Contributors Winter 2018

Sudha Balagopal‘s (Leaf Music) recent fiction appears in Ellipsis Zine, Spelk Fiction, Jellyfish Review, Lost Balloon and Whiskey Paper among other journals. She is the author of a novel, A New Dawn, and two short story collections, There are Seven Notes and Missing and Other Stories. More at www.sudhabalagopal.com

 

Gina Marie Bernard (this is not a love poem) is a trans woman, roller derby vixen, and full-time English teacher. She has completed a 50-mile ultra-marathon, followed Joan Jett across the US, and purposely jumped through a hole cut in lake ice. She lives in Bemidji, Minnesota. Her daughters, Maddie and Parker, own the two halves of her heart. She has written one YA novel, Alpha Summer (2005), and one collection of short fiction, Vent (2013). Her poetry has recently appeared in Mortar, The Cape Rock, New Plains Review, and Leveler.

Roy Bentley (Time Under Water) is the recipient of a Creative Writing Fellowship in Poetry from the National
Endowment for the Arts, and fellowships from the Florida Division of Cultural Affairs and the Ohio Arts Council. Books include Boy in a Boat (University of Alabama), Any One Man
(Bottom Dog), The Trouble with a Short Horse in Montana (White Pine), Starlight Taxi (Lynx House); as well as Walking with Eve in the Loved City, a finalist for the 2018 Miller Williams Poetry Prize selected by Billy Collins and due out from the University of Arkansas Press.

Wanda Deglane (Christmas Lights) is a freshman at Arizona State University, pursuing a bachelor’s degree in psychology. She is the daughter of Peruvian immigrants and lives with her huge family in Glendale, Arizona. When she isn’t writing, she paints and spends time with her dog, Princess Leia.

 

Alena Dillon (Mei Lei) is the author of the humor collection I Thought We Agreed to Pee in the Ocean. Her work has appeared in publications including The Rumpus, Slice Magazine, The Doctor TJ Eckleburg Review, and Bustle. She teaches creative writing at St. Joseph’s College and Endicott College and lives in MA with her husband and their dog. “Mei Lei” is an excerpt from Mercy House, a manuscript she’s currently shopping to agents about a gritty nun who goes against church doctrine to advocate for survivors of sexual assault. Visit her at alenadillon.com.

Lanier (Lane) Wright Fields (Fuel) is a southern transplant living and working in Boston, Massachusetts. Professionally, Lane has performed technology witchcraft, taught sociology, worked in a factory, and gone corporate. Besides poetry, Lane’s hobbies and interests include music and shows, leftist activism, veg*n cooking, straight edge and hardcore subcultures, video game history, philosophy and social theory, and spiritual development.

Jacqueline Jules (His Grey Hoodie) is the author of three chapbooks, Field Trip to the Museum (Finishing Line Press), Stronger Than Cleopatra (ELJ Publications), and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her poetry has appeared in over 100 publications including The Broome Review, Sow’s Ear Poetry Review, Hospital Drive, and Imitation Fruit. She is also the author of 40 books for young readers. Visit www.jacquelinejules.com.

Sarah Kunstler (The Imposters) is a criminal defense lawyer, documentary filmmaker, and lifelong New Yorker. She is a member of the Rumble Ponies Writing Collective. You can find her on Twitter at @skunstler

 

 

Margaret MacInnis’ (The Unspoken) essays have appeared in Alaska Quarterly Review, Brevity, Colorado Review, DIAGRAM, Gettysburg Review, Gulf Coast, River Teeth, Tampa Review, and other literary magazine and journals. Her work has been distinguished by Best American Essays (Notable Distinction 2007, 2009, 2011) and Best American Nonrequired Reading series (Notable Distinction 2009), and is anthologized in the 2015 Love & Profanity and the 2009 River Teeth Reader. She lives in Iowa City with her partner, Ryan, and their daughter, Lila. Since 2010, she has worked as personal assistant to Marilynne Robinson, American novelist and essayist.

Sabyasachi Nag (Indian Rememdies for Tereusitis) is the author of two books of poetry: Bloodlines (Writers Workshop, 2006) and Could You Please, Please Stop Singing (Mosaic Press, 2015). His work has appeared, or is forthcoming in several publications including, Contemporary Verse 2, Perihelion, The Squaw Valley Review, The Rising Phoenix, Void and the VLQ. Originally from Calcutta, India, Sachi lives in Mississauga, Ontario with his wife and son. He is an alumni of the Squaw Valley Writer’s Conference and is currently a candidate in the Writer’s Studio at the Simon Fraser University. He works in education and human resources.

Rae Pagliarulo (Chain Smoking) holds her MFA in Creative Writing from Rosemont College. Her work has been featured in Full Grown People, Ghost Town, bedfellows, New South, Hippocampus, The Manifest-Station, Quail Bell, and Philadelphia Stories, and is anthologized in The Best of Philadelphia Stories: 10th Anniversary Edition. She is the 2014 recipient of the Sandy Crimmins National Poetry Prize and a 2015 Pushcart Prize Nominee. Rae works as the Writing Life column editor for Hippocampus Magazine, and as Development Director for a Philadelphia arts nonprofit.

Ali J. Shaw (The Brussels Sprouts Rule) has Rocky Mountain air in her blood, but she calls the Pacific Northwest home. Her nonfiction has been featured in Hippocampus Magazine, VoiceCatcher, and the Dime Stories reading series, and was a finalist for the Victoria A. Hudson Emerging Writer Prize. She is currently at work on a memoir. Ali is an editor who collects typewriters and rescue animals.

 

Billie R. Tadros (Convalescence is a Lecturer in the Department of English at the University of Alabama in Huntsville. She earned her Ph.D. in English from the University of Louisiana at Lafayette and her M.F.A. in Writing from Sarah Lawrence College. Her first book of poems The Tree We Planted and Buried You In is forthcoming from Otis Books in 2018. She has also published two chapbooks, inter: burial places (Porkbelly Press, 2016) and Containers (Dancing Girl Press, 2014). Her poems have recently appeared or will appear in Crab Fat Magazine, Entropy, Lavender Review, pnk prl, and White Stag Journal, and she has also published work in the anthologies The Queer South (Sibling Rivalry Press, 2014), Bearers of Distance (Eastern Point Press, 2013), and Women Write Resistance: Poets Resist Gender Violence (Hyacinth Girl Press, 2013).

Meg Tuite (Nobody Scars the Same Landscape)  is author of a novel-in-stories, Domestic Apparition, a short story collection, Bound By Blue, and won the Twin Antlers Collaborative Poetry award for her poetry collection, Bare Bulbs Swinging, as well as five chapbooks of short fiction, flash, and poetic prose. She teaches at Santa Fe Community College, is a senior editor at Connotation Press and (b)OINK lit zine, and editor of eight anthologies. Her work has been published in numerous literary magazines, over fifteen anthologies, nominated nine times for the Pushcart Prize, five-time Glimmer Train finalist, shortlisted for Bristol Prize, and Gertrude Stein award finalist. Her blog: http://megtuite.com 

 

 

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