“Womb” by Mia Avramut, wax on paper, 5.8 x 8.2 in.
(See also “Fulfillment” by Avital Gad-Cykman.)
Certain alpha hoopoes have the taste
For both, Philomel and Itys.
In India, they prey after dark when exhaust
From the beer factory gags the sky so tight
One can taste the malt in their wing pits.
Gods know. They respond by reforming
Believers into nightingales; into swallows.
Then they take a break from trying.
Conjure new Ovids, request new hosannas.
Certain ranting rebel birds—
They reconfigure into line-following photovores
You find, clung to guardrails
Or reflected on neo-colonial candelabra—
Their muscles pumped with plastic blood
Programmed to put them in auto reverse
Soon as they hit a wall.
Then they make walls, beautiful walls.
Then they take down the lights. Observe.
Those that repeat-fail clearly-laid rules,
They transform them into fire ants
You find, after a storm has warped the steel,
Their arteries choked with moon-lather
That would put them on burn
Soon as someone touches them.
Sabyasachi Nag is the author of two books of poetry: Bloodlines (Writers Workshop, 2006) and Could You Please, Please Stop Singing (Mosaic Press, 2015). His work has appeared, or is forthcoming in several publications including, Contemporary Verse 2, Perihelion, The Squaw Valley Review, The Rising Phoenix, Void and the VLQ. Originally from Calcutta, India, Sachi lives in Mississauga, Ontario with his wife and son. He is an alumni of the Squaw Valley Writer’s Conference and is currently a candidate in the Writer’s Studio at the Simon Fraser University. He works in education and human resources.