B. Chelsea Adams (Near Home) received her MA from Hollins College in Creative Writing and English. Chapbooks of her poems have been published: Looking for a Landing by Sow’s Ear Press in 2000, Java Poems celebrating her addiction to coffee in 2007, and At Last Light by Finishing Line Press in 2012. Her stories and poems also have been published in numerous journals, including Poet Lore, Potato Eyes, Albany Review, Southwestern Review, California State Poetry Quarterly, Clinch Mountain Review, Union Street Review, Wind, Lucid Stone, Rhino, and the Alms House Press Sampler. She taught at Radford University for over 23 years.
Heather Adams (When We Could See But Did Not Know) Winner of the 2016 James Still Fiction Prize, Adams has published short fiction in The Thomas Wolfe Review, Clapboard House, Deep South Magazine, Broad River Review, and elsewhere. This story is based on her first novel, Maranatha Road, which is forthcoming this fall from West Virginia University Press.
Karin Aurino (The Magic Cure) is an American writer of essays, short fiction, and a first novel, which draws on her former career as a fashion model. She worked in the entertainment industry for ICM, Paragon Ent., and was a Longform and Series Television Producer with Alexander/Enright. She is the recipient of residencies at Hedgebrook and Bread Loaf, and her fiction has received recognition from Glimmer Train. She is an active member of The Woolf Pack, founded by the Humanitas Prize Foundation—empowering and nurturing writers. Karin lives in Los Angeles with her husband and two children.
Roy Bentley (One of These Days! To the Moon, Alice!) was born in Dayton, Ohio. He is the author of four books and several chapbooks. Poems have appeared in The Southern Review, Blackbird, Shenandoah, Indiana Review, Prairie Schooner, North American Review and elsewhere—recently, in the anthologies New Poetry from the Midwest and Every River on Earth. He has received a Creative Writing Fellowship from the NEA (in poetry), as well as fellowships from the arts councils of Ohio and Florida. These days, he makes his home in Pataskala, Ohio.
Penelope Breen (Illustrator) is a photographer who always wanted to be a filmmaker. At the age of fifteen she saw The Manchurian Candidate and was forever changed. Films became something more: compositions, tones of black and white, and thematic purpose. At the time, she couldn’t articulate those early observations, but eventually did. Photography provided a way to see the world cinematically. She has been photographing for the last thirty years, primarily in black and white.
Joseph Chelius (Old Man) is employed as director of editorial services for a healthcare communications company in the Philadelphia suburbs. His poems have appeared or are forthcoming in journals such as Commonweal, Poetry East, Rattle, Poet Lore, and the American Journal of Poetry. His full-length collection, The Art of Acquiescence, was published by WordTech Communications in 2014.
Susan Cole (Harbor Lights) recently completed a memoir about a three-year sailing voyage she took with her husband and daughter from Connecticut to the Bahamas, Cuba, Mexico, Belize and Guatemala. Essays about her family’s sailing adventure have appeared in Daily Palette, Mary, and Living Aboard. She has attended the Iowa Summer Writing Festival every year since 2007. In between sails, she earned a B.A. from Barnard College, an M.A in Psychology from Columbia University. She currently lives in New Orleans, enjoying a new land-bound adventure.
Jackie Craven (White Lightning) won the Omnidawn Fabulist Fiction Award for Our Lives Became Unmanageable, a chapbook of fanciful tales that explore themes of compulsion and recovery. Her poems appear in many journals, most recently in Nimrod, River Styx, Salamander, and Water~Stone Review. Visit her at www.JackieCraven.com.
Timothy Eberle (A Rose Named Gary) is a New York based writer and comedian, like everybody else who lives in Brooklyn. His writing and performances have appeared in McSweeney’s, Splitsider, the Santa Fe Literary Review, Jewish Life Television, Jewlicious.com, Heeb Magazine, and the Madcap Review, among other credits. Most recently he was seen performing at The Peoples Improv Theater in “I Am Not a Man” (a sad show which he wrote alone), and in the review “Sad Men and the People Who Love Them.”
Kyle Laws’ (Into the Fire) collections include This Town with Jared Smith (Liquid Light Press, 2017); So Bright to Blind (Five Oaks Press, 2015); Wildwood (Lummox Press, 2014); My Visions Are As Real As Your Movies, Joan of Arc Says to Rudolph Valentino (Dancing Girl Press, 2013); and George Sand’s Haiti (co-winner of Poetry West’s 2012 award). With six nominations for a Pushcart Prize, her poems and essays have appeared in magazines and anthologies in the U.S., U.K., and Canada. She is the editor and publisher of Casa de Cinco Hermanas Press. www.kylelaws.com
Beverly Lucey (Pest Control Methods) has had work appear in Zoetrope All Story Extra, Vestal Review, Absinthe Revival, and Feathered Flounder. She was the winner of the Fiction Contest for Estonian Public Broadcasting (2013) Print anthology: Friend. Follow. Text. #storiesFromLivingOnline (fall 2013 release) “Voice Mail for the Living” in the anthology Up, Do Flash Fiction by Women Writers, (spring 2014). Landmarks: 2015 National Flash-Fiction Day Anthology (UK)
Sheryl Monks (Robbing Pillars) is the author of Monsters in Appalachia, published by Vandalia Press, an imprint of West Virginia University Press. She holds an MFA in creative writing from Queens University of Charlotte. Sheryl’s stories have appeared or are forthcoming in Electric Literature, The Butter, The Greensboro Review, storySouth, Regarding Arts and Letters, Night Train, and other journals, and in the anthologies Surreal South: Ghosts and Monsters and Eyes Glowing at the Edge of the Woods: Contemporary West Virginia Fiction and Poetry, among others. She works for a peer-reviewed medical journal and edits the online literary magazine Change Seven. Visit her online at www.sherylmonks.com.
Kristen Scarlett (Sensory Memory) is a writer from Winston-Salem, North Carolina. She has a Bachelor of Fine Arts in Creative Writing from the University of North Carolina Wilmington. Her work has appeared in Cape Fear Living Magazine, East End Elements, and other journals. She received second place in the SCCC Creative Writing Award for College Writers in 2015. Her hobbies include fancy teas, existential crises, and musing with her cat, King Charles.
Leland Seese’s (Hunting) poems have appeared in The Christian Century, The Nassau Review, The East Bay Review, and many other journals. He lives in Seattle, where he and his wife are foster-adoptive-biological parents of six children. Much of his work as a pastor involves work with homeless and immigrant communities.
Ron Tanner’s (BOOM!) awards for writing include a Faulkner Society gold medal, a Pushcart Prize, a New Letters Award, a Best of the Web Award, a Maryland Arts Council grant, and many others. He is the author of four books, most recently Missile Paradise, a novel. He teaches writing at Loyola University-Maryland and directs the Marshall Islands Story Project.
A.E. Weisberger’s (Controlled Delivery) work has been nominated for Best of the Net, Best Small Fictions, and the Pushcart Prize. Recent fiction appearing in SmokeLong Quarterly, Structo Magazine, The Collapsar, FLAPPERHOUSE, and Gravel. Recent non-fiction in The Alaska Star, Alternating Current, The Review Review, and Change Seven. She reads for Wigleaf and Pithead Chapel, and is working on an illustrated storybook called “Lives of the Saints.” Follow her @aeweisgerber, or visit http://anneweisgerber.com.
Tyler Anne Whichard (Glass Splinters) is a 21-year-old aspiring writer working toward her Bachelor of Fine Arts in Creative Writing at the University of North Carolina at Wilmington. The r.k.v.r.y quarterly literary journal is the first official publication of her work. Her hobbies include staring at blank Word documents, binge-watching Korean dramas, and pouring too much creamer in her coffee in the morning.