“In the Waking Hour” by Keith Rebec

In the Waking Hour

On Tuesday, after catechism, we took turns holding Jimmy’s Daddy’s gun—a nickel-plated .44 Magnum—that he kept on a nightstand next to his bed.

“You ever shoot it?” I asked, aiming the long-barreled six-shooter at the 19-inch television.

“Hell yes,” Jimmy said. “It’s like a cannon. It’ll tear somebody’s heart clean out.”

I tried holding the handgun steady, but after a minute my right hand shook from its weight. “Can we fire it?”

“Better not,” he said. “Daddy would probably stick his boot so far up my ass it would bust a femur. Besides, we’re in town.”

“Come on. Just once. We can go into the backyard and squeeze off a round. Nobody will know.” I touched the tip of the barrel against the bedroom window. Out on the sidewalk, two girls in white dresses shrieked: one tossed a knotted sock between chalk lines, and the other hopped over the pink squares. “Bang. Bang,” I said, and laughed.

“Be careful!” Jimmy said. “Christ, it’s loaded,” and he stuck his hand out.

“Whatever,” I said, plopping the pistol into his palm. “It ain’t the first time I’ve handled one. What’s the worst that could happen?”

Jimmy laid the gun down gently onto the bed. “Want to see some nude pictures?”

“Of who?”

“My Mom.”

“Sure,” and I flipped on the TV while Jimmy dug in the closet. A plump talk show host was asking a disabled woman questions. The woman leaned slightly to the left in her wheelchair and smiled often at the female host, at the audience who applauded her every word. She seemed young—sort of cute even—as she described the challenges of losing her arms and legs to some flesh eating bacteria, of waking one day to the better part of herself gone. “I never saw it coming,” she said, and raised her hooked hands. “Tragedy strikes when you least expect it, and you’re just never the same afterward.”

“Damn,” Jimmy sighed. “The pictures used to be here.”

“What happened to your mother anyway?”

“She split, left us for a woman, a coworker from the hotdog factory.”

“Really? How’s your daddy feel about that?”

“How do you think he feels? He’s pissed.”

I dropped the remote onto the bed and picked up the handgun. Outside, the girls still screamed and laughed, and one of them yelled, “Your turn.”

I leaned against the bed, spun the pistol’s ammunition cylinder. I cocked the hammer and sighted the short barrel at the TV. The disabled woman was still discussing the accident, how the tragedy kept reaping more and more of her.

“Finally,” Jimmy said and dropped a thin stack of photos onto the bed.

“I want to shoot this thing,” I said. “Let’s go into the backyard, take a quick shot at your mom.”

“I told you we can’t.” He stepped forward and reached for the gun. “Gimme it, bastard,” he said.

“No,” I said. “I will after we shoot it.”

“Screw you,” he said, and shoved me against the wall.

“Fine, take it,” and when he yanked the gun from my hand it discharged.

After the smoke cleared, my ears still rang. We stood in the gunpowdery haze—touching our chests and arms for open wounds—trying to confirm whether or not we’d been hit and would be dead soon.

“Fuck,” Jimmy said. “You about killed me.”

The bullet ripped through the wall in Jimmy’s Daddy’s bedroom; the hole was chest-high and the size of a golf ball, and through it I could see the parched lawn and the gray asphalt of the street beyond.

Jimmy still clutched the pistol. “I’ve got to find another bullet before my Daddy gets home. You figure a way to plug that hole.”

We waited a few more seconds for sirens, for screams somewhere far off, but none came. I moved to the window. The two young girls no longer hopped along the sidewalk. They stood cheek by jowl peeking into the house across the street.

“Something’s up with those girls,” I said. “They’re peeking through your neighbor’s window.”

“What?”

Jimmy moved alongside me. The girls leaned against a small window with cupped hands. Then one of the girls slipped to her knees and pushed the other aside, hogging the glass.

“I wonder what they’re doing,” I said.

“It’s nothing. Probably waiting for ice cream.”

When I stepped outside, the girls remained transfixed, and the rest of the neighborhood was quiet except for barking dogs.

“Hey,” I said, when I reached the street, “you girls.”

The taller one, a redhead, eyed me. She nudged the short one on the hip and that girl stood, then once again they crowded the view.

Before I could reach them, Jimmy caught up and followed me through the neighbor’s yard.

“I need help, dammit,” he said.

I nodded.

When we climbed onto the porch, the girls stepped aside and one said, “Mrs. Denton’s house done been hit with a missile.”

So Jimmy and I leaned against the busted pane. The woman rocked back and forth in a ratty green recliner and a toy poodle lay across her lap, not moving.

“Oh shit, I think we’re done for,” Jimmy said.

“You think,” I said.

The damage, a hole roughly the size of a woman’s fist, was an inch back from Mrs. Denton’s head, and a mound of white plaster particles littered the carpet behind her chair. She rocked and scratched the dog around its ears. McLintock roared on the TV, and John Wayne was slugging a man and rolling in mud—and when John knocked the man cold, Mrs. Denton laughed.

“Christ,” Jimmy said. “She’s deaf as a tire. Look at those aids, man.”

“She’s pretty much already done for. Ain’t much we can do for her now,” I said.

“Yeah,” he said. “Dead.”

So we used our shoes to brush the glass shards away from concrete steps, then headed for Jimmy’s Daddy’s place to patch the more vital hole.

 

 

Keith Rebec resides in the Upper Peninsula of Michigan. He’s a graduate student working on an MA in Writing at Northern Michigan University. His writing has appeared or is forthcoming in Shenandoah, The Portland Review, Monkeybicycle, Hobart, Midwestern Gothic, Devil’s Lake, and The Doctor T. J. Eckleburg Review, among others. He’s the managing and nonfiction editor for the literary journal Pithead Chapel, and you can learn more about him at www.keithrebec.com.

“Pillars of Salt” by Margaret Frey

Nothing But Trouble (Pillars of Salt)

Nina didn’t recognize him at first. He strolled into the dingy ambience of Ott’s Bar—low ceiling, scarred horseshoe bar, vinyl booths hugging a dimly lit perimeter–with a skinny, yellow-haired girl. He was thinner. His hair was shorter, too, unlike his kid-self who would’ve howled at the mere suggestion of a shorn, Semper Fi look. Though Nina had heard about his good-behavior release, she hadn’t pursued the details. Lyle-related news wore her down.

Lyle craned his neck searching the bar and booths. Nina was tempted to duck, crawl out the back exit. The thought evaporated in a loud “Hey!” Lyle pointed then thumped his chest, the way movie stars gesture ‘Gratis, Love You’ to an adoring crowd.

Regulars at the bar swiveled in their seats and gave Nina the once over. Wishing she’d worked through her lunch hour, she polished off her margarita, heavy on the salt.

Lyle and the girl swung into Nina’s booth after Lyle awkwardly took the girl’s sweater and shoulder bag. He held the girl’s scrawny arm while she slid across the vinyl seating. The girl was pregnant, maybe four months. She supported her small, rounded belly, hand cupping the swell like a volleyball server. Lyle slid in beside her.

“What’s happening, Mama Mia?” He grinned and drummed the tabletop.

Nina gazed at the snake tattoo curving playfully around his forearm. “Same old, same old. Ordinary life. When were you released?”

“Few months ago. Wanted to get settled before I dropped by.” His brows knitted. “Jesus, forgot my manners. This is Janine, Mom. Janine, this is my first mother, Nina Evers.

“I’m his only mother, Janine. Lyle’s stepmother lives in Wisconsin. With his only father.”

The girl smiled cautiously. “Nice to meet you, Mrs. Evers.

“Ms. Evers. My maiden name.” The girl blushed.

“Don’t let my mother fool you, Janey. She’s a pussycat at heart.”

Lyle winked. He put his arm around the girl then gave her a squeeze. Smiling, the girl looked down at her hands. She stroked her belly then rested her head against Lyle’s shoulder. He kissed her forehead, the way one might reassure a child.

Nina looked away, caught the leering eye of a middle-aged man at the bar then turned back to Lyle. “Does your father know you’re out?”

“Nah. Don’t think he’s interested after . . . ”

“The fire?”

He scowled. “Whatever. Accidents happen.”

“Particularly when you’re cooking drugs in the basement.” An edge had crept into her voice.

“I don’t want to do this right now. It’s done, finito. I’m a changed man.”

“Hope so.” Nina checked her watch. “Need to get back. Nice meeting you, Janine.”

She picked up the bill. Lyle grabbed her wrist.

“That’s it? I’ve been away for five fucking years and you don’t have an extra ten minutes?”

Lyle’s eyes welled up. A nervous tic made his right eye twitch.

She’d always surrendered to this drama, embracing Lyle, saying she expected better the next time and the time after that. Her willingness to forgive Lyle’s troubles and disasters had been well intentioned. As had years of rehab and therapy. Lyle, always sorry and anguished, promised to change. Nearly twenty years of waiting. A weariness ran through her, a deep, familiar ache.

She slipped from Lyle’s grip but held his hand gently. She recalled his chubby childhood fingers, his infectious laugh. She let go. Glancing at Janine–mouth pinched, eyes blanched with worry–she knew the girl would never last. She’d have the baby’s welfare to weigh against Lyle’s shattering excuses. She’d have her own sanity to take into account.

“Time to go.”

Hurrying to the register, she told the barkeep to pocket the change then pushed through the heavy front doors. She resisted the sharp, burning urge to turn and glance back.

She no sooner arrived in the office than her manager Richard yelled, “You’ve got a call, Nina. Says he’s your son. I’ll transfer him to your office, line 3.”

She mouthed a ‘thank you.’ Entering her office, she closed the door. She let the phone ring several times, longer than normal. Every day she fielded calls from frustrated construction crews and disgruntled homeowners: fix this, change that, get your act together. How do you repair or restore a broken life to anyone’s satisfaction? She thought of the girl then, the way she’d held her swollen belly, supporting then stroking the roundness, a crazy act of faith.

She lifted the receiver. She took a deep breath feeling an unnamed something crumble around her.

“Hello, Lyle.”

 

 

Margaret A. Frey writes from the foothills of the Smoky Mountains. Her fiction and nonfiction has appeared in: Notre Dame Magazine, Camroc Press Review, Kaleidoscope, Foliate Oak, Flash Fiction Online, Used Furniture Review, The Dead Mule of Southern Literature and elsewhere. Most recent work appeared in the summer 2014 issue of The Stinging Fly.

Read an interview with Margaret here.