“For Grogan” by Geordie Williams Flantz

Neckties were invented to cut off circulation to the brain. Silk squeezes the carotid artery. Your mind goes slack and numb.

Work didn’t have a dress code. She did. She packed my lunch and cinched my tie.

“How’s that?”

“Fine.”

I was choking.

Every morning. Get up, shower, here’s your lunch, how’s that, fine. Every day.

Here is how to turn your basement into a fiery vision of hell:

1. Knock out all dividing walls. Save the better lumber and wear a mask to smash through plaster. Shatter her pictures and the blue vase she got from the Kyrgyz Republic. On a budget, save and straighten nails.

Tuesday, after finding out my wife was a whore, I took off my patterned tie.

My scalp hummed like a reattached limb, the blood pumping through fallen veins, a blizzard of whiteout pricks. Then I could see it, my life stretching out from flat feet to the smog and rat choked coast. It was a lot like that elementary school where the boiler exploded: splintered brick and childhood dreams scattered all around.

2. Dig a lot of pits. Rent a jackhammer to rip out the concrete floor. Start digging. Make a series of excavations around the room, leaving walkways between. Build the ground up higher at one end. The rest of the dirt can go in the backyard. Do some landscaping, or throw it on the garden.

I pulled all my ties out of the closet. I put them in a box and wrote LATER on it with a black marker. I set it on the table and left to get a sledge.

The first guy I didn’t know. He was an art student at the college. She was flattered someone so young and beautiful could still lust for her.

Of course he lusts for you, I said.

The guy could do an amazing pectoral dance, had a segmented snake tattooed down the length of his torso, one link for each of his lost loves. A snake, he said, because love was eating him alive.

He’s twenty one, I said.

It must have been an earth worm. If I had that tattoo, it wouldn’t fit. I’d have to paint a mural on a barn and then drag that around with me. I’d put it on wheels or something.

3. Make sure to cover exposed wood beams near the floor. Insulate the ceiling so your upstairs carpet doesn’t melt. Consider ventilation. A simple air exchange system can be built with ductwork and cheap fans, but results will vary. To guard more fully against asphyxiation, consult a professional. However, a proper solution will cost thousands of dollars, so remember — the more noxious the fumes, the more realistic your design.

To get the jackhammer into the car I smashed a window. Shards of glass on the blacktop caught the piled sky as a plane leapt past in a scatter of disjoined reflections. My knuckles bled and I wrapped them in a shirt. The shirt was hers and halfway home I couldn’t take  the smell. My lungs squeezed themselves limp. I threw it out. My clenched fist dripped blood down the face of the steering wheel.

4. You’ll have to buy a goat. This is for sacrifice and blood drinking. Start shopping early -check the papers and for-sale ads online – but if you can, hold off buying until you need it. Keep in mind, the longer you own a goat, the longer you’ll have to feed it and the more of your shit it will destroy.

At home the room filled with dust and I couldn’t see. Things went gray and throbbed. My skeleton ran in a confluence of hair-line fractures, I was sweat and clacking teeth. The muscles of my back and neck wound tight, hunching me, as my brain slammed back and forth inside my cracking skull.

Later, I stopped to eat salami and a jar of pickles, dripping over the kitchen sink. The doorbell rang. A cop. A neighbor had complained of the noise. It was four in the morning. I explained I was remodeling my home.

“In wingtips?” he asked.

I turned to the hall mirror and found an ashen face. My office-suit was gray with dust, fine flakes of it clung to my hair, balanced on my lashes. I looked down and saw a hand caked in blood, a thick trail running to my elbow.

“My wife slept with a sherpa,” I said.

The officer gave me a look. He had this bushy mustache, like someone carved him out of hedges with a pair of shears. He was thinking I’d murdered my wife.

“Would you like to see?” I asked. “Come and see for yourself.”

Hand dropped closer to holster. “You lead the way,” he said.

We went down, the stairs creaking under our weight, and I showed him.

“What are all these holes for?” he asked.

I’d meant to diffuse the situation, but this wasn’t helping. “Not for burying people,” I said.

The officer gave me that look again, his arms out like he wanted something heavy to lift.

“Look,” I said, “she’s staying with a friend in the city.” I pulled a post-it note from my billfold and handed it to him. “This is her number,” I said. “Check it out if you want.”

He stood there, looking. It felt like being thrown down hard on a block of ice. Finally, he sighed and took the paper from my hand, his shoulders falling, posture relaxed. He grabbed my jaw, firmly but without violence. He looked me in the eyes, turned my head, studied the curve of my face.

“You know,” he said, his voice soft, “there’s something romantic in a broken man.” He dropped his hand. “I’ve seen it and seen it,” he said, “but it strikes me every time.”  He turned and showed himself out. When he was gone, I crawled down a pit and fell asleep.

5. Build or buy a throne. Furniture makers may take a lifetime perfecting their craft, but a table saw and sander will set you on your way. Use lumber saved from the walls or start browsing rummage sales and antique stores. Modify a rocker or recliner. Just make sure it looks imposing. Let your imagination roam free on the design, but here are some ideas to start with:

Dye it dark red and let the varnish run so it looks like dripping blood. Buy a pair of animal skulls from a taxidermist and attach them to the armrests. Inscribe something evil  sounding on the chair back. Translate it into Latin, or, for the less schooled among us, Pig Latin.

When finished, place it where you piled up the dirt. My wife had very dexterous toes. When the phone rang because her mom was dead, I watched them contract and grip the blue shag carpet. Between jobs last autumn, she would sit on the couch watching daytime TV, working on a dreary watercolor with one foot reaching out from beneath the blanket, holding the brush deftly between two slender toes, the nails unpainted, black from working barefoot in the garden.

6. Fill the pits with charcoal. Buy out grocers and hardware stores and steal it from your neighbors. Dress in black and crouch down low. If a dog barks, run away.

The goat’s name was Grogan and I tied him in the corner. A tattered ear and hair all matted with shit. I talked and worked, shoveling pressed black bricks of coal.

“Shut up, goat, you’ll wake up all the neighbors.” He was bleating dull, falling cries that bounced through the darkened halls.

“I’ll be glad to slit your throat and drink your blood,” I said. “I’ll grin at the stink of you cooking on the fire.”

Grogan flashed me square eyes and ate some hay. My hands were cramped tight around the shovel, blisters torn and bleeding. I worked my fingers loose and went upstairs to get an apple and some warm milk. He liked it best with a swirl of honey.

With the fridge door open, cool light bleached my naked gut.

She said she’d always had this thing for Henry. Henry, my best friend since fourth grade Beaver Camp. Henry, who’d had a million things for her. In high school he stole her t-shirt to sleep in, spied through windows, swore he saw her breasts hanging pale and firm. I giggled and almost believed him when he told me. Late nights with my father’s Penthouse magazines, he rolled in agony. He’d never feel the smooth curves of her thighs, so softy they could have vanished into mist. But Henry felt them, caressed them when he fucked my wife. And she left for three months to sleep her way through Asia, came home to say she’d made herself a whore.

7. Open the box that says LATER. Take the ties from the box. Begin sewing. Stitch up their backs and stuff them with dried beans. Attach plastic eyes and a sliver of dark red felt.

My hands shook as I set them free among the rafters, slung them over the high back of Satan’s throne. I could only find googly eyes at the hobby shop, so now they leered at me with cross-eyed hate. I’ve made you what you were, I thought, constrictors. They writhed above me, taut flesh covered in dots, or little bats and gloves.

8. The details sell it. Bolt a pair of shackles to a wall. Cover everything in blood, clear away the tools and knock out all the lights. Let the coals soak a day in lighter fluid. Strip naked and rub yourself with gore. When you are sure you’re ready, when the mood is right, when night comes and you feel hollow as a leather drum, strike a long-stemmed match.

Heat rose, darkness and jet-red glow and the waved-black curve of heat. Fields of combustion dried out flesh, red towns of burning rock sent up sable plumes of smoke and ash. Space squeezed, closed-in with the clear-eyed demons that flew between ripples in the stifling air. A hazy black form descended, sat there smoldering where I bid him. I dug my toes into the dirt to get away. I coughed and spit up ash. Snakes hissed from the rafters and something snapped in my chest. I fell to my side in the dry earth, grinding my forehead black, chest rising up and falling down. There are moments of heat that can kill you. Not open flame, but dead, unflagging heat. It will dry you out and leave a calcium shell.

My cell phone rang.

I sat up, slipped from a shackle, rubbed my eyes.

“Hello?”

There was a moment before her voice came, small and tinny through the line. “Hi,” she said.

I sat still and held my breath.

“Where are you right now?” she asked.

Pause.

Pause.

Pause.

“In the basement.”

“Have you been crying?” Her voice was soft. No corners at all.

“My goat died today,” I said.

“Oh,” she said.

“I didn’t kill it. He got loose and chewed through a wire.”

She exhaled softly. “That sounds awful,” she said.

“Yeah,” I said. I drew a circle in the dirt with my toe.

“I’m sorry, Honey,” she said.

“I know.”

“I love you,” she said.

“I know.”

I got my face down close to the dirt, keeping away from the fumes.

“The police thought you might be in trouble,” she said. “They called here.”

Lying down in the great heat, with the red coals and the black smoke, I twirled my cowlick between two fingers.

“Yeah,” I said. “The neighbors heard Grogan.” I stopped a moment, wiping at my cheeks. And I stole their charcoal,” I said.

“Honey?” she asked.

“Yeah?”

“I love you.”

“I know,” I said.

“I want to come home now,” she said.

I hesitated. There was something swimming in my guts.

My head pulsed and I needed air.

“No more ties,” I said.

“Ok,” she said, as I began to break and cry. “Ok, ok, ok…”

 

 

Geordie Williams Flantz was born and raised in southern Minnesota. He currently attends Oberlin College in Ohio where he majors in English and Creative Writing.

 

“Dead Animal Man” by Kathleen Wakefield

The Dead Animal Man comes in the morning as the mist is rising, comes in a truck like a square thing rolling, the truck’s eyes dead looking as the eyes of the animals it comes after, comes silent and bleary like it was something melting.  Ricky’s mother said they couldn’t take Slip with them, said the damned dog would eat them out of house and home, the mangy son-of-a-bitch anyway, she said.  Said he had so many ticks on him he look pearled.

This was when we didn’t have any water and neither did they and both our families carried it from the house across the street, threw bucketsful down the toilets to flush them, Ricky’s father going off about the same time as mine, his to I don’t know where, mine to Adak, Alaska on the Bering Sea where you could see the lights of Russia across, he wrote back. This was when we lived by an alley I thought was the alley by the Alamo, across from where there lived a pinto pony and a Navajo, like in the song.

The Dead Animal Man wakes me up. I can hear the gears of his truck a mile away; swear it floats onto earth like an angel from a shadowy side of heaven. I can hear it when it touches down.

“Are they Okies?” I had asked my mother when they first moved in, when I had seen them out the window, Ricky, his mother, sister and father before his father went away somewhere, his father tall and thin looking, his mother a red head, collar-and-cuffs red head Ricky said, his sister the way I pictured an Okie to appear, hair messed, body all knees and elbows, and lacking in vitamins C and D.  My cousin Boyd Lee in Utah had had his head grow too big from lack of vitamins C and D and I had looked out the window again at the girl, but her head had seemed normal.

The Dead Animal Man comes because of the fog that presses in at night so that birds fall from the sky and walk into things, seagulls and ducks standing in the yard looking bewildered, dogs and cats wandering into the street and under the tires of cars trying to get somewhere, too, the fog pushing in like a wave from the ocean and then leaving behind it everything confused and slow moving, sometimes dead.

“Why wouldn’t she take him?”  I asked Ricky.  “You can’t just leave a dog behind,” I said.

My father had gone off north and had said he’d send for us or come back to get us, or send money, but other than the letters about the lights of Russia, we hadn’t heard anything for a long time.  We were going to try and find him in some way and be reunited, but I imagined the dumb animal standing there when Ricky and his mother and sister had gone, and not having any idea what to do or how to find them, and then the fog pressing in and what would always follow one way or the other.

I remembered one time when I had gone to school and come back home, my mother had
changed all the furniture around, and all I could do was stand and be uncertain, there being
phantom chairs and a sofa where I wanted to sit, I thought, the chairs and sofa in their new
places, the coffee tables and end tables and bookcases having a particular bewilderment too, it seemed, the same confusion I had had when coming out of the store one day and heading in the wrong direction and suddenly it was like something had shifted and only I had not changed and I wasn’t completely sure about that.  If the fog had come in that day I think I might have just laid down and waited for some white-winged angel to find me, lift me above to where I could see, outthink the Dead Animal Man.

“She just won’t and that’s all there is to it, she said.”  Ricky and I were in love, and he protected me in the fog, when it came, held his hand out in it when his body had disappeared into its thick and dripping otherworld.

He had learned the dimensions of the sidewalk, knew where the curb was leading to the street. If I held his hand and watched the outline of his feet I wasn’t afraid.  It was like being led through a cloud, it rushing past and against and through me, cool and circling.  We walked the block of where our houses were, the streetlights above us wide, faint halos, sounds and cries from animals weak and boxed-in sounding, the cries of the birds as if sliding down long drizzles of dampness, Ricky’s hand and feet sometimes disappearing from me, my own hand disappearing.

“What if your father comes back?”  I had said to him in the conversation about leaving the dog.

“He’ll know we’re gone is what,” he said.  “What did he think we were supposed to eat, anyway? How long did he think we were supposed to wait?”

My mother and Ricky’s had become friendly since having to borrow water, their house on the other side of the Martinez’, who said they were Spanish, my mother saying they spoke Mexican as far as she was concerned.  She said Ricky’s mother, Jean, had said they were going back to Missouri, the “Show Me”  state, it having it all over lying and cheating California, there being another woman involved in the mess of the whole thing and they were going back to Jean’s parent’s.  She said the other woman’s name was Hazel Dubois, of all things, like something someone would make up for that kind of California woman, and she, Hazel Dubois had followed Ricky’s father off to somewhere south, leaving everything she owned, including two children.  I had had dinner at their house, before Ricky’s father had gone away and Jean seemed nervous and flighty to me, directing everyone to walk around the table to get what they wanted on their plate, and it was a turmoil of motion.  I wondered about Jean in the fog, if she were ever out in it,  would she know which way to turn.

I’d wondered if the Dead Animal Man took things when sometimes their hearts are were beating, when they were exhausted from blindness and soundlessness, from trying to determine measure and familiarity, from seeing their wings, or their bodies and feet disappear before their eyes, not knowing how far down was, where there were buildings and steeples of bridges.

All day long the dog watches the house and I’m trying to think of how and when it is that
something dawns on you, something you can’t see or hear or doesn’t come with any particular pattern of thought.  My father being gone, or AWOL, Away Without Leaving, my mother calls it because he is usually going to some next town to look for a job, or clear something or other up;  there is always a point when I’ve looked up and said to myself, “He isn’t coming back.”  My mother might be at the kitchen table or someplace when it hits her, but it always does, and it has never been from any clear passage of time or anything else as observable.  It seems more from something on the air, something beyond normal feeling, or something sour smelling as old hamburger cooking.  The dog can smell or feel whatever it is and all day long he watches Ricky’s house as if it would get up and rush away, and he wants to be ready, his eyes, ears and nose twitching to every sound.  He seems embarrassed for the way he looks, ticks all over him rough as gravel, embarrassed that he got them there, it looks, that maybe they are why he has to keep his eyes on the house, that that’s why they are leaving. My father is a machinist and he has made the language of cars familiar to me.  I can easily drop the words piston, ball-bearing, manifold, transmission into thoughts and sentences, can detect what might be going wrong with what is coming down a street, fog or no fog, what might be proceeding in its denseness if it’s there, vaguely how much horsepower it has.  The Dead Animal Man’s truck is fined tuned and in decent working order except for a little roughness in the gear shift.  It has a kind of hum to it as if it is keeping a low bass sound to the rest of the sounds of the morning, other engines and apparatus providing higher notes and rhythm.  It seems as if its mission is important and it needs a good machine to do its work.  I have looked out when it passes and it is sleek and sectioned, having drawer space and doors, brooms,  shovels and hoses.  I have never seen the Dead Animal Man.  His section of truck has either just gone by when I’ve looked out, or the glare of early daylight has caught his window in such a way as to make him invisible.

“Why couldn’t we take him?”  I say to my mother, because she is noticing the way the dog has been lying on the sidewalk watching the house where there is more crossing back and forth in front of windows than is usual, as far as we can see, lights on in more rooms, things being left outside in back.

“I guess we’d take him on the bus,” she says, knowing she has set up a tiresome, impossible picture in my mind of it.

“What do they do with dead animals?”  I had asked Ricky.

“Jell-O,” he had said.  “They boil everything and skim off the top where the Jell-O is.”

There is a sound to the fog coming in, or an absence of it, as though you are where there is sound and a wall of something with almost no sound is moving toward you, miles of it, birds trying to hurry before it.  My mother and I just tuck in after a while, she lighting up a cigarette, wetness streaking against the window.  Ricky will show up at the door in the midst of it, usually, a heaven-boy, the edges of him erased.

“Where’s your boyfriend?” she says to me, at some point, looking out like if she stepped off the doorstep she’d drop and spin in watery space “It’s late.  You don’t think they’d try to go in this?” she says.

“I think I would have heard them,” I say.  “Their fan belt is loose.”

My father had had a machine shop for a while across the bay in San Francisco, where
sometimes, when we still had the car, we went over to take him something or deliver a
crankshaft he had worked on to someone, the smell of the bay, as we drove, putrid smelling, the steel loops of the Bay Bridge penmanship evaporating into the sky.  Something had gone wrong, although I never did know what, and my father had lost the shop and most of everything else, sending him into a downward, free falling spiral like the birds that pitch from the sky when the fog comes in.  I know there was a woman who worked for him in the shop, a building close to the waterfront and the bay clouds, the lights inside never bright enough to really see her where she worked, she always seeming busy when we came in the back way for what my father needed delivered.  I think she was tall and brunette, but I never thought about her until Jean mentioned Hazel Dubois.

“It’s Thomas,” my mother had begun saying since then, “losing Thomas in the war.  He just couldn’t take it.  Jack’s never been able to forget it.”

She went on, now, with us waiting in the stillness, our house a slow moving ship, the horns
from the bay warning us to caution, or warning the fog, steering it past us, around us, a long, mournful vessel.

“It liked to kill him,” she was saying,  “him and his mother.  Liked to put knives through their
hearts.”

I always tried to remember Thomas, when she began, remembered him as the one who went off to the war, who went somewhere far away and did not come back, Jimma, my grandmother, saying Thomas had come to her in a dream and told her he would not be coming back.

“I think it did kill Jack,” she says, “he never was the same.”

I clear the window to see if I can see anything of Ricky or his house, listen for their car, try to see if I can see the dog, but can not see past our steps for the lifelessness of the night.  I think I hear the car, think I hear one of the doors slam, the Pontiac’s engine start up and then die and then start up again in the way Jean has of trying to get it going, not able to pump the gas peddle enough when the engine first turns over.  I listen for the slip-whirring sound of their loose fan belt, know they will not make it out of the Bay Area, listen and think I hear, like something distant and small, finally, them starting off, imagine Jean telling them all to get the hell in while she has the damned thing started, imagine the Pontiac rolling down the street past the warehouses at the end, the turn signal bleating red inside the curtain of dampness, and them coasting off in the direction of the bridge, Jean not having any idea where it or Missouri is.

“I think they left,” I say.

My mother looks at me from her reverie within the blank screen of window.  “Well, that’s love for you,” she says.

“I think I ought to check on the dog,” I say.

“I think you ought to leave things the hell alone,” she says.  “Who made you God?” she says.

I know we are leaving soon, too, although my mother doesn’t have any of the details worked out; know we don’t have any money.  I think of us when things started going wrong, when we were driving back from San Francisco with it glowing behind us beautiful and as though something risen and separating from its drab bay side, a spirit leaving a tired body, beauty casting off awkwardness.  I think of us stopping in San Leandro at the outdoor Laundromat, my mother putting my father’s dirty work clothes slick and bulky through wringers, the smell of detergent and the bay air blowing over us, San Francisco and the Golden Gate Bridge backdrops against a misty, setting California sun, my father no doubt already part of the city’s lifted and shining essence, the liberation of new horizons.

She starts packing, gets up and begins putting things in paper bags, pillow cases, anything she can find, whether she is going to put it outside or try to take it with us I don’t know, how we are going, I don’t know.

“Throw all of his goddamned things away,” she says, and starts pulling food out of the
refrigerator, although I’m sure there is nothing there of his, breaking things so that there is
ketchup and salad dressing all over the floor.  “They’ve gone, too,” she says after a while,
leaning heavily against the sink, her fingers red with food coloring whose bottle has broken, or she has cut herself.  “Goddamned if they haven’t gone, too.  Goddamn all of them,” she says and sinks, crying, to the floor.  “I hate this fog,” she says, not looking up.  “It feels the same as my goddamned heart.  I don’t know where to go, or what to do.  I told him I would die if he ever did this.  I feel like I’m dead,” she says, and then cries again.

She sits there like that, not moving.  I try to comfort her but don’t know what do, myself, my
own spirit void and hurting, the breadth and scope of the grayness outside too much for me now without Ricky to assure me there is an end to it.  It swipes against the windows as if wanting in, as if trying to work its way through wood and glass, melt me away with it for my own spiritlessness, my own drabness and nothingness.  My mother eventually gets up and continues putting things into bags, not bothering to clean the floor, walking back and forth over it, tracking up the house.  Then she falls asleep, her head on the arm of the couch, her hands and feet still stained and soiled.

I had listened more intently for the cars at night since my father had left, not sleeping well since, diagnosed their smallest failures for something to do.  That night they went by as usual, and as usual I didn’t know how they could see, pictured the rays of their headlights blunted and useless, thought of what they must be rolling over in their blindness, hoped the dog and everything else had got out of their way.  I counted the pings, the slapping of rubber, the rasping of  joints, waiting for the morning to break through, waiting for the landing of the Dead Animal Man, knowing he was being ferried with the light.

There was a boy who lived down the street at the other end, when we lived in that house, an albino boy, eyes red as a rabbit’s.  His father drove a Chrysler with one of those big V8 engines, the Chrysler’s taillights the same color as the red of his son’s eyes.

I hear the Chrysler at about four in the morning, hear it brake and then surge forward.  I look out and see nothing but a vague glow from what seems the top of the sky, a layer of
grapefruitish matter that will filter, heavy and sweet, through gray.  Sometimes the light comes from somewhere else, pushing the fog away as if it is a crowd of forms; each one hurrying for its own fears and worries.  Sometimes it lifts from the street as though from inside the earth, pulsating a tan radiance.

I feel the Dead Animal Man more than see him this morning, know approximately how far away he is.  The other sounds start up, warehouse and shipping yard toward the bay with their morning sounds, the shortcut Jean would have taken the Pontiac; Ricky and them sitting somewhere, I feel sure, the light of day pushing in all around them in more ways than one, the Pontiac dead in its tracks.  The mist is disappearing from the street, a sheet of light underneath, when he appears, his truck moving square and liquidy.

I see the dog before the truck gets to him, know the Chrysler has hit him.  I can see him in the thin line of light; see that he is lying close to where he had waited, probably not able to have understood the street from the sidewalk.  The Chrysler has run over him as if he was a rag in the street, something blown from the rear-end of a pickup.  It looks from where I am as if he is grinning, as if he had tried to bark, then decided to listen instead, hoping it was Jean, returned, the Chrysler’s V8 thundering from out of nowhere.

The Dead Animal Man rolls to a stop and gets out.  He is large and seems slower than he
should, the mist keeping his movements half visible, the end and not the beginning of a motion, and vice versa, as though you are running your fingers through an image of him on a blackboard.  He breathes heavily, I can hear, and groans, or it is his truck.  He climbs onto something, taking down a broom and shovel, opening a drawer when he has stepped back onto the street.  I hear the dog’s body hit the metal of the drawer, and know it is useless to think how it is cold and wet and what else is in there.  I wonder, too, if the ticks go on living, what happens to them.

The Dead Animal Man finishes what he is doing, and pulls himself into his truck.  I see his face for the first time.  It is round and blank; ungiving as the fog at night.  He starts the engine again, and shifts into gear, the truck in motion, again, toward our house, in the darkness-emerging-from-darkness way it has, flatness from a flat-seeming dimension.  I know there are other things on the street; ducks, seagulls, see him taking his time, the truck’s lights orange for fog-sight, sweeping down with half-closed yet careful eyes, looking for what has been left behind.

When he gets to our house, he stops, the motor of the truck idling smoothly.  I think he has
taken time to drink something, has undone something and is drinking from a cup.  But I see him looking at our house, looking it over as the water-department representative looked my mother over when he had come to turn off the water.  As if she needed something and he was the man to do the job.  I’m thinking about the house, the truck’s idle outside in the dampness, silky as the ticking of a clock.  The house is not ours and not well kept even if we had tried to keep it up; there is no grass, and weeds have begun to grow over the sidewalk, the house, I know, tired appearing as its inhabitants, my mother inside, dead looking as the dog, dirtied with what she has pulled from the refrigerator, as if she, herself, has been hit by something out of a terrible dark and is bleeding life away, too.  We are a dead house.  We are hardened and fluidless, and I don’t want the Dead Animal Man to take us.

I go outside, down the steps and walkway that are overgrown, the mist rushing from me like I am something strange to behold, something come to motion before it has all the way risen and departed, Ricky’s house and the Martinez’ house visible, now, the Martinez’ house its mustardy yellow, bright this morning as a sun coming up.

The Dead Animal Man stops his cup in mid-movement, looks at me walking toward him.  His face seems rounder, closer up, his eyes unable for mine to connect with; the eyes of someone who takes dead things.  He looks at the house and back at me as though he has seen through the walls of the house, as he sees through fog, to where my mother lies.

I know we don’t have any money, but I’m thinking we have enough to get us back to Utah.  I
think my mother could find work there, and I could too, with my knowledge of cars.  I’m thinking about how you can see forever there, how the air is so dry that the only impediments to vision are waves that rise vertical and sheer and snakelike from the heat of the ground, separating like grass when you walk through them; or they dance horizontal across streets, tapering off into shimmering visions at the feet of high, beautifully visible mountains.  At night the desert air flows, clear, over you, and no matter where you stand you can see what seems to be all the stars in the sky.  I’m thinking there’s no point in going north to find my father, what would amount to trying to find the end of a street in the fog; it is never where you imagine it to be. And in Utah, at least, if something were coming, you’d know what hit you.

I walk up to the Dead Animal Man.  He rests his cup on his leg and looks at me.

“We’re moving,” I say, and walk back into the house.

 

 

Kathleen Wakefield’s stories have appeared in Salmagundi, The Alaska Quarterly, Willow Review, West Branch, Tabula Rasa, Westworld, Black River Review, Ascent, Imago, and others. She began her songwriting career at Motown Records, working with Diana Ross, The Temptations, Michael Jackson, Smokey Robinson, and The Supremes. Her songs have been recorded by James Ingram, Quincy Jones, Barbra Streisand, Roberta Flack, Frank Sinatra, Brenda Russell, Oleta Adams, and many more. She lives in Los Angeles and keeps a retreat in the Northwest where she has just finished a novel.

 

Whisper All Things

The flower shop is cooler, darker than the sticky day outside. I pull my sunglasses
up into my hair and stop just inside the door.

“Can I help you?” asks the girl behind the counter.

“No, I’m just looking.”

I don’t want to tell her that I have no idea what I’m looking for, that I have never been to a florist. I don’t know how to say that I have waited fourteen years to go to my mother’s grave and that’s what I am doing today.

My sister always takes her red roses. Always three—one for each of her children.

My mother loved roses. When my father brought them home, it was a dozen in every color
possible. They would end up clustered in the same olive-green glass vase on the dining room table. She would choose a different one as her favorite each time—pink, red, white, yellow. I walk past the Mother’s Day baskets and the teddy bears with caps and gowns to stand in front of the refrigerator cases. They are full of arrangements ready for sale, finished off with coordinating ribbons and sprays of greenery or baby’s breath.

I don’t want this. I want simple flowers to lay at a headstone.

At the register, prepared to ask the counter girl what else they have, I see a woman in the back arranging a tall bunch of long stemmed, star-shaped flowers with bright pink and white blooms.

“What are those?”

The girl turns as I point. “Stargazer lilies.”

They remind me of the orange tiger lilies that used to grow along the road near our house when I was young. I used to beg my mother to stop so I could pick them and take them home. I thought they would have a sweet, heavy scent. When she finally stopped and let me pull a few, they didn’t have any scent at all.

The girl brought some of the lilies for me to see up close. I put a creamy one up to my face and inhaled. It smelled the way I had dreamed the wild tiger lilies would.

“I want three.”

~

The day my mother died, she didn’t pick us up at school. She called and told the
school that she would be late, that her mother would come to get us and we would wait
with her. She asked to talk to my sister and cried on the phone. Stephanie was still
crying, her eyes red to show how much, when she came to tell us.

Huddled like conspirators at the top of the porch stairs behind my grandmother’s
house, we waited with expectant silence.

“Mom should have been here by now,” Steph said.

“It can’t be five yet,” I answered, still too young to own a watch, “It’s not dark enough.”

“It has to be. I’m hungry.”

Jesse, always the little brother, dug his fingers into the nearly empty tub of prunes.

My sister scooped out two more, one for me and one for her, before letting the waxy cardboard disappear into our brother’s arms. He wrapped it safely against his chest. The Diet Pepsi made one more pass before the last drops rolled down my throat.

“I’m still thirsty,” I said, knowing they weren’t listening.

We were all staring at the yard and the shadows forming across it as the blue in the sky started to fade. The breeze that had made me turn my face up to the sky earlier was now getting chilly and made me want to be at home—warm inside the house and waiting for dinner.

“Mom’s late. She’s always late.” My sister’s voice was clipped, like she couldn’t get enough breath. It sounded like an answer, but no one had asked a question.

It was true. Late was normal for her. She would drink a beer too many, forget the time, and fly down the road to us at school. I had even stopped listening for our number in the carpool line because so many afternoons found us trooping across the school grounds to the convent where the sisters lived, all the other staff having left for the day. They would always call home first, as if she might have forgotten that we existed. Some of those calls found her at home, unconcerned, long after the lines of cars had deserted the parking lot.

“She’s just not coming,” I said. “She forgot us.”

“She never forgets us. She always comes.”

I looked at the ground below us. Steph was right; she always came, no matter how late. No matter what else either—drunk or angry, happy or sad—she was always there. I never knew who would be behind the wheel at the end of the day—which mother. The angry mom usually told us to pile three in the back so she didn’t have to look at us. That also meant quiet. Any noise meant there would be yelling, someone would cry, and she would reach for the leather belt neatly rolled in her purse—all while maneuvering the car near sixty.

But there were other days. Days when she pulled into the empty pre-dinner parking lot of Mr. Dee’ s, her favorite barbecue place, and we would eat dripping sandwiches and deep-fried onion rings before 4 o’clock. We would sip Cokes in red and yellow plastic booths that gave loud squeals as we climbed in and out of them. She laughed with us and told us jokes we were too young to hear.

“Your mother will be here,” our grandmother said through the open kitchen door, putting an end to the conversation.

~

Driving down the road with the heavy scent of lilies hanging in the hot, May wind, I wonder why I have waited fourteen years to go back to the cemetery. I could have gone with Steph. She goes every year. I could have gone alone once I was old enough to drive. But I never did. I have always remembered this day, the anniversary, and I have always spent it alone, quiet, holding everything in. Almost like I was still waiting for her to come home.

I think I decided to make this trip when I found the death certificate I had never before seen. For so long, I’d held onto the child’s dream that she wasn’t really dead, that she would come back some day. I needed the paper to make it real. I found it in an old family album. The pages were thick, black paper with little pockets to hold the photographs, browning with age. Snapshots mostly, her parents in childhood scenes—a rope swing at a lake, a family drive in the country in what looks to be a Model T. The certificate was flimsy and white. I ran my fingers ran across the ridges and bumps of the county seal.

I opened the tri-fold and read: Diane Lynn Jacobe, May 8, 1987, single-car accident, approx. 5 PM.

I did not blink, and I could not feel the page in my hand.

I wanted more than the words. The police report said a cigarette and the dash lighter were on the floor, that she wasn’t wearing a seatbelt, that she went through the window when the car hit a telephone pole. I have known these facts since she died. They do not tell me what I want to know. I imagine her crying as she leaves the house, hot tears blurring her vision.

Maybe she drops the keys in the gravel and kneels to search for them, the rocks stabbing through her jeans and leaving marks that never heal. She gets in the car, somewhere between hysterical and drunk. She forgets the divorce papers under the seat, which the State Police will later return to my father unsigned in their manila envelope. Less than a mile down the narrow road, she decides to light a cigarette. It will calm her–it always does.

The tears are drying now, alcohol or sobriety gaining control over emotion. I imagine her reaching for the dash lighter and see it slipping. Imagine glossy soft pack of Merits falling on the floor. She looks down. She reaches. She knows this road. She knows how to drive with vision hazy from tears and beer.

I don’t want to picture her after that–the fear, the rush of trees and the telephone
pole. The wide field that may be road. Did she know? She must have seen the coming
because there were skid marks. She tried to stop. I don’t want to think about the
broken windshield, her body in the grass, the blood. I don’t want to ask if she felt the
impact, the crash of the glass. I cannot let myself think that she could have laid there
knowing what had happened.

What I want to know is this:did she think about us. About all the other times this could
have happened? Did she think about the past or wonder how she would heal, believing
she would live? The police report says she died on impact, but how could they really
know?

~

Grown now and behind the wheel of my own car, I am traveling backward. I
Begin close to my old school, By her mother’s house. The places she didn’t see that
day. I drive on the one road into the rural county where we lived then, the road she
never made it to. I never drove these roads, too small when we moved away and no
reason to come back. I am coming to the road—her road—and I turn, even though it’s
not the way to the cemetery.

I never knew where she died; our father would never say and the county gave us house
numbers long after. For years after I searched each telephone poll along Rural Route
694 for signs of an accident, checked the pavement for skid marks. That’s what I do
now. I pass the same houses, fields of wheat and corn and hay that she must have
passed. These were the last things she saw. Some of them. Somewhere on the road, I
pass the place where she died . I want a marking place, something to label—it began
here.

~

It was dark when I woke that night, lifted from bed by big hands. I knew my father in
the dark, his cologne, the shape of his lap. I felt safe. I sighed as if I had been awakened
from a nightmare. I took handfuls of his shirt. My fingers twisted the buttons, found
the gaps between them. My hand fit there, and I felt the warmth of his skin. When I
opened my eyes and blinked sleep away, I saw light slanting sideways across the room,
making him a silhouette. I thought I heard crying behind me, behind him.

I couldn’t see his face.

“Daddy? Daddy, where’s Mommy?”

“In Heaven with Jesus.”

I felt tears in my hair as he pulled me up under his chin. It is the only time I’ve
seen him cry. Even at the funeral, he didn’t cry. He held me in his lap because I couldn’t
feel my feet on the ground to walk. I don’t remember falling down but he must have
known because he carried me down the aisle to the front pew. I walked behind the
coffin, holding his hand with both of mine as we left the church. I watched as my uncles
fed the handrails onto the runners in the back of the hearse. The white curtains swung
against the coffin as they closed the door.

At the cemetery, green cloth covered the mountain of dirt missing from the dark
pit. The coffin was suspended high above it, out of my reach, on a silver frame that left
room for me to stare into the dark. A green tent kept the rain off my head. I sat in a
cold metal chair–a folding chair like in assemblies at school. People walked by and
touched me, as if they could heal me, put back the piece of myself that was gone. The
priest moved his mouth, but I didn’t hear him. All I heard was the slow, mechanical,
slightly rusty grind of gears as they carried the coffin into the ground. . I looked away
when the coffin’s shiny silver frame was the only visible sign left.

~

This cemetery sits beside US 301 as it winds toward Maryland and the
Chesapeake. I park in the empty lot beside the office and find her just beside the tan
gravel walking path, a flat, bronze marker with an inset for a vase. I’d expected a
headstone, though none of the graves have them. I wanted something to wrap my
fingers around. I kneel or maybe my legs just can’t hold me up, seeing this—her. I
want to dig my arms into the dirt. I don’t know if I am breathing or how, and before I
can stop them, tears are on my cheeks. My mouth is open, but my throat is choked
closed. No sound can come out.

I clean away fourteen years of nature and weather on that marker with spit, the
way she used to wipe my face after mud pies or a fall from a swing. My fingertips are
stained red and brown. When I lick them to scrub at the ridged letters spelling her
name, they leave a metallic bitterness on my tongue. I don’t stop until each letter and
number looks new. I think the years I’ve stayed away won’t matter if I can clean her
grave.

I pick up the lilies I don’t remember dropping. Maybe I just let them
go as I cried or when I knelt. I strip away the wrapping the flower shop girl tied so
carefully with a pink ribbon and place them across the bottom of the marker. I leave her
two stems and set the third one aside. I want to take it home and hold onto this scent,
this moment.

The wind dries the tears on my face as more roll slowly down. My fingers trail across
her name the way I would touch her face if I could. Tenderly. Uncertainly.

“I don’t want to be a ballerina anymore,” I tell her. “And my front teeth finally grew in.”
I tell her how much has changed and I find myself saying things like “but Steph probably
told you that” or “do you remember her?”. I say “I’m sorry I stayed away.” First I lie,
saying, “I’m not mad. Really.” Then I pound on the earth below the marker and
demand to know how she could have left us, what could I have done. I say “I needed
you and you never came home.” I tell her I spent my life looking for her face in crowds
of strangers.

Then, I stretch out next to her grave and prop my head up with one arm so I can lean
down and whisper all the things I would have told the mother I imagine.

 

Monica F. Jacobe is a fiction and creative non-fiction writer based in Washington, DC. Her creative work has appeared in The Ampersand and Prism, among others. She holds an MFA in creative writing from American University and is pursuing a doctorate at The Catholic University of America. A teacher of all kinds of writing, Monica currently teaches for the English Department at Catholic University, the AU/NTL program at American University, and the Capitol Hill Arts Workshop. She also runs a reading series for DC writers at Riverby Books. Monica is hard at work on a novel, revisions of a collection of essays, of which Whisper All the Things is part, and scholarly writing about literature.

The Sun, the Moon, and the Baby

“The sun and the moon could have been fighting.” Doña Luz pursed her lips in concern.

I breathed out, grateful she blamed heavenly bodies.

“An eclipse, Laurita. Without you even knowing!”

I nodded. For a moment I let myself indulge in believing this. “I’ll check my calendar. See if it happened on an eclipse.”

A woman in a blue flowered apron and long braid walked down the dark corridor of the market toward us. Doña Luz lifted herself carefully up from the chair and hugged the woman, who then turned to greet me, excused herself for interrupting, and said she needed a pot.

Doña Luz burrowed her head into a pile of precariously balanced breakables and emerged
moments later with a large aluminum pot. Her tiny market stall overflowed with woven tortilla baskets, wooden spoons, chocolate stirrers, clay dishes, metal cookware. It was a
comfortable place, like an attic converted into a cozy living room and plunked down in the
corner of a market. Years earlier, when I’d lived here in Huajuapan teaching English and doing research on childbirth practices, she’d treated me as a granddaughter. Whenever I’d needed a grandma she’d given me big hugs, and this visit—my winter vacation—was no exception.

While the women examined the pot, knocking on it and cocking their heads to judge the echo, I sat on the doll-sized guest chair and thought about the sun and the moon fighting. It didn’t surprise me that Doña Luz had shaken her head and clucked at a half-hearted explanation involving random microscopic causes. Wandering outside during an eclipse seemed much more likely to her. Menstrual cycles do correspond to lunar cycles. I liked this explanation, so poetic and mythical, with forces astronomical and ancient affecting my body.

Back home in Colorado everyone—the midwife, my mother, my women friends— had assured me it was a random event. “One in five pregnancies ends in miscarriage,” they chimed. “Lots of women don’t even realize they’re pregnant, just think it’s just a heavy period.” No one, I thought bitterly, no one could mistake the fist-sized thing that slid out of me as a heavy period. Statistics couldn’t make it less real; they couldn’t absolve me.

After the customer left toting the giant pot, Doña Luz settled down across from me in her
chair, smoothing her apron over her knees. “Or, Laurita, maybe it was a cold wind that struck you.”

I felt glad her mind was still acute enough to pick up the conversation exactly where we’d left off. Since my brief visit the prior year, she’d become thirty pounds skinnier, her hollowed cheeks and thin voice betraying a severe bout of anemia and stomach infections.

I nodded. Her furrowed eyes sifted through seventy years of life experience.

“Or”– and here she grew excited– “you could have passed by a heavy place, where an evil wind struck you. You travel so much you might not even know which places are heavy!”

For five months—since August– I’d tiptoed around some explanations, one in particular, and tried unsuccessfully to embrace others. My fear now was that my pregnancy had been a fluke, a one-time shot and I’d blown it. I blinked back tears. “So what should I do?”

“Prepare your body, my daughter! Do a limpia with herbs. Put the heat back in your womb.
Wear a red strip of cloth around your belly. And don’t leave the house on an eclipse!”

The first woman who ever talked with me about her miscarriage was in the same rural Mexican town, about five years earlier. At that time, sex was all about not getting pregnant. I wasn’t sympathetic. I thought of her fetus as an it. She was a custodial worker at the university. She had taken a series of herbal steam baths with an old woman up the road. “To bring the
heat back to my body,” she told me. “After I lost the baby, my womb was left cold.” I took a
steam bath with the old woman, not out of a concern for fertility, but curiosity, and to relax
my muscles.

Two years later, during my Masters research, women ages seventeen to ninety-six told me
how after giving birth, they’d entrusted their raw, vulnerable bodies to the older señoras who “cooked” them with steam and herbs. The consequences of failing to restore heat were disastrous: headaches, teeth falling out, chronic stomach pains, bloated bellies. One middle-aged woman told me with regret that a cold wind had penetrated her back while she was pregnant and stayed there, throbbing to this day. Another woman attributed her neighbor’s infertility to injections with cold needles and sitting on chilly ground. Although I dutifully recorded their experiences, I didn’t understand that one’s body could become a cold, inhospitable, unwelcoming place.

My miscarriage had a ridiculous soundtrack: bluegrass. Knee-slappin’, yee-hawin’, chicken
dancin’ blue grass. Last July my old freshman roommate Mara was in town. For months she’d been planning this trip from her flat swampy New Orleans home to the Rockies. She’d hiked here with other friends from our college days and wanted a nostalgic re-play of her earlier visit. For Mara, the mountains were pathways to heaven, metaphors for life and love. Months before her trip, she called me to make eager plans, her Southern twang bursting with squeals and sighs. She sent me daily e-mails confirming the three bluegrass festivals we’d go to, the rivers we’d raft, the mountains we’d climb. In July I hesitantly e-mailed her that I was pregnant, hoping she wouldn’t feel disappointed doing less strenuous versions of our original plans.

I was eight weeks pregnant at the first festival. I had never listened to bluegrass much
before, but associated it with happy outdoor things, mountains and sunshine. My husband,
Ian, Mara, and I sat in lawn chairs in a shallow stream and watched people wading through the sparkling water: pregnant hippie women in halter tops, mothers with Mayan slings toting rosy-cheeked tow-head angels, naked toddlers building sand castles. Mara and Ian tapped their feet and sipped their microbrews and I dutifully ate my high-protein peanut butter-apple snack and wished my stomach were round and full enough to smooth my hands nonchalantly over its taut skin. By October, I would look like that.

I counted months constantly, estimating the stages of the warm dark world inside of me,
moving my fingers in their secret patterns. When would the queasiness end? I’d ask myself. When would the delivery happen? When would the baby’s ears be fully formed? When would she transform herself from what my pregnancy book called a “miniature seahorse” into the promised big-headed baby?

As freshman roommates ten years earlier, Mara and I would stay up late in our narrow beds, talking tirelessly, examining our romantic flings from every possible angle. On her most recent visit, I’d listened to her boyfriend problems with detachment. Birth had become the center of human experience. Across the cultures I’d studied, motherhood bonded women together, sometimes transforming them into goddesses, saints, heroines. After years of living with Mixtec families, where women my age—twenty-nine— already had four or five children, my childless state felt unnatural. On our most recent visit to Mexico, at least a dozen times daily someone asked Ian and me when we would have our own children. “Mira, Laurita! Look at your husband!” my pregnant friend whispered as we watched Ian spinning her nephew in circles, making airplane noises. “You can tell he wants a baby!” For years I’d had the visceral urge to hold a small soft creature at my suddenly useful breast. That summer— the start of the limbo between my Masters and Ph.D. fieldwork—seemed the perfect time to begin.

Mara’s idea was to use the hike up the fourteen thousand foot mountain as a healing ritual to spiritually recover from a recent failed love relationship. The midwife had given me standard advice: “If it’s a sport you did before the pregnancy, it should be fine to continue through the first few months. Just stay hydrated.” If I had asked Doña Luz, she would have said, “Ayy, my little daughter! No! No! What about the cold wind on the mountain top?”

I’d gone hiking at high altitudes before the pregnancy, but only once a month and my legs would always ache for days, even after many Advil and hot baths. My pregnant body didn’t want to hike, but this was Mara’s long-awaited visit, and I was determined not to let my paranoia mess it up.

On the hike, Mara brought along a blue-purple kite to fly at the summit to symbolize her freedom from the ex-boyfriend. The first mile and a half was a forty-five degree incline upward, no zigzagging, just straight up. She talked about her relationship issues, and I made comments here and there. My mouth felt parched, not just from the dry air, but from anxiety. Was I overdoing it? I’d read that as long as you can hold a conversation while walking you’re alright. So I kept walking and sipping water and asking Mara questions periodically to see if I could still talk. After a half hour of hiking up the incline in open
sunshine, we entered shady woods. At that moment, with the step into the shadows, my lower belly tightened sharply. The squeezing sensation made it hard to stand up straight.

“I need to stop a minute,” I whispered. Calm down calm down, I told myself. Mara showed concern and kindness but not alarm; I suspected that since I wasn’t showing, she didn’t really think of me as pregnant. We sat on a log and I sipped water. After ten minutes the pain subsided a little, and I decided to walk it off—what else could I do? Women’s bodies were designed for carrying babies, I assured Mara; a few small cramps here and there were probably normal. We hiked for another hour or two, more slowly now, and she talked more about her ex-boyfriend while my mouth grew drier. Near the top, the pines ended and the land opened up, treeless now. Rocks and tiny shrubs and mosses huddled close to the ground. A lunar landscape. The wind whipped at us, blew the hats off our heads, knocked over the water bottle I’d placed on the rocks. I lay down and pressed myself against a flat boulder, trying to escape the wind. The blue-purple kite darted around the sky, and Mara played and danced, enraptured, free of the seedy boyfriend. I put my cold hand on my flat belly under the flimsy nylon jacket. The wind howled, a lonely moaning wind you might hear in movies set in post-apocalyptic worlds, devoid of life except for a few hardy primordial mosses.

This was the howl of the fetal heart monitor as the midwife moved it over my belly several days later, looking for a heartbeat. She systematically glided the metal instrument over the skin between my jutting hip bones, and listened to the sounds of my belly magnified. “The wind sound,” she murmured, “is your blood flowing.” For a long long time she searched, pausing every once in a while, trying to tell if a sound was static or a heartbeat. Her head tilted sideways, her ears alert as a dog’s. I closed my eyes and focused on taking one breath after another and not letting the tears well up over the sides of my eyes.

A few days later an ultrasound confirmed it. The fetal sac had already begun to shrink, to reabsorb into my body. Now it was only the size of a five week sac. The midwife hugged me. “This just means your body is functioning correctly, Laura. It recognized that something wasn’t perfect, so it ended the pregnancy.”

These assurances of randomness seemed like a well-meaning plot to absolve me of blame. Explanations involving the sun and moon and wind seemed more believable than the idea of miniscule chromosomes splitting awry. Yet the explanation I really believed, which I was terrified to admit, was the hike up the mountain.

The second bluegrass festival was a few days after the hike. Mara had spent the night at another friend’ s house, so Ian and I drove to the festival to meet her there. I cried the whole way, although at this time I hadn’t had the ultrasound yet. Still, I knew. My breasts no longer hurt; in fact, they seemed to have shrunk. They looked like little girls’ breasts compared to their earlier round moon swell. No longer did I feel lazy and queasy in the afternoons; no longer did Indian spices turn my stomach. Reclined in the passenger seat, I hit my breasts, trying to make them sore again. And yes, I did feel nauseated, but that was probably from the twisting mountain roads.

It rained most of the festival. We sat on the blanket, soaked and cold and shivering. I stole glances at a toddler with white-blond curls and a purple corduroy dress who clapped her hands and danced, catching raindrops with her tongue. For the first time I understood the rural Mexican idea of giving a child “evil eye”—an affliction inadvertently imposed by an adult who gazes at a child or a baby with too great a longing. No one noticed my struggle not to look at the girl. Ian kept his arm around me, comforting me, although he still didn’t think our baby was dead. Even after the test results confirmed my miscarriage, he didn’t cry, because for him the baby was just a miniature seahorse, a little tadpole creature that didn’t have ears yet.

By the third bluegrass concert the following night, I’d made the ultrasound appointment and resigned myself to waiting. A pool of sadness settled quietly in my belly. I hadn’t told Mara about my fears—it might have ruined her vacation. She chicken-danced and flapped her elbows and bounced up and down. I wondered how many other people there felt a settled sadness, for one reason or another, and what they thought of these people flailing their limbs around.

Almost two weeks later I was sitting on a kitchen chair, watching Ian fry onions when, after hours of especially persistent cramps, something slid out of me. “It came out,” I told him. I didn’t move, afraid to look. Would it have recognizable body parts? Images from sci-fi movies swarmed in my head—slimy alien creatures emerging from women’s bodies. I could almost hear the X-Files soundtrack playing. In a daze, I stood up, light-headed from the smoking oil, four Advil, and blurred days of dull pain on the sofa. As I waddled to the bathroom, the thing weighed down my underwear. I sat on the toilet, took a deep breath, and looked.

In no way did it look like a baby, or even a miniature seahorse. It had more in common with an organ—a kidney or liver. I called Ian into the bathroom. Our horror morphed into curiosity as we examined it, speculating on its various textures. Was this part the placenta? Was there any remnant of a fetal sac?

I carefully filled a mason jar with rubbing alcohol and dropped the thing in, as the midwife had instructed. I tucked the jar into a brown lunch bag. Several days later, the midwife translated the lab report. It had been a cluster of vessels and tissue from the uterine wall—the baby’s future feeding apparatus, now rendered useless.

Doña Luz’s name means “light” and she is light in the lives of everyone she talks to. Her eyes are crinkly and warm and grandmotherly even after her sickness. In my interviews several years ago, I found out that when she was about thirteen a man in her town raped her, and when her father found out he went to the man’s parents and made them force him to marry her. The man got her pregnant, brought her far away to Mexico City and abandoned her. She gave birth to the baby—her only son—and sold cigarettes and candy on the street with him strapped to her back. They eventually made it back to her home town, and over the years her sorrow transformed into warm wisdom.

At one of my follow-up blood tests the midwife told me, “Now you’ll find you belong to a group of women who have experienced this kind of sadness. You’ll find you can connect with them and understand them.”

I don’t know if I’ve gained any of Doña Luz’s kind wisdom, but I do think I can connect more with other women who have had losses. I’ve always thought of my baby as her, even though later, a well-meaning doctor friend told me my baby had been a soul-less it. I can concede that the tissue that came out over a week after she died was an it. But the baby had reabsorbed into my body. I’ve heard that other women, too, find comfort in this. A woman I work with told me she was going to plant a tree in honor of her own lost baby. Wind chimes outside my living room window are a memorial to mine.

I continue taking my twenty-six dollar a bottle prenatal vitamins. It’s been nine months since the conception, seven since the miscarriage. My fingers continue to move in their special secret pattern. I count months off silently—in line at the store when I see a mothering magazine or on the sidewalk passing a pregnant woman. I tap out the months on the tables at restaurants when I eye a newborn in a blanket and then look  superstitiously away. Right now I would be waddling along with my hands on my
belly, feeling kicks and hiccups.

I didn’t tell Doña Luz about climbing the mountain in the cold wind. I let her think I accidentally passed a heavy place or innocently got caught in a fight between the sun and the moon. That day at the market two months ago, she gave me a big hug and sent me off with a gift—a beautiful lopsided clay incense burner. Back at home in Colorado, a week later, I gave my apartment and body a limpia—spiritual cleaning– with sweet copal smoke. I sweat in saunas and visualized the heat and steam warming up my womb. And finally, yesterday, I checked my calendar for eclipses. There was one, about a week after the
conception.

After seeing again, this month, the heart-sinking blood stain, I’ve decided that tomorrow I will buy a strip of red silk to tie around my hips, as Doña Luz recommended. Meanwhile, I imagine life and light inside me, heat, a comfortable warm place where a baby will want to live for nine months. Welcome, welcome, welcome, I tell her. Maybe this November she will be born. I count off on my fingers and avoid eclipses.

 

Laura Resau‘s first novel, entitled What the Moon Saw, is scheduled to be published in Fall 2006 by Delacorte Press. Her essays and stories for young people and adults have appeared or are forthcoming in magazines including Brain,Child, Cicada, Cricket, Skipping Stones, and Matter, as well as anthologies published by Lonely Planet and Travelers’ Tales. She teaches English as a Second Language and Anthropology at Front Range Community College in Fort Collins, Colorado.

This piece was previously published in Brain,Child magazine.

Deep Eddy

In the morning it had been raining, and they had gotten in behind a senior citizens caravan, all in big recreational vehicles, all from Washington. Jon Dunham had been whipping down the road, heading south, sliding in and out between the campers, and every time he passed he glanced over at his wife, Deborah, who apparently expected them to get hit by one of the big mining trucks that were rumbling north. Every time Dunham pulled out to pass, Deborah clutched the dashboard and tapped the floor with her foot, searching for a brake pedal. There were 64 campers in all, big and small, and Dunham knew they must all be together because of the big red decals that each vehicle had on its rear. Once they got past Whitehorse, though, the rain stopped and traffic seemed to let up, and Deborah was able to relax and stop gripping the dashboard and tapping at her brake. She fell asleep.

She awoke sometime later as Dunham pulled off the road, a small cloud of white dust blowing up and around them. As it cleared Dunham could make out an overflowing red litter barrel, and, beyond that, a valley. A range of mountains rose on the other side of the valley, shaded by clouds. A motor home and a mining truck went by, heading west, north, blowing in more dust. Everything seemed much drier.

Deborah put her hands over her face, still half asleep. She asked, “Are we there yet?”

“Those are the Cassiars over there, I think,” Dunham said. “And that river, I guess, is the Rancheria.”

Deborah sat up and looked away at the mountains. “How much farther to Fort St. John?” They had stayed in a motel in Fort St. John on the way to Alaska: hot showers, firm mattresses, cable tv, telephones, air conditioning.

“Fort St. John?” Dunham shrugged. “I don’t know—maybe 900 miles. We might make it by tomorrow if we push it.”

Deborah sat back rested her head against the window of the truck. The weak sunlight cast a shadow across her face.

“Then let’s push it.”

Dunham waited a moment. “You’re not getting out?”

“No.” She sounded serious.

Dunham shrugged and opened the truck door. He collected five bottles—three Labatt’s and two Cokes—and a wad of the Fairbanks newspaper from under the seat and carried it all over to the trash barrel. The turnout was at a bend in the road at the top of a bluff. Below, the Rancheria River twisted through a wide marshy valley and disappeared off to the northwest. Cloud shadows scudded over the valley. The Cassiars were light gray. Between the turnout and the mountains a single cloud was dropping rain, dark gray streaks that settled into the haze. A car with its headlights on went by, blowing dust, heading north to Whitehorse. Yukon plates. Dunham walked back to the truck and leaned in.

“I have to pee.”

Deborah said, “That’s great.”

The slope of the bluff was steep and somewhat slippery. It was damp but not muddy, covered with hard pale gravels that rolled out from under Dunham’s feet. Dunham rested against a burnt-out stump and caught his breath before sliding the rest of the way down the slope. At the bottom there was a fire ring made of gathered wild stones. Ashes, some beer bottles, and a half-burned throwaway diaper were in the ring. Logs had been rolled up close for seats. A path led down to the river.

Dunham stood up close to a pale green bush and urinated. A big truck of some sort headed south on the highway, and dust swirled at the top of the bluff.

In the silence that followed the truck Dunham heard the river. He buttoned his jeans and followed the path, scrambling over a deadfall and splashing across a little creek coming from the north. The creek disappeared into a thicket, but further ahead he caught a glimpse of open water. He climbed over another dead fall, ducked under some alders, and came out on the banks of the river.

The Rancheria came out of the southeast, headed toward the bluff, and turned suddenly to the west. It flowed past Dunham’s feet and turned on into the south, dropped into a riffle, and disappeared behind some brush. At the base of the bluff, where it turned, there was a logjam and an eddy. The creek seemed to come in there. The water below Dunham was shallow and clear with a sandy bottom. Two smallish grayling cruised the base of the pool.

Pretty water, Dunham thought. Wild fish.

Those grayling have never seen a fly.

I am the first man to see them.

Dunham ducked back under the alders and re-crossed the dead¬fall. He turned and followed the creek, splashing through its dark tunnel until he came out at the logjam.

Deborah was sitting in the front seat staring off into space when Dunham opened the back of the truck. He got a beer out of the cooler and walked around to the driver’s side and got in.

“You must’ve had to go pretty bad.”

“I was looking at the river.” Dunham twisted the top off the bottle and took a long drink. His pants were wet from the knee down and there was a scratch on his face.

“I was looking at those stupid old people,” Deborah said. “All those campers from Washington—they all passed us.”

“I saw this huge grayling,” Dunham said. “I want to see if I can catch it.”

“Those old people from Seattle just passed us,” Deborah said. “Most of them—maybe all of them. They blew dust on me.”

“We’ll pass ’em again,” Dunham said. “They drive slow.”

“Yeah, and they’ll slow us down.”

“I’ll go catch that fish and let ’em get way ahead of us.” Dunham smiled, but his smile faded when she just stared at him.

Deborah said, “You’ve caught enough fish already. Okay?”

Dunham looked away and began sorting through the pile of maps on the seat between them. “Okay?”

“No….” Dunham found their battered copy of the Yukon guidebook and started thumbing through it. He looked up. “No, really, hon, this grayling is enormous—he’s never seen a fly before. Nobody’s seen him before. It’s like a whole new world down there.”

“Sure. Right off the road.”

“Yeah—isn’t that great?”

Deborah sighed and looked out the window. Two more clouds were dumping rain somewhere near the mountains.

Dunham found his place and started to read. “’DC 663.4…’ hey, I was wrong. We’re only about 600 miles from Fort St. John. Six-sixty-three from Dawson Creek.”

Deborah laughed, exasperated. “Well, hell, then, let’s get going.”

“No, wait….” Dunham began reading again. “’DC 667—”

“Shit, four more miles already?”

“’DC 667…Litter barrel with view of the Rancheria River to south.’ That’s us.”

“Great, so now we know where we are. So let’s go, okay?”

“No, wait…’Rancheria River, fishing for bull trout and grayling.’ Well, I guess. The grayling are there, at least.” Dunham looked up. “You should see this grayling I saw, hon, it was huge.”

“There’s no such thing as a huge grayling,” Deborah said.

“It’s bigger than any we saw in Alaska. Over 18 inches, easy.”

“That’s not a huge fish.” Deborah shifted in her seat, turned to face Dunham. He was looking back at the guidebook again, squinting, sunburned skin flaking off his nose. Deborah reached for his beer and took a sip.

“It’s warm,” he told her. “We’re out of ice.”

“Jon,” Deborah said, and then paused. Then she started again. “Jon. I’m really tired. I’m even tired of looking at—trees. You know? Everything looks the same. We’ve driven something like eight thousand miles in the last—”

Dunham looked up form the guidebook. He said, “More like about six thousand, hon.”

“Okay! So it’s six thousand. I don’t really care—I just want to get to wherever it is we’re going today, and I want that to be just a little closer to home than we are now. I mean, I guess—I just wish you’d have a little more respect for my feelings. You know?”

Dunham smiled at her and reached over and squeezed her hand. “Baby, hang on, it’ll just be a few minutes. This fish has never seen a fly before.”

“You don’t even keep the damn things!”

He got out of the truck, shut the door, and leaned in the window.

“You want to get out and watch?”

“No.”

“Sure?”

“Yes, I’m damn well sure.”

Dunham took a step back. She was angry. He thought of the trip out: prairies, plains, grasses, rivers, badlands, rivers, mountains, rivers, trees, rivers, trees, bridges, trucks, mountains, glaciers, more trees, more rivers, good roads, bad roads, old people in RVs—ten days from Dallas to Anchorage, two weeks in Alaska, and now they were still at least a week away from home.

She doesn’t get it, he thought. This is—everything.

“You know,” Deborah said, “it would’ve been a lot easier if you’d just left me back in Whitehorse—then I could’ve caught a flight home and you could dick around in the woods and play Lewis and Clark all you wanted.”

“No.” Dunham took another step back and shook his head. She could be so damn stubborn. “I mean, it’ll be just a few minutes. Then I’ll come back and drive like hell. We’ll pass the old people. We’ll make it fine.”

“I don’t think so,” Deborah said. Dunham ignored her and walked around to the back of the truck. Dunham could see her twist rearview mirror around so that she could watch him, but he still ignored her and got busy digging in his fishing gear, pulling out a rod, a fly box, some gadgets. When he looked up again he saw her pour the rest of the warm beer out the window.

The river came straight at Dunham and then turned, the main current curving toward the south and back into the east. In front of him was the eddy, a small current circling around and around, out of the main river, against the bank, along the little sandbar the creek had deposited under the logjam, and back out into the river. Pretty water, clear and cold, reflecting the sky, the trees, Dunham.

The water here was deep. Dunham looked through the reflective surface and could see down into green shadows. This was probably where the fish in this section wintered over. The ice would come, and the snow, and the fish would hold near the bottom in the dark, locked in, waiting quietly for breakup.

A big grayling came up out of the green—getting bigger and bigger—and took a bug, a grayish-tan caddis fly of some sort. It made a little slurping noise and settled back a foot or so in the water. Two other, smaller grayling appeared and hovered off to the left. They all could stay in the eddy as long as they wanted and food would always be swirled right up to them.

Dunham blinked.

Grayling look up, he thought. They like to take flies. Dry flies. Good, good. He doesn’t know I’m here—he doesn’t know what I am if he did know I was here. Very good.

Dunham’s rod was already rigged, a size 14 Adams at the end of his leader. He stepped to the side to put more of the bush between him and the fish. There wasn’t much room to cast, but he didn’t need to cast far. He worked out a little line and slop-rolled a cast into the eddy. The leader straightened out just enough and the fly dropped softly onto the water.

It was very easy. The eddy brought the fly to the big grayling, who spotted it, rose, looked at it for a second, finning back in the water, and sucked it down.

Dunham set the hook and smiled. The shocked grayling jumped, bored out to the main river, quickly jumped twice more, then again, and then tried to go deep. The leader was heavy, though, and Dunham pressured the fish, keeping him near the surface of the eddy. One more jump. Then Dunham, out from behind the bush, was leading him up onto the sandbar. It was very easy.

Dunham knelt over the surprised-looking fish and picked it up. The grayling was slick and iridescent, gleaming in the sun¬light, green and bronze, heavy and fat. It gasped in the air, trying to breathe. The big dorsal fin was swept down but Dunham ran his finger along it, pulling it up. A big, big fin. He measured the fish against his rod, and it covered the writing right up to where it said “5 Weight”—maybe 18, maybe 19 inch¬es, easy 16 or 17, 20 when he would feel like lying.

Dunham removed the fly and got the fish back in the water, holding it by the tail. In a minute or so the fish wiggled and Dunham let go. The grayling shot back into the eddy and went deep.

It was then that Dunham heard his truck’s horn. Back up on the bluff Deborah was really leaning on it. He stood up.

Dunham found Deborah standing by the tailgate of the pickup, her big green flight bag beside her. She was saying something to a stout middle-aged woman with short-cropped gray-streaked hair. She flashed a quick, distracted smile. The woman was starting to say something to Deborah when she noticed Dunham and stopped, eyeing him curiously. Two blond children, a boy and a girl, stood next to an old station wagon with Alberta plates. The boy was throwing rocks at the red litter barrel but the little girl was watching Dunham. The headlights of the station wagon were turned on and it was parked headed north.

“Yeah, it’s about time you got here,” Deborah said. “I’m leaving.”

She picked up the green flight bag but the short woman reached over and took it from her, saying, “Don’t worry, I’ll take it.”

Dunham stared at them dumbly for a moment while he felt the bottom fall out of his stomach—his life—with a confusing, almost dizzying rush.

“Are you crazy?” Dunham finally asked. “You can’t just go off and leave.”

The blocky woman turned around and looked at him angrily. “Hey, listen, don’t you tell her what to do, okay?”

“Oh, shut up,” Dunham said.

The blocky woman dropped the flight bag and marched over toward Dunham. He watched her—march, that was the word—stepping stiffly like in a dream, and then she was there in front of him and she wound up and punched him square in the chest. Bam. Dunham stumbled back, lost his balance on the gravel, and fell hard on his butt. The little boy pointed at him and laughed.

“You don’t tell her what to do, okay?”

“What—”

“Better leave it alone, Jon,” Deborah said. “We’ve been talking.”

The little woman, Sally, kicked gravel at Dunham, and he guarded his face with a raised forearm. Now both the children were laughing.

Dunham said, “Hey, stop it!”

“You stop it, Jon!” Deborah said. “This is all your fault. Don’t you know that?”

The blocky woman opened her mouth to say something but Deborah touched her on the arm and said, “It’s okay. He won’t do anything.”

For some reason that bothered Dunham more than anything—He won’t do anything. What the hell. Nothing? Nothing? Dunham thought of their first nights, lying twined together on wet sheets watching the sun come up, planning trips, trips they actually had gone on—to Yellowstone, Alberta, Colorado, Idaho, now Alaska. How he had worked hard to have time to travel, to do what he loved, to take her with him, and how she had liked it. Well, she’d said she’d liked it, he thought. Now, though, Dunham only looked at Deborah and squinted. He said, “You can’t just leave.”

“Well, I am.” Deborah watched the other woman pick up the flight bag and carry it over to the station wagon. The little boy helped her fit it into the back. The little girl folded her arms across her chest and stared at him, frowning.

Dunham asked, “What happened?”

“Sally here stopped to let her kids go to the bathroom, and after I talked to her she said she could give me a ride back to Whitehorse. I can catch a flight home from there.”

“No, I know that. I mean, what happened? I mean—”

Sally leaned around the car and said, “She doesn’t care what you mean.”

“This has been going on for a long time,” Deborah said. “You know that.”

Dunham didn’t say anything. He looked at the angry woman, Sally, and back at Deborah. He sat there on the gravel, rubbing his chest—his heart—with his right hand. His pants were muddy and wet from the river.

“I’m taking some of the travelers’ checks,” Deborah said. “I left you enough, I think. And I know you’ve got a lot of room left on your Visa.”

“Oh, c’mon, Deb,” Dunham said. “You can’t just go like this….”

“You said that already.” Deborah bent down and touched his face. “Give me a call when you get to Fort St. John, huh?”

Dunham sat on the tailgate of the truck drinking warm beer. After a while he put his feet up and took off his boots. He looked around the back of the truck for a moment, until he found his waders, hidden beneath Deborah’s sleeping bag. She’d left most of her gear in the truck—the sleeping bag, her books, her cameras. Two ticking alarm clocks. Dunham frowned and looked away. He slipped into his waders, and put on his wading boots. More rain clouds were building up over the valley. An RV went north on the highway. It went around a bend in the road and soon the sound drifted away. Everything was very quiet. Dunham locked the back of the truck, picked up his fly rod, and headed down the face of the bluff to the river.

 

 

Lowell Mick White has published numerous stories, most notably in Gray’s Sporting Journal, Dominion Review, and Antietam Review. In 1998 he was awarded the Dobie-Paisano Fellowship by the University of Texas at Austin and the Texas Institute of Letters. He is currently a graduate student at Texas A&M University, where he specializes in creative writing, works on the staff of the journal Callaloo, and co-edits Big Tex[t] (http://bigtext.tamu.edu/).

Crayola Man

Red

“Scalpel,” the surgeon snapped. The masked nurse slapped it smartly into his
gloved open palm.

“Get ready with suction,” he ordered, then drew a thin line from below the
patient’s navel to his groin.

The blood flowed away from the incision and formed shallow pools on the flat,
newly-shaved stomach. The surgeon spread tissue and membrane to expose
the cancerous prize. The easy part was over.

Blue

“His vein is collapsing,” the surgical nurse said. “I’ll try another.” She withdrew
the eighteen-gauge needle and wheeled the IV cart around the operating table
to its other side. Palpating the patient’s right wrist, she raised one of several
ropy veins that stood out against his pallid arm and inserted a new needle. The
left wrist continued to drip.

“We could have a bleeder,” the surgeon said. “Order three more units.”

A masked figure with a blood-spattered tunic moved to the wall phone and
punched out the numbers.

“They’ve got only two more A-B positives,” he called over his shoulder.

“Slow and steady, Stan, slow and steady,” the surgeon murmured to himself.

Green

Alex crouched on a mountaintop and watched white-rimmed clouds drift by.
Below him, the valley floor was a patchwork of greens: forest, cobalt, phthalo,
sap, olive, pea, sage, chartreuse, and every shade in between. The California
city where they lived hid behind a neighboring peak.

“Do you want to make love?” Bonnie asked.

“Where? We’re barely hanging onto this ledge … and it’s too cold.”

“It doesn’t matter, I just want to be close to you.”

The afternoon wind had freshened and the couple huddled together and stared
down slope. Shadows lengthened across the mountain’s flanks, hiding the
trail. A cluster of white-coated figures waved to them from a parking lot far
below. Alex didn’t wave back.

Yellow

“Get another bag.” The assisting surgeon pointed to the urine-filled sack
hooked to the operating table. A nurse scurried to comply before the line
backed up. “This guy must have chugged a keg all by himself,” the doctor
muttered.

A slim plastic tube extended from the sack into the patient’s manhood and
upward to the bladder. Everything was still laid open and the surgeon labored
to reconnect the urethra.

“We saved most of the nerves – but I don’t like how this connection is going.”

“Just take your time,” the assistant said. “He’ll appreciate it.”

A nurse mopped the surgeon’s brow. He tied off the remaining bleeders.
Closing was as easy as opening. In two hours they were done.

Orange

Alex unfolded his stocky legs, letting them dangle over the edge. The sun had
disappeared behind the distant hills and the sky turned a brilliant ginger.

“I’ve never seen it that color before.”

“It’s because of Mount Pinatubo – you know, the volcano,” Bonnie said. “When
it erupted it threw dust into the atmosphere. The sun glints off the particles at
sunset and turns the sky orange.

“It looks festive – we should have a party.”

“We need to get down off this mountain first.”

Bonnie pushed her slender body up, balancing carefully on the ledge, the wind
whipping her mop of curly black hair. Alex rose slowly as if moving through
thick soupy air. A searing pain shot through his groin and he bit down hard,
grinding his molars.

“Easy babe, I’ve got ya.” Bonnie took his hand and led him down the shaded
trail.

“So who should we invite to our party?” Alex gasped between painful steps.

“Those guys in white, for sure.” She pointed to the surgeons leaning against
their Mercedes and Porsches in the parking lot.

“Are you kidding? Those guys have no sense of humor.”

“Sure they do. They fixed you, didn’t they?”

Purple

Alex became conscious of brilliant purple circles behind his eyes. If he squeezed
them tightly shut, the color intensified. He remembered doing that as a kid,
creating kaleidoscope shades by grinding fists into his eye sockets.

“So how are you feeling, Alex?” Dr. Norton’s voice sounded like it came from a
long tunnel – echoing and vibrating in the air.

“You can open your eyes, Alex. It’s okay.”

Slowly Alex let the light seep in under the lids. His eyes felt like they were full of
sand and had been sealed shut with some kind of glue.

He blinked to clear them but the room remained blurry. Two people stood over
him, one in white, and the other’s shape familiar.
“I’m here, Alex,” Bonnie said and bending, kissed him on the forehead. Her lips
felt cool and dry.

“Do you have much pain?” Dr. Norton asked.

Alex licked his lips, trying to wipe away the sticky film. “Yeah, my crotch hurts
like a son of a bitch.”

“That’s normal – we’ll give you something for it.” Dr. Norton motioned to an
attending nurse who inserted a syringe into the IV shunt.

Alex pushed himself up on his elbows and stared down at his exposed body,
tubes running here and there, transporting things in, carrying things away.
Deep bruises covered both wrists and his fingers ached.

“Jeez, what did you guys use for an IV – knitting needles?” The surgeon
exploded with laughter but quickly regained composure.

“Actually, everything went well. It came out cleanly. In six months we’ll know
for sure.”

“So am I gonna be okay – I mean, will everything work?”

“You won’t know for awhile, until the tissues recover and you heal.”

“It’s okay, honey. We can deal with it,” Bonnie said.

The painkiller kicked in and the two figures dissolved. Alex was again back on
his mountaintop, gazing at festive orange skies and at twinkling lights along a
far horizon.

Brown

He extended both hands deep into chocolate soil, feeling the warmth of the
grains and the dampness that held them together. The garden plot stretched
before him. Flats of seedling vegetables awaited his trowel.

“We should plant the tomatoes and squash in the sun,” Bonnie directed. “The
herbs can stand more shade.”

“It just feels good to be out and working,” Alex said. “I’m sorry I was such a
terrible patient.”

“You had cancer, honey. You’re allowed to feel bad.”

“We need more colors in this garden – nothing but greens just doesn’t cut it.”

“Since when did you get so sensitive about color?”

“Since leaving the hospital. I’ve seen enough whites and pastels to last a
lifetime.”

The couple worked through the August afternoon heat, forming mounds,
watering holes, inserting plants, tamping soil, installing stakes and chasing away
their dog that had developed an affinity for tomato plants. A Mount Pinatubo
sunset ended their day.

Black

Alex sits at his computer and watches letters form words on the screen. He’s
been doing it for so long that the sentences just seem to magically appear as
his brain conjures them. He likes the flow of the letters, the weight of
paragraphs, and the emotions and ideas that this electronic calligraphy lets him
feel.

“What are you working on?” Bonnie asks, not wanting to disturb her husband
but still curious.

“Just a little something about colors.”

 

 

Terry Sanville‘s short stories have been published in GRIT Magazine and BEGINNINGS. He is an accomplished jazz guitarist. He lives in San Luis Obispo, California with his artist and poet wife, Marguerite Costigan.

Origin

http://www.ninetymeetingsinninetydays.com/images/Garden.jpg

At a time when crazy making caused my mother to start coming out of my mouth just as she had been previously sprouting out of my widening hips, superfluous thighs and rounded tummy, I thought of the words of my mother, “I’m grown get your own damn kids if you want to tell somebody what to do.”  Then she’d say “shiiiit” with an elongated I and I still don’t know how it takes a monosyllabic word five or six seconds before it finished getting said.  Well, I chose to adhere to the woman who had taught me crazy and finally get my own damn kids.

I was all like, “I am grown woman.  I am wise.  I am thirty.  Gather ‘round younglings and listen for what nugget I may have for you to digest today. Many a year I have traveled through my own personal wilderness and now I have arrived at my own personal promised land.  Please come and sit by me.  I have something to share. I have heard what it is to be grown from Mother God Herself.

The Battle Hymn Republic served as white noise to my marching about the place.  My ventures often do begin with blessed assurance, and my fears are usually dealt with in the same manner, I write them out of existence.

For years I’ve been writing things down to get them out done and over with in order to put things to rest the way you do with the dead or things that are no longer useful.  For the most part, the end result is peace, or sometimes complacency in the guise of peace.  Whatever it is, at that point I am done with it.  The dirt of my youth has been excavated and re-laid to look like the prairie-lands.  My youth did not kill me like I thought it might.  I was never pushed off the rooftop of our fourteen-story building.  I didn’t get it in a drive-by.  The boy that I slept with is just a memory and did not leave me with any ailment or child.  I came out of the whole daughter of an impoverished single mother status smelling rather like Ivory Soap.  Instead of dying, I turned thirty.

To commemorate this, I decided that the focal point of my existence will no longer be the child that I once was, but the mother I wanted to become. It is like the aphorism from 1970’s black empowerment movement.  Perceive it, believe it, achieve it.  It is number one on my list of Top Ten Ways to Avoid Becoming a Victim of One’s Life.  Alas, I recognized the maternal gene has been revealed because I have some guilt behind not being able say to my child, “The good Christian woman you call mother, waited for your father before doing the deed.”

But as a relatively stable woman, the shame that I once felt has turned into something else, something dead or no longer useful and so I am done with it.  I know that shame is the shortest distance between a point and the psychiatric unit. I am about forward motion carrying what I can and leaving behind whatever is just too damn heavy.  So there I left it, back in Brooklyn with the rest of the crooks.  I step out now in the land of prairies and lakes, a woman, a wife, a student, a counselor, a friend.  I am your every day black middle class, educated woman who is suddenly seeking motherhood and I am basking in the glow of my new demographic.

It is like that scene in Spike Lee’s film Malcolm X.  It is at the very end of the movie and Malcolm has been shot.  I’m sitting’ in the theater with Gene, who was then my boyfriend.  I must have been twenty or twenty-one.  I’m just crying and crying unable to move, I got no tissue, and I’m just sniffling and carrying on.  Anyway, Nelson Mandela is in a classroom of South African Children and one by one these children would each stand up and say in their South African dialect.  “I AM Malcolm X.”  It was something of a battle cry.  Just like Spartacus.  My new battle cry has become “I Am Mother.”  It goes back to perceive, believe, achieve.  I will achieve motherhood for I have come on the other side of youth for some purpose and this must be the purpose.

Yet, all it takes is a faint whiff or a muted sound of something smelled or heard before and there I am there again walking slowly into my home of origin, amazed at how little has changed, feeling again its narrowness that closed in on me as I grew.  I’m sitting on the same couch and watching the same black and white television with the wire hanger sticking out of it.  I’m walking along the same linoleum floor, torn and taped in some spots and the edges curling away from the walls.  Mice travel in between the chipping plaster and the bend in the linoleum.  They scratch about with speed and certainty of their environment.  It was my first home of little frill.

The reverberations outside of my mother’s first floor apartment are all so identifiable, only a great deal more pronounced than they once appeared.   I hear the three o’clock bustlings of active children just let out of school.  The lobby carries their noise like an amplifying tunnel.  I hear Jay from 111 who sold the Daily News each Sunday morning, floor by floor until he reached fourteen.  He’d sing Neeeews Paaaaper!  The echo reached my mother’s door and she’d scurry for change and a tip.  “What a nice boy,” she’d say pulling out the coupon pages as I dug through for the TV guide.  Mrs. Dockery would come knocking eventually to give us a pan of her apple stuffing.  Jehovah’s Witnesses would come knocking with the latest issue of Watchtower.

Outside, traffic moves west toward the Brooklyn Queens expressway or east toward the Brooklyn Navy Yard.  Bridges and highways, vast government subsidized buildings, city parks with graffiti adorned handball courts, it is the landscape of infrastructure and the uninterrupted presence of people, pushing or pedaling, sitting on benches in contemplation or conversation.  Sands Street craves its inhabitants just the way mountains and prairies crave theirs’, whatever theirs’ may be bears or butterflies.

Some faces may have changed but mostly they are the same.  But, what is this thing that is strangely unfamiliar?  I think that I’ve become unfamiliar.  I am not who I thought I would be and to some degree I find myself in sad reflection of a misplaced dream.  Of course, I have an affinity for black women with dreadlocks, big jewelry and something acutely honest to say.  But what I am begrudged to admit is that I never became what I revered.  I never locked my hair and for years I have not been unequivocally honest.  What I have become is tempered.  Tempered by the Midwest, tempered by marriage, by age, by middle-classdom, by religiosity and my new longings for small houses and station wagons.

I am not even sure if can call this newer place that I live home.  I have grown with cement not wildness.  Now I live with formless raspberry bushes of which I do not pick and of which I cannot destroy no matter how determined I get, and I live with rhubarb transplanted from someone’s country garden.  I know nothing of these matters.  I planted day lilies in the shade instead of in full sun.  I dropped grass seed on a patch of dirt without watering and wondered why the grass did not grow.  I cannot distinguish marigolds from carnations.  I am afraid of bunnies.  In good weather I go out for duty sake, not love.  Attempt to make things pretty.  Fail.   My husband threatens to pave the back yard.

I’ve had the audacity to ask southern ancestors who worked the earth without pay to help me find my agricultural roots.  That has helped me as much as asking my dead Cuban grandfather to help me earn an A in intermediate Spanish.  I begin to wonder why we didn’t we buy that townhouse instead, and then I remember.  We bought this house for outdoor birthday parties, for carrying pitchers of punch to a picnic table after Little League, for playing tag around the big oak tree that hinders the afternoon sun.  We bought this house for the same reason that we bought our blue station wagon.  Why else would anyone buy a station wagon, blue or otherwise?   Pulling out of the driveway I look back for safety sake, sometimes noticing the emptiness of the vehicle, and what feels like a spasm pulls at my chest, and I remember that I have once again become a person in longing.  Dreams have gotten me this far, far away from my home of origin.  Why not dream some more however it may twinge.  Pain has its reasons for being.

I once dreamt of cobblestone blocks lined with old trees and three story brownstones with black iron railings and arched an ornate doors, with one button to push with my name next to it and an intercom for me to holler, “come on up!”  I dreamt of living close enough to my home of origin to conduct Saturday morning arts and craft at the Farragut Housing Projects Community Center.  My daydreams have escaped Sands Street, though my night dreams still hover there.   Dreams of my deceased brother Victor always take place there.  I have one reoccurring dream that I knock on my mother’s door. He answers opening the door wide and saying, “Where have you been?”  I just stand there and wonder if I’d been mistaken about the everything, the wheel chair, the hospitalizations, the morphine, the weight lost, the height lost, the life lost, the cremation, the ashes sitting in my father’s apartment?  My brother who played high school and college football, MVP… jock who was also smart as hell, and somewhat cocky, who had my father’s gift for debate, the only Williams kid who didn’t take shit from anybody, happened to be the one who would die too young when cancer began to break his bones one by one, determined to show this force of a man who was in charge.  And my brother fought against the menacing disease for eight more years after the doctor had given him three months to live.  But, when I dream of him… he is whole again, broad shouldered, bowl-legged and still somewhat cocky.

Other dreams occur there, dreams of me holding babies happen there.  I had my first baby dream when I was sixteen.  I gave birth to a baby that looked more like a velvety red hair-bow.  Now, I dream of real screaming babies flaring tonsils at me demanding to be fed.  Not long ago, I dreamt of my earliest love.  He and I were too young to know when the affair ended.  It ended with summer like many good things do.  It ended with the fall chill that creeps in quietly in late August.  I stood two inches taller than he, though he was two years my senior and already in second grade.  I once thought he was as permanent as the Brooklyn Queens Expressway.  Later, I would return home for winter break from college and find him still standing or sitting on Sands Street always with a forty ounce bottle of malt liquor wrapped in a brown paper bag.  We would always be sincerely kind to one another.  How are you Derrick?  I’d ask and he’d say, “Well you know, livin’ livin’.”  I would notice how I never stopped growing long enough for him to catch up to my height and how I still loved him.  I loved him like summer.

He was my brother’s best friend, and together they were Eric and Derrick, small, but dominant point guards on the courts on High Street, with mutual affection like Magic and Isaiah who kissed each other’s cheek before games.  But Eric never kissed Derrick, I did.  It happened the day that I told him that he was my boyfriend and he said okay.  I was five, but the memory survives and is stored where first memories are kept, in the illusory bones and muscle tissue of the soul.

I dreamt that Eric, Derrick and I were together again.  We were sitting in my mother’s living room, furnished with the same navy couches, now covered with navy slipcovers.  Outside of my mother’s window were beautiful gardens with orange, yellow and purple, brushing against the billows.

“Great job on the Garden.”  Derrick said to me.  I was unaware at first, but soon realized that the garden was my doing.

“It still needs work,” I responded with false modesty.  Inside I was lit like a firefly.  We drifted in the color and I imagined myself a lilac bush swaying rhythmically at the will of the forgiving breeze.  All that botanical life astounded us and it was right there in the center of our projects just outside my mother’s first floor apartment, amidst the rumble of the B37 bus thumping over steel planks that covered the potholes on Sands Street.  I could have not been more satisfied.  Eric gave us peanuts and we ate with joy and laughed just like we did during hot months undisturbed by things to do.  The night dream merged my worlds, and in this new creation I new how to garden.  I awoke from my dream and cried for the first time after learning that Derrick had died.  Eric said it was his liver.

In my wake I have learned that I only wished that my arms had carried more of   Brooklyn to the midland.  I thought that I would be like the visitors I knew as a child.  They would return to their home of origin with mustached husbands and fat babies.  They’d be dressed in trench coats and pumps looking like somebody’s black girl-Friday.  “Where you been?”  One of the elder women would ask.  “Oh, I moved to Queens or Virginia, or I’m stationed in Germany.”  They’d have grand white smiles, enhanced by true red lips.  I would gaze at them as they passed by and greet me by my older sister’s name.  I’d correct them and they say, “girl you got big, how old are you now?”  I’d say seven or such and they’d say, “ Boy, how time flies.”

I never became one of the women who came back.  People don’t come back anymore.  They don’t pat the children on the head saying “My have you grown.”   They’re afraid of the children. They don’t mess the coat of puppies and old tired dogs too stubborn to pass on.  The pups and the old dogs now have jaws that lock and are perfectly capable of removing one’s hand from one’s body.  What we do, however, is sneak in inconspicuously to visit aging mothers and dart out towards planes, trains or automobiles to flee the disaster our home has become.

I wonder how I have come to a sense of homelessness and of wondering where to land full flesh to the ground.  As I watch my husband rake last fall’s remaining leaves, I am struck by the lack of people I see in the street.  The few that I see are busy with the upkeep of their own personal patches of green; trimming, mowing, planting in diligent attempt to have the land submit to human wills.  They don’t know that I’m watching, or don’t care.  I survey our own patch of green and notice last year’s day lilies are trying to grow again in a location not meant for them.  When I get the inclination, I will move them out of the shade and replant them in full sun where they belong.

 

 

Sherrie Lynn Maze relocated from Brooklyn, N.Y. to Minneapolis, MN in 1994.  She has taught Creative Writing at  Bethel College.  Along with writing, her two children, dreaming grand dreams, and sharing the healing properties of  writing with others are among her many passions.  This is her first appearance in the pages of R-KV-R-Y.

Clodhoppers

Missy parks her clodhoppers in the middle of the room, right in front of the television. These are her shoes; they are big, size nine, which are two sizes larger than her mother’s shoes. Sometimes, her mother calls these shoes “boats.”

“Why don’t you park your boats in your room?” Or sometimes and most often, she calls them clodhoppers. “Get those clodhoppers out of the middle of the floor.”

Missy carries them into her room. She stares at her own feet as they spread across the floor. The massive dots of pink nail polish on her toes remind her of fat women in floral dresses. The floral dresses, like the pink polish, are hiding something that no one wants to admit.

Kicking violently, Missy forces her shoes under her bed where she hides all her shoes. Shoes that fit her and shoes that don’t. Often her mother “spring cleans” the house and fills large bags of household items to donate to charity: out-of-style or too small clothes, out-grown toys, scratched and dented pans, purses, belts, and shoes. One of the major stops is Missy’s room. Cleaning was often a sign that her mother had completed some major project at work and was yet another step in the slow upward clawing to middle-class. However, there has not been any cleaning in over a month and Missy is worried. Nudging all the heels and the toes that poke out, she hides these clodhoppers with the rest. Her mother dislikes them and so must she.

Under her bed, her shoes sail across the carpet circling a moat of dragons and serpents, like floating plastic ducks, but larger or like boats in a harbor, but less subdued. Missy imagines that if she were to look under her bed, she’d have to come face to face with something that both she and her mother are denying. If the carpet were the sea, her clodhoppers would make a storm, splashing waves all murky brown.

Sitting in front of the television, Missy flips channels, settling on nothing particular. She watches music videos, reruns of Buffy, portions of old movies, the weather channel, interviews, infomercials, and sitcoms. But nothing is on. She picks up the phone and calls Chelsea.

In the kitchen, her mother is banging pots and chopping vegetables. This is the signal that Missy better come and help soon, or else. There’s not a moment to spare. Not a second of lying around or lulling on the couch entertaining one’s thoughts. Every breath must be an exertion of production; this is her mother’s philosophy, thinks Missy.

Chelsea is chipper, “So, are you coming with us or not?”

“I haven’t asked.”

“Well ask. The worse part will be the sailing, but mostly we can lay-out or swim.”

“I’ve never sailed before,” says Missy, picking at her toenails as she scrapes off the polish that missed her nail and left her skin streaked with pink. “I don’t know if I can. I mean, what if I fall in?”

When she was little, Missy took swimming lessons in a clear pool where the bottom was marked by corners. The deepest point was a drain like a large mouth waiting to suck her in. Missy liked learning how to swim, pushing her arms through the water, and looking at the soundless half bodies around her. Sometimes, she would sink beneath the surface to play tea party alone and wait to see how long she could hold her breath. Seconds would tick by and she would be in absolute solitude with her thoughts. In her class, she was the student who was always able to stay under the longest.

After each set of lessons were completed, Missy was allowed to proceed to the next level: tadpole, minnow, eel, walrus, swordfish, dolphin, and then shark. Her mother would give her a hug and say, “Congratulations! I bet you can’t wait to start the next level.”

As Missy listens to Chelsea explain sailing and the limited possibility of overturning the boat, she knows she is supposed to be an achiever. Like her mother, she should never show weakness or fear to others. Her mother has no fear and never cries. When Missy cries, her mother calls her “scaredy baby.” But Missy can’t help it. In the shower, with the radio on, Missy cries alone.

“Listen, Missy, if you can swim, you have nothing to worry about. Besides, we might even get to go snorkeling,” says Chelsea. Chelsea is a born and bred beach girl. Her parents used to own property in a small tourist town known for its quiet beaches and perfect sailing harbor. Several weeks after her parents moved to the big city, they began spending each weekend back in the town.

“I’ll call you back,” Missy hangs up and heads into the kitchen, plucking carrot chunks from her mother’s freshly made salad. Sitting on one of the stools, Missy munches as her mother stirs the sauce for the pasta.

“I have big plans for us this weekend,” her mom begins, as she sips red wine from her glass and absentmindedly wipes her hands on a towel. “I thought we could check out that new craft store on the north side of town. I’ve heard they have an exquisite selection of fabric.”

Her mom continues raving about the craft store, as she adds mushrooms and green onions to the sauce. As an afterthought, she pours straight from the bottle a generous helping of red wine into the bubbling burgundy concoction.

Last night, Missy woke up at three and as she willed her eyes open, the sounds of the kitchen drifted into her room. Her mother often stayed up till dawn perfecting some assignment for work. Sometimes, there were other voices, male or female, in hushed tones laughing. In the mornings, Missy would get up first to find empty wine bottles in the sink and red spills dried on the counter or her mother’s work carefully packed up and ready for the day. Missy had learned not to ask direct questions because if she did her mother send her away or told her to mind her own business.

Cloistered in her bed last night, Missy did not hear those signs of her mother’s life; instead she heard sobbing and glass shattering on the tile. Because her mother was not a crier, she lay breathless unable to move. Each sob further pinned her into bed while she tried to convince herself that this was not her room and this noise was not from her mother. In the morning when Missy hesitantly got up, there were red sticky spills throughout the house.

Watching her mother prepare dinner, Missy looks for signs of explanation of last night knowing there will be none. Pulling breadsticks from the oven, her mother beams through her tasks and takes long pulls on her wine. Clutching the edge of the stool, Missy hangs on, refusing yet wanting to see something out of the ordinary.

Missy knows her mom is an amazing cook; her friends “ooh” and “ah” at meal while her mom beams and asks them what kinds of meals their parents cook. Missy yearns for macaroni and cheese, hot dogs, grilled cheese or take-out pizza, but what she gets is vermicelli flan, taliarini with gorgonzola, and marinated eggplant on a bed of linguine. Missy could spend hours in the kitchen learning to cook and working recipes over until they are just right. She could be perfect.

“Missy, you can knit a mean scarf. I think it’s time for an upgrade. I think this weekend we should try for a cap. You can knit and I’ll make new curtains for your bedroom. Won’t that be fun.” Her mom says the last sentence as a statement rather than a question. She always tells Missy how to feel, how to understand, when there is fun, and when there is not.

Carrying the salad to the table, Missy realizes that it’s her mother or Chelsea. The sounds of last night’s sobs reverberate in her head. “Mom, Chelsea’s parents are going to the beach this weekend and they want me to go.”

“Oh,” her mother begins.

“I want to learn how to sail and Chelsea is the only person I know who knows how.”

Rearranging her salad with the dressing now added, her mother stabs at a green pepper and examines it without eating. “What time would you be leaving?”

“Tonight, at eight.”

“Oh, Missy, I just don’t think….”

“No Mom, you don’t understand, sailing starts bright and early in the morning and we are going both days. In two days, I’ll be an expert. They’ll call me Captain Missy. And her dad is really into danger scenarios. He’s always asking: ‘If you’re on a life raft in the middle of the sea and you have no drinking water what do you do?’ or ‘If a storm comes up out of nowhere and your sail is up, what do you do?’ It will be an education. I need this, or I guess I could stay home and watch television. There’s a Buffy marathon on this weekend.”

Her mother raises one delicately pruned eyebrow and pops the green pepper into her mouth. She chews evenly. “You will have fun. You can go, but you have to pick up your room before she gets here.”

In Missy’s bedroom, it is eight o’clock and her room is neat if not clean. Her mother’s green afghan is spread on the bed with the stuffed animals her mother made propped against her hand-stuffed pillows. Missy tucks the last essentials into her backpack: swimsuit, sunblock, a book, sunglasses, and a towel. Carefully toeing the edge of her bed, she pulls out two pairs of shoes: white sandals and rubber-soled sneakers.

On her feet she puts on the large white clodhoppers; sandals that do not hide her enormous feet but rather accentuate them. She wishes they were black, because Chelsea says that black makes you look thinner. Missy’s feet have gone from seven to nine in a year. At this rate what size will I wear when I’m eighteen, Missy wonders.

Missy wishes that other things could grow in this fashion: her skill at crafts or
schoolwork. If she could only will something into perfection, make something just happen without having to try and work at it. Missy knows her mother worked hard and struggled at new tasks, but she always acted as if everything were a breeze. When her mother lost sixty pounds one year, her aunt asked her how she did it and Missy’s mother had said, “Oh, you know, it was just so easy. I just changed a few things, cut this and this out of my diet and voilà. It was magic, the weight just disappeared. It was really no work at all.”

This is not the case for me, I have to work at everything, Missy thinks. Everything except the growth of my feet; my feet are in the lead and I’m losing. Just then there’s a honk and Missy flies out the door, yelling goodbye.

The next morning, Missy, Chelsea and her parents are out on the harbor by eight. Chelsea gives Missy a motion sickness pill and Missy is relieved. She feels slightly calm and the rocking sea is almost unnoticeable and wishes that she had a pill for fear; instead she has her mother. In her mother’s life there is no such thing as fear. There is no time for it. As the waves rock the boat, Missy remembers the slick terror of diving. The long board, the wet rough sandpaper texture, and the vibrations each step made. The wind whips her hair, like the wind up on the high dive and a chill sends shivers along Missy’s skin.

In order to become a swordfish and finish the level, each student in the swim class had to learn to dive from the high dive. Missy made the mistake of telling her mother she was scared. A week before the final test for the class, Missy’s mother took her to the pool on the weekend. In the car ride over, her mother informed her that she would learn to like the high dive and that they were not leaving the pool until Missy had dived from that board several times. Inside the gates, kids played everywhere. Six life guards sat in their chairs and surveyed the mayhem, occasionally blowing their whistle or kicking a kid out.

Tears mulled in Missy’s eyes. As she smeared lotion on her arms before approaching the pool, her mother said, “Don’t be a scaredy baby, you’re embarrassing me. Diving is easy. We’ll be here until you’ve learned how to.” Walking over to the showers, Missy drenched herself thoroughly before climbing slowly into the deep end.

All afternoon, Missy swam and dived, but never once from the high dive. She avoided her mother who sought her eyes, but when Missy glanced at her, lying on the chair and oiling her body, her mother shot her disapproving glances and finally just ignored her altogether. With an hour to spare before closing time, her mother appeared as a shadow over Missy as she floated on a pink noodle.

“Get out. Now,” her mother whispered in her you’ve-gone-to-far tone. Missy did as she was told. “Now, to the diving board.” Missy walked just in front of her mother watching her feet make the water spread on the wet pavement. Following and nudging her all the way to the top, Missy’s mother forced her out onto the high board.

Missy turned, the wind chilling her skin. “Mom, I can’t do this,” she said.

Her mother had the smile for strangers on her face: happy, normal, and as slicing as broken glass. “Yes, you can. I don’t have time for this behavior.” Glancing at the lifeguards and other parents, her mother raised one eyebrow and gave her daughter a push.

“Please,” Missy begged.

With another shove, her mother said, “This is for your own good. Now jump.”

Closing her eyes and counting to three, Missy bounced and then stopped. The water below reflected the sky and looked dark and depthless. Bodies noiselessly splashed and watched her like an audience, knowing she’d lost her lines. The sound of her breath was raw in her mouth, like she’d been screaming. Her eyes felt puffed and dry from the chlorine, and the breeze made her skin sticky as she stood unable to move.  Behind her, her mother was talking but the words were not audible.

Almost by accident Missy jumped and as the air whizzed by she pressed her hands together in the diving position. Closing her eyes, she held her breathe and dove into the water. Rising to the surface once, she regained her breath and sank below the water, the only place she felt safe. Under she stayed, watching the bubbles float along her body. Her mother’s body whirled by from a perfect dive, not seeing her. Below, there was nothing, only silence. A void so complete, Missy was unsure if she was dreaming, if she was real.

When Missy resurfaced again, the pool shrieked into sound, like a crowd at a game. Everyone was talking but nothing made sense. Laughter, cries, and shouts bounced along the water and pounded into her ears. Way above her, the high dive pronged into the blue sky and like a tongue it wiggled, launching each diver into the water. For several minutes, Missy held onto the edge of the pool afraid that she was still up there, clutching the hand rail unable to dive.

As Missy watches the waves of the ocean around them, she feels like she is about to dive. With each glance back at the receding shoreline, she feels her feet on the rungs of the steps to the high dive. Missy tells herself she doesn’t have time for fear.

Chelsea’s parents stay below as the girls sit in the front by the net. This boat is more of a catamaran than a sailboat. Two large runners keep the boat afloat, with the cabin mostly above water level. In the front, suspended between the two runners is a black canvas net. Waves splash over it occasionally, but mostly run below it untouching. They spread sunblock on each other’s back and watch the coast line recede and the ocean envelop them. The sky is partially cloudy, which makes the ocean not blue and not green, but a slate gray. The farther they move from the land, the more white caps appear.

In the distance, a ferry is crossing from one side of the harbor to the other. “Watch for dolphins,” says Chelsea from sunglasses and a boatman’s cap, complete with the local beach logo. “They like to play in the wake.” Her golden curls pull and flatten in the sea breeze. Taking off her cap, she loosely plaits her hair while watching the waves. As they near the slow moving ferry, four dolphins swim through the waves. Their long dark bodies jump and move, disappear and reappear closer or farther off, like they are herding the ferry and the boat into the right direction. Missy watches her sneakers soak up the seawater as it splashes. She wears jean shorts and a tee-shirt over her bathing suit, which she knows isn’t nearly as cool as Chelsea’s surf pants and bikini. Missy creeps closer to the net and lets her whole leg rest there.

The water is warm and surprising; each splash is as expected as it is not. Missy had anticipated it to be icy and sharp. The water soaks into her jean shorts and spreads in shapes like the red spills in her mother’s house and while watching her legs, she expects blood to run from the places the water grazes. On several occasions, Missy had wiped up the wine stains from the floors and counters. After rinsing out her dishrag her hands would bleed where slivers of glass made ribbons of flesh. The blood would seep, following the creases of her palm, making tiny trails and drop into the sink. If she washed her hands, the blood would come again and she learned to wait until it dried to gently dab the red away. As Missy watches her legs, she imagines blood continuously trailing down; it blackens once it hits the water and is sucked below into the ocean.

Chelsea’s dad comes up behind them and watches the sea. “We’re making progress, in another twenty minutes we’ll be in the best place to sail today,” he says this to both of the girls and to no one. It’s like he’s telling the ocean the requirements he has of the day and nothing more. In front of them, the ocean plunges ominously, a flat line stretching across their view. Out there, no birds skirt the sky. Clamping his hand on his daughter’s shoulder he speaks again, mostly to himself, “You can take the girl out of the ocean, but you can’t take the ocean out of the girl.” His brow furrows as he squints into the sun beaming between the clouds. “Twenty minutes.”

Missy bounces her foot on the net as little droplets of water jump and fall, like shards of glass. Missy’s gray sneakers stain in the water, brim over with liquid. Like when painted by the dirt and wear of time, they will never look the same. Ruined. Garbage. Chelsea probably has no such word attached to her body; Clodhoppers, thinks Missy, what a horrible word. Clodhoppers. Dirt jumpers. Mud fliers. Trench climbers. Outdoor runners. Rock bouncers. Dust fleers. Hill sailors. Mountain ascenders. Flat splashers. Tundra travelers. Brown attainers. Black racers. Ocean fearers. Missy feels like a frog or maybe a pig, rather than a dolphin or a Chelsea. The label sounds like an ad for a distorted version of the cool new shoe for boys. And she’s not a boy. She’s a girl with clodhoppers and boats on her feet.

Watching the water, Missy tries to imagine the sea as a swimming pool, but she can’t. In the pools she has been in, Missy could always see the entire pool, every edge and corner. From every angle, Missy could see all around her while sitting with her feet dangling in the water and could watch stray leaves float along the bottom of the swimming pool. Looking out into the waves, Missy realizes that the ocean is not something she wants to touch; it is something she does not want to sink into and look around.

They sail. Or to be correct, Chelsea’s parents sail as the girls hold on and watch from the boat, the wind flying in their face. The father holds the rudder and calls out orders. Chelsea’s mom moves back and forth, switching lines, pulling in sails and letting others out. The tiny boat dips into the sea while salt water soaks every inch, waves suck the sides and the wind snaps the sails. Hanging onto the middle of the boat, Missy sees the ocean as thick and menacing. The water is like sludge or quicksand that once under the surface, there is no getting out. The ocean is a huge blanket, a wall, and everything that goes in is trapped forever under.

“This is great!” says Chelsea, slowing making her way to Missy, who has her arm wrapped around the metal steps.

“I don’t feel so well,” says Missy with fingers gripping the grooved metal.

“I always used to get seasick, too, until I got my sailing legs. Do you want another motion sickness pill? They’re great.”

“Thanks,” says Missy, swallowing the pill dry.

“I take them sometimes for fun,” Chelsea winks, “They make me feel floaty. This one weekend, when I was younger, a huge storm crept up on us and I took two. I think I would have just died without the pills. I was so scared.”

“I’m not scared to sail,” says Missy.

“I didn’t mean that you were. They’re for seasickness anyways.”

Missy does not hear her last statement; the world is wrapped in silence. The sky is gray with slivers of blue bleeding through. The ocean is splinters of slate, carving into the boat and sky. The only sound is Missy’s uneven breath.

By late afternoon, the wind dies and the group munches on cheese and meat on crackers. They sip pop from chilled cans and are gently lulled by the rocking. “If you fall overboard without a life vest, what do you do?” the father asks and breaks the silence.

“You swim back,” offers Missy, high from the pills Chelsea feeds her when no one else is looking.

“You wait,” chimes in Chelsea.

“Ah, you’re both right, my sailing girls,” he exclaims. “If it’s a motor powered boat, you wait. Tread water or float on your back, simple. If it’s a row boat, you can swim back, but slowly. You have to conserve energy and the boat has more power than you do.” Clearing his throat and taking a long swallow from his can of pop, the father says, “Now, what do you do if you start to sink?”

“You die!” Chelsea laughs and throws a fish cracker into her mouth.

The father’s eyes shift to Missy, “What do you think?”

“You take off anything heavy?” says Missy blushing slightly and imagining herself sinking slowly. The opening of the ocean wide, the floor covered in glass teeth. On this floor, there are no sticky red spills.

“Excellent! Yes. Take a deep breath and stop kicking, reach down and take off boots, jeans, jackets or drop bags. Everything is lighter in the water, but many things will pull you down. Modesty or death, that’s your choice.”

“Oh, Dad! You’re so dramatic,” says Chelsea, tilting her head back and laughing lightly like bells. There was affection between them.

“Alright, men, to your spaces. We have one more stop before heading back.”

The boat ambles along and heads to the coast and into a cove. A beach lies empty but wreathed in trees, vegetation and rock. As they enter, the sails are pulled in and the trolling motor is dropped into the water for an easy approach. The water is crystal clear and dark fish dart below. “Come on,” Chelsea says, heading into the cabin and stripping down to her bikini. Missy does the same. She stares consciously at her feet below cloaked in clodhoppers. Chelsea grabs snorkels and kick boards, handing each one to her friend.

“Girls, when you hear the whistle, head back. Remember, I can’t come get you in here, it is too shallow. And watch for feeder sharks.”

“Right, Dad.” Chelsea eases off the stairs and jumps into the lukewarm water and starts kicking off.

Missy gazes at the cove. It is smaller than the ocean, though much larger than any swimming pool she’d ever been in. About the size of football field, it is lined with rocks on the outer edge and a narrow strip of beach on the other. The boat mostly blocks the only way into or out of the cove. Leaning over the edge, Missy looks down into the water and sees the sand and coral below. Shapes waver and change. How deep is it, Missy wonders, could I stand on the bottom? Missy hesitates before jumping in and eyes the father for details. This is definitely not a swimming pool, “I don’t know how to snorkel.” Because Missy feels high, her thoughts float into and out of her mind, as if on their own accord. As the water laps the boat edge and Missy’s feet, she hears her mother’s sobs. The beach far in the distance looks covered with her islanded shoes that were supposed to stay hidden under her bed. Watching her hand holding the kick board, Missy sees the hair on her knuckles glint in the wavering sun. I should shave those, she thinks.

“It’s easy,” he says, “just put your face in the water and kick. Keep an eye on one another and you’ll be fine.” With a little shove, Missy finds herself in the water. Silently blessing the motion sickness pill, Missy gently strokes over to her friend. She holds the kick board and goggles in one hand. This is just a pool, Missy chants to herself, I don’t have time for fear. There is nothing to be afraid of, as she imagines the water pulling her down, pushing her under, and keeping her there. Anxiety is a wet and thick blanket that chokes. On the beach, Missy almost sees her mother holding a dripping glass of red wine.

Kicking fast, she catches up to Chelsea. Chelsea lifts her head out of the water and smiles around the large snorkel mouth piece. “This is fun, yeah!”

Missy giggles nervously, “The ocean or your pills?”

Chelsea hushes her friend with a tiny splash and winks. “You’re on your own now. If they wear off, you probably won’t notice. We can get more tomorrow, though.”

Feeling something brush by her leg, Missy asks, “How do I do this?” Chelsea shows her how to spit into the goggles, how to breathe, and blow water out of the mouth piece.

“The rest is easy. Just kick and watch. Every once in a while, look up and see where you are.”

Missy does this and follows her friend for awhile. Sinking her head underwater and looking through the goggles, Chelsea points to several small bright blue fish swimming near the coral. Missy kicks slowly, going over the coral and watching the life beneath. Constantly, she moves her head to find Chelsea, large silver fish with blue stripes, and clown fish. There are as many fish as they have at a pet shop, but moving with more life and swimming with more velocity. Snorkeling makes her uneasy. She tells herself, look at the fish, look at the fish. Missy wants to be perfect at this, but feels panic. Maybe another pill, she thinks. Touching the bottom here seems very unlikely. The boat is far away. The beach far away. The rocks, like razors. The seaweed, slimy. She sees a large patch of the seaweed moving towards her, coming closer and she swims away as quickly as possible.

Not enough air. Missy raises her head often and scans her surroundings. The snorkel is hard to breathe in and salt water gets into her mouth. Her lungs burn and she can’t get the taste of the ocean out of her mouth. Something passes by her leg, she is sure, back underwater, Missy tells herself to look at the fish. At some point, Missy loses Chelsea and finds herself drifting alone. Lifting her head up, she eyes her situation, her stomach in a knot. The sky is cast with more clouds and the water around her looks gray rather than clear. Across the small cove, the boat bobs slightly. If Chelsea’s parents are on there, Missy cannot see them, but she is close to the beach and could swim there in one breath. She spots Chelsea swimming near the boat. It’s the beach or miles of water, Missy is sure. One long breath and a few kicks. There are exactly four steps on a diving board and exactly two seconds from the board to the water. Fear is the crack of the board. A quick gulp of air.

Taking off her goggles and holding the kickboard, Missy swims towards the beach. For several minutes she stands on the sand, her skin raised in goosebumps in the wind. Biting the inside of her cheek, she wonders if the boat can pick her up from where she is, though she doubts it. As she begins to dry, digging her toes into the sand, her mother’s sobs ring in Missy’s ears. All across the kitchen floor, there had been red stains and glass in various sizes of shatter. While her mother slept, she had carefully swept the glass into a pile and threw it away. Then, on her hands and knees she wiped the sticky spots as best as she could. In the bathroom, it was worse.

Missy relaxes in the warm sun and lies in the sand, shielding her eyes from the sun. Every few minutes, she rolls over to get an even tan. I’ve escaped, Missy thinks. If I just wait here, I won’t have to snorkel anymore. When Chelsea’s father whistles, I will just back stroke to the boat. I don’t have to do this. Behind her, the palms rustle in the breeze as the water barely laps against the sand. The sun periodically winks into and out of the clouds, like it wants to reveal something but can’t, not yet, it’s too soon, Missy thinks.

Finally too hot to lie anymore, Missy walks along the beach ankle deep. She observes shells, but no fish. Wading in a little farther, she ambles along knee deep, and then waist deep. I don’t want to do this, Missy tells herself. She turns and eyeballs seven steps to the beach. Turning again, the boat bobs at the mouth of the cove. Standing still, she stares at the boat. A hundred steps? A thousand breaths? Missy slams her kickboard into the water. How much longer with this distance, Missy wonders, how long till this is over?

Dolphins swim near the boat, their fins and bodies breaking the surface of the calm cove. The parents lean over the boat’s edge, absorbed in the animal’s play. There is no way I can go back now, Missy thinks. I’ll either scare the dolphins off or go back way before the whistle sounds. Letting out a deep breathe, Missy puts her head in the water. Kicking again, Missy glides and aims herself in another direction, towards the other side of the cove. A small trio of stingray shuffle along the sand, leaving tiny puffs in their wake. Watching them, she thinks of a television show she once saw on diving and snorkeling. She remembers the relaxation the divers embodied as they carefully pointed out the underwater life and the way they seemed to let go of the busyness of daily life. Unlike other shows, there was nothing they had to prove to one another. All they had to do was be, to look, and absorb. As Missy swims, watching a school of tiny fish wax and wane below her, something uncoils inside her. There is nothing in her head but what is before her. There is no diving board or swimming pool. There are no boundaries or edges. There is no level to surpass and no one to impress. She feels weightless. Long strands loosen inside her.

A whistle sounds and slices her meditation back to anxiety. Missy looks up and it calls again. The boat seems so far away and her arm muscles ache slightly from holding the kickboard. If she lets go, she could drown and lay at the bottom of the ocean while fish nibble at her eyes. She could die. Taking a deep breath, Missy aims towards the boat paddling. After what feels like twenty minutes, Missy raises her head again but the boat seems hardly closer. The whistle again. Missy floats silently, not kicking her feet or moving her arms, but letting the water hold her. Missy thinks she sees Chelsea climb up onto the boat and then stand along the edge looking out. Maybe they’ll leave me, Missy thinks, and I won’t have to do this. Chelsea and her family are watching me and expecting me to do this until I have it right. The coil tightens again. She descends.

As she sinks, she sees the floor of the bathroom slick with red. Along the tile, in dribbles and dots drying puddles lead to the open maw of the toilet. The scarlet followed the hexagon shape of the tiles, and looked in places like half completed game boards. In the window, delicate yellow curtains fanned softly into the room. An odor wafted in the small space, like dirty clothes or earth. On this floor there was no glass.

Setting aside the broom and dust pan, Missy gingerly tip-toed towards the white basin of the sink and toilet. The sink was streaked with wine and an unbroken wine glass lay discarded against the porcelain. In the toilet, the water was blood red and pink diaphanous clouds of toilet paper filled the bowl. In the center of the cloud was one dark and thick red mass, just larger than a quarter. For the first time, Missy realized that the stains on the bathroom might not be wine.

Missy drops further underwater, looking at the coral beneath her. She kicks slightly, landing on the sand below. Touching the bottom, it is rippled and solid beneath her fingers. Pretending to play tea party, she looks around. Above, the surface of the water is mirror like, below the coral life breezes along and floats. Animals move gently along, none looking at her or caring what she does. This is where she wants to be, Missy realizes. This is what she wants to feel, always.

Needing to breathe, she goes to the surface and then descends again. A small jelly fish swims just by her face, the center of it is pink. As Missy watches it, she knows that she’s seen something like this before. Something small and alive, floating. Bubbles escape from her mouth in protest. Noticing her own body, she sees that she is still wearing her grey sneakers. Missy reaches down and pulls off her shoes and lets them sink to the dark rocks below. Clodhoppers. They are boats out of commission after a battle. Like wreckage, they lay on the sand forgotten. And with them goes the coil. And without them, she rises without effort. In her mind, she sees the blob of pink tissue swirling in the toilet as she flushed it away. She wiped the floor, until every trace of blood was gone. The wine, the glass, and the blood, gone. Swallowed.

Kicking faster now that she is lighter, Missy heads towards the boat. She sees the belly with fish swimming under it, and as she nears the stairs and sees two feet waiting for her, Missy takes one last look. The sand below, the fish just off to the side, the dark blue expanse melting into itself all around her, and blows out bubbles from her mouth. Sinking deeper, Missy accepts the uncertainty and lack of boundaries. The ocean is not like a pool. There are no edges that she can see and there is no drain. The trio of stingrays swims out of the cove just beneath her, she watches them go and rises.

Raising her head above water, Missy calls. “Hey, now what?”

The father appears, “Quite a show down there. Head around back and climb up.”

“Thanks,” Missy says, as Chelsea’s dad helps her up and Chelsea takes the snorkel and kickboard. Climbing back to the net, Missy and Chelsea looks towards the coast as the boat closes in on the harbor. Missy feels exhausted, but energized. The sky shifts from blue to pink, with purple lining the clouds. Shoeless, she leans against the boat and wonders what could grow and die and what could leave a mark not to be discussed. She closes her eyes and sees her mother sleeping as she did yesterday morning. Next to her mother’s cheek on the pillow is the pink and red blob of human tissue Missy rescued from the toilet just in time before it was swept away. Like a tiny heart, it glistens perfectly.

 

 

Laura Madeline Wiseman is an award winning writer teaching in the southwest. Her works have appeared in 13th Moon, The Comstock Review, Fiction International, Poetry Motel, Driftwood, apostrophe, Moondance, Familiar, Spire Magazine, Colere, Clare, Flyway Literature Review, Nebula, and other publications. She is the Literary Editor for IntheFray and a regular contributor to Empowerment4Women.

Progress Toward a Proof

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Alone in the math hall, scrunched in a one-armed desk, I prayed that if my dad swept by, he’d think I was taking a make-up test. As the janitor’s son, though, I was never allowed to be absent, so what would I ever need to make up?

Praying to God made me a hypocrite, since I didn’t much believe in Him.  I sure believed in the Father, though.  Nobody doubted my dad’s existence.  The opposite of our Catholic God, whose invisibility irritated me, my father showed up everywhere, enormous despite his small stature.

Still, I didn’t worship at Dad’s altar like many of the faculty and students.  I did not seek his esteem with small offerings of expensive whiskey in gift bags, or bleed gratitude on fancy note paper (“Oh, dear Willie, muchas, muchas graciasfor helping with the skeletons for our Day of the Dead celebration!  I don’t know how I could ever teach Spanish without you! –Muchos, Muchos Abrazos, Senora Johannsen”).

I spent a good deal of my energy that fall trying to avoid my dad’s laughing, bustling omnipresence. I envied other high school juniors with normal fathers, remote paycheck providers who disappeared into the redwood mill for double shifts or worked at sea on salmon trawlers for days at a time. Instead, each day began with my father bursting through my bedroom door first thing in the morning (“Gitup, damn it!  You’re already late!”).  Often, I ended the night with him, too, helping out on his moonlight-janitor jobs.  Smelling like cleaning solvents, riding shotgun in his rusted Ford pickup, I’d fall asleep on the short drive home, only to wake, his elbow jabbing my arm (“Gitup, Frankie!  We’re home, and it’s already past your bedtime–”).

In between those “Gitups!” Dad could be in my company or in sight every other hour of our day.  If I weren’t so desperate for an extra minute of sleep in the morning, I’d have walked the mile to school in blessed solitude.  Instead, I only had time for a swig of coffee and a slice of cold toast.  (I’m not even going to mention how my mom set up the coffee before she hustled to the five-thirty shift in the high school cafeteria.  Who would believe that my mother also worked at the school?)  I’d dash into the cold dark Pacific damp to catch my shotgun seat in Dad’s pickup and stumble into my Commercial Art class just in time to hear Ms. Packer greet me with, “Did your dad mention anything about my big acrylics order arriving yet, Frankie?”

For those of us taking zero period’s before-school electives, it was still dark when class started at 6:55.  As that November progressed, I’d catch my reflection in Packer’s windows, my miserable, sleepy face caught in buzzing fluorescence.  Would I ever wake from this hellish, daily nightmare?  Of course not.  My dad would swing into class, his short trunk hidden behind packages, then await his reward: Packer clapping with happiness over tubes of paint, then squeezing his arm and patting his wavy copper hair.

His pleasing ways at school didn’t quite match his temper at home, where he’d fly into a rage if I jammed a gear while he was teaching me to drive, or raise holy hell with my poor mom if she forgot to stock his favorite brand of cod-liver oil.

With his over-rewarded chore done, Dad wouldn’t hesitate to linger in class.  He teased the prettiest girls until they granted giggles, then praised the plain ones’ art techniques.  He couldn’t leave to do his real job, of course, until he’d stopped by my desk to critique my project, an anti-tobacco ad which–thank God he didn’t know–was already two days overdue.  “Good work, Frankie.  You know, I smoked my whole life until your mom got TB.  Her doc told me how bad it was for her, so I quit–”

“I know, Dad.  Cold turkey.”

“Yep, cold turkey.  So when you were born, my little turkey, you never had to breathe a breath of smoke…”  He squeezed the back of my neck and sauntered off, catching Packer’s blown kiss in his gnarly fist.

The kids beside me chuckled over that ”little turkey.”  I happened to be born on Thanksgiving, and Dad knew the phrase irked me.  He told that tale of Little Turkey’s miraculous holiday birth, along with a million other stories, over and over at family dinners and throughout our broom-pushing evenings together.

I’d long before notched the nuances of Willie Flannagan’s 20th Century epic onto a bronze timeline, beginning in Cincinnati with his parents’ deaths from the Great influenza.  He’d suffered his own bout with the illness, which rendered him comatose until he woke, at seven, parentless, with most of his hearing gone.  After that, he was shipped off to a Catholic orphanage, where he struggled in school because he couldn’t hear the nuns.  They finally kicked him out when he was sixteen, grown too big for the eighth grade class he’d flunked three years straight.  He went looking for work the very week the Stock Market crashed.  But Dad’s hard luck transformed into triumph when he wound up on the North Coast of California and married its most prized native daughter.

Dad had tracked me through much more than every hour of every day at the high school.  He’d already stalked me all through my schooling.  After failed businesses, he found a happy niche in the Redwood Coast Unified Schools, starting as assistant janitor at the primary school.  He gained promotions at exactly the same pace as I proceeded through the schools, so that when I finished third grade, he got a job at the upper primary, then followed me to junior high.  At my junior high graduation he congratulated me for having “already surpassed” him in education, then announced how he’d been promoted to head custodian of the high school.  “You and me, Frankie, we’ll go through all your years together!”

It hadn’t been so bad when I was a little kid.  I even remember working on my penmanship in my third-grade class and looking out the windows to see my dad pushing a handcart down the breezeway, whistling and waving to me.  I practically exploded out of my desk to wave back.  I gloried in his important missions at school and figured the other kids were just as impressed.

But now I was a big kid, cramped in a too-small desk in an empty high school hallway, disgraced,kicked out of Geometry for an entire week.  I tried to ignore the mud tracked into the foyer, just ten yards down the hall, and the inevitability of Custodian Flannagan showing up any minute to  scrub the linoleum.

Still blushing as I served the first minutes of my punishment, I cringed at the thought of anyone seeing me like this, let alone my father.  I’d never felt so idiotic.  I couldn’t even fault my geometry teacher, though he was my mortal enemy. With his fascist tendencies, Mr. Gottschalk could’ve killed me for what I’d just done.

I stared at our ugly yellow text of geometric theorems.  Gottschalk had marked my assigned chapters with a paper clip, the caught pages a bit thick for a single week of
class progress.  All we ever did, it seemed to me, was trudge through one theorem every period, without preface, without follow-up, without a glance at their meaning for the great boundless world. We were like recruits on a forced march in some chalky wilderness, knowing only that we’d slog for yet another forty-seven minutes.  We’d end up no further, no wiser, no closer to victory, never learning the point of the battle nor the cause of the war.

Gottschalk even had the manner of a demoted German officer assigned to hard duty in the
boondocks.  He snarled orders and demanded unstinting obedience.  Despite the rumors that his German-American roots had led him to spy for the Nazis, that he’d lost his left eye as punishment for helping the enemy in the War, I had to admire Gottschalk’s dedication.  He soldiered on every day at the blackboard when I was sure he didn’t know the purpose of our combat with this yellow book any more than we did.

I opened the text to the first theorem under Gottschalk’s clip and began to scribble my progress toward a proof.  The hall remained abandoned until Loreen Lucchesi, bearing a bathroom pass, popped out of Trigonometry.

Spotting me, she smirked.  I just stared dumbly ahead, too embarrassed to recover what little wit I had, and listened to the horrible music of girls and bathrooms; the swing of the metal door, the muffled flush, the too-long silence as Loreen washed her hands and diddled with her sticky hair and practiced her smirking smile just for her return trip back to my disgrace.

“Have you been a bad boy, Frankie?” she asked, a sweet lilt in her hushed tone.  She even dipped a bit, teacherish, to address me in passing.  “Or is even Geometry too much for you?”

“I’m doing advanced work, Loreen,” I announced, amazed I could invent the lie without a second’s hesitation.  “Gottschalk wants to me to fly ahead on my own.”

“Really?  Well, some of us are worried that you might fall to earth, sweetie.”  She stopped, nearer her classroom door.  “You were so smart in tenth grade.  Honors track.  We miss you, Frankie. Imagine, a junior taking a sophomore course.”

“I’m only off-track for math, Loreen, and you know it.  I’m still in Honors in every other class.”

“Oh really?  Since you never speak up in History or English–not on the subject, anyway–I guess we forgot you were still there.”  Her forehead knotted with fake concern, she slipped into class.

I noted her royal “we,” the affectation of her smug Honors clique.  Okay, I’d fallen behind in math since I’d struggled to earn the first C of my life in Algebra.   That’s actually what got me into this fix with Gottschalk, that I was the only junior, and almost the only male, in this particular Geometry section, dominated by brilliant and beautiful sophomore girls.

Even now I see those girl theorem-warriors as a flesh-and-blood tribute to humanity at its best, their powerful cerebral cortexes hidden under silken hair.  With perfect olive or peach complexions, most were the Portuguese- and Italian- and Finnish- American daughters of immigrant families I’d known my whole life.   A few of these sophomores formed the vanguard of the North Coast’s future, daughters of wealthy folks who built seafoam-dashed retreats on the headlands, daughters of artists and gallery owners, daughters of poor but hip Bay Area bohemians who’d followed Thoreauvian dreams to the redwoods–striking, slightly off-center girls named for lakes in the Cascades and Trinity Alps.  Sky would become an exchange student in Uruguay; Chelan gave forthright talks on birth control techniques in speech class;  Crystal represented Afghanistan at the World Affairs conference in Berkeley.   Shimmering among them was Gottschalk’s own demure daughter, Angelique.

At some point that fall these sophomore women had decided to adopt me.  Sent down from the heights of Junior Honors to fight the yellow book alongside them, I might be the janitor’s son, but I also became an object of tender pity, a project, and an older man–a kind of exchange student from the upperclassmen’s nation.

In the town where I’d been schooled in lockstep with most of my fellow students for eleven years, as a junior I felt strangely like a new arrival to myself.  I’d been one of those boys whose development goes backward all through junior high, who grows rounder and softer when the other boys are shooting up and gaining wide shoulders; instead of getting hairy at twelve or thirteen, instead of going from freckles to whiskers, my skin had become soft and downy.  Then, over the previous summer, I’d emerged from that extended, pudgy puberty and soared past six feet, losing all my baby fat.

As if a genetic switch got flipped, one day I was still glancing up to my catch my dad’s eyes, the next I was glancing down at the top his curly head.  Suddenly my older brothers’ hand-me-downs actually fit me, not their kid stuff, but the cool patched jeans and bled-out Madras shirts they’d been wearing to college classes the previous year.  I still couldn’t get used to my face, now thin and long, with a chin that jutted out instead of folding into my neck in triplicate.

The world’s impression of my new face, wonder of wonders, got signaled at a Finnish Hall summer dance when this beauty visiting from Marysville flirted with me all evening.  She’d forced me to clutch her close for the slow dances, then seduced me into walking her to her aunt’s after midnight.  She still sent me perfumed letters in pink envelopes, coaxing me over the Coast Range to visit her in Marysville.

All fall I’d dreamed of driving the whole distance by myself to seek the source of that Sacramento Valley perfume.  I’d sweet-talk my mom to let me take her Chevy Impala when I turned sixteen the day after Thanksgiving.

But by early November Angelique Gottschalk had been distracting my attention from distant Marysville to the desk just inches ahead of mine.  No, I didn’t dip Angelique’s imaginary pigtails into any imaginary inkwell.  I had other, more vivid diversions.

It started simple, back in October.  Shy, she’d smile when she passed back a quiz or worksheet. Angelique was as prim as any teacher’s daughter, but could make a knee-length navy blue skirt seem provocative.  She almost always wore white blouses, her bra straps clearly visible below her shoulder seams.  When she wore short sleeves, all I could do was stare at her smooth, tanned forearms; when she wore her hair up in a French twist, all I could do was stare at the back of her long, creamy neck, with the little birthmark just under her right ear.  While she worked obediently on a problem, she’d wiggle her ankles, and slip her feet in and out of her slip-on sneakers.  I knew this because I’d schlepped my desk a little rightward, out of the row line, to better appreciate Angelique’s
ear and study what her feet were up to.

“Mr. Flannagan?”  Mr. Gottschalk had cocked his good eye in my direction, while his glass one fixed straight on, toward the pencil sharper.  “I trust you’re keeping your eyes on your own paper?”

Even though I blushed hot while Gottschalk’s entire sophomore harem giggled at my reprimand, I’d actually been relieved.  I knew Gottschalk hated me and certainly didn’t think I had any integrity, but at least he hadn’t noticed that I’d been ogling his daughter’s neck, not her schoolwork.  I’d simply nod and slide my desk back into line.

Now, a month later, exiled in the hallway, I tried to make sense of what Gottschalk had assigned.  I stared at my scribbles so far, realizing I didn’t comprehend what I’d just copied from the text.  The single sentence that introduced the problem might as well have been in Old High Church Slavonic.  I flipped back to skim the boldfaced words that always marked new concepts or terms.   None of it rang the faintest chime in my brain.

Panicked, flipping further back, I heard no more chimes in earlier chapters, only muted thuds.  How had I missed so much?  When was the last time, really, that I’d actually worked on Geometry at home?  Was Loreen Lucchesi right, that I’d fallen from Honors-track grace into some dumbbell Purgatory?  Had that sudden growth spurt sucked the vital fluids out of my brain cells?

Suddenly there was more in the span of my gaze than defunct Geometry terms.   At desk’s edge, a glimpse of khaki.  Monkey Ward work pants.  In them–if I dared direct my gaze slightly upward– stood my father.   Unusually still, he even moderated his breath, which, because of his deafness, was usually louder than it needed to be.

I dared to face him, feeling my face redden, and waited for my father’s Irish temper to ignite. Awaiting his scorn, I prepared a strategy.  I would sweat-out the angry barrage, survive some torture like being grounded, then sit in the hallway for the rest of the week in peace.  The worst, I imagined, had already happened.  I had survived shame, degradation, and punishment many times before and bounced back as good as new; after all, I was raised Catholic.

But Dad remained impassive.  He placed his hands on his hips and stared directly into my eyes but said nothing.  From where I sat, squeezed into that little desk, he seemed a giant–a modern Goliath who required a hearing aid, its coil running from his ear to the battery in his front pocket, a Leviathan whose clutch of keys clanged from his belt rung.  I had never known him to be at a loss for words.  For that matter, I’d never known myself to be, either.  But we stared for what seemed like long minutes, wordless, tentative, as if afraid to discuss what was so obvious.

“So, Frankie,” he finally began, stepping back, a little more relaxed, even scratching his bare forearm, “what do you think you’re getting in Geometry?”

I breathed easier.  “I dunno.  Maybe a C, C-?  I can bring it up by the end of the semester.”

“You might be surprised.”

“Yeah?”  I was hopeful.  Maybe Dad believed I’d pull a B.

“Yeah.  I think you’re sitting on a D.  If you’re lucky.  It might have sunk to an F by now.  I talked to Fritz this morning in the staff room.  He’s pretty fed up with you.”

Dad always referred to teachers intimately, with first names or nicknames, as if I were pals with “Fritz,” too, or just genetically understood that “Gertie” meant our withered, kindly Senora Johannsen.

I didn’t know how to talk myself out of this fix.  I had just encountered the depths of my dangerous retardation in Geometry and had no argument against a D.  Or, bless me, Immaculate Mother of God, even an F.  But while I kept waiting for Dad to ask why I was sitting in the hall, he kept avoiding the issue, as if it were a long-established fact that I’d always belonged in solitary confinement.

My jailkeep appeared in at the doorway.  I could feel Gottschalk’s skewed gaze on me as he cracked the door.  I sensed the whole sophomore harem’s suppressed curiosity before Gottschalk slipped out and snapped shut the door behind him.  “Willie,” he said, “I hope everything’s as it should be out here.”

“It’s fine, Fritz.  But look.”  I followed Dad’s gesture to the muddy foyer.  “Helluva mess down there.”

“Kids sure track mud during the rainy season,”  Gottschalk said, severe yet chatty.  “A terrible design flaw, Willie.  They need to pave over all the paths from the playing fields.  Waste of your time.”

“Yeah.  Guess I better get the mop.”

“And I better get back to my students.”  Gottschalk deigned to glance down to me. “Any questions so far, Mr. Flannagan?”

I shook my head.  People who lack any comprehension rarely possess anything so honorable as a question.

Dad disappeared, off to his supply room.  Gottschalk returned to the girlish buzzing audible between the moments he wedged open the door and before he let it slam.

But I was glad that Dad’s unprecedented cool-calm strategy prevented him from interrogating me about the real trouble in Gottschalk’s class that morning.   At the period’s start, Gottschalk had us work in study groups, so Angelique had turned her desk around.  We were face-to-face as Sky, Crystal and Chelan pushed in to join us, so that without initiating any ruckus, I happened to be dead center among four brainy girls.  They’d all aced the homework; they’d confirmed the proof in about five minutes while I listened politely, nodding sagely at their elegant Old High Church Slavonic terminology.

While the other groups finished up, we discussed palm readings, which Chelan had just learned about from a Mendocino psychic.  It turned out that I had an unusually long life line, which curved under my thumb and  continued toward my wrist.  Chelan scratched her head, marveling that I might live “practically forever.“  The girls held my palm and passed it around as if it were a confounding rock sample.   But when Angelique’s turn came, last, she cradled my palm snugly and gently traced my long line with her forefinger.  An electric charge seemed to crackle under her gentle traces.

“Let me see yours,” I said, anxious now to enfold her small, smooth palm in mine.

The other girls exploded in giggles, a giddy blast that seemed too intense for the moment until I realized Gottschalk had quietly appeared beside us, poised above Angelique and me.

“Daddy,” Angelique said, her voice quavering despite her attempt at casual deflection, “you won’t believe how long Frankie’s lifeline is.”  She held up my hand, a specimen again.

“Look.”

“Yet if I trust more rational signs, Miss Gottschalk, I must predict that Mr. Flannagan’s life will be rather brutish and short.”  With a military about-face, Gottschalk took to the front of the room and commanded our attention by drawing a huge circle–or a zero?–on the board.  “As is our rule, one randomly selected person from each group will perform the solution and earn all the points.  Or, alas, receive a zero for his or her entire group.  Since your group finished first, Mr. Flannagan, would you please come forward and begin the proof for us?”

He scooped a piece of chalk from the tray and fired it to me as I shuffled to the board, clutching my yellow text.  The class buzzed with its normal, merry productivity, a mild curiosity arising as the sophomores prepared to compare their steps in the proof with mine.  I could read no inkling, no suspicion in anyone except Gottschalk of the bloody disgrace about to be smeared across that blackboard.

The first part was easy.  I simply copied the text’s introductory sentence, the conceptual statement, on the board, though I comprehended only its prepositions, articles, and the predicate, “given that…”  (It was a given that, other than a few tips on palm readings, I hadn’t absorbed a single fact from our study group’s discussion.)  After a long, lip-biting pause, as the class grew ever more silent behind me, I copied the text’s first diagram by intersecting a triangle through Gottschalk’s existing circle.  The class sunk into an even deeper hush.  I turned to see Gottschalk back himself against the far wall and hunker there, twirling a pencil between his fingers.

I raised the chalk to the circle, improvising.  I drew a little dotted arc between the topmost corner of the triangle, then, encouraged by this design, did the same for the other corners.  Where the circle’s diameter met the angle, I added a straight dotted line which sliced the circle in a pleasing third, like a peach slice.  Behind me, the hush broke into shuffling, whispers, and tapping pens–the unmistakable sound track of mass embarrassment.

“Well,” Mr. Gottschalk finally broke through, “Mr. Flannagan, please be aware we all understand the basic concept and diagram.  Although your artistry in dotted arcs is a
mystery, please proceed with the first stage of the proof, would you?  We await.”  He coughed. “Show us, as they say, yours.”

The rest went swiftly.  I sliced a corresponding peach across the other side of the circle, then stepped back to regard my imbecility.  I had nothing.  I surrendered and passed the chalk to another group designee.  Returning to my seat unable to make eye contact with Sky, Crystal, Chelan, and Angelique, I sat dumbstruck.

After the first student erased my dotted lines, to begin properly, and a relay of sophomore girls flawlessly executed the entire proof, I knew I had robbed my groupmates of all their homework points.  Angelique must have been casting me into the lowest pit of Hell to join Judas and Hitler.

When Gottschalk got class started on the homework, he quietly ordered me from my seat and into the hall.  He explained that I had demonstrated a sucking whirlpool of ignorance of all that he’d taught since the new quarter began.  I had needlessly injured my entire group; I seemed unable to concentrate on either lessons or group study without chatting or “pseudo-scientific distractions.”
The only solution was to separate me from my younger betters and see if I recovered in a week’s work of “independent study.”

I was asked for no justifications and offered no appeals.  Gottschalk left me in the hall after his sotto voce condemnations and returned to class to stage the grand gesture, hoisting my desk out of class, then setting it gently down beside the door.

While I ‘fessed up to my crime internally–even before I fully understood how far behind I was–I knew there was more going on than Gottschalk’s frustration with my math failures.  I could see how tribal, how primal his jealousy was.  He resented how the girls’ attention had shifted from him to me, that his manhood was sinking while I, fresh and strong, had been sent from the heights of Junior Honors.  Taller than Gottschalk now, I was literally rising to challenge his status.  If Freud and Jung had been there to plumb Gottschalk’s psychology, it couldn’t have been more clear.  Gottschalk’s decline, plus the fact that he’d caught me hand in hand with his precious daughter, formed the real motives for my exile.

I squinted at my meaningless jottings, hoping all I needed was to focus my fresh, strong powers. My dad appeared in the foyer with an enormous wheeled bucket and a mop, elaborately ignoring me. In no time, he’d restored the linoleum to its sparkling former glory.

*    *    *    *

The next week, Gottschalk allowed me back into class, but my relief got sabotaged when I realized he    was in deep cahoots with my father.  Instead of singling me out for more  public humiliation, Gottschalk adopted my dad’s silent treatment.  He handed back my latest “F” quiz to Angelique “by mistake,” so that she had to pass it back, her brow raised in wonder, her eyes crinkled in compassion.

At home, when progress reports came out later that week, brows were raised, too, but without compassion.  My parents’ eyes narrowed into simmering rage.

Dad had confiscated my down slips from the principal’s secretary and carried them home at lunchtime.  When I got in after school, each little square pink duplicate dangled from the kitchen ceiling in long tranparent-tape slithers.  Gottschalk had scrawled a “D-” on my the pink slip and, under Comments, added a cute “NO COMMENT.”  I wandered through the sticky, crude display–my own internal system failure–as if I’d been forced to examine unviable intestines in a field hospital.  I got “D” warnings in Chemistry, History, and English, and due to my anti-smoking ad’s lateness, even a “C” in Commercial Art.

One evening after that, I knew my parents–beyond being fed up with my sudden, spectacular decline–had other troubles they wouldn’t discuss with me.  At dinnertime, I went to answer little Jimmy Cortini’s knock as he made his usual neighborhood rounds, snacking at our table before he ate dinner with his own actual family.  But my mom abruptly stage whispered, “don’t answer!” and blocked my way.  She shrank back to the stove to stir the mush she prepared as that night’s dinner, while we waited, pathetic, until Jimmy stopped knocking and went away.

Ah, mush.  It was the middle of the month, and school district paychecks didn’t come out until the 20th, just before Thanksgiving.  When I was younger and the mid-month budget was especially tight, my mom would announce “breakfast for dinner!” and my brothers and I would all cheer, because we loved mush with margarine, warm milk and sugar, especially if the alternative was slimy casserole leftovers Mom brought home from school in big aluminum cans.  But Mom hadn’t resorted to mush or school leftovers for years, and I figured this relapse had to do with some sudden expense at my older brothers’ junior college in Santa Rosa.  Jimmyless, we ate the mush in silence. In hopes of cheering her up, or maybe just to be acknowledged, I told my mom it “hit the spot”, but she didn’t respond.

Later Dad prepared to take off for his moonlighting shift at the county courthouse, so I ran upstairs to get into my scruffy cleaning clothes.  But I practically had to sprint to catch up to him before he aimed his pickup into the street.  It was like he meant to take off without me.

We cleaned different floors, Dad in the courtroom, I in the upstairs offices, without a word between us the whole evening.

The next day, after school, carrying home my anti-smoking ad, I found a full pack of Marlboros by the side of the street, matches tucked into the cellophane.  I ducked into the adjacent patch of redwood forest, found a burnt stump with a comfortable top to perch on, and sampled a few.  Instead of the stereotypical coughing and nausea, I found the heavy, smoldering flavors compelling.

Friday, for the first time, I joined the smokers after lunch in their semi-outlaw spot behind the Continuation School’s trailers.  Some stoner senior girls invited me to a Saturday night party where older guys had set up a teepee on a backcountry lane.  The senior women even picked me up in a rusty Beetle.  I told my parents they were taking me to a school-sponsored dance, a World Affairs fundraiser for Cambodian orphans.

The next Monday, I met Angelique for lunch, who had requested a word with me via note in Gottschalk’s class:  “Meet me in the courtyard on the library steps, okay?  P.S.  Why weren’t you at the Honor Society meeting Friday or the dance on Saturday?”  After staying up late on Saturday drinking beer with two exciting wild-haired seniors in matching buckskin miniskirts, I felt a little embarrassed by Angelique’s white blouse and plaid skirt.  Why’d she dress like a Catholic schoolgirl when she didn’t have to?  She sipped milk with a straw, like a third-grader.  Under the breezeway roof, we sat with our trays on our laps, watching the cold drizzle on the concrete, inches from our feet.  “Your mom’s mac and cheese is so yummy,” she told me.  “This is my favorite lunch.”

“So, did I miss anything at Honor Society?”

“Frankie…would you like for me to help you with Geometry?”

“Angelique!  Wait a minute.  Is the Society kicking me out?”

“I don’t think they can, until semester grades come out.  But why don’t you let me help you?”

I excused myself, telling Angelique I had a headache, which I did, but lied that I was going off to bum some aspirin off my mom.  I carried our trays back to the cafeteria, then slipped through the woods to the Continuation School to find out if nicotine would stanch the pain.  I smoked with a lone stoner guy under the narrow eaves of the Continuation trailer, blowing smoke into the rain.

In History, Loreen Lucchesi led our small group.  Oral history topics were due that day, and Mr. Short wanted us to “test them out” on our peers.  I’d completely forgotten the assignment and strained to dream up a subject while Loreen duly noted our ideas.  When the circle was down to Loreen and me, I ignored her smirk and deferred to her, my mind still racing.

“Don’t think this is too weird, you guys, but I’m actually going to interview Mr. Gottschalk,” Loreen said.  “He’s our neighbor, and I’ve known him since I was little.  He’s seen a lot of history, and I’m good at coaxing him into conversation!”

Everybody chuckled but me.  Loreen went on, about how we all probably knew that Gottschalk had lost one eye in the War, but did anybody really know how?  At eighteen, serving as a medical assistant, he had been helping to evacuate Belgian civilians from a school they’d used as a field hospital.  Gottschalk’s unit had heard reports that the school might be booby trapped, then ambushed by a German battalion, so they were hustling like crazy to get everybody out.  But Gottschalk realized that in their panic, they’d left behind a village kid who was under anesthesia in the basement.

“That’s where Mr. Gottschalk was when the bomb went off,” Loreen said, “and, get this.  Even though a shard of blasted glass took out his eye, he still carried that kid up the stairs and into the school yard.  The boy was thirteen or so, not that much smaller than Mr. Gottschalk was, but he managed to get him out of the collapsing building.  Later–it’s so sad, you guys–he realized the boy had already been killed.  He’d been dead the whole time Mr. Gottschalk was risking his life to save him.  Isn’t that amazing?  He’s this incredible war hero with a million medals and citations and I think, a Purple Heart.  And here he is, teaching his heart out at our little school.

“And none of us know because Mr. Gottschalk will never, ever bring it up on his own.  Angelique says he keeps the medals in his tool drawer in the garage, just tossed there, next to the screwdrivers.  She’s never heard him tell the story to anyone outside the family.  But I’m going to try to get it out of him.”

Chrimony, what was left to tell?  While the group buzzed, awestruck, about Gottschalk’s valor, it shocked the hell out of me that I’d always imagined the wartime Gottschalk as he was now, a rigid, one-eyed, middle-aged scold.  I tried to imagine a teenaged version of my math teacher with two good eyes, only a couple years older than me.  I wondered if his wound had changed his life for good, if he’d always wanted to be a teacher, or if he’d had to settle for putting up with D students because his original dream was as dead as that Belgian kid.

When I heard Loreen calling my name, I felt like I’d sunk underwater for a dangerous, airless interval.  Everyone in the circle was staring at me like concerned spectators on the rim of a pool.

“Uh, yeah,” I said, glancing at Loreen’s paperback, Grapes of Wrath.  “My…mom’s family had a tough time in the Thirties.  They were, you know, immigrants.  So I’ve been thinking of  interviewing my mom about the Depression.”

~

At dinner the Monday before Thanksgiving, scarfing down spaghetti with a side of boiled potatoes, Dad suddenly turned to me.  Out of the blue, maybe because it was payday at last, I was suddenly worthy of his interest.

“So why’d Fritz throw you out, anyhow?”

He didn’t sound mad, which scared the hell out of me.  This was just the tone he used to dig for school trivia (”So where’d Gertie end up hanging that Mexican flag I saved for her?”) punctuated with an elaborate fork-mashing of yet another boiled potato.

“I was just talking, I guess…” I muttered, not even convincing myself.  But he wasn’t being straight, either.  In conspiracy with his buddy Fritz, I was sure he already knew the whole story.

“Talking, eh?”  He fiddled with a toothpick.  He adjusted the big hearing aid battery in his pocket.  “Just talking, huh?  I guess Fritz was having one of his bad days.”

“He seems to have bad days on a regular basis.  Like every day.”

This feeble sarcasm actually produced a giggle from Jimmy Cortini, welcome again at our payday table.  Maria Crnjac, an old Croatian widow who lived in the cottage behind the corner bar, had also joined us that evening.  (My mom was so used to cooking for five hundred that she thought nothing of it when half the neighborhood smelled her spaghetti sauce and wheedled their way to our table with feeble offerings like raw snap peas or a quart of Safeway jug wine in a Ball canning jar.)  Maria leaned toward my mother, mumbling something in Croatian.  My mom mumbled something back, pointing at me.

Maria just nodded, then stared at me with the open sympathy people feel for the mentally impaired.  There was no privacy in my life.  I felt just as exposed and ridiculous at our dinner table as in the hallway next to Gottschalk’s door.

“A whole week in the hall,” my dad said, “that’s a hell of a  punishment for just talking.  Well, I better get going.  Gotta do the county courthouse tonight.”

I rose, too, happy to escape being the evening’s clown act for Jimmy and Maria.  “Wait a sec, Dad.  Let me change into my scruffies.”

“You planning on coming?  You sure, Frankie?  Don’t you have homework tonight?”

“But don’t you need me?”

“I can get it done by myself.  I’d do the courtroom first to make sure it’s ready for tomorrow’s docket.  Meanwhile, don’t you have a project in History?”

I stared at him.  Since when did he take such a close interest in my History homework?  And what project was he talking about?  I didn’t dare admit that I didn’t remember.  “Yeah.  I guess.  You know Short.  He’s always got a project for us.”

“Yeah, well Sheldon told me about it this afternoon.  Sounds kinda interesting.  Oral history.  You told him you were going to interview your mom.”

“You are?” my mom piped up.  “About what, for Pete’s sake?”  Oh, yeah.  And sweet blessed Virgin, our reports were due tomorrow.  “About the Depression, Mom.”

Luckily Maria was already tugging at Mom’s sleeve for a translation of the goings-on, so I turned to Dad:  “How about if I stop by to help you after I finish interviewing Mom?”

“Thanks, Frankie.”  He cocked his head, tinkering with his ear-piece.  “But you’ll probably want to be catching up on your Geometry, too, won’t ya?”  With that, kissed my mom, praised her pasta, and waved goodbye.

Damn him, I thought, now he’s got me begging to help him clean the toilets in the county building.  I
had half a notion that he and Gottschalk, with their pensiveness and long silences, were deep into
some reverse-psychology scheme they thought I was naive enough to fall for.  Maybe they believed they might re-enact Gottschalk’s war heroism, only mine was the body they were hauling up from that basement.  Well, the hell with them!  I still had a brain, and I’d prove I wasn’t any damn Belgian cadaver.

“That was weird,” I told my mother after the prospect of helping with the dishes had chased Maria and Jimmy home.  She washed, I dried while I wondered, “Dad’s been acting so quiet.  And since when doesn’t he want me to help him with the county building?”

“Frankie, you’re supposed to be so smart.  Think about it.”

She gave me the chance as she hummed along with the oldie station’s Frank Sinatra hit, “I Did It My Way.”  Then, fighting with a sauce pot, she said,  “He’s worried sick that it’s his fault, your bad grades.  That he made you work too many evenings.”

“He never ‘made’ me, though, Ma.  And even when I subbed for him while you guys were in Santa Rosa, I still kept my grades up.”

“So, what’s the story now?  How come?  All the sudden, like this?  You used to have the best penmanship–”

“I was in third grade!”

“Well, now it looks like chicken scratch.  That’s a sign, they say.”

“Of what?  Sudden retardation syndrome?”

Mom sighed.  “Drugs.”

“Oh God!  Where would I get drugs?”

“Who were those older girls in that little Beetle?  Why did you lie to us about the World Affairs dance?”

I considered another lie while I stacked dishes in the cupboard, rattled by all the noise I was making in my mother’s deepening silence.  I feared that my mother’s mood would transmute from its amiable American Sinatra-humming norm into its Croatian evil twin, that old-country crone who scowled and sputtered about ancient blood feuds and eternal curses.  I told her I was sorry.

She didn’t acknowledge my apology.  “So, what’s this interview with me?  Am I part of history now?”

“No…well, yeah, but you know, recent history.  I always wanted to know about that legend.  You know, that you went over to Hopland when you were thirteen to pick hops and make your fortune.”

“Yeah, and when I came home, my poor father had to buy me shoes.  What’s so historic about that?”

“Well, it was the Great Depression, Mom.  And you were a migrant worker, just like the Grapes of Wrath.”

“I wasn’t a migrant worker!  It was an adventure with my big sister.”

“You were in a tent, picking hops for slave wages.  Isn’t that migrant labor?”

“Frankie, it wasn’t the Grapes of Wrath, for Pete’s sake.  I told you, I was a silly kid.  I was earning my fortune!”

“If it was that simple, why didn’t you ever return to school?  Why were you an eighth-grade dropout?

“Oh, first I’m an Okie, now I’m a dropout?”

“Well, what would you call it?”

“I just never started high school. When I got home, it was already the middle of September.  I was too embarrassed to enroll. I knew I’d be behind in all my subjects.”

“And that’s not dropping-out?”

“No, no, no!  It was different then, Frankie.  I had to help out at home.  Then, you know, in a few years, I met your father.”

“Yeah.  Then you became a teenage bride.”

“I beg your pardon!  I was almost eighteen.”

“And that’s not being a teenage bride?”

“You got enough for your report now?”  She dumped the soapy dishpan into the sink.  “Are we done?”

“You’re not an easy interview, Mom.”  I wiped down the dish drain.  “I don’t have a lot of material, here.”

“I’m sorry that my life is so boring, Frankie.”

“It’s not boring, Mom!  For God’s sake, your parents were immigrants, you lived through all these hard times, your brothers fought in the biggest battles in the Pacific during the War, half your family died from TB. You survived TB after years of treatments. You’re like a walking history of the twentieth century so far.  But you won’t tell me anything!”

“Well, you ask me silly questions, then call me names.  Dropout.  Teen bride.”

“Okay, okay.  It’s my fault.  But wouldn’t you be interested in asking me a few questions if I decided to quit school?  I’ll be sixteen in a few days. What if I do quit, then get married?  What would you ask me?”

“This isn’t funny, Frankie.”  She wiped her hands and headed into the den, where she picked dead needles off her prize Norfolk pine.  “It’s cruel even to joke about that,” she called.  “Does this have anything to do with that Marysville girl who sends you those stinky pink letters?”

“No, Ma, no.”  I followed her into the den.  “Look, I’m not gonna drop out.  I’m sorry.”

“If you want to prove you’re so sorry, you better get started on your schoolwork.”

That was that.  Upstairs, I had to pass through the little shrine my mother kept in the hallway that angled into my room.  The third-grade penmanship award.  Gold ribbons from my sixth grade “College Bowl” championship season.

I had once absorbed facts and trivia like a human knowledge filter, the weird kind of kid who knew the chief products of Ceylon and Willie Mays’ career batting average, the importance of Dred Scott, the 1965 estimated population of greater Atlanta.  On that wall, Mom had arrayed four framed Honor Roll certificates, grades seven through ten.

In my tiny room, I sat at the huge fold-down desk my dad had made for me.  I dropped my forehead on the calendar pad and sunk into a funk.  Even my stupid oral history interview had been a complete waste of time, not only because of my mother’s stubbornness, but because I knew I had
been taunting and disrespectful.

I thought about the night my mom had come home from tenth-grade open house, one of those parent nights where she’d been given a copy of my schedule and walked through my class periods at ten minute intervals, from teacher to teacher.  Giddy afterwards, she’d sat down in the kitchen, sipping Safeway burgundy out of a jelly glass, still dressed to the nines like Jackie Onassis home from High Mass.  Fragrant, her dark hair swept up, in her best gold earrings, she told me how scared she’d been to “go back to school,” not as a staff member, but a mother of an Honors student.  “Maybe I know the kitchen, but I always get lost in all those hallways.”  But wandering from class to class, as each of my teachers praised me, she began to relax and soak it up.  She kept telling me how proud of me she was, but I’d been more proud of her.  I’d hoped that teachers and parents who only saw her in her white uniform and hair net now realized how self-possessed and beautiful she really was, how hard she’d had to work to help keep our cash-starved family fed and happy.

I pulled my head up, staring at my window reflection against the high-lit, churning lumber mill, and the dark blurry horizon of the ocean and sky beyond it.  I realized I could write my project from memory, out of the vast, one-sided oral history that had been underway for the past fifteen years–the one about my dad’s heroic past and the woman he loved.  It wouldn’t be as dramatic as Gottschalk’s rescue of the Belgian boy, but my deaf Dad wasn’t allowed to serve in the War.

So I started to write my father’s World War II homefront narrative, more than a decade before I was born, when my teenaged mom was confined in a TB sanatorium down in Santa Rosa and my out-of-county dad had to pay full price for her room and treatments.  Coastal blackouts were imposed to foil Japanese submarines from bombing our harbors at night, so, to see his wife, to encourage her, my dad drove hours on twisting coast roads with just flashlights or moonlight to guide him.  His first business, a service station, failed because of gas rationing as the War wore on, so he worked three or four jobs and lived with his in-laws to support my mom’s recovery.  “I’m going to turn every ounce of my energy,” he’d written in a letter I’d once retrieved from a shoebox of old receipts, “into money for your treatments, my darling.  I’ll prove how much I love you. Someday I’m going to buy you every little thing you might ever need.  Then we’re going to start a beautiful family and by God they’re all going to be college graduates.”

Her response, tucked into the same envelope, after “Dearest Willie, you don’t need to prove anything.  I already know,” was followed by two sides of notebook paper with neat “X’s” and “O’s” repeated and repeated in geometric precision until she ran out of space.

Finished with my first draft, I pulled out the yellow book and started skimming forward from Chapter 1.  Tomorrow in study hall, I decided I’d ask Angelique for help.  Other men might bring her roses, but I would offer an aluminum canful of my mom’s macaroni and cheese and throw myself at her mercy.

I glanced across the few downtown blocks toward the county courthouse and watched the lights go in upstairs offices.  I thought of my dad’s route there, how he’d already finished the courtroom and would start with the Selective Service office and continue all the way down to the Records Room, emptying ashtrays, emptying trash, mopping the checkered linoleum.  Without my help, he’d keep scrambling until eleven or midnight.

I’d still be fighting with the yellow text when he got home. He’d scold me like he always used to when I was up too late with my books, and remind me–like I didn’t know–that I had school in the morning. But just so I wouldn’t be a complete fool in the face of Angelique’s tutoring, I kept on, determined to learn and re-learn every unfamiliar term, every principle, every method of proof.

 

Lee Patton, a native of California’s Mendocino Coast, lives in Denver. He received the Borderlands Playwrights Prize in 1993 (THE HOUSE GUEST) and the 1996 Ashland New Playwrights (ORWELL IN ORLANDO); “Not Headhunters” was featured in the 2004 Last Frontier Theatre Conference.  His work has appeared in The Threepenny Review, The Massachusetts Review, The California Quarterly, Hawaii-Pacific Review, The Neo-Victorian, and, most recently, VS.  This story was composed during a residency at the Anderson Center in Red Wing, Minnesota.

“William Cullen Bryant Day” by Zoe Keithley

 

7:54 am, October 15, 1997.
Thursday. William Cullen Bryant day.

I pick my way across the parking lot to pull on the only handle I can find. A weather-
beaten Our Children Our Future emblem swings outward. On the blast of over-
heated air I smell boiled hot dogs. Most students will eat out of the vending
machines today. My name is Isa Fitzgerald.

I step inside to a metal detector. The guard takes in my trench coat, sensible shoes
and briefcase, waves me on.

“Good morning!” I chirp, carefully cheerful in the foreign culture of the high school—
that’s what they call it in edu-speak, a “culture.” The students are a “population”
with an “ethnic profile”; the school has “demographics,” a “poverty index”,  a “drop-
out rate” and a “table of negative academic achievement”.

A river of bodies boils by, up stairwells, down hallways and into classrooms on three
floors. The open smell of autumn on hair, jackets and book bags evaporates in the
heat of the building. Dress code requires white on top, black on the bottom;
earrings on males and certain colors of shoelaces are forbidden. A fat boy in a
yellowed shirt raises a hand at the stairs.

“Hi, Miz Fiz-gerul.”

This boy, in fifth period English, is one who sleeps, nose burrowed into his arm,
until the teacher, Mr. Jannis, raps him with a rolled-up newspaper or the bell rings. I
take in the heavy face, hands loose and lost. His classmates tent their heads with
their arms when I give a demonstration lesson in writing, as if I were sighting them
in cross-hairs desk to desk; and the teacher for whom I am present, disappears into
a file drawer or class attendance book or the SunTimes.

“See you fifth period,” I say. “We’re going to have fun.” I hoist a cassette player.

In this far South Side public high school, I am seen as The Enemy, sent by the
Chicago Board of Ed to spy, then clap people into leg irons. If academic scores
don’t go up this second year of school reform, staff could lose their jobs. There
have been principals’ heads on the parapets of City Hall since June, and teachers
rattling tin cups in the streets.

I am not sent by the Board of Ed. I am as much under scrutiny as anyone, since I
am held responsible for raising test scores by March. I am the EOP (Educational
Outreach Program) of Elliott College, a formerly religious and now non-sectarian
institution on the West Side, and now in a shotgun marriage with Bryant. Less than
fifteen percent of Bryant’s students meet state norms. This fact puts the high
school on academic probation; and the Board requires it to have an educational
partner or be reconstituted (read: Everybody gets fired).

I am white, forty-three, with a Master’s in Writing I got to stay afloat after my
husband died. Now, due to my success with low-scoring freshmen, and Elliott’s
hunger for a piece of City Hall’s School Reform pie, I am a foot soldier in the war
against sixty years of crumbling, dismal, decrepit, and defunct public education in
Chicago.

Up the stairs. Young bodies blind as the blades of a revolving door knock me one
way then another as they tower, elbow, bellow, dog whistle, leap-frog and torrent
past. I notice the starburst of blood now three weeks old on the first landing. Two
more flights. A clutch of kids barnacle the door jamb of Ms. Trevor’s first period
English class. Most will not go in until they absolutely have to. The bell chews along
my nerves. Excuse me, excuse me. I shoulder my way to the threshold.

It’s 8:01 and in one corner of the room I see three limber brothers eye the girls,
snap fingers and croon dirty lyrics; they flash white teeth at the University lady.
Seated near the windows are four sports experts. “Man, Pippin jes’ los’ it, tha’s
awl,” a boy throws himself back in his chair. “No, man,” his friend hikes forward,
cuts a chunk out of the air. “It Jorden, man. He an ol’ man, man. He need give
Scotty some room. Give the man a chance for oncet.” A girl submerged under
corkscrew curls, eye make-up and headphones stares at me from a desk in the
doorless coat closet. No teacher is present. I find a chair.

8:06. I look these embryonic adults over, wonder how they feel going to school in a
failing building (Even the building is failing, yuk, yuk), wonder how they feel seeing
the month-old blood spot on the landing, person-size hunks of plaster torn from
the walls or ceilings, and cockroach trails along the framing boards.

Last week was my first time in this room. That day it took Ms. Trevor, the teacher,
nearly twenty minutes to complete roll. Then I read aloud to the class from the
opening of Black Boy and held two loner students up front. The rest of the class
acted as if I were silent oldies projected onto the chalkboard–and smack dab in the
middle of their personal business to boot. The teacher bawled and threatened, then
gave up trying to improve things and buried her nose in desk drawers and the
supply closet until the bell sounded.  If I were looking for a reform trophy for the
principal, I could tuck Ms. Trevor right under my arm; but I’m the last one
interested in costing anybody her job. I’m just here to try to show teachers new
possibilities, new ways to do things; and my oblique connection with the Board of
Ed is a liability. Today I’m bringing music, every teenager’s basic food. There will be
no wandering attention today.

8:12. The national anthem crackles over the intercom. I stand. These kids don’t;
they raise their voices to overcome the loudspeaker while a beautician applies polish
to her client’s nails, two boys play gin rummy and a girl flips through a video
catalogue. The intercom clicks off. I take my hand from my patriotic heart and sit
again.

8:14. The sports club moves on to baseball. One boy escapes out the door. Two
girls in billowing jackets shuffle in, followed by a kid stuffing his face with popcorn.
Someone blows a dog whistle in the hall as feet pound past and the floor trembles.
“You ahr sub?” a sleepy-eyed girl leaning on a capsizing arm asks. I shake my head
no. “You from the Board?” She can hardly hold her eyes open. “I’m a writing
teacher. I was here last week,” I tell her. She yawns. “Oh,” she sniffs and her arm
and head flop to the desk. I go back to my lesson plan.

8:18. Ms. Trevor, slip hanging a full inch and a half below her dress, bangs a paper
sack against the door frame as she crosses the room, shoes flapping, wig favoring
one ear. In her sixties, Ms. Trevor sets the burden of her textbooks and papers on
the floor by her desk. The singers heighten their falsetto, two catalogue readers
consult and fill out order blanks. Ms. Trevor is of no more moment than the
October breeze through the window. I check the clock, unhitch part three of my
lesson and let it float off into next week.

Bosoms sag under her navy dress with its large purple and green flowers; Ms.
Trevor rights herself, frowns. “There shouldn’t be no talkin’, young people. You-all
know the rules. If I am detained, you are to go over your homework. You-all owe
me your word lists from Monday. This the third day I be askin’ for them.””

“Oh,” one of the singers, a red t-shirt under his white uniform shirt, lifts the
eyebrows of his long face; his hands, delicate as a violinist’s, escape toward the
ceiling. “Oh,” he swivels from one face to another, voice as high as his hands, “Ms.
Trebor say we need be doing our hom-work. Where y’all hom-work at? C’mon now,
git it out, git it out.” He frowns around, moving his arm and hand like a scythe.
“Missus Treevor, she want the hom-wark,” another male, dark hair slickered back,
legs stretched out, Adidas flopped apart, calls. “Geeve up the hom-wark. Missus
Treevor, you can see she ees waitin’”

Boys shrug; girls raise slim shoulders along with their palms and, smiling widely,
shake their heads as if bewildered. Homework? Why would they have homework?
Another student strolls into the room. The clutch of singers picks up the thread of
lyric still suspended in the air. “Do me some mo-re; do me on the flo-or”; their
torsos slip around to the beat.

“All right,” Ms. Trevor straightens her belt and flips open a black spiral book. “I’m
taking names, starting with you, Darren, an’ then you, Victor.”

“Oooo, y’all,” Darren plucks at his red shirt, gives a little scream; “Look out now.
Ms. Trebor takin’ names. You know what that mean—.” He beats time with his feet.
“Mi-ster Jones, Mi-ster Jones.” The class takes it up, pounding on their desks,
tromping on the floor. Mi-ster Jones, Mi-ster Jones.

“Aw right, Darren,” Ms. Trevor bawls; “Aw right class, ah’m gettin’ the guard. Ah’m
calling the guard.” She spanks the floor toward the door, index finger aiming for the
buzzer on the intercom. The ruckus dribbles away.

Sniffing, coughing, shuffling of chairs.

“And she got her hair done today.” Darren’s voice warbles bright and high out of
the constraint of silence. “What kine hair you got, Ms. Trebor? Look like that long
fur offen them monkey arms.”

His boys howl and high-five. The rest of the class whoops, laughter honed for
humiliation, parting the sculptures of their lips, letting the brilliance of their tongues
leap onto the teacher’s desk where she sits with her grade book.

I am appalled. This is an older woman.

“Naw,” another boy wearing an earring some teacher later will tell him to remove
breaks in, slapping his knee, “that a dog I seen runned over front ‘a school
yesteday. Miz Tebor done ripped that fur right offen his back ‘fore he even got colt.”

Ha, ha, ha, they turn on her the jewels of their eyes, glittering with the will to
cut.

Laughter in the classroom ricochets off the stained ceiling, rebounds from the
scarred floor. Ms. Trevor seems impervious to the insults. I am assigned to four
teachers at Bryant, and only one so far has had complete control of her classroom.
At my West Side Tuesday school, no teacher black, white, yellow or green has
complete control of the classroom.

“Now y’all stop.” A slender girl with big eyes and marcelled hair throws an arm into
the air; her long red fingernails are like petals of a jungle flower and brilliant against
the dun of the walls. “Y’all gone hurt Miz Trebor’s fillins. An’ here she come today in
her pretty dress from Am-Vets, an nobody say nothin’ nice to her.” She leans
forward in her chair, gold loops gleaming at her ears, a crease down the front of her
jeans, her freshly ironed blouse, its top button undone, glowing against her skin.

“You look real nice today Miz Trebor. Tha’s my fav’rit dress you got on. Ah don’
care how many times you wear it, Ah always be glad to see it.” Around her, the
wave of mockery rises like a wall of water. “An’ yo’ slip look real pretty too.”

She shrieks the last line out doubling over in her chair, then falls sideways into the
arms of the boy next to her; and the wave crashes over the room, filling it up with
the dirty oil-slick of the joke, with the howling voices, boys high-fiving and falling
out, girls sliding onto their tailbones as if they were drunk, weak with the fun of it,
while the partly submerged debris of their lives bobs and collides and submerges
again.

Color climbs the drapery of Ms. Trevor’s jawline. “Put them chairs right,” she points
and barks. “An’ stop that singin’. Tha’s no kine words for young folks to be sayin’.
It got no place in mah classroom. Y’all know mah rules.”

“Oooo. Do me he-re, baby. Don’t you have no fe-ar,” boys and girls turn  the
volume up, lean against one another like barroom buddies.

Ms. Trevor is at my elbow.

“Ah spec’ you can go ‘head wif yo’ lesson.” She waves a hand crumpled by arthritis
toward the chalkboard. “Thiz lady from Elliot College,” she tells the class. “She here
las’ week, those you here. She gon’ teach today.” Mrs. Trevor retreats to her desk.

I feel the shore pull away. I look over at her. I won’t be helping you, her body says.
I’m gone until the bell rings. It’s all yours, University lady.

“Carramba, thees  ees boring,” the girl in the closet pronounces from under her
headphones as I walk to the front of the room  to face the class. Student eyes
already glazed look through me, through the chalkboard, through the wall, across
the corridor, through the opposing classroom’s far wall to the street, across to
some far-off fountain that spouts that magical potion of the future they need to
slake their thirst; and which draws them to itself without mercy.

Showtime.

From my briefcase I take two tapes. Talk volume increases again. Nevertheless, the
cassette player gets looks. I hold up the plug. “I need a technician,” I say. A boy in
front of me—ironed shirt and pants, new gyms—raises his hand.  His friend with a
ring through his eyebrow yells, “Hey, you no tecnico, bobo. You don’t even able to
get yore car door to open.” Easy laughter eddies about the room. I am elated; my
trick has worked and I don’t have to stick my rear into the face of this fractious
giant.

“You’ll need paper and pen.” I make light bounce off my voice.

The giant slides onto the end of its spine, buries its head in its arms. “Today you
are going to be music vendors,” I sparkle away. The giant groans as if this were the
sixteenth time this week it has had to be a music vendor. “You’re going to do what
they do in the music business.” I have no idea what goes on in the music business;
but hey, some of what I’m asking them to do must go on sometime in the music
business. “I am going to play two songs. You develop a fact sheet on each; next
week you pick one song to write a sales pitch for, using your fact sheet.”

I surmise Ms. Trevor, into her paper sack, has missed my brilliant ploy of getting
expository and persuasive writing from the same pre-writing activity. Her
inattention is a disappointment though, since this lesson is for her benefit.

“You’ll need to note what instruments you hear, style of song, the story or
meaning in the lyrics, the target audience you envision, and so on.”

The giant stirs onto an elbow, follows the voice vibration, searches until it finds the
middle-aged teacher at the front of the room in her black slacks, out-of-a-bottle
brown hair, crows feet, J. C. Penney earrings, her eyes behind the drug store
glasses too big and too bright, her mouth repeating they’ll need to take notes. The
giant shifts onto the other elbow, pulls a page of crumpled paper from a backpack,
catches an end-over-end ballpoint mid-air.

“What song you gon’ play?” This from the fold of musical young-bloods at the back
of the room.

“You haf sumthin” mi ol’ lady wou’ hate?” ring-through-the-eyebrow rises up and
snaps his fingers like a flamenco dancer. His buddies laugh, snap their fingers too.

“The first is Jim Croce doing “Bad, Bad Leroy Brown.” I scan their faces for
recognition of the lyric about their part of Chicago. Nary a ripple. In my West Side
high school, Croce and folk singer Bob Gibson beat out Satchmo and got a
grudging ”moderately cool” from students who felt they could market Croce and
Gibson to swingers in their thirties.

Hearing my selections, these boys release air like tires flattening, lay their heads on
the desks.

“Ain’t you got nothin good we heard of?” It’s the kid who helped me.

In my briefcase I have a two-song promo of the popular young singer Usher. I
glance at Ms. Trevor with her Bible Belt body. The song is heavily sexual. I got the
artist from a sixth grader in my Wednesday school, went to Coconuts, listened to
the tape on the way in. When I heard the repetition of “I’ll f —you right, I will,” I
thought, forget it.  However, the flip side is instrumental.

“Well yes, I do have something else.” I let a swagger into my voice.

“Ah bet it Jingle Bell,” a kid with a shaved head rises out of his seat, soaks up the
laugh. On his lower lip is a purple scar shaped like a wedge of cheese.

“It’s not Jingle Bells. And it’s not the national anthem.” I let my satisfaction glance
off their faces, open for the moment.

The room becomes still.

“What it then?” the shaved head kid frowns and fingers his scar.

I let the pause lay there; let them feel the weight of it; feel for the life stirring in it.
“Usher,” I say, finally, and rake in the looks of disbelief, of reappraisal.

Darren leans back until his chair is on two legs, shakes his head, jabs his thumbs
toward the floor. “Naw man, she ain’t got no Usher .”

I feel a surge of power, fish for the cassette, hold it up. On the front is a handsome
bare-chested young man with glistening hair pulled into a pony-tail, arms crossed
over bulging muscles and intense eyes looking out from the plastic box.

“Lemme see.” The boy who helped me unfolds his body.

He comes on too fast. Instinctively I hide the tape behind my back, then feel guilty,
argue with myself that I am too suspicious. “Jeremy,” his dangling student i.d. says,
is the boy who helped me out with the plug just a moment ago.

I hesitate, hand him the tape.

His eyes buck, eat the name, the image; his mouth gapes. He holds it high, rattles
the case.

“She got Usher sho’ enuf,” he tells his friends who begin jumping for it. Lemme see
it man. Gib it ober, Jer’me. Gib it here.

My stomach drops. What if he doesn’t give it back, goes off with that sexual
material to the sea of headphones in the lunchroom, tells everyone he got it from
that teacher lady from the university?

“Give me the tape, Jeremy.” I hold out my hand.

Jeremy stands like the Statue of Liberty, the cassette high over his head, his
suddenly invigorated friends, the turbulent waters.

“Give me the tape,” I repeat the command, keep my voice even, though my heart is
pounding—walking the high wire without a net. I’ve met Jeremys before, white,
black, brown—all will, nothing but will, the lords of the land.

Jeremy waggles the tape at my nose. “Play this one.”

There are shouts of agreement, and a funny shift in the room that says they, the
students, are possibly remotely prepared to consider something akin to perhaps
even liking the University lady, especially if she gives them music the school and
their parents don’t approve of. But they are also a pot on a high flame, the excited
water jumping at the rim.

“First we’ll hear Jim Croce. Then we’ll hear Bob Gibson. Then we’ll hear Usher.” I
make my voice firm, step toward Jeremy.

He ducks the tape behind his back. “How we know you gon’ play it?”

“Because I said so. If we start now, we’ll have time to hear it before the bell rings; if
we waste any more time, it’ll be too late and you’ll have to wait until next week.” It
is a masterstroke. Jeremy surrenders the tape.

I press the play button. Silence, hissing; then the stepping up, stepping down of
the piano banging out the intro to “Leroy Brown. ” There are grimaces, blinking
eyes, hands over ears. Someone waves in a circle: Turn it down.

I am stunned, dumbfounded. Who can’t like Croce doing their Chicago, speaking
their lingo? I think back to Usher playing in my car, and realize I was hearing
Motown reborn—soft, mellow, and now explicitly sexual. That’s what they’re hungry
for, not the jumping jack songs of the sixties. How could I have been so stupid?

Then, as if she ascended out of the floor, Ms. Trevor is there, dancing a slow dance
in front of the cassette player. Donna Reed hair cocked to one side, a shy smile on
her lips, arms pumping to the beat, her slip sways below her dress. In old-lady
steps, she turns, raises her arms over her head. Tiny grey hairs sprout under her
capped sleeves. Ms. Trevor steps to a melody of tenderness, of the past; she
dances on a dance floor we cannot see to music we cannot hear.

Her students gape, roll their eyes, but hesitate, confused by this shocking unasked
for display of her humanity. They read it as a betrayal and subversion of the
unspoken game of school: They are to hate and torment Ms. Trevor until June to
show their contempt for anything that is not their own; she is to berate and
unjustly police them Fall to Summer and so crystallize their self-righteousness and
will to resist.

“Mama mia!” the boy with slickered hair sets down his People Magazine.

“Git up an’ dance wid her,” Jeremy elbows his buddy.

“Aw, man, she too fas’ fer som-body my age.”

I am aghast, humbled, thinking perhaps Ms. Trevor has done this for me, to
support my lesson. Now I have a visceral need to throw my body between Ms.
Trevor and her class while Croce pounds on.

“Mm-muh! Now thas’ sexy. Ain’t tha’ sexy?” Darren asks around, shaking his
fingers hard and fast and eyeing Ms. Trevor’s age-flattened hips under her skirt.
“Wou’nt y’all call that hot?”

But the class lets it go. Ms. Trevor, eyes still half-closed, soft smile still on her lips,
completes a circle and sways back to her desk.

“Take notes. What instruments do you hear? What story?” I’m in there without
missing a beat.

The giant blinks, jots a word, a line. A few shoulders roll, a few fingers pop. The
room quiets. Glee uncurls in my solar plexus. By God, I’ve got them. I stroll,
smiling, peering over shoulders, feeling smug and powerful.

The weak light of a Chicago overcast struggles through the grime on the windows.
Gum wrappers, cellophane bags, balls of crumpled loose-leaf sit on the floor like
modern art. There is the clank and rattle of the dumpster outside, the buzz of the
overheads, the scratch and tap and of pens and pencils, the melody breaking off as
if cut with a scissors.

I whirl to see a wide grin floating near the cassette player as a life-sized puppet on
a stick, a striped shirt under a white shirt, leaps away from the player, then dances
toward it with his male cronies around him, their leader, Jeremy, their grins breaking
like light on water. As if in a dream where details glance off your mind, I see the odd
thing in his eyes, the discrepancies among the grin, the dancing movement, and the
wary way he looks at me, one hand high over his head like a dancer, the other
down, partly concealed by his body. I see him bring the second hand up from
behind his thigh, and with a movement fluid and flame-like, punch the door open,
pull Croce from the player and drop in a different cassette. The little door shuts
with a snap and Jeremy’s index finger punches downward to release sounds of
metal against metal, like trains on the loose. Jeremy dances away, long legs
bending, head thrown back, eyes glittering as if waiting for a burst of something.
Then the singer—if you could call him a singer—breaks through the music—if you
could call it music—shouting the one word you never use in a classroom.

The ‘f’ word.

Over and over, the performer bellows it through the saucer-sized sound system of
the player, pumps it into the classroom like sewage under pressure.

The kids go on a rampage, yelling and clapping, high-fiving and knocking chairs
over. Like a wild sea they rise and fall, slapping into one another, hilarious, shouting
the word, letting it knock them around, weak with the joy of it. All the Sunday
afternoons in church; all the yammer, yammer, yammer of adults to which they
have not responded so they wouldn’t get hit; all the furious, frustrated wordless
waiting for time, for nature, for God to make something good happen to them—
they let it all into that one word, jettison it for the pure ecstasy of the release, the
beautiful word bringing down all those barriers the grown-ups at home, in school, in
churches, in stores, on the street, on television raise against them.

All I can think is where did he get a tape, and how did he drop it in so fast? And
that I am responsible. I left the player unguarded, trusting them without a thought,
rube that I  am, easy mark, aging fool of a flower child who assumed there was a
verbal contract. I stride past the riot of open mouths to the player, eject the tape
and drop it into my pocket; then I raise my chin and give Jeremy my most
triumphant look, though I am walking humiliation.

The students’ relish of my discomfort is deep. I feel their wavering— whether or not
to make something more out of this with this here University lady come in our
classroom readin’ her books, stick her nose in our business, tell us we stupid. She
stupid. What she think she gon’ do now, she so smart? I hear their minds go at it
like knives mincing chives.

Jeremy teeters at his place, the corners of his mouth high, as if pulled by a cord.
The smile has no depth. He bounces on the balls of his feet; the long fuzz on his
head looks as if it is breathing. Jeremy loves the spotlight.

“Guess I got yo’ tape now.” He twirls it between his long fingers. His boys laugh.

I turn from him, force myself into a slow swagger, back and forth in front of the
chalkboard.  A standoff with a student is death; you never do it.

“I’ve got your tape.” I pat the pocket of my jacket.

Jeremy shrugs. “S’ fine with me. Ah’ll keep this one uh yours, tho’ Ah cain’t git
nuthin’ fer it on the street.”

His boys laugh. His girls glitter.

“Good,” I nod deeply. “Then I’ll have yours. Good.” Back and forth.

He shrugs again.

I feel sweat in my armpits.

Jeremy folds himself back into his seat, tucking my tape into his shirtfront pocket,
whistling off tune. Tittering sloshes around the room.  Outside, someone leans on a
car horn.

I see Ms.Trevor push herself up from her desk, her mouth opening.

“You give that tape back to Miz Fizroy, Jeremey.”

“Who Miz Fizroy?” a baby-faced boy yells and snaps his head to look around the
room.

“Who Miz Fizroy?” he asks his classmates.

“She Miz Fizroy,” the kid next to him grins broadly and points at me; “only she Miz
Fiz-gerul.”

“Haw, haw,” the girl in the coat closet calls out through her chewing gum; “Miz
Trebor don’ even know tha’ woman name. And she our teacher.”

“Tha’ woman not our teacher,” a girl with blue-black hair straight as rain drawls,
picking at her cuticle with a nail that curves downward and is painted green. “Miz
Trebor our teacher, only she don’ know nothin’.”

For a moment I don’t care that the students, from all I’ve seen last week and
today, are justified in their war with Ms. Trevor. I don’t care that if Ms. Trevor takes
over, the class will be excruciating in its dullness, its beside-the-pointness, small to
a fault. I don’t care that these students will have nervous systems jumping out of
their skins as they watch the hands of the clock crawl from minute to minute until
all fifty have eaten them alive. What I hope is that right now Ms. Trevor will stand all
the way up and take back the class. But Ms. Trevor sits down instead and my hope
flaps away, leaving me alone with this live bomb. I cast my eyes at the clock; there’s
still fifteen minutes to go.

“Of course,” I say, all casualness, “we could make a trade, if you promise not to play
that tape in here.”

But Jeremy’s not having any. ” He stands rooted, his back to me; I stroll, study the
bulletin board. The class loves it.

“Geeve at the same time,” a boy with unraveling cuffs and an infant mustache offers
from over a dog-eared comic book; “like in the moovies.”

Jeremy looks over his shoulder at me.  He wants his ‘f’s back.

“Get your tape up, Jeremy,” I tell him and move forward. Jeremy turns. I hold out
the tape. You can hear a pin drop.

We are within two feet of one another. If he should manage to get his tape and not
give mine back, I will be Her Majesty Queen Fool. I feel all the eyes,  but I keep mine
on Jeremy’s fingers, hold my tape level. Jeremy does the same. My face aches; I
realize it’s my smile, wonder if it looks like the letter slot in Jeremy’s face. Jeremy’s
fingers come, come. I shunt the box forward. His fingertips dock on its end; I feel
the coolness of Croce under my own fingers. Then each of us releases the other’s,
turns away, and the tension in the room evaporates. Jeremy pimp-walks to his
chair, pants fashionably low, the crotch nearly to his knees. Students shift, turn to
one another.

“Wha’ she gon’ do now?” a boy asks.

Never say die. I drop Croce into the cassette player.

Oh, the South Side of Chicago is the baddest part of—

“Ask yourself what instruments you hear. Take notes. You’re going to need them.”

I coach, the giant scratches on its paper, or scratches under its arm or picks its
nose, or lays its head down on the desktop. The bass thumps up and down, the
piano rattles along like a tray full of china, Croce croons out the words sweet and
tart and chunky. I relax a bit, stroll, bend over a squatty girl in a Sox sweatshirt,
look down the list of instruments she has going and absently notice dead air. Dead
air. I spin around. The sound of metal clashing; the sound of the word you never
use in school and Jeremy’s grin floats above the player.

The room is up for grabs.

A tidal wall of anger slams against my eyeballs. I feel massive pressure on my vocal
cords. My tongue swells with inarticulate speech, swear words, obscenities,
profanity, racial slurs. I clamp my jaws, my body begins to shake. Before I can
reach the player, Jeremy punches the stop/eject, drops the tape into his pants
pocket, careens on his heel, plops like a straw man into his chair. The laughter is an
open hydrant. They point at the University lady. Who stupid now? Ha, ha. Who
stupid now?

All I can feel is rage, and how much I hate these teenagers.

I jerk the plug from the wall, the machinery of my mind smoking as if it’s caught on
a rag.  From far far away I hear Ms. Trevor’s voice, like a radio playing in another
room: Now young people; now young people.

I collect the player and, as if watching from outside, see myself march to the front
of the room, draw my body into a shaking column and then, past recall, ripple my
lip and hurl at the blur of adolescent faces and open mouths the venom pumping
through my nervous system.

“I came ready to work,” I spit flaming match heads. “I put three hours into this
lesson and spent my own money, but I guess you’re not interested.”

“You got that one right, sister,” someone calls out.

“I was trying to prepare you for the IGAP. Maybe you don’t care if your school goes
down the tubes.”

“Yes.” Darren, red shirt blazing, raises the power sign. “Bryant, down the tubes.”
Everyone whoops and claps.

“That’s fine. That’s your business,” I fume away. “But if this school goes down, you
go down with it. People who don’t know you will look at your scores. If they’re low,
where else can they put you but in the class for kids who seem slow? The slow
class gets the worn-out teachers, the rooms in the basement, the textbooks from
1972. If you apply to college and they see the name of your high school, someone’s
going to remember: “Oh, Bryant. On probation three times, then reconstituted.
Deep six this kid.”

Under the stained and peeling ceiling, the students listen, lean back on their elbows
or forward on the palms of their hands as if sunning at the beach, like children of
the rich who, when they are ready, will go to their grandfathers or uncles for the
sports car, then the really good job—one not too demanding and with their own
office in a skyscraper in the Loop. The job will pay lots of money for the designer
clothes, pricey condos, sexy partners and European vacations they will require. Until
that day, they have nothing better to do than watch this University lady whip
herself into a high froth over something that doesn’t have a thing in the world to
do with them.

“We’re trying to help you here,” I splutter on, “and you don’t have sense enough to
know it.”

They stare at me, wide-eyed and placid. Then someone snickers and my rage
erupts afresh.

“You know,” I inject enough fresh acid into my voice to eat holes in their ears,
“when you get out there, a pretty face and good-looking clothes aren’t going to be
enough. You’ll have to be able to do something.”

My words slide harmless as baby oil over their grinning faces.

I jam the cassette player into my briefcase. Where does their arrogance come from
anyway, I blister. These kids have nothing. What on earth is it they find to act so
high and mighty about?

The buzzer shreds the air.  Students clatter out of their chairs and swell toward the
door. I have no reluctance about stepping aside to let them pass.

It is zipping my briefcase the bolt of lightening strikes and I realize the fiction, the
hallucination this whole thing of schooling is: That it is a dream we teachers dream
and that we think it is real because we don’t know we’re dreaming; whereas what is
real is that we are the past and the poor. They–these students who sun on the
beach waiting to collect their inheritance—are the future; they are the rich. We don’t
know this. We know only our dream we live and that ends for us only when we do.

These students experience our dream as a play they are forced watch and find
interminable as they sit in the front row and drum their fingers and wait for us to
finish our lines. They fantasize instead the play they will be in and rehearse lines
they know they will have. They will never enter our play because they are
commanded to an entirely new play. Already, in their bodies and minds, ideas light
up, exert a pull, create a current; and their dream germinates among them and
they do not know it. This is nature. They know only that our story is foolish and
makes no sense.

This new awareness grips and holds me the way the alarm clock buzzer arrests
consciousness between waking and sleeping. Of course they would not listen or
hear. Why would I think I could bring anything of interest to those cast in a
different play with a script written in a different language, to actors trying out their
lines and waiting for me, for all of us to get off the stage?

White shirts and black pants jostle past me toward the door. I breathe in the
scents of hair dressing, nail polish, chewing gun, perspiration. I must serve these
actors. We all must serve them, whether we want to or not.  It is the law of nature
encoded in us and in them–in the growing of their bodies, in the galvanizing
without their consent that feels so totally right and happens as nature forges a new
generation.

Jeremy’s head floats into my peripheral vision. “You have to have more than a
pretty face,” he advises his audience in a high falsetto, wagging his head like a
woman. “You have to be able to doooo something.” He passes in front of me as if I
weren’t there. I feel the mercy of whatever has already washed me out of his mind.
“Doooo some-ting, mi insectos!” another voice bobs up. “Doooo something, mi
insectos!” the students chant, punching out the door, nearly blind to the next
classroom. It’s all the same to them, ever pressing up from the soil as they are.

I turn to escape down the hall; but there Ms. Trevor is, haunting my elbow, carrying
her purse and paper sack. “My daddy wouldn’t never ‘low such low manners in our
house,” she says, shakes her head and turns on me a face like the earth abused.
“My daddy beat me every day of my life,” she tells me factually, the way a child tells
a child, looking out at me from the punishing room of the crazed righteousness of
parental law. I don’t know how to reply, shocked at this unexpected intimacy, and
touched by it. “He beat me every day of my life,” Ms. Trevor repeats with pride and
bitterness until we reach the stairs.

I swim the babble of the student cafeteria; feel soft drink cups, paper French fry
baskets and sandwich papers crunch underfoot. I find the teachers’ lunchroom
where I stare at the TV with its Wall Street ticker tape stuttering along the bottom
of the screen. My French fries resemble beached marine life. I have no appetite
anyway. Through the lunchroom’s closed door I hear the giant winnowing fan of
adolescence. Two more classes wait for me.

At 2:35 p.m. I head for the haven of my car.

When I get home, I will call my chairman and tell him I cannot go back to that class;
that he can fire me if he wants to.

He will say, “Why? What happened?”

I will tell the story.

He will say, “You’re exaggerating, Isa. You’re making too much of this. They won’t
even remember next week.”

I will tell him he’s wrong, that I have lost all credibility in that classroom.

“All you need is a good night’s sleep. Besides, it will look worse if you don’t go
back. Then they really will have beaten you.”

I will not tell him they have already beaten all of us, or that it is an illusion to think
there is anything to beat.

I’ll hear him open and close a desk drawer. Then I’ll hear him clear his throat and
ask in a low careful voice, “Is it a thing with minorities?”

I will scrutinize myself while his chair squeaks. Finally, I will say no, not more than
for anyone else, and probably less than with many. I will not add that this is bigger
and deeper than anything to do with race, that it has to do with something like
what Buddhists call the Turning of the Wheel.

There will be the relieved pause. “Then no problem going back,” his voice will boom
across the line.

I will not say there is every problem with going back because nobody sees the
Wheel or knows we are all caught on its spokes. Instead I’ll tell him I honestly don’t
know what to offer these students; that whatever it is they need, I don’t have it,
and that how to find it is a mystery to me. I’ll tell him I’m not sure I ever was a
teacher, anyway—just a would-be fiction writer trying to earn a living.

“There you go writing short stories again,” he’ll come back. “You’ve done a great
job here at Elliott College, and you can do a great job there. Aren’t you the one
always telling me how smart those kids are and how much promise they have? Have
you decided they don’t have promise?”

No, I’ll say.

“—that they aren’t smart?”

No. They’re smart, very smart.

I will not tell him I have sensed that mysterious authority that brims at the rim of
their young skin, sensed it for the last year in every classroom past fifth grade and
now recognize it for their dream forming of its own accord in and among them; and
that in rooms with a weak teacher, this authority of theirs breaks over the top with
no provocation other than the joy of its own will.  John Murray will circulate with his
index finger the number two pencils in his Michigan State beer mug, then straighten
the backbone in his voice. “Oh, roll up your sleeves, Isa. You’re topnotch. Tell them
what to do, see that they do it and get those scores up.”

I will run my fingertips over my cat’s ear, feel the exquisite curve of the tip, trace
with my eye its embroidery thread veins in the lighted tortoise shell and hear myself
saying “um-hum” and “I guess so” as John Murray’s voice keeps unrolling like the
evening news. I will agree we are legally bound to fulfill this contract, and that next
time the lesson should be simpler, something out of their textbooks. I won’t bother
to add almost nobody has textbooks, or they never bring them or have only dog-
eared ancient editions. I won’t bother to say that this class will stare at me over
empty desks or Sears catalogs or the sports page of the SunTimes, laugh and
chatter, shrug, mimic my voice and facial expression; and that every class I go to
waits for this same opportunity.

I won’t tell him the situation is hopeless unless someone wakes up to the reality
that students and teachers are in different dreams. I will not point out that
adolescents cannot be expected to understand this.  Neither will I ask where we will
find a teacher who grasps that there are two dreams running like separate rivers in
the same classroom and that the students’ dream, blind and just forming, must be
midwifed into a world that will leave that teacher behind.

I’ll agree to go back, to try it again—because I need the job and want to continue at
Elliott. I can’t explain that nothing is the same, that I am not the same person, that
now I know too much and too little to do this work. One thing will change though.
Hereafter, I will understand the teachers I work with; and I will not sneer at them
anymore.

 

 

Zoe Keithley‘s stories have appeared in the North American Review, American Fiction, F3, Emergence, Pigeon, Dogwood and other journals. Her fiction has won a fellowship in Prose from the Illinois Arts Council and finalist awards from Zoetrope, American Fiction,
Dogwood, Emergence
and Hyphen. A novel and short story collection are circulating. She
lives in Sacramento and is at work on a second novel, teaches private writing students locally and at a distance, and is learning to play and compose music on the banjo.