“The Spool Table” by Carol Wissmann

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We laughed together—sharing that knowing that comes from living through the same era.

I still have it, I said. It’s here in the den, doing duty as a desk for the telephone.

The physical distance between us diminished, tied together, as we were, by the telephone lines. Time turned backwards.

Where the ubiquitous spools originated, I knew not. But every self-respecting hippie had one. They came in all sizes—perhaps reels for the miles of cable that now linked us. Industrial bobbins that, when turned on their sides, served as tables from kitchen to bedstead.

I remember it! she blurted. Her recollection mingled with mine.

I even painted it,”
I continued, with barn-red paint, left from painting the dog-house—my attempt at interior design, I suppose.

We shared another laugh.

Oh, and for years I kept that mille fiore candle on it,
I recalled.

Ah, yes! The candle of a thousand flowers, the most beautiful in my collection of many. Coupled with the spool table, no hippie-home would be complete without candles, lots and lots of candles lighting cost-cutting nights keeping electricity at a minimum.

Oh my God, she fairly screamed. Her voice sent the phone lines vibrating.  I remember the candle, too!

We talked on, reliving memories—the spool rolling easily back and forth between the two of us. Occasionally our times together had been tangled, like chain snagged and caught in twists and knots. But on that night on the telephone, the thread between us unraveled as easily as a ball of dropped yarn. And line strung from some long-ago spool, now connected the shared memories of two old friends.

 

 

 

Carol Wissmann has been a freelance writer for over 60 business, trade, consumer, and university periodicals. A frequent speaker at writers’ conferences, she shares her business and sales expertise in her popular “Profiting from Periodicals” workshop, tutors students in English composition, and dabbles in semi-retirement from her Gig Harbor, Washington home.

“Implements of Poetry” by Anne LaBorde

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(Harlow’s heart
A corset
Pins
…The Silk stockings
I Used to wear

Pouted lips

Against
Crooked crescent-moon fingers
A platinum blonde
Body suit
Black flowers
…All the broken love
And your mother’s
Favorite apron)

 

 

Anne LaBorde is a writer whose essay Kleenex appeared in the very first issue of r.kv.r.y. 

“About That Glass Slipper” by Ann Howells

The ball is a sham: each face
masked, each mirror framed in ormolu
or gilt.  I flee early, gather skirts
about my knees and run, full out,
through candlelit halls, down
the grand staircase, race into midnight.
I totter, correct, leave one shoe glittering
like ice on the carriageway, for fear
a single misstep might shatter the second,
slice my flesh like razor wire. Glass slippers
are impractical for dancing, more so
for running.

Behind me the waltz continues, taunting,
merry on chill night air. Behind me
footsteps thud, a lumbered gait; breath
blisters my bare shoulders.  Feet stone bruised,
gown in tatters, I fear something
more ominous than pumpkin coach,
rodent steeds, lizard footman plucked
from garden wall.

Weeks later, the prince raps at my door:
fanfare of golden trumpets, full entourage
in satin breeches, six white horses prance
before a glittering carriage. My foot
glides smoothly into the slipper, but he
is no Prince Charming. How soon it begins
to pinch.

 

 

Ann Howells is a longtime member of Dallas Poets Community and currently serves on its board.  She has been managing editor of its semi-annual journal, Illya’s Honey, for ten years. In 2005, her poem La Restancia was nominated for a Pushcart Prize. In 2007, her chapbook, Black Crow in Flight, was published by Main Street Rag. She has had work appear most recently in Avocet, Plainsongs, Barbaric Yawp, SENTENCE and the anthologies The Weight of Addition and Big Land, Big Sky, Big Hair.

“The Pregnant Camper” by Cherise Wyneken

 

Home from WWII, minus half a finger
my brother, a good shot as Private First Class,
bought a rifle. Took up hunting.

One Labor Day Weekend,
my husband, his brother Larry, and me,
pregnant and due in December,
tagged along in his Chrysler Town & Country
down a winding washboard road
pluming dust.

At the bottom of the steep slope
sparkling clear and clean and
surrounded by pine studded hills
lay Meadow Lake. No one else was there.
Taking a deep breath of scented air, I felt
a blissful silence far from banshee city static.

Before tent pegs got pounded in,
a deer came bounding through.
My brother grabbed his gun. Come on.
My husband followed. Don’t get lost, I called.

Larry and I set up camp. Daylight journeyed west.
Darkness crept beneath the trees and greeted night.
Silence settled like a heavy drape
covering me with worry.  What if I need a doctor?
The keys are in my brother’s pocket.

Gathering wood for a signal fire
careful not to set the woods aflame
we scuttled around, stacking twigs and branches
a footstep from the lakeside shore
until the tower grew taller than myself.
As the sun slipped behind the Sierras
two sheepish guys blundered into camp.
We made the pile higher – lit it.

Bright orange flames reached for the night sky,
snapping and crackling.
Making a song against blackness surrounding us.
Blackness where people get lost.
surrounded us.

 

 

Cherise Wyneken is a freelance writer of prose and poetry. Selections of her work have appeared in a variety of publications, as well as in two books of poetry, two chapbooks, a memoir, and a novel.  She lives with her husband in Albany, CA where she participates in readings at various venues in the San Francisco East Bay Area.

“In the End” by B.L. Smith

 

My mind is drunk, but my hands seem sober
Convinced that they can pour one more that we
won’t spill
And our lips won’t slur

I saw the disease
Before my brother did
Recognized the messy handwriting, and the
argumentative tone

Closing its grip around our throats
I took the easy way out
Deciding to end the suffering before it got the
best of me

He decided to rescue us all
Before it bested him
But in the end, they both did

 

 

B.L. Smith is a recovering addict and alcoholic who had been sober since July 26, 2005. Prior to the death of her brother, she had tried controlled drinking and suffered a relapse. She has now been clean and sober since March 17, 2009. She is a professional writer who is presently working on her first novel. She also writes a column in the Salt Lake Examiner about dogs, and writes about MLB for mikefahmie.com

“Fairy Tales Can Come True It Can Happen to You” by Rex Sexton

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Snow White in a glass casket was what I had
been aiming at with my Surrealistic portrait
of the Dead Zone’s crack racket, trying to symbolize
the lost soul in the black hole of the ghetto, and the
living-death-quest of hopelessness all around us. But the chaos
of contours I created in the fairy tale beauty’s features,
after I started drinking and slashing paint on the canvas,
and the undulating rhythms of brush strokes with which
I concocted her coffin had her come out of my backstreet
fable as an angel wearing a death mask of sable, asleep
on a billiard table. So maybe “Dust” was the thrust of
my journey into oblivion in a game you can’t win because
a drug is a drug and there’s plenty of “Dust” in the hood.
Besides, while Picasso said that what one paints is what
counts and not what one intended to accomplish, he also
said that if you know exactly what you’re going to do
there’s no point in going through it.  Life lives as it does,
I guess. I’m no Picasso, let’s face it; but neither are you.
Dead of winter, I look out at the falling snow from the
window of my ghetto studio.  Ragged figures roam the
streets below, dragging through the drifts – bag ladies,
homeless families, dead-enders, penniless pensioners.
And more each day, as the cubical people lose their
lives in the sitcom world and join us in hell: shivering,
pale-faced strangers who come and go, the likes of
which none of us has seen before. As the Dead Zone
grows, wedding rings, good luck charms, Rolex watches
fill the pawn shop windows.
I grab my sketch pad, draw an old wrought iron oven.
On the top of it I put a kettle.  Inside I sketch the
portraits of Hansel and Gretel.

 

 

 

Rex Sexton is an award winning Surrealist painter exhibiting in Chicago, and his writing tends to have that illusory element about it. His novel “Desert Flower” was published by B&R Samizdat Express. His short story “Holy Night,”which received the Eric Hoffer Critic’s Choice Award, was published in Best New Writing 2007. His poems have been published in Willow Review, Mobius, Waterways, Edgz and others.

“Nothing Happens” by Paul S. Piper

I wait for the faucet
to drip.  I wait by the window
for the white cat to bound
out of the bushes.  I watch
the sky for the circling gulls
or a wayward jet.  The day is
mist.  People in hats, hunched,
grimaced.  Even the bamboo
in its elegance is bowed, trailing
like a soggy tail in the mud.  I read
in the morning paper that only 23%
of the country is happy.
In the front yard, still bruised
by winter, four brilliant
red tulips, petals poised to drop.

 

 

Paul S. Piper was born in Chicago, lived for extensive periods in Montana and Hawaii, and is currently a librarian at Western Washington University in Bellingham where he
spends more time than he should writing.  He takes his lead from Luis Borges.  His work has appeared in various literary journals including The Bellingham Review, Manoa, and Sulfur. He has four published books of poetry, the most recent being Winter Apples by Bird Dog Press.

“John Doe 43” by Christine Beck

Image result for denim work clothes

A dingy heap of denim work clothes
lay behind Frankie’s Bar and Grill,
a gin mill with no juke box, dart board–

just the basics: dim lights, shots and beer.
As Jackson and Loretta angled for a parking spot,
she thought she saw the clothing tremble,

then collapse. Jackson was halfway in the door
when Loretta yelled, “Oh, my god! It’s a man!”
His head was bloody at the back where he must

have hit the concrete, his pockets filled with
crumpled ones. He smelled like sileage.
It didn’t seem to be an accident, according

to the cop who finally came, probably a bar-room
argument that turned ugly in the back. No one
seemed to know his name or where he lived.

The ambulance took him to the hospital. They
called him John Doe 43. No CSI searched
for a murder weapon, missing persons.
Fingerprints

seemed pointless. Finally, the hospital found
his former wife, asked if she would pay the bill.
He was cremated by the state, which shipped his
ashes

in a cardboard box. My mother kept them
on her closet shelf, the only time she knew where
she could find him when she had dinner on the
table

 

 

Christine Beck is the President of the Connecticut Poetry Society and the Contest Chairperson of the National Federation of State Poetry Societies. Her poems have been published in the anthology, Proposing on the Brooklyn Bridge, Grayson Press, 2003, J Journal, John Jay School of Criminal Justice; Passager, Connecticut  River Review, Connecticut Poetry Society; Long River Run, and Caduceus.

 

“Pssssssst” by Carol Kanter

Image result for unripe banana

It is a secret what happened
once and more than once
when I was small
much smaller than my cousin

who taught me how to feel
helpless and afraid
for doing what I knew
was wrong

only because he made me promise
not to tell, NEVER
to tell. He would hiss at me
“Or Else”

and twist my skinny arm
behind my back
to show he could and would
make me suffer worse.

He did not explain how
he had the power
or what worse might be
just left me

to imagine—
how in the night dark
mom and dad would leave
Forever.

I try to keep the secret
buried deep
but it leaks out in bad dreams
I cannot shake

because they grip me
the way a not-quite-ripe banana
holds tight its peel.
But already I can smell

how delicious it will be
to strip off fear
when I get big enough
to tell.

 

 

Carol Kanter‘s poetry has been published in Ariel, Blue Unicorn, ByLine, Common Ground, Explorations, Hammers, Iowa Woman, Kaleidoscope Ink, The Madison Review, The Mid-America Poetry Review, Pudding Magazine, River Oak Review, Sendero, Sweet Annie Press, Thema, Universities West Press, and a number of anthologies. Korone named her the Illinois Winner of its 2001 writing project. Atlanta Review gave her an International Merit Award in poetry in 2003 and 2005. Finishing Line Press published her first chapbook, “Out of Southern Africa,” in 2005, and her second, “Chronicle of Dog,” in 2006

“Freedom” by Sandra Ervin Adams

Image result for fireworks

Her last Fourth of July with him.
Skyward, bursts of colored lights,
cascading, reflecting off the sullen
clouds over the ocean.
The two of them stand together
as they always do,
spectators on the beach.
Salty spray stings her skin.
The waves suck the sand
out from under her feet.
In the glare she sees the high rise bridge
to the mainland.

 

 

Sandra Ervin Adams