Contributors Winter 2018

Sudha Balagopal‘s (Leaf Music) recent fiction appears in Ellipsis Zine, Spelk Fiction, Jellyfish Review, Lost Balloon and Whiskey Paper among other journals. She is the author of a novel, A New Dawn, and two short story collections, There are Seven Notes and Missing and Other Stories. More at www.sudhabalagopal.com

 

Gina Marie Bernard (this is not a love poem) is a trans woman, roller derby vixen, and full-time English teacher who has completed a 50-mile ultra-marathon, followed Joan Jett across the US, and purposely jumped through a hole cut in lake ice. She has written one YA novel, Alpha Summer (2005), and one collection of short fiction, Vent (2013). Her poetry has recently appeared in Mortar, The Cape Rock, New Plains Review, and Leveler.

Roy Bentley (Time Under Water) is the recipient of a Creative Writing Fellowship in Poetry from the National
Endowment for the Arts, and fellowships from the Florida Division of Cultural Affairs and the Ohio Arts Council. Books include Boy in a Boat (University of Alabama), Any One Man
(Bottom Dog), The Trouble with a Short Horse in Montana (White Pine), Starlight Taxi (Lynx House); as well as Walking with Eve in the Loved City, a finalist for the 2018 Miller Williams Poetry Prize selected by Billy Collins and due out from the University of Arkansas Press.

Wanda Deglane (Christmas Lights) is a freshman at Arizona State University, pursuing a bachelor’s degree in psychology. She is the daughter of Peruvian immigrants and lives with her huge family in Glendale, Arizona. When she isn’t writing, she paints and spends time with her dog, Princess Leia.

 

Alena Dillon (Mei Lei) is the author of the humor collection I Thought We Agreed to Pee in the Ocean. Her work has appeared in publications including The Rumpus, Slice Magazine, The Doctor TJ Eckleburg Review, and Bustle. She teaches creative writing at St. Joseph’s College and Endicott College and lives in MA with her husband and their dog. “Mei Lei” is an excerpt from Mercy House, a manuscript she’s currently shopping to agents. Visit her at alenadillon.com.

Lanier (Lane) Wright Fields (Fuel) is a southern transplant living and working in Boston, Massachusetts. Professionally, Lane has performed technology witchcraft, taught sociology, worked in a factory, and gone corporate. Besides poetry, Lane’s hobbies and interests include music and shows, leftist activism, veg*n cooking, straight edge and hardcore subcultures, video game history, philosophy and social theory, and spiritual development.

Jacqueline Jules (His Grey Hoodie) is the author of three chapbooks, Field Trip to the Museum (Finishing Line Press), Stronger Than Cleopatra (ELJ Publications), and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her poetry has appeared in over 100 publications including The Broome Review, Sow’s Ear Poetry Review, Hospital Drive, and Imitation Fruit. She is also the author of 40 books for young readers. Visit www.jacquelinejules.com.

Sarah Kunstler (The Imposters) is a criminal defense lawyer, documentary filmmaker, and lifelong New Yorker. She is a member of the Rumble Ponies Writing Collective. You can find her on Twitter at @skunstler

 

 

Margaret MacInnis’ (The Unspoken) essays have appeared in Alaska Quarterly Review, Brevity, Colorado Review, DIAGRAM, Gettysburg Review, Gulf Coast, River Teeth, Tampa Review, and other journals. Her work has been distinguished by Best American Essays and Best American Nonrequired Reading series, and is anthologized in the 2015 Love & Profanity and the 2009 River Teeth Reader. Since 2010, she has worked as personal assistant to Marilynne Robinson, American novelist and essayist.

Sabyasachi Nag (Indian Rememdies for Tereusitis) is the author of two books of poetry: Bloodlines (Writers Workshop, 2006) and Could You Please, Please Stop Singing (Mosaic Press, 2015). His work has appeared, or is forthcoming in several publications including, Contemporary Verse 2, Perihelion, The Squaw Valley Review, The Rising Phoenix, Void and the VLQ. Originally from Calcutta, India, Sachi lives in Mississauga, Ontario with his wife and son.

Rae Pagliarulo (Chain Smoking) holds her MFA in Creative Writing from Rosemont College. Her work has been featured in Full Grown People, Ghost Town, bedfellows, New South, Hippocampus, The Manifest-Station, Quail Bell, and Philadelphia Stories, and is anthologized in The Best of Philadelphia Stories: 10th Anniversary Edition. She is the 2014 recipient of the Sandy Crimmins National Poetry Prize and a 2015 Pushcart Prize Nominee.

Ali J. Shaw (The Brussels Sprouts Rule) has Rocky Mountain air in her blood, but she calls the Pacific Northwest home. Her nonfiction has been featured in Hippocampus Magazine, VoiceCatcher, and the Dime Stories reading series, and was a finalist for the Victoria A. Hudson Emerging Writer Prize. She is currently at work on a memoir. Ali is an editor who collects typewriters and rescue animals.

 

Billie R. Tadros (Convalescence is a Lecturer in the Department of English at the University of Alabama in Huntsville. She has published a book of poems The Tree We Planted and Buried You In (Otis Books, 2018) and two chapbooks, inter: burial places (Porkbelly Press, 2016) and Containers (Dancing Girl Press, 2014). Her poems have recently appeared or will appear in Crab Fat Magazine, Entropy, Lavender Review, pnk prl, and White Stag Journal.

Meg Tuite (Nobody Scars the Same Landscape)  is author of a novel-in-stories, Domestic Apparition, a short story collection, Bound By Blue, and won the Twin Antlers Collaborative Poetry award for her poetry collection, Bare Bulbs Swinging, as well as five chapbooks of short fiction, flash, and poetic prose. She teaches at Santa Fe Community College, is a senior editor at Connotation Press and (b)OINK lit zine, and editor of eight anthologies. Her blog: http://megtuite.com 

 

 

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