed hair, a small mouth with thin lips behind which were
what Leon used to call her ‘tiny teeth.’ And of course the glasses, which had spread like
contagion amongst all of their friends, when their forties had turned into fifties.

After they took Leon, she’d quickly became re-acquainted. She knew it much better now
than she had even in adolescence. In the first month alone, she spent hours studying it in
the mirror, staring at herself until Jerome told her to stop. She knew now that when other
people look at your face, they transform it, for themselves and for you. And when Leon’s
gaze was gone, her idea of herself disappeared as well.  Instantly.

“I’ve been at it for nearly two hours now,” the boy announced, animated, sitting forward
in his chair, “and guess what? I’ve bought one book. That’s it.”

She wanted to take interest, to ask which book he bought and who it was for, but her
thoughts were still with Leon.  She didn’t trust her voice not to waver and crack. She didn’t
want to embarrass the boy with her thoughts. Regular visits from Jerome’s mute friends had
taught her that, amongst adolescents, friendly people were few and far between. She just
gestured towards the boy’s Waterstones bag with her chin and gave him an enquiring look,
as if about to speak. He seized the opportunity as her thoughts returned to the car park,
almost a year before.

Shane was the name of the one the court had watched on the CCTV recording, tapping
Leon on the shoulder. Before Leon had a chance to turn round – they had been too
cowardly to let him do that – the young man had pulled a pistol from his jacket or the
waistband of his jeans and shot Leon in the head. On the footage it was hard to tell what
had happened. The tension left his body all at once and it folded onto the ground. Shane
and his accomplice stood over him for a second and then  run, their movements jumpy and
full of excitement. When she saw this, it made her think of her own youth, ringing
someone’s doorbell and then running as fast as they could, amazed at their own
naughtiness. She tried to concentrate on that, or on the presents he bought that day,
returned to her by the police, or on anything else that would take her mind off the central
fact of what happened. A shooting from another world, and its occurrence in their lives was
unreal. She would never understand it, she thought, and looked up from her cooling coffee
at the strange boy, who was reaching down into his bag.

Noticing that he had lost her attention, he was waving the silver paperback under her
nose, turned so that the title was facing her. He was eager for approval, like they all were
really, but as soon as she realised which book he had chosen, she turned pale. He was
thrown by her startled reaction but attempted in heroic fashion to maintain a good-
humoured conversation.

“The Metamorphosis. I mean, there’s other stories in there, but that’s the one I bought
it for.”

She wanted to say that she knew the story, that Leon had spoken to her about it many
times. But she couldn’t speak. Here she was, in conversation with a young man with blue
hair who was young enough to be her son.

While at home, and she hated herself for even thinking of the expression, Leon was
being baby-sat by Jerome.

Under normal circumstances, the few daylight hours that Jerome saw were usually taken
up practising DJ-ing. So when he rose mid-morning and mumbled to her –
over his shoulder while he was switching the kettle on to make tea – that he would be
happy to look after Dad until college started again, she was so proud of him that she
feared she might choke. A brief squeeze, standing behind him so they would not have to
look into each others’ eyes, had been the only way to communicate her feelings.

“Have you read it?” asked the boy. “Well, it’s about this guy, Gregor. He’s just a normal
guy, he works in an office or whatever, he lives with his family… But then, one day, he
wakes up…” Here he smiled, as if about to give away a premium piece of teenage gossip.

“And he’s been turned into a giant beetle! And no-one gives a …I mean, no one cares.
So he just has to get on with all the normal stuff, except that he’s this huge insect, and so
everyone’s shocked and no-one really knows what to do.” He paused, studying her, this
implacable woman who seemed so hard to impress. He sat up and decided to change tack.

“Of course, it’s like a critique of society as well,” he said offhandedly, “of how we deal
with outsiders and, well, not losers but you know, unfortunate people.”

“Yes,” she finally managed to say, and smiled at him. She remembered the title of
Leon’s ground-breaking study, the work that had made his career, which she’d  been fishing
for since he first handed her the book. She turned The Metamorphosis over, studied the
blurb, then handed it back to him, glancing under the table to check that her bags were still
there, between her feet.

“I … I think you’re right,” she added, gaining composure, “I think that’s exactly what he
was trying to do.” For the latest in an endless series of occasions, she felt something like a
ghost stirring, the old Leon, not the slow-moving man who had been discharged from the
hospital and into her care. The boy’s interpretation was a world away from his own
argument in Surrealism and Semantics: There Can Be No Escape. She knew this not because
she read it – Leon assumed she never would – but because he had on several occasions,
with a theatrical patience he seemed to enjoy – explained his theory to her ‘in a nutshell’,
using The Metamorphosis as an example.

“On one level,” she could hear him saying, perched in an informal and accessible manner
on the arm of the sofa, his legs crossed and a steaming cup of coffee in his hand. “you have
the aesthetics of it. What commands your attention? This gigantic insect!” The more
repulsion her face betrayed, the more he relished his description. “The gleaming back, the
bloodless legs, working in a frenzy as it tries to get back on its feet. And that,” here came a
miniature crescendo, “is an undeniable part of the story, and of life. The awe you feel at the
strangeness and the beauty of it all.”

Only now did she realise that she never knew if his idea of ‘strangeness and beauty’
included her. From their first meeting, at a party thrown by the department for a visiting
lecturer, all the way through her rapid promotion – from department administrator, to lover,
to wife – she never dared to ask if he was actually in love with her, or whether he thought
her to be beautiful. She was from such a different background, where everybody looked the
same and nobody went to university. When she thought about it now she could see that it
seemed pathetic, but she always suspected that he saw things on a whole other level, and
that she had simply not understood.

“But of course,” he would continue, “there is another level to surreal works like Kafka’s
story, which is the need for analysis. The desperation to understand. And the real benefit of
these stories is that they show that, to interpret what happens in our lives, we can’t avoid
either of these systems. The surreal and the semantic. Both are perfectly useless on their
own, but together, infinitely superior.”

Only now, in the café, with the boy making as if to go, did she wonder whether the
terms ‘perfectly useless’ and ‘infinitely superior’ had been relevant to their relationship. Even
though she’d  been good at booking his meetings and tutorials, organising conferences and
parties for visitors, she sometimes worried that he really saw her as perfectly useless, and
himself as infinitely superior.

Pointedly, the boy zipped his coat up under his chin. She must have been terrible
company, she realised, her silence stifling his admirable enthusiasm. His She movements
had a sudden purpose to them. He’d decided that this experience was over, maybe he
already saw it as an anecdote, talking to a mad woman in a café, and was preparing it for
repetition to his parents or friends.

“Who’s it for?” she asked, aware that she would never know unless she said something
now.

“Oh, it’s for Katie,” he replied. “my sister. She’s just getting to that age, you know, when
you start to love things that you don’t understand.” She smiled at him, gathering her things
to spare him the guilt of leaving her on her own, and it struck her that there was no end to
the age he had just described. She had certainly never understood the few things she
loved, any more now than when she had been a teenager.

They walked together to the entrance and he held the door for her. Outside, they
shared an awkward goodbye; he walked backwards and waved, then spun suddenly
around and disappeared into the crowd. She was disappointed he had gone.  He would
break a few hearts in his time by doing exactly that, turning his back on someone and
joining the ranks of the oblivious.

She knew immediately that shopping was over, that all ambition to find perfect presents
had gone, and that she needed right now to be at home with Leon. Gathering up her bags,
she made her way to the edge of the pavement and, seeing that a cab was about to pass,
raised her arm to hail it. As she leaned down to the passenger window to tell the driver
where she was going, she heard somebody shout a little further up the street.  She  turned
see a woman around her age, gesturing at her, then punctuating the end of her tirade by
flicking her cigarette at the ground, where it bounced in a shower of sparks. She stepped
into the darkness of the taxi, slammed the door, and breathed a sigh of relief when the
locks clunked shut.

The car crawled along Oxford Street, and the shoppers surged around her. It surprised
her how much she wanted to see Leon, and she felt guilty and elated at the thought. It had
never been like this before. She had been proud of her handsome husband, proud of their
three-storey home, but it had been the idea of her life, the theory, that she had enjoyed.
There had been none of the ease, the everyday affection, that she saw signs of in other
peoples’ marriages. She certainly would not have dared to use the word ‘love’. It was an
item of her vocabulary that had taken refuge twenty years ago, especially from Leon, who
saw it only as an idea, a strange new thing that people hoped would suddenly appear in
their lives.

Steadily, though, in the course of the last year, she had noticed something happening.
Sometimes, when she had shown him – as if for the first time – how to chop vegetables,
and they were quietly preparing a meal behind the steamed-up windows of the kitchen. Or
sometimes when she was taking him on a long, slow walk around the park, and he stopped
to pick up conkers, marvelling at their wooden sheen and the mystery of their concealment
in spiked green globes. At times like these, she would realise how often they were together
now, more in the last year than in the previous ten, and how much pleasure they obviously
took in the simple fact of each others’ company.

After six months, his hair had grown back over the wide, black-red scar that ran across
the back of his head. But even now, she would sneak up behind him when he was sitting
down, trying to decipher a magazine or a newspaper, following the print with his finger, and
she would stroke his hair to reveal the traces of the scar underneath. And sometimes, when
she did this, he would turn around and look up at her.

He was handsome still, although his expression had changed, the devilish charm that
used to animate his face had disappeared. His previously pursed lips were now fuller, more
relaxed, and softer when she kissed them. His eyes did not dart around to follow the ideas
in his mind, but were still, two peaceful green pools that she could stare into. And his
expression, when he did this, was what she thought of now, as the lights changed at
Marble Arch and the taxi gathered speed along the side of the park. That look contained
elements of both fear and fascination. When he looked at her like that, she felt love surge
through her, and she dared to think that perhaps it was love that shone back at her from
his face, the face that was waiting right now behind the glowing windows of their home.

Of course, sometimes he had bad days too. Days when he couldn’t understand what
Jerome was trying to explain about finding things on the computer, or when she would let
him lead her to the park and he would stop, suddenly terrified, with no idea where they
were.

After days like that, she would often wake up in the middle of the night, and find that
Leon was holding her, his arms tight around her body. She would shift to show him that she
was awake, and he would bury his head in the hollow of her neck, his beard prickling the
soft skin. She would hold him like that for an hour or even two while he gradually relaxed.
And although she would never really understand how he felt when this happened, she
thought that these moments were the most perfect. Snug to his warm body underneath the
duvet, she would look at the bedroom’s soft silhouettes in the blue light of the coming day,
and listen to his breathing as it slowed down, became calm.

“Just here please,” she said, as the taxi drew up opposite her house. She handed the
driver a twenty pound note and told him to keep the change. Naturally, Leon had been
insured, and last month the claim had finally been settled, relieving her from the need to
work, for the immediate future at least.

“Merry Christmas then, love,” said the driver as she gathered her bags.

She made her way up the miniature path, and had been about to set her shopping
down and fumble for her keys, when the door opened. Rather than coming out to help her,
or standing aside to let her in, Leon remained perfectly still in the doorway, staring at her.

She did not move, but stood there in the pool of light, looking back at him.

 

 

Author Unknown. If you are the author of this piece or know who is, please let us know at r.kv.r.y.editor(at)gmail(dot)com. We lost records when the old website imploded, and would like to fully credit all authors who have generously shared their work with us. Thank you.

“Visiting Hugh” by Stephen Busby

 

While driving in an unfamiliar part of the country, Nathan came by chance upon the old
road to the School. He had forgotten it was there. He parked his car near the end of
the long driveway, walked under the stone archway and became a child again. There
were the familiar playing fields and the summer light flickering between the leaves of the
chestnut trees on either side of the graveled drive. The air was clammy and close.
Nathan glanced across at something moving over on the far side of the cricket fields: at
the figure of a man perhaps; he couldn’t be sure because the light was in his eyes and
the views across the fields were hazy in the heat.

Nathan approached the jumble of ancient brown-stoned buildings standing silent in the
summer afternoon and he was blind to their twenty-first century extensions and
signposts. He looked up at the walls and the old lead-lined windows. Where was that
window? Squinting against the sun he found it on the first floor: the study he had
shared with two others: one of them his friend Hugh, the other – Peter – about whom
he had felt indifference, as had everyone. Peter had conjured indifference in others and
this had turned out to be dangerous. He had seemed to transmit something that
attracted scorn, abuse, rage, as hot sweat attracts flies, regular and unremitting. Up
there was the window Peter had thrown himself from one night when he had decided it
was enough.

The study had been small and a welcome mark of seniority: a haven and a shelter. Yet
it would have been foolish to consider himself safe there, for into it might come Chris
and Geoff at any moment of the day, unannounced. Then in a second what before had
been relative shelter and tranquility became chaos and pain.

Small boys did not learn things, Nathan now knew, they absorbed and integrated
things so completely into their little beings that everything essential to survival became
second nature, first even. They did not need to learn how to pick up signs of menace:
they were themselves live antennae that were never switched off. They were sensitive
to the slightest movement – to the possibility that in this person or in that place there
had suddenly flickered some dark intent. An effective antenna would detect this before
even the enemy had become aware of it himself. Nathan remembered how something in
him froze and withdrew into itself before an idea in the enemy had begun. Those who
had failed at this had done so at some cost to themselves: they had been the nails
waiting to be hammered down. They had attracted this to themselves and since
everyone had known this and had welcomed it even as a law of life there had been no
pity: none in the tormenter or in those watching, breathing as neutrally as they could in
relief that today at least their own antennae could be trusted.

As he stood looking up at the window, Nathan had an inkling of the cost of all this. His
antenna-instinct had never gone away. Through instinct he would go to the chair with
the widest view of the whole room, would scan and test for unconscious intent, keep
his gaze averted. The cloak of caution he would never shrug off. He shivered a little: he
could not contemplate now the risks not taken, the strong weather not met. It felt cold
outside despite the thin summer sun. He stepped forward towards the front door.

Nathan stood framed in the front doorway as the sun shone in from behind him down
the long stone corridor. Splinters of heat and light pierced into the cold seventeenth-
century interior. There was no one about, not a sound and this was unexpected.

He did not need to know where to go. The tortured geography of the place was as
familiar as his own hand. He had lived there for longer than he had at home. The
corridor stretched away in front of him. To his left was the sports notice board: in his
time he had made sure that his name was on the most crucial list of all there: Excused
Sports. He had manifested strange symptoms that no one had understood in order to
keep his name on that list as often as he could. He recalled a doctor in a hospital once
prodding him in despair and how he had felt proud then that the system could be
beaten: that good or poor health was a part of the same game: a far cleverer game
than the dull ones repeated every day on the playing fields outside.

He remembered the games, and sitting on a radiator for hours afterwards in winter
until his fingers had recovered enough sensation to be able to undo his buttons and
change clothes. A little thing: to undo a button. He knew what it was like not to
manage it, to weep with despair. To have no one there. He knew there was a point past
misery, when it shifted into something else. Out on the battleground playing-fields
every afternoon he had learned to slip away from the world even while appearing to
move in it – you had to move in the snow for instance, or you’d die. But he had not
really been there. Dissimulation, evasion, invisibility. He wondered if he had ever come
back.

Nathan looked away down the corridor: silence; dust caught in the sunlight from the
cloisters on the right; closed doorways on the left to the libraries, the common rooms,
the refectory and – further down – the chapel, the hours wasted there in worship. He
thought he heard the echo of a footfall in the distance: someone else who had just
turned the corner at the far end of the corridor before he had come in. Perhaps after all
he would be stopped here and questioned; what would he say? He prepared a few
words: their effect would be to appease, to convey the impression that he posed no
threat; he would be polite, he was just passing through. There was no one there.
Nobody came.

Nathan was bewildered at himself for having come here. Had he in fact ever been here
before? Perhaps it had all happened to someone else. What was he remembering,
really? He didn’t know. All that he believed of his childhood: he could have made it up; it
could be no more than a story he had repeated to himself over the years because it
had helped to explain a space in him: something that had grown with him and had
became myth. The myth had lead him today to a locked door in the poor dull center of
himself and he did not care for a key.

*        *        *

Nathan passed the door to his old study. And next to it the door from where Chris and
Geoff would sometimes emerge. He remembered one of their many visits and saw
himself silent witness to it, sitting quietly in the study corner. Chris had begun. He had
said: Crikey Geoff it’s so quiet in here you can hear a bloody pin drop. Even quite a
small bloody pin, said Geoff, following Chris into the room. Where do you think this pin
thing comes from? said Chris. Not a clue, said Geoff, let’s ask around. Anyone in here
know where it comes from? Doesn’t look like they do, said Chris, Funny that,
considering how clever they all are. Yes, suspiciously funny, said Geoff.

I think we ought to carry out a little pin-dropping test just to check everyone
understood the question, said Chris. Have you got one Geoff? I have, as it happens,
said Geoff. It’s an old tie-pin but I think it will do. It will suffice, said Chris, As old Willy
Williams says. Yes he has a nice turn of phrase, has old Willy, said Geoff. But we won’t
need him for this little test, will we? said Chris, I mean it’s not as if we’re in bloody Latin
now. No, said Geoff, We’re not in bloody Latin now. And old Willy’s not here anyway,
said Chris, Which is just as well. It is just as well, said Geoff, So who shall we test first?
Oh, I think… our old mate Peter’s been rather quiet, said Chris, So quiet you’d have
thought he was asleep! Or dropping pins. We’ll wake him up a bit shall we, said Geoff,
But where shall we wake him?

Try… here, said Chris, Look there’s no point in struggling: see how Geoff can hold you
down. You know how he is. You are strong today aren’t you Geoff? You don’t need a
hand? No I don’t need a hand, said Geoff, Thanks for the offer. That’s what mates are
for, see. Look if I hold you like this Peter my old mate, then Chris can do the test – as
soon as you’ve told that us you agree to the test of course – far be it for us to go
forcing anyone now. And this is what it comes down to, said Chris, And naturally we’re
hoping you’ll agree. Because as usual we only have your best interests at heart, do we
not Geoffrey? Yes, the very best, said Geoff.

The test is with this pin here. Can you see it? said Chris. Look, hold his head up Geoff
so he can see the bloody pin. That’s right. Now, in this case you have a choice – never
let it be said we aren’t generous, eh Geoff? No, never let it be said, said Geoff. Either
you tell us whereabouts you’d like us to stick you with the pin, said Chris, and if we
agree then that’s fine of course, or you don’t tell us, in which case we have to choose.
What do you think? Sounds all fair and square to me, said Geoff. Or, said Chris, how
about this: since you seem to be choosing not to choose, which is your perfect right of
course, we’ll ask someone to choose for you. Never let it be said we aren’t democratic –
that there isn’t some freedom of choice here. No, never let that be said, said Geoff. So
we’ll ask. Hugh, said Chris: he’ll choose where you’ll be tested. But Hugh’s gone very
quiet too, said Geoff, Or is he just thinking? If he is that could take some time.

Ah – he was just thinking, said Chris. There you go, and thank you Hugh – a very good
choice. Yes I know you never said anything so I’ve chosen for you. I mean for Peter, as
it were. And your ass it shall be. An excellent choice, said Geoff, If I may say so myself.
There we go – are they fully down Chris, the little trousers? Fully down now, said Chris,
And here’s the little pin Geoff. Suddenly I feel spoiled for choice. I think we’ll have to
play it by ear and do several tests until we find the one that sounds right. I just don’t
know where to stick it first. There. Oh yes… How did that first one sound to you Geoff?
A bit muffled Chris, said Geoff, But I wasn’t paying much attention – could we try just
here for example? Yesss… that’s a bit clearer, much clearer. I bet they almost heard
that one outside!

A little louder do you think? said Chris. I think a bit, said Geoff, I mean we want to
make it worth our while: there we go, much better, now I think we’re getting into our
stride. But we’ll be needing some paper soon, won’t we. Will someone be kind enough
to go and get some toilet paper for us so that Peter can clean up his bloody bloody
little mess? You said it Geoff, said Chris: a right bloody mess. You always were a
bloody messy little blighter weren’t you Peter my old mate. So I suppose we’re going to
have to teach you to be tidier too. These lessons never end. It’s a good thing we’re
teaching him for free, Geoff. Just think what it would cost if he had to pay.

Do you want to pay us Peter? said Geoff, Or would you like another little lesson in pain?
We’ll take that as a yes shall we, said Chris, since we have the whole afternoon in front
of us. We don’t need paying for more pain.

*        *        *

Nathan left the study corridor and climbed the stone steps up to the first dormitory
floor. He stood in a doorway and surveyed the rows of little beds on the polished
wooden floor, about ten down each side of the long room. The beds were made up,
very neat. Sunlight shone in through the windows. He saw that now each bed had
some curtains that could be pulled round and a little table, and perhaps more blankets
than he remembered. He wondered if despite the curtains and the blankets anything
had changed.

Some years ago he had tried to tell a friend – someone whose education had been kind
– how it had been then not to sleep at night for hours until terror had turned
eventually into exhaustion, until it had been safe to allow sleep. The onset of night had
been worse, when he’d been most tired, the antennae not at their best. By day there
had been some semblance of order and authority in the Masters, a regulated timetabled
life and a means somewhere to escape. By night all that had evaporated away: life laid
bare, no boundaries that could not be breached; the seniors free to let their
imaginations run wild without limit, as had been anyone with the slightest power over
anyone else in terms of brute force or bravado. But the worst thing – Nathan had tried
to tell this friend – was that everything had depended on other people’s whim, on their
random moods of the moment. The night could just as easily be a quiet one as not, as
easily a fall – unexpected – into sleep as an endless drama filled with the Prefects’ most
extreme depredations.

His friend couldn’t grasp any of this. ‘But surely it was all just wrong’, the friend had
said, as if there had been an oversight which somehow could have been corrected.
‘Why didn’t you just go the Masters?’ the friend had asked. Nathan had seen then that
it was hopeless to explain, to point out that his own Housemaster was famous for
spending much of his free time loitering outside the toilets hoping to catch a glimpse of
a boy in mid-masturbation. Besides, those who sneaked on others had been singled
out for special punishment and sometimes reprisals enacted on whole dormitories at a
time. He remembered one cold night: they had all been made to queue up outside the
headmaster’s study in their pajamas so that the eminent holder of that office could
beat each of them in turn, alone in his study, his raised gym-shoe and arm falling and
rising tirelessly long into the night.

The dormitory was silent now, baking and airless in the summer sun. Hard to think of it
as a place filled with fear, stinking sometimes of semen and shit; a place where cheap
alcohol was smuggled, porn magazines traded, beds and boys stripped for laughs, bets
taken, dares failed or fulfilled, little lives saved or broken, the survival instinct tested
and made sound.

At the back of the room, still with the elevated status of its own shelves, Nathan saw
the Prefect’s bed – every dormitory had had one. He remembered the reign of B in
particular. How B would choose in a long drawn-out and very public deliberation which
boy should approach him that night as he lay naked on his bed. How B’s eyes had
shone dark somehow, even in the dim light of the night. The dormitories had been
kingdoms where allegiances to competing clans had been crucial, loyalties tested,
vendettas carried out. They had been the birthplace for the games of power which in
later life were played out in the boardrooms, or in Bosnia, say, and in parliament,
Nathan now knew. They were where you went under or where you swam and survived;
where you were deemed to be a man-in-the-making or where you took on the
unmistakable odor of an underdog: a smell impossible to wash off. Nathan had never
felt like a man-in-the-making, rather somebody who may not be there.

Once he had encountered B at an official opening of an exhibition in the city. He had
watched him from the corner of the room, feeling nothing except an overriding need
not to be seen. So there he was: this adult version of someone whom once he had
despised. B had looked suave in a suit that day, gesticulating in the small circle of
people around him in the gallery yet at the same time very much a boy, still boasting.
One day Nathan had by accident witnessed another aspect to B, he remembered, when
hurrying down a small lane behind the School’s library, late for prep. B had been sitting
on a bench gazing out at the playing fields and something unexpected about him had
made the boy hesitate, sneak a second look. The face – its familiar square jaw, its eyes
wide-set and small – was, Nathan had seen, frozen and inward-looking, shot-through
with sadness. It had been more than that even – as if in a private moment B had
become victim himself to some tearing tragedy or abuse; he had looked stricken and
scared.

Nathan had kept in touch with Hugh over the years. He had never met Hugh’s family or
seen him in the company of anyone else. They acknowledged that what they shared
may not be expressible to others; they failed even to express it to themselves. They
would sit for an hour or two, side by side every few months, in a half-empty pub
somewhere in the city, or very occasionally in Hugh’s flat. Sometimes they would play
chess. Their conversation was inconsequential: small details of their days and
occasionally – perhaps after a second drink – the larger movements in their lives. They
enjoyed a philosophical perspective on what they had become but knew that this was
not the reason they met. They met in order to see each other as adults. As if to say:
yes it is possible after all to be here, to have come from there and now to be here, to
be having a drink in this pub, to have made it this far. At the School, every day had
been an achievement; and as an adult it still was. Nathan thought that Hugh had
realizedmore than he had back then that there were moments when he, Hugh, might
not have gone on; that Hugh had been pushed much closer to the edge and had had
to learn to live there.

Despite this, Nathan believed that Hugh had reached the best kind of accommodation
with his boyhood. His manner seemed to Nathan resigned; he did not expect or hope
for much in life. On the rare occasions in the pub when, after several drinks and a
couple of games, they brushed too close to a topic which might invite some emotion,
Hugh’s eyes flickered slightly and his face clouded for a moment as something was held
back, still defended. He became a boy again then, the antennae in place.

Hugh’s life seemed to be burdensome, filled with stresses which he said were related to
the office, to monies lost or unaccounted for, to a pension fund not as secure as he’d
thought. Nathan thought however that Hugh’s stress came from trying hard to contain
everything, that one day he would implode. He remembered Hugh’s strategy: his
silences in the little study they had once shared with Peter, how content he had been
that others thought him stupid, ineffectual, not worth their attention, whether
malicious or benign. And how he had often gone up to sit for hours, alone, in one of
the silent attic-spaces, ‘just to get my head down’ he would say later and Nathan
would nod in reply.

Once Nathan went to meet Hugh in the office where he worked in the city center. Hugh
was involved in the money markets though this turned out to be in accounts, unlike the
money brokers themselves who could be seen on the other side of the large internal
window, bawling and gesticulating to each other as millions of pounds’ worth of
commodities were bought and sold in an instant, the fates of countries hanging upon
their tiniest gesture, upon someone screaming figures across the room so aggressively
that other people’s offers were stifled. Growing up in an all-male boarding school meant
that it was impossible to look upon any man as ever fully-grown: one saw immediately
the little boy in short-trousers hiding inside the adult. All the enduring boyhood tics
and defenses were still there, better disguised. They had all been there that day on
display behind the glass in Hugh’s office.

Some months after this office visit, Hugh had called Nathan in a voice that had sounded
small and shaken on the phone. Hugh had said that he had suffered a kind of
breakdown and that it was probably best they didn’t meet.

*        *        *

The first-floor dormitory lead out onto a wide passageway which, after several study
doorways, the bathrooms and toilets, became a narrow corridor – poorly lit, leading
downwards into the bowels of the building. Nathan knew it lead first to the kitchens,
the infirmary (where he had been frequently confined) and eventually on down to The
Club: a suite of underground chambers where hobbies were allowed. Wood and metal
work had been taught and practiced there, some electronics, a small darkroom too. He
had spent much of his time in those rooms whenever excused games. He would go
back down there now. He didn’t know why.

The corridor wound on down past the ground floor doorways. Nathan paused in the
dim light which had now almost disappeared. Each time he came to one of the several
flights of stone steps his feet knew where to slow and step forward carefully to the top
of the first step. The body remembered. Nothing forgot.

The cold stone walls of the corridor seemed to him more real than anything he could
ever remember and yet even now he could not be certain that he was there. As if in
answer to this, a door banged further down at the end of the corridor – in the breeze
he supposed: there were drafts due to the ventilation shafts that kept the air fresh
in the basement and filtered away the fumes from the boilers nearby.

Nathan went on and came to the heavy steel door. It opened with the same squeal into
the first of the subterranean rooms, visible in the weak greenish glow of some
emergency exit signs. He saw the ceiling was still wreathed in tubes and piping, flaps of
insulation materials and electric sockets dangling from above. And the smell of metal
work, of industrial lubricants and machinery, and of something recently burned.

Here is where the Physics Master had tutored him in electronics, the teacher more
excited than he at the possibility that the Hi-Fi amplifier which the boy had built might
work. This Master had had a rare enthusiasm for his subjects and for life – he had been
curious about quantum physics long before it became fashionable. He had smelled of
sweat and photographic chemicals, had worn shabby clothes, and had never relented
until you had understood why something was significant and true. His disabled
daughter had sometimes trailed around after him, the butt of lewd jokes and of insects
dropped down her dress.

This room lead into another: the wood-working room where Colonel K, tall and mute,
had schooled boys in the secrets of wood with a gentleness and patience quite at odds,
Nathan had thought then, with a military career. Light still entered this room through
two small dusty windows set high up in the whitewashed wall. Nathan listened as the
patter of rain started to fall against these windows yet there was still enough light to
illuminate the familiar tools hung around the walls, the same worn wooden tables and
benches, the wood-turning lathes and – in the far corner – someone who was hunched
over, working on some wood.

Nathan stared across the low room at the figure in the corner. He saw someone in dark
overalls who looked up at him, then straightened slowly and smiled. Nathan prepared to
formulate his excuse for being there. But his voice trailed off into silence as he took in
more of this woodworker who seemed to be entirely alone in the School. Nathan took in
how the man smiled, how all the light in the room seemed to radiate from the corner
where he was standing, how something in his features was familiar: the shape of the
face, the eyes, the slope of the shoulders, how vulnerable this man still seemed in the
way his hands hung loosely at his sides, one of them holding a chisel. Time folded away
then and Nathan knew who was still there, working on wood. Peter, Nathan said.

*        *        *

Nathan stood next to Peter, watching him carving. Peter stopped, removed the piece of
wood from the vice and handed it to Nathan with a gentle smile. It was shaped like a
cross: the crossbar very short compared to the long upright stem. Nathan saw that its
entire surface was covered with an intricate pattern of carvings: an elaborate
interwoven knot that Peter had etched into the soft wood. From between the winding
strands of the knot peered a multitude of small forms: tiny animals, flowers and other
foliage, thistles, the heads of snakes, flocks of birds even, in full flight. As Nathan
looked more closely still in the light which seemed to emanate from Peter beside him, he
saw entire scenes – some of which he recognized from his own life, others not; some
contemporary, others apparently archaic; all played out and moving within the endless
weave of carved spiraling lines. There were whole worlds erupting even as Nathan
watched and was drawn further into the fabric of the wood. Fingering it, he could not
see any beginning or end to the curving threads of the knot as they wove back and
forth, crossing over and under each other and returning to where they began only to
start over again. There was a sense of eternal movement in what Nathan now recalled
may be an ancient Celtic design. He turned and looked more closely into Peter’s face.
Like the carving, it drew him in. Peter’s eyes were light blue-grey and very large, just as
they had been before.

Nathan knew he would confess to Peter that he was still a boy, hiding and uncertain. He
would explain to Peter how – since the School – everyone was still a stranger: a threat
in the making, and how when you attuned so completely to others’ moods so that they
did not feel confronted then you lost yourself, and how it was too late afterwards to
revert back. There was no-one to revert to, the container was empty.

Looking into Peter’s eyes, Nathan saw that nothing need be explained. Instead, he
turned and walked back through the basement rooms, up the corridor to the ground
floor, then through the kitchens into the car park outside. The air was fresh now after
the rains, the surfaces cool and wet.

*        *        *

Some weeks later Nathan arrived outside a block of flats in one of the suburbs of the
city. He pushed the button by the door; there was a buzz and he was admitted. He
climbed the three flights of stairs and pushed open the door to his friend’s flat. Inside
he saw that all the furniture had been removed from the dark hallway since his last visit
and that the door at the end was ajar, a little sunlight shining from it down along the
hall.

Inside the small sunlit room Hugh was sitting on a chair looking down at his hands on
his lap. Nathan saw that almost all the furniture that he remembered had been taken
from this room too: there was now only a second chair and a low table with the chess-
board set ready for their game. Two mugs of tea were on the floor. Nathan saw that
this was where Hugh sat – for hours, days, weeks he supposed, alone in this room,
recovering something he had lost in himself.

Hugh looked up, smiled, and gestured for his friend to sit down, to begin the game.
Nathan sat and began to play.

 

 

Stephen Busby is a traveler and writer based in the Findhorn Community, northern Scotland.  His prose and poetry have appeared in Cezanne’s Carrot, r.kv.r.y. (visiting hugh and love ends), Visionary Tongue, The Battered Suitcase, Santa Fe Writers Project, and Secret Attic.  Stephen also works in the corporate and not-for-profit sectors, running transformative learning events there. His website is here.

“To Love Again” by Steve Cushman

http://cfmonthly.com/wp-content/uploads/2016/05/3c72333ccc5006756ce80ea0d58e989a.jpg

Pulling onto I-4, heading out of Orlando, Fay told herself to relax.
On the seat next to her was her purse and an overnight bag stuffed
with a couple days worth of clean clothes, suntan lotion, a romance
novel, and a manila envelope with the divorce papers.  She was going
to Cocoa Beach for the weekend, just long enough to clear her mind
and sign the divorce papers Dale, her soon to be ex, had the nerve to
send certified mail to Dr. Hasell’s office where she worked as a dental
hygienist.

Fay concentrated on staying between the white lines of the highway.
Driving had gotten somewhat easier in the last month.  More than
once, in those first few weeks after the separation, she’d had to fight
the urge to jerk the steering wheel hard to the right and plow into the
pine trees lining the highway.  She wasn’t sure she wanted to die as
much as go to sleep for a while, perhaps long enough to make it
through the grieving process, however long that might be, maybe wake
up on the other side, ready for life again.

She’d reserved a room at the Ocean Shore Suites.  The front of the
motel faced US 1 and the back faced the beach.  While her first floor
room didn’t offer a view of the ocean, only sand dunes, she could smell
and taste the salt in the air.

Hungry from the drive, Fay walked across the street to Sonny’s Pit
Bar-B-Q.  She ordered a pulled pork sandwich and watched a baby boy,
maybe a year old, at the table across from her, gobble up a plateful of
baked beans.  His face and hands were covered in the red-brown
sauce.  The parents, a scruffy looking pair of nineteen or twenty year
olds, didn’t seem to notice when the baby started running his dirty
hands through his blonde hair.  Fay had to fight the desire to reach
over and stop him, to fling one of her French fries into the back of that
worthless father’s head.

She could not help but think of Dale and her son Owen, who was a
high school senior and still living with his father.  Dale had come to her
that Sunday morning on his way out the door to go fishing.  He had on
that stupid hat with the hooks and lures fastened to the brim.  She
was reading the paper without much concentration, thinking that what
she really needed to do was get out there and tidy up the garden, get
it ready for winter.

“With Owen graduating this year I think we should consider splitting
up,” Dale said as easy as could be, as if it were something he’d
practiced hundreds of times before and were no bigger deal than
suggesting they plant a new crepe myrtle in the front yard.

At first she didn’t quite understand what he’d said; she didn’t listen
to half of what he said.  He was always talking.  Plans for expanding his
landscaping business, plans for buying a new work truck.  Talk, talk,
talk.  Always something she didn’t really care about.  Lowering the
newspaper, she noticed a cartoon was on the TV behind him.  This
seemed strange to her, because weren’t cartoons for Saturday
mornings?

“What do you mean?” she asked.

“Split up, divorce.”

“But why?”  Other questions occurred to her: Is it another woman?
Have you felt this way a long time?  Is it me?  Am I fat?  Am I not
attractive?  But the words to these questions, thankfully, she would
think later, didn’t come out of her mouth.

“You know neither of us are happy,” he said.

And it was true.  She hadn’t been particularly happy with the
marriage for years.  But half the people she knew weren’t happy with
their marriages.  Were you even supposed to be married and happy?
She didn’t know.  They had a decent life—minus romance and
excitement and shared secrets—but it hadn’t been awful.  He had never
slapped her around or come home drunk wanting rough second-hand
sex after a night at the strip clubs like some of her friend’s husbands.
He had never, as far as she knew, cheated on her.

“I’ve got to go,” he said.  “I’m already late.”  And then he walked out
the door.

Fay spent the rest of day shopping, buying flowers and a new
blouse, some shoes.  Anything at all but to think about the fact she
would have to start living alone.  What upset her most was that she
would probably have to move out.  Dale hadn’t yet said he wanted to
stay in the house, but he’d built a three-car garage out back the year
before so he could store his lawn equipment and they’d converted the
back bedroom into his office.

*

She leaned back in the motel bed, her head and neck up against the
strange headboard.  The old, green comforter was on the floor at the
foot of the bed.  Julie, Dr. Hasell’s wife and the other hygienist in the
office, had told her to never touch those things.  She said they were
only washed once a month and you never know what type of bodily
fluids might be on them.

This weekend trip had actually been Julie’s idea: get away, she’d said,
it’ll help you clear your mind and make plans for your future.  To Fay,
this sounded like a good idea at the time.

Fay took two big mouthfuls of the beer she’d bought at 7-Eleven on
the way back from the restaurant, then pulled the papers out of the
manila envelope.  His name Dale Ray Brown was above hers, Fay Alice
Brown.  The details of the divorce were what they’d already discussed
and decided: he’d get the house and pay her half its value over the
next ten years.  They would split the cost of Owen’s college education
and she’d cover his insurance.  There were no surprises here.

All she had to do was sign, slide her pen across those three lines
with the red X beside them and the marriage would officially be over.
But she couldn’t sign them just yet.  While she knew the marriage was
over and that she didn’t love Dale, the movement from one person, a
married woman, to the next, a divorcee, was more difficult than she’d
imagined.  She slid the pen back into her purse and turned the bedside
light off.  The beer and her breathing exercises helped ease her toward
sleep in only a matter of minutes.

*

Fay was at the beach by ten the next morning.  She’d bought the
bathing suit Tuesday night, after work, at Target.  It was a little loose
in the hips.  Without trying, she had lost fifteen pounds since moving
out.  The only time she bothered cooking dinner was when Owen came
over on the weekends.  Most nights she was in bed by eight, a half-
eaten bowl of cereal on her bedside table.

The beach was not crowded yet, but it was April and a Saturday—
temperatures in the mid-80’s—so Fay was sure it would fill up
eventually.  She found a spot twenty yards from the water, set her
towel down and her bag with the change of clothes, her lotion and
sunglasses, and the romance novel, To Love Again, Julie had given her
for the trip.

Fay had woken an hour ago, but the water and sun and sand made
her sleepy again, so she closed her eyes and drifted off.  The crashing
of the waves against the beach was calming and easy.

*

She had met Dale twenty-two years ago.  He’d come in to have a
tooth pulled.  He was well-built and attractive, but she was not
available.  Two days before, a man she’d been dating for over a year,
and whom she didn’t truly love, had asked her to marry him.

As she prepped Dale’s tooth for the extraction, she began telling him
about this other man—a man whose name she could no longer pull
from her memory—and about how he was a nice enough guy.  He wore
suits and argyle socks to work and had a yellow canary named Finch.

“Sounds like a fag,” Dale said.

“He’s a good man.”

“You know what you need?”

“No,” she said.  “What?”

“You need to go out to dinner with me, tonight.  I’ll show you a good
time.”  Dale reached over and ran his hand against her naked calf.  And
while she knew she should have been offended, she was not.  She
slapped his hand away, but took him up on his offer for dinner.  Four
months later they were married.

It was the sound of children that pulled her back to the beach.  Two
boys, no older than ten or eleven, were running in and out of the
water, screaming.  Fay sat up and pulled To Love Again from her bag.
On the cover, a couple stood arm-in-arm facing the sea.  In the right
corner of the book was a round sticker with 25 cents scribbled in black
pen.  It was not a new book.  Julie had told her to read it, said it would
show her there were more men out there.

The first chapter introduced the reader to Marie, a woman whose
husband was leaving her for another woman after twelve years of
marriage.  Chapter two and three went through the next couple
months of Marie trying to understand what to do with her life now that
she was alone.  A woman in her forties who had not worked in years.
There were obvious similarities to Fay’s life and she knew Julie had
given it to her for that reason.  She could imagine what was going to
happen; Marie would meet a man and they would fall in love and she’d
be happier than she’d ever been with that old cow of a husband.

Fay had read forty pages of the three-hundred page book when she
felt the need to pee.  Her motel room was only fifty yards behind her
but she didn’t want to leave her things out here unattended and she
didn’t want to lose this prime spot, so she headed to the water.  It was
cooler than she thought it would be.  It was only April.

In waist-deep water, she could see the crowd of people on the
beach.  White-fleshed tourists from places she’d never been:
Minnesota, New York, and Iowa.  She squatted and felt the warm rush
against her thigh, swimming around her knees, her ankles, and then it
was gone.  She was embarrassed as she walked out of the water, sure
that everyone knew exactly what she’d done.  But she told herself it
didn’t matter.  She would never see these people again.  Anything she
did this weekend would stay here, away from her other life back in
Orlando.

On her stomach now, propped up on her elbows, Fay continued to
read the novel.  Marie had started working the counter at a flower shop
where a customer named John came in every Friday and bought a
dozen tulips.  He didn’t wear a ring, so Marie assumed they must be for
his girlfriend.  After his fourth visit, she asked him who the flowers
were for and he’d smiled and said shyly that they were for his mother’s
room at a nearby nursing home.

When she told him how sweet that was, John invited her to come
with him and meet his mother and to have dinner afterwards.  Marie
accepted his offer.  What harm, she wondered, could happen to her in
a nursing home?  Or from a man who was kind enough to bring his
mother fresh flowers every week?

Fay smiled and shook her head.  Of course, it was ridiculous and
predictable, but still she read on, turning to on one side when she felt
her back starting to burn.  Over the course of the next few weeks,
Marie learned that John was an investment banker.  His wife had died a
dozen years earlier in a boating accident.

Through the next hundred pages, the couple began kissing, holding
hands, taking long walks on an unnamed, empty beach.  There were
long passages where they gave each other massages, would not have
sex, but would lie side by side, running their hands across each other’s
excited, naked bodies.  Marie would ask John to make love to her, but
he said he didn’t think he could move on to that stage of the
relationship while his mother was still alive.  She had loved his ex-wife
as if she were her own daughter.

In the parts of the book which detailed these massages, and oiled
hands gliding over  foreign flesh, Fay could feel a stirring inside of
herself.  She ignored it, pushing forward, wanting to know what was
going to happen and how they would finally consummate their love.

But for the next fifty pages, they continued to visit John’s ailing
mother and to explore each other’s bodies with their hands and to tell
secrets of their previous lives: the time John kissed a man in college,
Marie’s admitting she once watered her backyard naked.

With thirty-five pages left to go, Fay’s back and shoulders felt
officially sunburned.  She walked back to her room.  She’d been out
here long enough.  She closed the curtains and took a cool shower and
instead of putting her clothes back on climbed into bed naked.  Her skin
tickled.  The fan swirled overhead.

Fay leaned against the headboard and continued to read.  John’s
mother died.  Her heart simply gave out.  The night of the funeral, after
all the guests had left, Marie stripped John naked and made love to
him.  The book ended with them waking up the next morning with sun
streaming through tall, white curtains.

By the time Fay turned the final page, and dropped the book, her
right hand was stroking herself, pressing and pushing, and that was all
it took.  The force of the orgasm surprised her.  All alone in this
strange motel room with her hand moist, resting on her stomach, Fay
felt a little dirty, a little embarrassed and sore, but, all in all, she felt
pretty damn good.

After a nap, she took another quick shower and got dressed for
dinner.  A mile up US 1, there was a bar named Conchy Joe’s.  She’d
eaten there years ago with Dale.  She decided to go there tonight, have
a beer or two, some oysters and a plate of conch fritters.  Then she
would come back and sign those damn divorce papers, be done with it
once and for all.

Conchy Joe’s was hopping and Fay took a seat on the balcony bar
under a faux straw-mat roof.  Behind her was the Intercoastal Waterway
and she watched as a pair of sailboats cruised under the bridge.  It was a
fine evening.  The heat of the day, though mild, had burned her shoulders
and her neck.  She could feel the fabric of the shirt touching her skin and
this, she thought, was not completely unpleasant.  She hadn’t worn a bra
and her nipples felt firm, reacting to the soft cotton of her top.

The bartender was tall and young and cute and he winked at her.  But
she knew he probably winked at every woman who came in here.  His tips
counted on it.  There were a couple men, both older than her, sitting at
one corner of the bar and a married couple sitting to her right.

Just relax, she told herself again.  The beer tasted good.  The oysters
felt soft and soggy on her tongue but she didn’t care.  She was miles
away from her home and that apartment, from her son who had
disappointed her by choosing to stay with his father, from her all-but-final
divorce.  She was a woman alone at the beach enjoying herself.  This, in
itself, was a new life for her, one she couldn’t have imagined a year ago.

She thought about that little apartment she’d lived in for almost five
months.  The only personal decoration she’d added was a pair of framed
photos atop the entertainment center: one of her and Owen at the state
fair and Owen’s senior photo.  The apartment had come furnished and she
was grateful that she had not had to go out and purchase furniture that
would be hers, and not theirs, for the first time in twenty-one years.

Maybe she shouldn’t sign those divorce papers as they were written.
Originally she’d agreed to leave Dale the house because it was set up for
his business, but now with the conviction of beer and distance she
wondered why in the hell he should get it.  Sure he would be paying her,
but she deserved it as much as him, if not more.  She’d painted almost
every room, had picked out the carpet and appliances and she’d hung the
borders.  Plus, she had been the main breadwinner for almost all of their
marriage.  If she had to move out and start over, maybe he should have
to do the same thing.  They could sell the house and split the profits.  But
she knew it would be easier to just let him stay in the house.  Plus, Owen
would have that little bit of consistency when he came home from college
on summer breaks.

“May I buy you another?”

It took Fay a moment to realize someone was talking to her.  She
turned.  He was a thick man, a couple years older than her, with gray hair
and a deeply tanned face.  His pale blue button-up shirt was not tucked
into his linen slacks.

Fay smiled, lifted her bottle to finish it and said, “Sure.”

“Chuck,” he said, extending his hands.  “Chuck Mulhauser.”  The only
jewelry he wore was a gold band on his pinky.

“Fay,” she said, shaking his rough, calloused hand.

“Another beer for the lady and a Jack and Coke for me,” he said to the
bartender.  He turned back to Fay.  “So the obvious question is what is a
beautiful lady like you doing alone in a place like this?”

She could see tufts of his grey chest hair at the top of his shirt.  Dale
was practically hairless.  She could see a slight shaving nick by his right
ear.  Dale wore a beard.  This man’s lips were full.  Dale’s lips were almost
non-existent.  Chuck Mulhauser was the physical opposite of Dale and this
alone was enough to make him attractive to Fay.

“A little vacation from life,” she said.  She considered telling him why she
was really here, the divorce papers and whatnot, but did not want to seem
like easy prey.

“We all need one of those sometimes.”

She knew this was playful banter.  For twenty-four years now, she’d
done that, leaning over patients and talking, saying words that didn’t add
up to anything.  “And you, what are you doing in a place like this?”

Fay was well on her way to being drunk.  She’d had two beers before he’
d approached her, and she knew she was a certifiable lightweight when it
came to alcohol.  What was she doing talking, even flirting, with this
strange man?  For all she knew he could have been a murderer, a
rapist.

“I was hungry,” he said and smiled.

He ordered another dozen oysters and eventually each of them another
drink.  Fay felt herself leaning into him.  He ran his hand along her knee, an
inch or two up her thigh.  A respectable distance, she thought, confident
but not too aggressive.  As they ate and drank, he told her that he was in
the import/export business over at the docks.  Boring stuff, he said,
except plenty of money to be made.

“I’m not sure why I’m even talking to you.  Women, I’ve discovered, are
the enemy.  My wife, Sheila, married twenty-nine years—two sons—built
her the fancy house she wanted.  You name it, I gave it to her.  Well, she
runs off and leaves me for some pansy-ass out of work physicist.  I
should have beat the shit out of both of them.  But what are you going to
do?  Am I happier now without her?  Hell, no.  Would I take her back in a
minute if she called me?  Hell, yes.

“I don’t even understand how these things happen.  You think
everything is going along at whatever rate it’s supposed to and then
bamb, you’re blindsided.  Hell, I just don’t know.”

Fay saw the tears in the corner of his eyes and she reached out and took
his hand in hers.  Why couldn’t Dale be more like this man?  Huh, why
not?  Because, she knew, life is not fair and never would be.

“Let’s go back to your hotel,” he whispered.  She looked into his eyes
and nodded.

*

Inside the hotel room, they went at each other’s clothes before the door
was even shut.  He was thicker around the middle than she’d imagined,
but this Chuck Mulhauser was a sure and confident lover.  She closed her
eyes and held on and enjoyed herself.  Although he was not particularly
big, maybe even smaller than Dale down there, it hurt a little at first.  But
she liked his smell and the way his rough hands gripped her waist and
squeezed her breasts.  And then as quickly as it had begun it was over.

She rested her head against his hairy chest, could feel his heart
thumping wildly.  “Was it good?” she asked, embarrassed as soon as the
words left her lips.

“Amazing,” he said in a low, satisfied voice.

“Tomorrow we’ll go for breakfast,” she said.

“I’ll serve you fresh eggs and fruit,” he said.  “Orange Juice.  We’ll take
my boat out.”

Fay closed her eyes, thought that sounded damn good.  Maybe Julie had
been right after all.  Just let yourself go and you’ll find happiness, you’ll
find something.  Chuck started to snore and she slid away from him,
listening to his even breathing.

When Fay woke early in the morning, he was still sleeping and snoring
on his side of the bed.  She thought about what he’d promised, about
breakfast in bed, a day out on his sailboat.  That sounded good to her,
the way something like this should begin.  She wanted to do that, but
knew she couldn’t, not yet.  She’d come here, met a man and discovered
that she just might be able to love again.  While she knew two people
meeting at a bar for a one-night stand wasn’t exactly love, it was a start,
perhaps a sign that her life could be filled with a sort of intimacy she’d
forgotten she was capable of.

Fay got dressed quietly.  She wrote him a quick note on motel
stationary: thanks & take care, Fay.  After writing the first three numbers
of her phone number, she scribbled through them.  Walking outside, the
bright sun almost took her breath away.  Fay blinked a couple times and
headed to her car, climbed in.

Instinctively, as she always had in times of crisis, Fay dialed her old
phone number.  It rang two, three times.  She could see Dale standing
there with his mug of coffee, one hand scratching his fat ass.  Then his
voice was in her ear:  “Hello.”  When she didn’t say anything, he said it
again, annoyed this time, “Hello.”

She turned the phone off and dropped it on the seat beside her, pulled
the divorce papers from the envelope.  After signing all three required
lines, she slid the papers back inside and sealed it shut.  Then Fay climbed
out of the car and walked back to the motel room and knocked on the
door.  When Chuck answered, he had a towel around his waist, his eyes
cloudy with sleep.  “I thought you left,” he said.

“Not yet,” Fay said, taking him by the hand and leading him back to bed
and those still warm comfortable sheets.

 

 

Steve Cushman has worked as an X-ray Technologist for the last fifteen
years.  He is the author of the novel, Portisville, and a short story collection,
Fracture City.

“How Many More Times?” by Dorene O’Brien

http://i27.tinypic.com/o53reh.jpg

I managed, with the help of my parents, to maintain a 1.4 GPA throughout most of high
school, and I flunked out of vocational school, too. That was no small task. I showed up
late every night after sloshing a Dixie cup of whiskey around my gums while sitting in the
Murray J. Field Voc Tech parking lot listening to Foghat in my beat up Duster. I made sure
to get up real close to Mr. Chominski, even breathe in his face while asking how to operate
various power tools, but he’d just tell me to put on my safety glasses and get to work.

Then one night a purple Javelin slipped its jacks and rolled over Jimmy Watts, who was
underneath slapping at a stubborn exhaust pipe.  He sued the school and won an
undisclosed amount of money by convincing a jury that the jacks were placed incorrectly
under the car by a classmate who was at the time intoxicated.  That would have been me,
and that would have been how I flunked out of vocational school. But let me say here that I
did not misplace those jacks, and I was not drunk since I never really swallowed the whiskey but spit it onto the asphalt where I watched it spread like cancer before trickling into the cracks.

After getting kicked out of Voc Tech my parents said I had to get a job.  I’d been living in
the basement, where I’d carved out a small space between the washer/dryer and my dad’s dark room, when my parents clomped down the stairs, classifieds in hand.  I was nailing egg cartons to the paneling in an effort to do justice to “Bridge of Sighs” in a less than perfect acoustic set-up when my dad rapped me across the back of the head with the rolled up newspaper.

“Get a job if you wanna keep living under my roof,” he said.

“Doing what?” I said.

“You’re a smart boy, Raymond,” said my mom, wringing her hands.  “Here,” she offered a
section of newspaper splattered with yellow highlights.  “There’s lots of stuff you’d find
interesting.”

I glanced at the ads she’d honed in on: fast food restaurant staff, all-night party store
clerk, gas station attendant. I wadded up the paper and threw it on my bed.  “What do I
look like, a moron?” I said.

“You don’t want me to answer that,” said my dad.

“I’m not workin’ no crappy ass job,” I yelled, looking for that red in my father’s cheeks
that indicates a sudden rise in blood pressure.

“Well I’m sorry, Raymond,” he said, “there aren’t any openings for brain surgeons just
now.”

“What about the ice cream parlor job?” said my mom.  “That sounds nice.”

I walked to the stereo and cranked the volume up to ten so that Robert Plant shook the
basement windows with his plaintive question, “How Many More Times?”  I think the
statement was lost on my dad, whose cheeks were reading crimson when he shoved the
turntable off the stack of milk crates I’d stolen from mom’s work.

“That album just cost you six bucks, my friend,” I said, and seconds later we were
replaying a popular family drama in my new basement digs: My back on the cold hard floor,
my dad straddling me, his fingers clenched around my throat, and my mother screaming,
“Christ have mercy!”  I decided to apply at the record store.

The manager at Spinners was pretty cool, but I knew when he said that Katie couldn’t
hang around so much I’d have to get fired.  At first I just ignored customers who asked for
help, but all I gained from this was the knowledge that people are entirely apathetic.

Instead of complaining to the manager, they just wandered around the store on their own until they came across another red-smocked, name-badged employee with a little less attitude.  I ripped off the cash register so I’d have enough money to keep Katie in burgers and ice cream next door at Bosco’s until I got off work, at least on the nights mom cashiered at Food Town.  Finally I just made sure that several other employees saw me stuff a Black Sabbath album into my backpack, and that did it.

This, of course, ended with a basement floor replay, which was really okay because by
then I had learned to fake choking so that my father always thought he was farther along in
the process than he actually was.  It was worth it to see that fleshy pink face turn burgundy.

The old man used to take Katie and me to ball games at Tiger Stadium when we were little; he’d let us eat peanuts and cotton candy for dinner, scream at the opposing team’s batters and draw all over our programs. Then one day I noticed it, and it was like waking up from a dream.  I was twelve, but I still wonder how long it was there before I realized it.  Dad’s stomach was spilling over his belt in folds as he sat on the hard wooden bleachers, a grease-stained box of popcorn dwarfed by his bloated fingers, and as he stared past the field and off into a distance too far to name, I was disgusted.  He caught me staring, and to hide my repulsion I launched into a desperate monologue.  “Do you know Kaline’s batting
average?  It’s .295.  Yep, two-nine-fiver. They’ll retire his number for sure. Did you know
Mom is making spaghetti tonight, extra peppers? Her spaghetti always clears my sinuses.
Did you know basil is poisonous to cats?”  He was staring at me then, looking me right in
the eye when he said, “You’re a smart boy, Raymond.  You ask a lot of questions.  People
don’t like that.” He resumed staring and I resumed being disgusted, and not much has
changed.

I tried calling Aunt Martha and Uncle Stu, but they had moved to Denver after the riots.

Aunt Lena and Uncle Marvin were killed in a car wreck six years ago, and Uncle Ted, my dad’s twin brother, is exposing himself regularly to the staff at the veteran’s hospital he’s called home for the past ten years.  None of my mother’s sisters has spoken to her since I was in kindergarten, and I’ve pieced together enough evidence to prove beyond a reasonable doubt that this is in no small way related to my father.  The moral of the story: You never realize you’re alone until you need help.

Katie told our mom before she told me, and I think she only told me because she was desperate: Mom, who couldn’t handle any crisis past a burnt roast or a parking ticket, wouldn’t believe her.  I remember it was the night of the football game against Cooley; I never went to another game after that, and I never went anywhere without Katie.  I was in tenth grade and she was in eighth.  I could tell she was embarrassed-she didn’t cry or anything, probably because that never got her anywhere with me before-but she kept her head down and snapped the ring on her pop can when she told me about the touching, the twine, the camera.  When I found the pictures behind several cans of developer on a shelf in the dark room downstairs, two things occurred to me: that my father was very stupid to hide them there, and that it would have been okay if Katie had cried.

I hid the pictures in different places-one in the Peter Frampton Live album jacket, one under the floor mat in the Duster, one in a gutted 8-track-so that he’d never find them all when he came looking.  My mom, though determined not to believe Katie, must have confronted him because the next time I checked the cans were scattered and my room had been tossed.  Maybe my mom believed him when he said that I had taken his camera from the dark room, that I had done some horrible thing to my sister, that I was a sick, sick boy.  One day when my dad and I are really going at it, when his face is as red as the paint on Crandell’s Mach I, I’m going to pull out those pictures and show him how sick I really am.

After the last heart attack, some fat guy from Social Services came to our house and
asked Katie a bunch of questions in front of our parents.

“She’s not gonna talk in front of him,” I motioned with my head toward my father
dismissively, but his face remained as white as chalk.

“Son,” said Fatso, “why don’t you let me do my job?”

He continued asking embarrassing questions and Katie continued staring at the carpet and flicking the ring on her Rock ‘n Rye can.

“Katie, honey,” said our mother while shooting me an accusatory glare, “look what your
father’s been through.”

Of course he wore the look of an invalid with ease, hand on his heaving chest, droplets of
sweat popping up on his forehead like blisters.

Maybe I should have brought out the pictures then, but who knows how that would have
gone?  He might have believed us, taken us both away, even separated us.  Or he might
have believed my father and taken me away.  What would happen to Katie then?  I knew
that in his condition the pictures could be a deadly weapon against my father, so I holstered them.

“Forget it,” Katie said quietly.  “Nothing happened.”  Fatso had his pen capped before Katie left the room.

That night I put a dead bolt on my sister’s door, hammering and pounding as the old man
recuperated in the bedroom next door, and we worked out a code so she’d know when it
was me knocking.  In truth, I didn’t believe the old man would try anything-he just had a
heart attack, for chrissake-but I figured this was a good way of letting him know that
nothing would get by me again.

I know what you’re thinking because I’ve thought it myself.  Instead of being such a screw
up, I should work my ass off to make some serious money and get Katie out of there.  But
it’s hard to make serious money when you flunk out of high school or when you have to get
fired from jobs because you can’t work Monday, Wednesday or Saturday nights since those are the nights your mom is stacking cantaloupes and doing price checks until midnight, not that you can count on her for much, anyway.  My escape plan involves more than slapping burgers onto a bun or sprinkling chocolate ants on some brat’s vanilla cone; it involves timing and patience.  I’ve gathered up the pictures and slid them under a flap I cut into the carpet downstairs, and I bought two used speakers and mounted them to the basement ceiling.  My dad hasn’t come downstairs since Fatso visited and his face has remained pretty white despite my best efforts, but I’m pretty sure I can count on Ozzy Osborne to help me restore his color.

My dad has already had two heart attacks, the most recent one triggered by a struggle
with Katie at about the same time the Javelin made sauce of Jimmy Watt’s legs.  My mother remained unconvinced even though the paramedics told her we’d get a visit from Social Services, told her they’d found my father in Katie’s room, one hand clutching his chest, the other clutching the Polaroids.  My mother believed him when he said that it was me, that I’d bullied my sister into lying, that I destroyed the lives of everyone in our once happy home.

Lipitor and angioplasty have made my job difficult, but not impossible: I have Led Zeppelin
and Black Sabbath on my side.  Between my new speakers, Ozzy’s “No Rest for the Wicked” and Plant’s “Communication Breakdown,” I imagine it won’t be long before my father pays me another visit.  After he’s sprawled out on the concrete floor with a red face and a bulging heart, I’m going to pull out the photos, then I’m going to pull out the twine, then I’m going to pull out the camera, and then I’m going to snap.

 

 

Dorene O’Brien’s work has appeared in the Connecticut Review, Carve Magazine, Clackamas Literary Review, New Millennium Writings, The Cimarron Review, the Chicago Tribune, Detroit Noir and others.  She has won the Red Rock Review’s Mark Twain Award for Short Fiction, the New Millennium Fiction Award, and the Chicago Tribune Nelson Algren Award.  She has been nominated for a Pushcart Prize, has won the international Bridport Prize and has received a creative writing fellowship from the National Endowment for the Arts.  Her short story collection, Voices of the Lost and Found, was published by Wayne State University Press in 2007. She teaches writing at the College for Creative Studies and at Wayne State University in Detroit.

“Snake” by Darren de Frain

Snak

In winter, the heat-rocks keep the dining room — the thermic core of my home I like to call it — several degrees warmer. Sometimes when I get blue, which happens more as the days go short, I cook up all the snake tank lights and lay down on the floor with my sunglasses on just to feel better; that’s why there’s no furniture in there anymore, because as everyone knows I am very, very tall.

So when Hot-cha, that’s what we call Jason White because that’s what he calls himself, comes by that Friday to get me, I’m laid out on the dining room floor trying to make my back feel better and trying to get a better feel for life.

“Yo, git-cho punk-ass up off dat floor, Stretch!” He jiggles the door handle as if he means to tear it off. “Don’t make me put some caps in this door, you long old piece of schnizzle.” I don’t think Hot-cha knows what he’s saying when he says a lot of the things he says, but I like the way he makes up words: poetry if not particularly poetic.

The bones in my back feel loose and good as I rise, the nubs of my slack spine giraffe-necking in graceful cooperation until the ax-chop through my left hip stumbles me. “C’mon then,” I say, opening the door with one hand and holding onto my left hip bone with the other. My hips, doctors say, flare out like an open baseball mitt and put too much pressure on my lower vertebrae. Hot-cha, meanwhile does his dance shuffle through the door, tugging at his parachute pants and his shirt and wobbling his head as if he’s making fun of
my limp, but that’s not true. That’s the way he’s taught himself to walk.

“Why doncha just get those hips removed so you’re not gimping around like my dead grandmamma? My sister, Janice, worked with this chick at Target that had her hips taken out, she couldn’t have no babies anymore, but so what, right? You ain’t looking to have no fifteen foot tall babies, is you?” He actually waits for me to answer. “Aw-rightden.”

On Fridays we go to Stiv and Lois’ Steakhouse on 41, and usually we meet Carlton there. Sometimes Carlton brings Alan, but only in the winters because Alan works the megafarm out near Dakin. Russell shows up sometimes too, when he doesn’t have a date, which almost never happens. I suppose a few others duck in enough to merit mention.

Hot-cha knows all the waitresses and both cooks and usually we can count on them holding the same table near the kitchen where I won’t draw so much attention. I don’t mind people staring after me, or asking me if I’m in the NBA, or even pointing, which is what the children mostly do. But what makes you think I don’t know what you all say when you lean into your table, head and eyes swiveled my way, and talk in whispers? I am taller than you are and my hearing is extra terrestrially acute. And I can smell things no other human being can smell – like fear. I might be tempted to tell you that I also obtained extra sensory peremptory powers, but know you’re inclined to be skeptical. Why, you’ve already glossed over the details about Hot-cha, thinking that you know the kind of person he is and the role he plays in this story. And if you’d seen me in person you’d have made similar assumptions about myself and what the kind of story I might tell, which is all right, that’s very a human thing to do, but you’d be dead wrong. Just like you were wrong in thinking I
misspoke when I said ‘peremptory’ instead of perceptive. The lesson here: Don’t ever equate tall with stupid.

Hot-cha’s car is a sedan, which is good for me because he also has independent seating that can go back and lay all the way down. Sometimes, because I lay so far back, I think it must look like a child with a very enormous head is riding in the back seat and I think again about what Hot-cha said about never having children and thank my lucky stars there’s still time, if the right woman comes along, though the idea of children seems more realistic — plausible, so to speak — than the ideal woman somehow and I remember a similar thought I had several hours ago which caused me to have a lie down in the thermic core.

Hot-cha’s car has license plates he paid $50 extra for to say “HOT CHA.” He buys lots of things that say Hot-cha. You could say that this is a hobby for Hot-cha, and one time, when I was at a truck stop outside of Omaha, I found a keychain that already said “Hot-cha!” on it and I bought it for him as a prize possession. I had never before considered that there might be more than one Hot-cha in the world, or that Hot-cha might be a name that he did not make up, or that it might have other meanings, but because I was in Omaha to get my back looked at by the very important doctor there I decided that this meant good luck for me and for Hot-cha.

One problem with riding in Hot-cha’s car is that he plays very loud rap music. And because my head lays down in the backseat it is very close to the big thumping speakers he put in himself. The first time he put these speakers in he didn’t read the directions and the back seat caught fire which ruined the speakers and the seat at which time Carlton said a very funny thing, “Ooh…Hot-cha!” When I think about Carlton saying that, with the perfect timing which is necessary for good jokes, I giggle. But Hot-cha can’t hear me over his fat beats which he spells p.h.a.t. and which stands for pimps, haters, and thugs, according to Hot-cha.

So when we pull into the parking lot there is a man leaning against the trunk
of his sports car in the spot next to the one Hot-cha chooses. In addition to
my abilities to hear, smell, and sense things I always know when someone is
trouble. I call this power Nuture-vision since I don’t think that it is genetic,
because when you grow to be as tall as I am at an early age there is always
someone looking to make trouble with you. And when Hot-cha gets out of the
car and starts arranging his pants and his necklaces the leaning man says,
“What up, Homes?” There are many ways you can say a statement like that,
and there are probably many ways you can say any word or phrase. Carlton
once told me the Inuit peoples of Canada have over 3,000 ways of saying the
word snow, for example, so that they know if they mean snow storm, or snow
cone, or snow that I just peed on. The way the leaning man said “Homes”
was clearly mean and sarcastic, which no question hurt Hot-cha’s feelings.

“Sup?” he says back, but he says it very quietly, as if he doesn’t want both
me and the leaning man to hear him.

“What’d you say, HOT-CHA?” the man says, you could tell he read that off
the license tag and used it to make more fun of Hot-cha. The man pushes
himself off the car he’s been leaning on with a snap of his spine. My back feels
so sore that I envy the ability to do something like that, but you should know
I’d never use body language to start a fight. There are times, though, when I
can to use my body language to stop a fight, so I get out of Hot-cha’s car very
slowly. I crawl, putting my right foot onto the ground and then pushing my
shoulders through the door opening so that I can reach around with my left
hand and slowly place it on the roof of the car. My hand spreads out like a
tarantula when I do that and I find that it is a good first maneuver. Then I
grab the top of the door with my right hand even more slowly pull myself
upright, which at this time shoots a terrible pain down my right leg that I
channel into a very displeased look that this man should be messing with my
very good friend Hot-cha, and I turn slightly to look down at him.

“Holy cripes,” the man says, and he jumps back around to the other side of
his car.

I slap the roof of Hot-cha’s car so that it makes a loud tingly splat that we
can all feel in the back of our necks and I say to Hot-cha: “Aren’t you ready to
eat yet? I don’t need to sit here all night with you yakking away while I feel
hungry enough to eat the bones off a bear!” Me and Hot-cha laugh a little
and then head toward the restaurant.

Hot-cha turns to the guy as we walk by him and says, “Have a good night,
Homes,” but here’s the difference: Hot-cha says it nice, like he really means for
the man to have a good night, not like he’s making fun or being mean.

I don’t like to play that card because it doesn’t always work. Sometimes a
mean guy will see how tall I am and he’ll get what Carlton calls David
Syndrome. Maybe I’m strong compared to some, but because I don’t ever
want to fight with anybody the mean guys can sometimes beat me, unless
they’re too drunk, which a lot of them are and which makes a lot of them mean
to begin with. That’s also why Hot-cha and I don’t drink, which I’m guessing
you didn’t imagine when I first told you about Hot-cha. Hot-cha’s dad died of
cirrhosis, and Hot-cha still misses him because before he got sick his dad did
things like take Hot-cha fishing for channel cats on the Platte River and throw
the ball around in the yard with him and bowling sometimes, too, when he had
the scratch.

My dad couldn’t throw the ball around with me on account of how tall we
both were and how that made it so I wasn’t very coordinated for a long time.
For a long time the doctors thought I might need to walk with crutches if I
didn’t stop growing and that I could be crippled, but that didn’t stop the
basketball coach from wanting me to play, even though I couldn’t run and
couldn’t catch the ball he said God wouldn’t have brought me to this town if it
hadn’t been to help him win a championship. So for one whole season I stood
in front of the basket and made sure no one put a ball in there. I set the
state record for blocks in a game, but there is a rule against guys my size that
says they can’t stand in the painted part under the basket for more than 3
seconds or the other team gets to take free throws, and so we lost enough
games that made our coach question God’s wisdom and he too started
drinking and giving me a hard time when I see him around town, which
thankfully isn’t very often.

Stiv and Lois’ is quiet for a Friday night and it’s no problemo for us to find the
big table by the kitchen door where Carlton is sipping on a tall beer. Stiv used
to be in a famous punk rock band and though they play muzak over the house
speakers now, the walls are all covered in pictures of Stiv mugging with other
famous punk rock stars and with people such as John Belushi, who liked punk
rock stars. We never see Stiv in the restaurant anymore, though he used to
come in and wander around the tables barking at the busboys and waitresses
and telling stories about how such-and-such punk rock star used to take
suitcases full of drugs or how such-and-such punk rock star used to pee all
over every hotel room he ever stayed in while people enjoyed their steaks. I
love the earthy smell of the steaks at Stiv and Lois’ which remind me of when
my dad worked at the Kroger and would bring home day-old steaks for the
grill which made him very happy on account of how we got to eat steaks so
cheaply.

Lois still comes to the restaurant to do some barking but she doesn’t tell
stories. She met Stiv at a show he did in Minneapolis and thought she’d really
hit the big time, but then Stiv said he couldn’t keep going with all the punk
rock. Who was he supposed to be anyway, Iggy Pop? So he took the money
from that song “I Love My Little Huffer” that everybody in the Mid-West knows
by heart and bought this steak place and a gas station on the other side of
town by the interstate. I don’t even know where they live but Hot-cha says
he does. He says he has a cousin who put a pool in their backyard and that
their house is really weird and full of stuffed monkeys.

Carlton wears fingerless gloves, no matter the weather, after something he
saw in a movie. “Though you might be tired and pushing hard, your sheer
presence and thoughts inspire others,” he says to Hot-cha as we sit down at
the table. “You might keep a lot inside,” he says, turning to me. “As a result,
sometimes you react more strongly than necessary.” Carlton also memorizes
the horoscope every morning and he knows that Hot-cha is Aquarius and I’m
Capricorn, though, he told me, I’m really a cusp and could be considered a
Sagittarius in some cultures.

Our waitress drops a couple of menus in front of us and sloshes some water
into the dimpled plastic cups before she leaves. What I like about waitresses
is that they tend not to be judgmental, probably from years of bum-looking
guys tipping big bills and the occasional guy in the top hat and spats sticking
out his empty pockets at the end of the night like the poor tax card in
Monopoly. “Yo. Did you check that out?” Hot-cha says.

“Did I check what out?” I say.

“Her arm, man. Somebody ain’t playing nice. Check it out when she comes
back.” And I do. Her arm has a dark purplish bruise on it in the outline of a
human hand. It wraps all the way around her forearm the way an expensive
piece of Egyptian jewelry might.

“What’s with your arm?” I ask, but when I look at her face I can see that
she had put a lot of makeup on to hide more bruises. Her face is pretty under
all that make-up and I can believe she turned a lot of heads in her day. Her lip
is split but healing over, which lips have to do very quickly because most
people use them so much. Some people speak over 40,000 words a day,
which would be ballpark for Hot-cha but more than twice my output. Carlton,
it depends. Some days I could see him speaking 40,000 words, like when
there’s going to be an eclipse or when he’s beat another Russian player in the
online game World of Warcraft. But mostly I’d guess he hovers around the
20,000 mark as well. Inwardly, though, I can fly through millions of words in a
day. My extra peremptory powers of perception tell me that our waitress is
inwardly verbose as well. Her eyes, for example, move around the room like
conductor’s hands while she waits for our order and I’ll bet each mental note
rings out a dozen or more words. And just so you know, in case you want to
start keeping track, you can’t count what I’m telling you here because these
are my words, not yours.

Our waitress explains, “My ex-boyfriend’s a falconer. I help train.” Carlton
leans back in his chair and throws one of his legs onto the corner of the table,
nearly spilling his beer and all our waters. He does this when he wants to
show off his knee-high deerskin boots with the fringe down the calves, though
why he wants to impress our waitress is a mystery.

“Last time I counted, falcons don’t have four fingers and a thumb,” I say,
though your guess is as good as mine why I would get involved. The older
you get the deeper your troubles, and, pretty or not, she’s much older than
me.

“Know what you want to eat?” She chews a rope of hair and then spits it
out, turning the wounded arm slowly away from our views.

“Falconry is the sport of kings,” says Carlton. “It dates back to the Assyrian
king Sargon II. He would train the falcons to snatch young goats and children
from the neighbor kings’ land.”

“Yo. My brother went to this boyscout thing at his scoutmaster’s house with
falcons and one lifted its tail and shot a load across the room like a bullet,”
Hot-cha says, slapping his hands together and then letting one hand dribble
down the other for effect.

“Little known fact: French barons used to hunt with buzzards,” Carlton adds,
pushing his glasses back onto the bridge of his nose. He’s worn the same pair
of glasses since eighth grade. We must be excellent friends to know each
other so long.

“You want me to just come back when you’re ready?” our waitress asks.
She slips her order book into her apron and covers the bruises on her arm
with her free hand.

“That will not be necessary,” Carlton says. “My comrades and I enjoy the
same victuals every Friday at this fine eatery…” And he goes on and on to
order our steaks until I’m sure she wishes her last question had been more
like a statement.

“Yo, what was up with that arm?”  Hot-cha says.  “Isn’t she a little o.l.d. to be getting bitch-slapped by some pigeon racer?”

“Little known fact: The Chinese are all born at age one, making them, in essence, a year older than they really are.”

“She ain’t no Chinese!” Hot-cha says. “Can you believe this guy?” heaving his thumb at Carlton.

I pull my shades on so that I can watch our waitress as Carlton tries to explain his segue rationale to Hot-cha. She is older than we are, by at least twenty years, making her roughly the age of our mothers, but she doesn’t in the least remind me of any of our mothers.  My mother, for example, would never at any age have worn her blouse unbuttoned so that her brassiere showed, nor would she cock her hip sexily toward a customer who made her laugh and then chew on a loose piece of her straw colored hair while she thought about a rogue falconer back home already drinking, though he promised he’d quit, or at least wait until she got home.  Anyone with the ability to see all this would describe the falconer as dangerous.  Wanting to invite your sister to come over, for example, can not be a good reason for him to get that upset, and it certainly makes no sense that this falconer, much, much bigger than she, would grab her arm so roughly, the pinch and the pain of which would literally buckle her knees until she hung from his grip, the tattoo of a dragon roiled on the shaking sea of his forearm.  Who can tell what someone like that would be capable of? Perhaps something no one could ever forgive; something unforgiveable.

As we eat our meals Hot-cha learns that her name is Mary-Anne, to which of course Carlton provides: “In her signature song, ‘Proud Mary,’ Tina Turner actually changed the word ‘pain’ in the lines ‘Cleaned a lot of plates in Memphis, pumped a lot of pain down in New Orleans’ from John Fogerty’s original lyrics to ‘tane’ and in octane, meaning fuel.”

“And?!?”  Hot-cha replied.  “Yo, Proud Mary, give my man here another beer and put it on my tab. Maybe then he can tell us how Anne used to be what Edith Wharton called her guitar or some hoo-hah.”  And so we called her Proud Mary, which she seemed to like.

For several Fridays in a row, though, Proud Mary would visit our table with new bruises on her arms, all of which owed to the work of her falconer and not, as she insisted, his falcons.  Seeing these bruises sometimes gave me such a deep and low, sad and tired feeling that I wanted to return to the thermic core.  Then she showed up with a mark around her neck.

“You letting his little birdies sit around your throat now, Proud Mary?”  Hot-cha asks, when the more obvious questions no one would ask.

“Well, I’m through with falcons, if that’s what you’re wondering,” she said. “They’re loud, they smell bad, and they don’t know how to treat a girl. So if any of you thinks of a good place where an old chick like me can park her behind for under $300 a month you’ll let me know. Now, does the steak crew feel like living on the wild side, or should I just turn in last week’s carbon to the cook?”

After our dinner Carlton finishes the last of his beer and a long story about how the FBI has secretly reopened Project Blue Book, their covert study of ufology that has archived and suppressed hundreds of witness accounts of ufos in all areas of the country including three in our own. “No butter-bunk, Homes,” Hot-cha said. “My uncle’s riding his tractor when he was just a kid on the farm and this big disc comes out of nowhere, hovers over him until the engine dies, and then blows out of there at a millions miles an hour. And when my uncle got off the tractor his dog came running up speaking fluent Portuguese for about twenty minutes, but then he couldn’t talk no more, in any language. Wouldn’t even bark, unless he saw a squirrel. Yo. You homies ready to clip?”

“You two go on,” I say. “I’m going to walk home.”

“Walk home? W.T.F., man? You can’t hardly walk across the room without your back sounding like Chinese New Year!”  Hot-cha says.

Carlton pushes his glasses up on his nose and then looks around at the emptying restaurant until he figures things out.  “Let’s go, Hot-cha. You can give me a ride home,” he says, shaking his head slowly at me as if he does not approve of what I am about to do.

“Later Homes,” Hot-cha says. “But don’t go calling me just cause you’re only down at the next block and can’t make it no farther.”

“Your little friends leaving you alone tonight?” Proud Mary says as she scoops up the remaining plates and glasses from the table.  The bruise on her neck troubles me deeply.  All bruises trouble me deeply.

“Proud Mary,” I say. “Can you give me a ride home this evening? I might have a place that can help you out.”

She looks plainly stunned, but really I know that she is frightened by me, which I wish wasn’t the case.  And perhaps you’re thinking what woman in her right mind would let a giant into her car and then drive him home, alone? But Proud Mary knows better than any of you.  She could see that though I am giant, I am a decent man with only the most decent of intentions.  To say nothing of my safety, which you’ve probably overlooked.  Some might say that she’s trouble, and that trouble brings trouble.  I sit at my table for another half an hour until the last of the customers heads out of the bar, sipping ice waters that Proud Mary keeps coming with which, I can tell, means she’s getting nervier.

She tries diffusing the awkward silences between us on the walk through the parking lot with too much chit about how I probably won’t fit into her tiny car, but little does Proud Mary know her car is much larger than Hot-cha’s voluble machine.  Her car also makes it seem as though a family of hobos live in it.  A great unpiling of piles takes place before we find the seat and before the seat will recline.  “I had to throw a lot of my stuff in the back here as I’ve flown the coop. Truth be told I’m not a neatnik, but I’m not this much of a slob. Usually. You’ll have to guess on the in-between.”  I direct her to my home, which is close enough that there is kindly no need for further conversing.

Getting out, though, never ceases to present a challenge, but Proud Mary runs around to the passenger side to assist me as best she can.  At this point I see the top of her head and the dark and white roots where her color recently grew out.  I also like the smell of her, like steaks.  So maybe this is not the smell of her that I’m liking, but the smell from the entrepreneurial imagination of Stiv and Lois, which would still fall into my extra sensory
peremptory purview to smell things like one person’s imagination drifted onto somebody else.

“This is your place? All this?” Proud Mary says as I fumble my keys.

“My father, he died a while back, and my mother moved to be near my sisters in Kansas City. So they left me the house.”

“I’m sorry about your father,” Proud Mary says, but she’s already inside by the coat rack.  Proud Mary carries the steak smell all over the house.  “How many rooms are there?”

“Several,” I say. “I don’t go upstairs, much. Those rooms up there don’t have such high ceilings. They were always the women’s rooms, and you’re welcome to either of the two on the south end, if you think you might want them.”

“These are beautiful ceilings,” she says, meaning the crown molding which is something I’ve always thought beautiful too, but didn’t realize until she pointed it out. “What’s in here?” she says, reaching to open the door to the dining room.

“Wait!” I say, and before I can control it my big hand swings down hard-like and snatches her wrist from the handle.  I raise her hand up until I’m also pulling her off her feet and then let go suddenly, back in my own mind again.

“Sorry. I’m sorry,” I say. “I should just show you myself.”

“You need to be careful,” she says, rubbing her wrist. “I bruise easily, you know.”

I push open the door and duck my way past her into the dining room.  I leave the overhead lights off, which I usually do anyway, so that she can take in the full effect. I even make a little flourish with my hand as she enters the room. “The thermic core.”

“What are these then? Snakes?” she says.  I’d expected more oohing and ahhing.

“You don’t like snakes?” I say.

“Not really,” she says. “I don’t mean I don’t not like them, I’m just wondering what it is about men and their pets. Men with dangerous pets usually want to make a pet out of you, I’d say. Wouldn’t you agree that statement to be a true fact?”

“But they’re beautiful things, these snakes. Look at this one, for instance,” I say, taking my favorite right off his hot rock and letting him slip between my fingers. “He’s an albino ribbon snake – sweet as you please. Or, over here,” I take out another little friend in my other hand. “I’ve got a long nosed snake. He’s equally sweet, but very difficult to get to eat…”

“You feed them mice and rats and the like?”

“Well, yes. That’s their natural diet in the world. Did you know that the symbol for alchemy is the snake, the science of turning-to-gold? Did you know that snakes also represent medicine and healing? And I’ll bet you were not at all aware that the snake was the symbol for Jesus the Redeemer at one time?”  This last fact usually floors any denomination.

“So do you breed your own rats and mice or do you have some enormous credit down at the Pet-Co?”

“I only have to feed them once a month or so, except for some of the smaller ones. I just go get their food then,” I say.

“That’s good, because I can’t tolerate cages of rats on death row.”  The various glows from the tanks all light up Proud Mary from twenty different angles, as if she’s suddenly a star caught in the frozen paparazzi bulb crush.  This glow does her well by brightening her skin and eyes and evening out the color of her hair.  “Hot in here, isn’t it though?”

“It helps my back,” I say. “To keep warm. Most times I fall asleep in here on the floor.”

“Don’t you have a bed?” she says with great incredulity.

“They don’t make beds for people my size. Not that I can afford, any how.”

“Let me go look upstairs,” she says suddenly. “And then maybe we can work something out. I’d planned to go to my sister’s tonight, but I’m thinking that would just bring more trouble down on her, and she’s got a new baby and a bunch of slobbery dogs that won’t let me get no rest anyway.”  When she leaves the thermic core I crumple onto the warm floor to let my spine unfurl, only the thin sound of little, rustling bodies and the distantly familiar
echo of footsteps upstairs keep me from falling under a deep sleep.

“This is great,” she says, sticking her head cautiously into the thermic core from the hall.  “Do you mind if I bring some stuff in and get situated up there? I don’t have much, and if this doesn’t work out I can take off in the morning. Hello? Are you okay?”

“I have a bad back and an enlarged heart,” I say. “This helps.”

“You just wait until I’ve had a shower,” she says, and I mourn the loss of the warming scent of steaks on her.  “I know a trick or two about backs.”

“Uh-huh,” I say, and its too late, too familiar, the sound of a woman’s voice scurrying around upstairs, the groan of the pipes over me as the shower commences, and before I know it I’m back these years, laid out on the floor, while my mother is loading the car to leave for Kansas City.  What I didn’t tell Proud Mary, and why should I, is that my mother left before my father died.  As his heart trouble grew worse so did his moods; he had this anger deep inside of him, from years of being the town freak, no doubt, from all those stares and all that stooping over to walk through the doors every other person in town walked through with ease.  I suspect now that some of his heart medications, which I’ve been prescribed but refuse to take, led to his dementia because what else could drive a man to lock himself in this very dining room for a week or spray paint ‘HARLOT’ and worse onto the upstairs doors?  It took several coats of very dark primer and a lot of embarrassing silence for Hot-cha and Carlton and me to cover the sprayed on words.

My father’s moods roiled over and could not be contained, even though he’d been loved by my mother, by my sisters, and by me.  “I can’t let him keep doing this to us,” my mother finally said, meaning the tearing down. She kneeled down in the thermic core (which was cold then and without snakes) beside me while I pretended to be asleep, immune to everything. “Please. Please don’t ignore me. I want you to come with me. He’ll turn on you too, and as big as you are I know you’re sweet inside, and you won’t be able to keep him off of you when he gets into a rage. He was a good man, Son, he was a good man and I’ll always love that. But that’s not in him any more. You can come with me, come be with your mother. Please.”  When the deep blue days come now I often try to imagine different ways my hand could’ve flown up accidentally, fantasies about still undiagnosed seizures maybe, or some way my mother might’ve slipped, leaning down to plead with me, so that, really, it was the hard floor that hit her face like that and not me.  At worst I comfort myself knowing that I have matured enough now to achieve complete self control, even if no one is around to appreciate my new improved self.  If I hadn’t achieved this mastery do you really think I’d have these extra sensory powers?

“Whew! It feels so great to be free from the day!” she says, standing next to me now.  Her feet are naked, her toes painted bright red, and she’s wearing a pink robe with pink  feathered fringe that keeps falling off like snow flakes behind her.  The smell of soap has eclipsed the warm smell of steak, which I don’t like as much.  “Roll over,” she says. “Onto your gut.”  Which I do. She climbs onto my back and I see the feathery robe come fluttering down to the ground a couple of feet from my face.  She kneeds my back with her painted toes and it feels both good and bad.  “Not too high,” I say. “I have an enlarged heart.”

“Well, it’ll take me a good fifteen paces to get to where your heart is from down here, but you let me know when I get too close.”

“I’m going to die young,” I say. “Giants die young. My father only got into his mid-forties before his heart quit.”

“Make the most of your time, then,” she says, squeezing the skin at the base of my spine and pulling it upwards with her toes.  When she hits a sweet spot I feel like I’m flying, the pain holding me to the ground dissipates until I’m soaring.

“I wasted the last ten of mine with that lout, so don’t think we’re not running neck and neck.”  I hear her breathing and the gwish, gwish, gwish, of her steps under the hum of the hundred lights and singing rocks and the snakes rolling back and forth across the glass like windshield wipers just after a rain stops.

“Do you think you’ll be bringing any, uh … bad choices along with you?”  No reply comes.  “I mean, you don’t think fouling up is like a permanent habit for a person, do you?”

There’s no reply, just the gwish, gwish, gwish of her feet on my back and the hum and sway.

“Lower,” I plead. “Lower. It feels like flying straight off the ground when you’re in just the right spot.”  And she steps into the perfect spot, further away from the danger with my heart. You only wish you had such relief near the end.

 

 

Darren de Frain gives sincere thanks to Editor Joel Deutsch for his enormous patience with his story. DeFrain received his degrees from Utah, Kansas State, Texas State and Western Michigan.  He is author of the cult novel, The Salt Palace, and numerous stories, essays, and poems.  He currently lives in Wichita, Kansas with his wife, author Melinda DeFrain, and their two daughters.  He directs the MFA Program at Wichita State University.

“Baseball Like Roses” by Mikkilynn Olmsted

 

flower-rose-nature-white

This afternoon the rose bush went black.  Two brown, crinkled leaves clung to one
stub branch. Stiff gray soil pulled from the edges of the pot.

“Coffee grounds,” Cristin frowned. She read in a woman’s magazine that used
hickory grounds made excellent fertilizer. Evidently not. She sat on the middle
porch step, which connected the house to the front yard, and placed the clay pot
an arm’s length away. Six stalks held a promise – neither would let love die, not in
this lifetime or the next. Every morning, Cristin shared half of her first cup of
water: encircled the soil, spritzed the pea-green leaves.

“You’re a year old now,” she whispered to the plant. Starlings flew to a “v”
overhead while leaves blew across the patio welcome mat. It was September 1.

Cristin stared across the yard, unable to hear the telephone ring or the message
on the machine. She noticed her blank staring last month, although she couldn’t
say for sure exactly when it started. A lot had changed in four months. Now Cristin
assumed responsibility for all expenses – house payment, credit cards, groceries –
and for their six-year-old son Jayson. Every pay period, Bradley’d bring home a new
packet of baseball cards for Jayson, a habit Cristin couldn’t break.

Thirty-five dollars for gas a week meant not many extras between pays. There was
no back-up plan or emergency fund; everything froze the day Bradley died.

She poured a little more bourbon in her sweet tea, failing to see her grandmother
sitting in the rocking chair, tucked into the corner porch railing. Up until her
husband got real sick, Cristin ate whole grains and triple-washed fruit, avoided
caffeine, never drank alcohol.

“Damn, lost another game,” Grana spit as she shuffled a deck of cards. A breeze
rustled the magnolias and large white petals cascaded to grass.

Cristin yawned, “I didn’t hear you get up.” She laid her head on folded arms and
closed her eyes. Grana watched the weekend mailman wave as he criss-crossed
the street.

After a moment, she said to Cristin, “When you fixin’ to move?”

“When I’m ready.” Cristin leaned back over the steps.

“Hired a realtor?”

She ignored the question.

“You’ve gotta git past this,” Grana began. “I mean, alls I had to do was send the
guv’ment a death certificate. Your grandpa took good care of me. I wasn’t in your
position, but from what I saw with the gals at the laundry, you just push it to the
back of your mind and ignore it.”

They sat silent. Crickets screeched from underneath the porch. The dogleg house
was quiet except for the murmur of highway traffic two blocks west. Cristin felt her
nostrils thicken from the mixture of stale sweat and Grana’s French parfume. With
ninety-two degrees Fahrenheit and 100 percent humidity, air hung, pushed against
lungs. Sweat layered skin. Before air conditioning, people only went outside in the
heat of the day for emergencies. Even now, appointments are limited to “before
lunch” or “after the rain.”

What’s nice about the 3 o’clock rain, Cristin thought, is it cuts the heat. Nothing
too severe, simply enough to calm nerves. Break the day. Kids swish in gutters.
Business-types take coffee breaks, and elderly folks sit back on their porches. It
certainly seemed better than a December ice storm, when everything begged for
sun.

“Cristin, the sooner you stop pourin’ whiskey in your tea,” Grana said, pausing to
flip over a new row of cards, “the sooner this will pass on.”

Cristin looked away, setting her glass behind her. There was no denying those
mornings she still believed Bradley, flushed from a sunrise run, newspaper in hand,
would come through the back door.

She needed a walk. The bus stop was a few blocks east, passed a row of duplexes
but before the Piggly Wiggly. She plopped onto the bus bench. Across the street,
an old man hunched over a bed of six roses, planted along the edge of the
sidewalk. His bent hips aligned with the tallest bush, summer’s pastels clashing with
his black shirt and khaki pants. As sweat pooled on her upper lip, she wondered
why, in this heat, was he wearing flannel. He hovered over the plants, snipping
burnt red branches, then stuffing them into the base of the bush – a common
gardener’s trick.

Cristin pulled a bottle from her oversized purse; whiskey burned down her throat.
Magnolia Street seemed bare – no voices, no action, no wind. Except for the
gardener. Mid-swig she noticed his touch; it was almost unmanly. He lifted the
underside of the larger leaves, stroked them to the tips, and blew. She watched as
he spread white powder over slate ground, kneading it deep into soil with a
homemade forked gadget. Knobby fingers stripped stuck soil from the metal, his
thumb spun bits loose, drafting them over the plants. He spread dirt like Grana
spread fresh parsley. Above his waist, the man wore an unpolished leather satchel
with at least eight pockets set round. Other handmade metals laid flat on his
thighs or stuck straight against his rounded back.

Straightening, the old man yanked a cooper spoon from one of the front pockets.
He pulled a tiny opaque bag from his chest pocket, broke the seal, and scooped a
spoonful of black dust. Once even to ground he flicked the spoon empty.

Cristin considered yanking the old man from his stance, he’d seemed poised for so
long, when he jolted upright and threw his hands to the sky. A cool burst of wind
stiffened the rose petals, their hues brighter. The gardener laughed, expanding his
torso and resting on the back of his heels. Maybe the wind made her cough, maybe
the liquor. Whatever started the fit, it produced the kind of cough that scrapes
the back of the throat and forces eyes shut.

“Beautiful, aren’t they?” said the old man as he approached. Cristin bunched up her
purse straps and turned away, inhaling a pungent mix of car exhaust and her own
sweat. She arched the neck of the bottle to empty its last drops.

He stood diagonal to the bench, slightly back from Cristin. With a yellowed
handkerchief, he wiped his forehead, circling his cheeks and swooping down the
bridge of his nose. “My wife made the tartest lemonade this side of the Mississippi.
Sure could use a tall glass about now.” Without asking, he sat. Although she didn’t
object, she scooted into the corner of the bench, pinning her leg to the iron
armrest. His voice echoed, boomed over the occasional roar of a passing car; she
assumed he was hard-of hearing.

“I show them roses – professionally. That yellow and white one I call Summer
Lemonade, after Louisa’s sweet lemonade. I first done the hybrid in nineteen and
ninety-seven for the Owens County Fair. Took me a long time to learn them roses.”

“I don’t like flowers,” she said.

“Louisa didn’t neither till she met me. Bet you’re one of those ladies who prefers
perfume or diamond earrings.”

Cristin shifted her weight. Not only did she abhor diamonds, her ears weren’t
pierced.

“You got kids?” the old man persisted. “Louisa and I had eight – three boys, the
rest girls. That turned into thirty-eight grandchildren and six great-grandchildren.
Did you say you got kids?”

She told him she did.

“Played ball with every one of my boys. My pops took me – when I was knee-high,
back in nineteen and thirty-three – to the first All Star game, where Frankie Frisch
hit a homer deep in the sixth.”

Cristin’s hands were sweaty, mouth dry. When she spotted Bus 56 two blocks
away, she figured her getaway, but it turned a corner too soon. Delivery trucks
lumbered down the street, spewing black clouds; a siren blared in the distance. But
the old man droned on. Her gaze glazed and memories of last summer at the
Carolina Chalet, where Bradley tried to teach Jayson to swim, weaved between the
old man’s stories of back alley pick-up games with neighbor kids. Exhaustion filled
her.

And then, through the afternoon haze she saw her Bradley; not an actual vision of
her husband, just the feeling he was sitting beside her. For their first date, Bradley
took Cristin to his nephew’s Little League game. If it was summertime, everyone
knew Bradley’d be at a ball game. On the night of the funeral, Cristin boxed up
Bradley’s baseball cards, along with the fly ball he caught at Wrigley Stadium on a
weekend trip in ’89. She sold their season tickets for the Louisville Bats to Bradley’s
cousin. When Jayson wadded up the Ken Griffey Jr. posters and tossed them into
the fireplace, she felt some relief.

After a moment, running his hand through his balding hair, the old man said, “You
awright, Miss? You’re blushin’.” She mumbled something about the heat, wiping
sweat from her upper lip. As he made his way back across the street, she called
out, “You think baseball’s like roses?”

”Well now, both take tending. Sweat and dirt and a whole lotta faith – but what
reward at the show.”

Tiny raindrops began to darken the sidewalk.

 

 

Mikkilynn Olmsted is a Denver writer and performer. Artistic pursuits change daily. Her writing has appeared in journals such as High Grade, Zephyrus, Watching the Wheels: A Blackbird, HazMat Review, among others. She currently teaches at Colorado School of Mines and Metropolitan State College of Denver.

“Cry Your Happy Tears” by Phillip Gardner

 

hammer-sledgehammer-mallet-tool

As a movie, you’d be seeing this from high above. Think God’s-eye view.

It is dawn. The knockout blonde down there in the red and white poke-a-dot dress is pounding the front bumper of a green pickup with a ten-pound sledge. Taking her time, but really whacking that bumper. Even from way up here you’re already hoping that she’ll appear naked in your movie. Her name is Chloe, and she’s everything you ever dreamed of having or being. But you’re wondering why she’s doing a number on the green truck parked in the middle of an isolated lot in what you will come to learn is an old part of Memphis.

You can’t take your eyes off her. You’re hoping you’ll get a close-up, because when the glamor girl in the red and white poke-a-dots takes the hammer back there’s poetic harmony in movement and form; and there’s something about that snapshot instant before the hammer moves forward as her perfect figure is frozen in your imagination. But exceeding your visceral, erotic response is the old intellect, which wants to know who the poke-a-dot avenger is and why she is attacking the truck’s bumper.

The male lead, Pete Hump, wakes. Pete sits hunkered over in the driver’s seat of the pickup, a green plumbing truck. His head and his hands are duct taped to the steering wheel. Waking is a painful thing, and Pete isn’t thinking clearly. Then he passes out again.

We enter Pete’s dream: Pete and Chloe in their sinful little love nest bed in Charleston, South Carolina. In the dream, he wakes at Chloe’s touch. Soon the two are entwined in a kind of horizontal slow dance, eyes closed, half asleep. She coos in a hot, bourbon-flavored voice: “Pete Hump’s Heat Pumps.” And they go at it. This in part satisfies our longing to see Chloe’s delicious flesh while giving us a context for the opening shots.

Then we’re back with duct-taped Pete at the wheel.

There is no voice at Pete’s ear, only the distant white noise of a 70’s rock song. And had there been a voice, Pete couldn’t have heard it. Because one ear is pressed against the airbag’s thin leather and the other ear is covered in duct tape. If his hands had been equipped with ears, they wouldn’t have heard anything either. In fact, he doesn’t so much hear Chloe’s heavy hammer probing the bumper of his truck for the sensor–the one that will release the airbag and splatter his brains–as he feels the hammer’s vibration, like a ball-peen on an anvil. Each stroke lands in perfect time to Lynard Skynard’s “Free Bird.”

Next, in a flashback we get a little more back story on Pete Hump.

Extreme close-up: Pete’s bloody face looks like somebody dunked his head into a blender. It takes us a second to realize that it is Pete Hump, that’s how bloody the man’s face is. The camera slowly pulls back to reveal:

Night in a wide, empty field. Pete teeters on his knees, his hands tied behind him. Hanging far away in the black sky is a lighted billboard for his plumbing company. Pete Humps’ Heat Pumps, the sign says.

A giant of a man looms over the kneeling Pete Hump. The man with the block head (meant to suggest through visual association Frankenstein and thus evoke fear and pity in us) is, we will soon learn, Chloe’s husband, Russ Watts.

“This is the last time I’m asking, Pete,” Russ says. “Where is she?” Russ has beaten Pete into a near-death experience. And now we know why.

Russ, the cuckold, attaches one end of the heavy jumper cables to the battery terminals of Pete Humps Truck #2. We wince and want to look away when he slowly and painfully clamps the first cable to Pete’s right ear. Pete squenches shut his eyes. When the copper jaws of the second cable shut down on his other ear, we all wait in perverse and collective wonder for the geyser effect from the top of Pete’s head.

Russ’s heavy brogan presses the accelerator to the floorboard. The green truck’s headlights quiver, which ends the flashback.

Chloe, Russ’ wife, is doing a Barry Bonds’ number on Pete’s bumper in search of the magic connection that will send poor Pete’s brains against the back glass of Pete Humps Truck #1. Pete, who looks a lot like Nicholas Cage in Raising Arizona, pleads, “Chloe!”

The banging stops. Pete takes a deep breath. The hammering resumes. We really want
another look at Chloe, but we don’t get it. This, we know, is a tease.

“Chloe!!”

Pete wiggles in his seat, attempting to free his duct-taped hands by squirming from side to side, reminiscent of someone dancing The Charleston. Again the hammering stops. Pete opens his eyes and slowly rolls them way, way up in that Nick Cage way.

Chloe stands at the driver’s-side window. She’s worked up a sweat, and her blonde hair falls in ringlets over one cheek. Her face is moist and flush. Male or female, you feel a stirring down there. And so even under the circumstances, Pete’s whanger does a summersault. She is the most beautiful woman Pete has ever seen. Her perfect lips move, but he can’t read them; he doesn’t want to read them. He just wants to look at them move. She tilts her head to the side, and though he can’t see the motion, we are grateful that we can: she crosses her arms over the most perfect breasts in the South. Then she steps out of the frame.

Pete waits for the pounding to resume, knowing, as we do, that with every blow the law of
averages turns a little more against him, that when Chloe finally strikes the sensor she is
searching for he will see the big light that Russ Watts saw when he was struck by lightening, only Pete won’t come back from that tunnel. We’ve seen enough Quentin Tarentino to expect the reverse-angle moment when his brains splatter against the glass. And we sort of can’t wait. Through the magic of surround-sound and a gazillion speakers, we hear his own breathing inside his head.

A bright light nearly blinds us.

In that suspended moment, subliminal edits remind us of the jumper cables attached to Pete’s ears, Russ’s heavy foot on the gas, and we experience the titillating anticipation of the geyser effect. We feel a thrill.

Pete’s eyes fly open.

The morning sun at her back, Chloe stands at the pickup’s open door in breathtaking, hourglass silhouette—holding up a dagger of a nail file. Tears fill her eyes. The ghastly look on Pete’s face in this shot becomes the focal point of the poster outside the theater entrance. Her dagger-loaded fist goes up and up, Hitchcock-like, and every hair at the base of our collective, exposed neck stands and looks around for cover.

Chloe’s fingers cover his eyes.

“Chloe, please,” he whispers in that Nick Cage voice.

You see this as a digitized, slow motion blur: The tip of the nail file explodes through the duct tape and enters the ear canal, David Lynch-like.

Chloe’s fingers ease away from Pete’s wide, wild eyes. No pain there. His hearing suddenly returns, as if he has surfaced from deep water. The white noise he’d heard is Lynard Skynard singing “Free Bird” on the two-way radio.

“This is your last chance, Pete,” Chloe says. “Say you’ll let me go.”

If he could say it, he would. She just looks at him.

“Bye,” she says.

Then she slams the door to Pete Humps #1 and walks out of his life.

All of this happens in three minutes. The hope is that you’ll remain completely under the story’s spell for ten minutes. If you’re not in the movie by then, it’s a good bet this one will lose money. Chloe doesn’t look back though she hears Pete’s pleading voice echoing inside the cab of his plumbing truck, the Van Zant boys wailing in the background. We track along beside her, the pain on her face telling us that her heart falls a notch each time he calls her name, like it did when her husband, Russ, pleaded for her to stay. The way it has when every man who ever called her his watched her walk away. Still, she takes a deep, determined breath, raises her beautiful suffering face toward the morning sun. She’s not turning back. Because now it is her heart that she is trying to save. Somewhere, somehow, there is something better waiting for her, a stronger, truer voice calling—a voice that has been speaking to her all her life. A voice she has resisted until now. A movie voice. And we are tracking along beside her, another comrade in arms. Before the show is over, we’ll learn how that voice summoned her to Dollywood and cried out to her at Graceland. But for now all we know is that there is no turning back.

We oooh and ahhh at the heavy symbolism of the screen-filled brilliant orange sun rising behind her. Chloe grips her purse, heaves her small suitcase, and at a snappy, snappy Dolly Parton pace, puts as much distance as she can between herself and Pete’s sad begging. There’s more in that walk than any acting school can teach. “Once you know a thing,” she says to us, “you can’t not know it. It’s better to be a one-hit wonder than to spend your whole life wondering.” And we all nod in agreement.

It’s not just the rush hour Memphis traffic that makes us nervous; it’s the cab driver’s eyes that won’t leave the rearview. Finally he says, “Ma’am, if I’m wrong, I hope you’ll forgive me, but are you a movie actress?”

“No, sir, I’m not,” Chloe says in a flat Dolly Parton voice, her eyes never leaving the landscape that once fell upon the eye of Elvis.

“Are you on the stories? On TV?”

Chloe gently turns her head from side to side.

After the cab driver drops her off at the Memphis car rental, his mouth opens involuntarily, and he whispers reverently: “Them’s the finest fashion accessories I ever laid eyes on.” The driver is a quiet man and a good Christian by Memphis standards, and he considers himself a professional taxi driver. He respects people’s privacy as he respects his own. But this woman makes him break his own rules.

“The very finest,” the driver says again as she walks away. He can’t stop himself from looking into his mirror one last time as she disappears into the rental office.

At this point, about the five minute mark, we know that what we have here is a quest story, that Chloe is in search of something essential to her being; that this is among other things a journey of self-discovery, a chick flick.

She drives slowly across the rental lot, breathing deeply the new car smell. When she stops at the street, she doesn’t know which way to turn. Literally. She turns right, then we see a look on her face. She jerks the wheel abruptly. Horns blow, rubber smokes. There must be sixty edits.

The spin makes us dizzy.

Chloe completes the U-turn. “I’ve spent my whole life going with the flow,” she says, stepping on the gas, burning more rubber. And because that’s exactly what we’ve spent our life doing and because she is everything we ever dreamed of having or being, we do a silent little hell yeah and reach for the popcorn.

She drives I-40 with her window down and the radio on. We hear the beginning of what will
become Chloe’s theme song. Although we don’t think about it at the time because of her
stunning beauty and the deep mystery of her face, the director works in several shots of her
crossing bridges before we see a road sign telling us that Chloe’s destination is Nashville.
When a Skynard song, “Searching,” comes on the radio, Chloe quickly shuts it off. Still, the song serves as soundtrack for a series of flashbacks: She and a bruised Pete standing at the gates of Graceland, Chloe with her forbidding hand against his chest: “I have to do this thing alone,” she says. The look on Pete’s face tells us he’s already lost her.

When she returns to those gates at closing time, hangdog Pete is still waiting, but we know that he is a broken, desperate man.

Later at The Blue Suede Shoes Bar, the camera slowly circles the two. We can’t hear what Chloe is saying, but we know that she’s pouring out her heart to Pete, that saying these things is painful for her, that she is in a struggle for her being. “Sometimes,” she says in a crying voice, “love and freedom go to war with one another.” Pete lifts his bourbon and looks away. “My insides,” she says reaching for his hand, “they’re filled with those scars.”

Pete orders yet another round of drinks and feeds a twenty into the jukebox. Chloe goes on
trying to explain, trying to spare Pete Hump’s heart, while “Free Bird” and “You’ve Lost That
Loving Feeling” play back to back until the bar owner unplugs the music. Finally, Pete pushes his glass away and says, “Whatever makes you happy, Chloe.” And she hopes against hope, as do we, that it has been settled.

But as soon as they are inside Pete Hump’s #1, Pete fingers the truck key, pauses, looks down at the steering wheel–that unknown to him holds the power to blow his brains out–and says, “I can’t let you go.” Then he starts the engine and pulls out of The Blue Suede Shoes lot. Chloe tries to hold back her anger and her tears, but the bourbon has thinned her skin and exposed her heart. When Pete parks outside the abandoned trucking company in the heart of old Memphis, it is all Chloe can do to hold her emotions in check.

Recognizing that the end of their love is near, Pete reaches back for all that he has left. He
switches off the engine and fishes the bourbon bottle from under his seat. “We’re sitting right here,” he says, unscrewing the cap, “until we get this worked out.”

We see and feel the bombs going off inside Chloe, for Pete’s love is true and his devotion written in the bruises on his face. Pete plays his last card: “After all I’ve been through for you,” he says. We know he has to say it, and we don’t blame him; we’d say it too. But we’re at the ten-minute mark, and we know that Pete might as well be holding Chloe’s head under water. And we can’t stand that. So when Pete says he can never let her go, dangles his truck key over his open mouth like a goldfish, and then washes it down with bourbon, we gasp for Chloe, who reaches for the bottle and then brings it down on Pete Hump’s drunken head. When she holds up the roll of duct tape, we applaud.

If this were a movie, we would be at the end of the opening hook. But this is not a movie; this is real. If this really were a chick flick, we might cut to an establishing shot or two of Nashville, then to Chloe standing outside the Grand Ole Opry. She would find her way inside, up on the dark stage, and there she would lay bare her soul in a rendition of the Dolly Parton composition, “I Will Always Love You,” which is her way of saying goodbye to her past, to Pete and Russ. We see her tears and choke back our own. And we’re not the only ones. The old custodian who has swept those sacred floors since the days of Hank Williams senior watches too with bubbly tears in his eyes.

The security guards who take Chloe away are more the hard-hearted type.

The thread that holds this plot together is Chloe’s attempt to break into country music. In the movie, she has the talent but can’t get the breaks, which is the way we all feel about ourselves. From now until the end of the third act, things will go from worse to worse for Chloe, and if the movie is a success, those things will be even worse than we can imagine they might be. She will find and lose the love of her life, a man very much like Clint Black; and if that isn’t enough, she’ll have a miscarriage after their love falls apart; and if that doesn’t do it, the young mentally challenged girl who makes Chloe her hero and upon whom Chloe turns her back because she simply can’t carry another ounce of emotional baggage will get run down by a bus owned by a country music star. At the end of act three, after it becomes known throughout Nashville that Chloe is responsible for the death of the mentally challenged girl who adores her and that the bus accident is likely to ruin the career of someone who holds a striking resemblance to Clint Black, we know that she’ll never get work in this town. Chloe feels low.

But deep down something tells us that we’re closing in on act four, and though we can’t figure out how the hell she’s gonna bring it off, we know that this is a chick flick and that it’s going to end well, that we’ll leave the theater crying happy tears and boohooing to folks waiting in line for the nine o’clock show that they’ll love it.

And of course we won’t be disappointed.

Because there is that old custodian who drank with Hank and had a thing for Minnie Pearl, and who happens to be like a father to—you guessed it—Dolly Parton.

Or if the producers don’t think the country music-NASCAR target will buy tickets, they might have the script re-worked. Before it’s over, the script may be rewritten until the Chloe character becomes a martial arts diva or a Dalmatian. As for now, Chloe, the knockout in the red and white poke-a-dots, still goes to Nashville. But when she gets to The Grand Ole Opry and stands outside waiting for a sign from God, she gets none. In the next scene, she finds herself inside the Nashville airport looking at the lighted destinations, feeling lost and alone. Maybe she spends the night there, or even a couple of days there, until someone whom we suspect is on a mission from God, some guy in a turtleneck, says to her: “You belong in Hollywood.”

Act three retains much of what was written in the original script, except Chloe is a gifted, struggling actress who repeats most of the mistakes she made as a struggling singer. Finally, at the point at which she’s devastated by guilt following the death of the mentally challenged girl who idolized her, Chloe is offered a spot in a television commercial in which she is obviously cast as her idol, Dolly Parton. The commercial is a smash hit. It’s everywhere. Chloe’s big break comes when she’s invited to appear on a late night show that we all know is David Letterman. But things go badly; Dave wants to pick fun at and mock Dolly, and Chloe loses her shit—not Dolly’s but her own. Brought to tears by the rich and arrogant host, she calls the Letterman impersonator a pencil dick, dumps coffee on his Armani suit, and storms off stage in a display that makes couples having bad
sex all over America stop and stare slack jawed at the screen.

Chloe goes lower, then even lower, then gutter low. When it appears that her only option is
returning to either Russ Watts or Pete Hump, both of whom still love her, she thinks seriously of putting out the Big Light when—you guessed it—Dolly appears.

And of course we are not disappointed.

But this is not a movie. This is real, and disappointment is for most of us our appointed destiny. And so Chloe drives to Nashville. She even makes her way to the Grand Ole Opry where she stands outside thinking about Dolly and Elvis, about need and desire, about love and emptiness. But standing there also reminds her of who she really is–a small-town Southern woman, like Ava Gardner, born to freak beauty, one who has spent most of her life feeling that she is living in a movie. But life, she knows, is not a movie. She is like us, with these exceptions: her ravishing beauty is a curse and her meager talent an unending thirst, enough only to fuel the need that drives every artist. And worst of all, she has the brains to know that the greatest stroke of luck—all that might be sucked up in her universe and brought to a single moment—would be required for one instant of legitimate, though third-rate, artistic validation. Her one hit. Unlike Willie Lowman, Chloe knows she’s a dime a dozen.

Still our need is to think of her as a sexy, liberated woman who exercises the full range of
contemporary feminine prerogatives—from innocent victim to atomic estrogen; we want that for ourselves; we’re not thinking of her, a breathing suffering human being who will suffer more for her beauty by watching it fade. Not as a woman who has been blessed with physical perfection and cursed with her single drop of talent when no drop at all could have meant a happier life—someone who knows that she will amount to nothing.

Chloe pumps her own gas and then heads east on I-40, but she is not running to; she is running from, like most of us; and like us, she doesn’t know when it’s time to hold on and when it’s time to move on; and what she really says aloud is, “If you can’t learn to live with who you are, how, dear God, can you learn to live with who you ain’t?” Which we really don’t want to think about.

When she sees the sign for the Great Smoky Mountains, she reflects upon Graceland, Dollywood, Pete Hump and Russ Watts, and what she feels is bottomless regret and immeasurable worthlessness.

As the horizon flattens, Chloe stares at the interstate ahead and enters a sort of exhausted trance, a period of mindless absence, when a few hours and several hundred miles fold into a place that is no place and a time that is no time. It is not peace that she feels, only the cold comfort of nothingness.

Since this is true of the human condition and therefore violates what we’ve come to expect from most movies, it might be convenient and academically satisfying to think of Chloe as a victim of advertising and commerce or in terms of a history that has been unkind to women. This might work as battleground for gender or culture wars. But I doubt it.

We’re talking about the human heart here. And for Chloe, no abstraction illuminates what she feels in her heart. All she knows is that she can’t go back and that the big green sign she just passed says she’s two hundred miles from Wilmington, North Carolina and the end of the road—the Atlantic Ocean. What occupies her mind is only whether or not at the end of the interstate she takes her foot off the gas.

When the weight of darkness visible becomes too much for us, our internal conversations take the form of metaphors, and the simplest thing can bring us to tears. We see a dead doe on the side of I-40 near Winston-Salem and that William Stafford doe becomes us, everybody we’ve ever lost, and the fate of human experience. The deeply embedded connotations of the word and the dead doe’s image reflect a topographical map of our shattered soul.

Chloe stands at a gas pump and sees a mentally challenged young girl reach for her mother’s hand as the unknowing mother turns her back. Chloe is overcome with self-loathing for having spent one minute of her life feeling sorry for herself. She just wants it to stop, for it to go away, to get outside of her own head. But she can’t.

Chloe has to reverse this falling effect. Her metaphors are anchors, and she can hardly hold open her eyes. She reaches for some small, manageable act, some first step in an effort to turn those metaphors into something smaller than what they represent.

She begins reading road signs aloud and discovers that the right combination of sound and image soothes her spirit. “Chapel Hill,” she says. She pictures the two, the church upon the hill. Then says it again, like music, allowing the connotations of “chapel” and the soft vowels and breathy consonants to do their work. “Cary,” she whispers, and thinks of her burdens, her obligation to carry on. And later, when she voices, “Fuquay-Varina, Fuquay-Varina, Fuquay-Varina,” she is reminded of “sugarplum fairy,” and a little smile appears on her lips.

Then she feels a panic like electricity.

She has come to the intersection of I-40, which runs from Barstow to Wilmington, and I-95, which runs from New Brunswick to Miami. She can’t go forward and she can’t turn back. I-95 south takes her to Darlington, South Carolina, where she started, where she’s lived her life, where she married a man she never loved and had an affair with his boss, his childhood friend.

The exit says North, Rocky Mount. In spite of the sign’s implications, she takes the exit.

Soon she sees a sign for Smithfield. And she thinks that’s where the Smiths of the world are produced, that Smithfield will inevitably have a Main Street, and that on that street live the most common of the common–that she is one of them.

Near exit 95 on Interstate 95, Chloe looks up. She has never seen the arrestingly beautiful woman on the billboard. The words under the picture say The Ava Gardner Museum, Smithfield. Chloe thinks the place is much too small to be called a museum. It is no Graceland. But its intimacy comforts her, and the progression of photographs, from sharecropper’s daughter to international movie star fill her eyes with real tears. The Lost Angel, My Forbidden Past, The Angel Wore Red, The Blue Bird, This Time For Keeps: She reads the titles of forgotten movies.

She studies Ava’s wedding photos, one to a short man with a goofy smile, one to a man who played clarinet, and one to a man Chloe recognizes but can’t name, Frank Sinatra. In another photograph Ava is in the arms of Rhet Butler, and the caption of another says that the man beside her is the richest man in the world. She stands in the company of bullfighters and a man named Hemingway.

The museum hostess touches her nametag. “I know it looks like ‘Deidre’,” she says with a pleasant smile, “but I pronounce it ‘Dead-ra’.” She invites Chloe into a small theater, as quiet and softly lit as a funeral home. When Chloe enters, a large painting, the poster model for the film The Barefoot Contessa, makes her want to flee: Ava stands at the edge of some great precipice, her arm extended, one slipper about to fall from her fingers. Behind her stands a man, his face buried in her shoulder, his arms around her, clinging, holding her in a kind of death grip as Ava looks down in sad resignation.

The actress’s life is reduced to twelve minutes of video that Chloe watches alone. The woman on the screen, the fetching sex queen on the billboard, was not the real Ava Gardner, the barefoot country girl from Grabtown whose freak beauty drove the world’s most famous, talented, and wealthy men to madness. In the video, Ava is so stunningly beautiful that Chloe hardly hears the narrator’s voice until he says, “She was always searching for the love that was always out of reach.”

When Chloe senses that the short video story is closing in on act four, she walks away because childless Ava is living in another country, alone, and Chloe senses that she is going to die there, alone.

The museum hostess looks up from her newspaper and smiles.

“Where is she now?” Chloe asks.

“What?” smiling Deidra says as she folds the paper.

Chloe looks up at the photo reproduced on the billboard.

As Deidra reaches for a small brochure, Chloe recognizes the woman’s look. It asks, Are you a movie actress? Are you in the stories?

“How long have you been an Ava fan?” she says in her lyrical eastern North Carolina accent, sounding a little like Ava, a little like Chloe.

“All my life,” Chloe says. “All my life.”

A summer storm is waiting when Chloe steps out of the museum; she can smell it. It reminds her of home.

She stops at a liquor store and buys two pints of bourbon.

Sunset Memorial Park is on Highway 70, Smithfield. There are strip malls close by, a damaged furniture warehouse outlet, and tobacco fields within view.

She parks near the cemetery gate, stuffs the bourbon into her purse. The clouds are the color of slate and as thick as cotton bolls. She takes off her shoes. A cool, cool breeze lifts the hem of Chloe’s thin red and white poke-a-dot dress, and the shade soothes her eyes as she searches the landscape of headstones.

Chloe believes that the living can communicate with the dead, and she feels in no hurry to rush out to whatever life awaits her. Together, they’ll remember what it was like to walk the soft furrows barefoot when they were little girls. She’ll have a drink and pour one for Ava and ask her about true love and maybe about how to go on living without it. Then she will wait and she will listen. And if the rain comes, she will wait and she will listen.

But she has to commence to begin, as the old people used to say. She must take a first step.

There are no identifying signs, no clear directions, no promises. Still, Ava is out there. It is the one thing Chloe knows, the one certainty, the one sure thing. She will look and listen. Await a sign.

Chloe stands at the gate, the heavy summer clouds behind her a dark bruised Technicolor, the cool breeze lifting her blond hair, sculpting the red and white poke-a-dots to her woman’s body. She imagines a path through the dead, a line that will form a giant A.

She takes the first step. If this course doesn’t lead to Ava, she will take another. She will walk the alphabet A to Z until the letters spell out the words that give her a reason to be, a direction, a destination.

“Ava?” she whispers. She stops. She listens. “It’s me.”

 

 

Phillip Gardner lives in Darlington, South Carolina where he writes stories and screenplays. His work has appeared in The North American Review, The Chattahoochee Review, Hayden’s Ferry Review, Potomac Review, and other fine journals. He is the author of Someone To Crawl Back To, a collection of short stories.