Cezarija Abartis (Quantum Mom) Nice Girls and Other Stories was published by New Rivers Press. Her stories have appeared in FriGG, The Journal of Compressed Creative Arts, The Lascaux Review, r.kv.r.y, and New York Tyrant, among others. Her flash, “The Writer,” was selected by Dan Chaon for Wigleaf’s Top 50 online Fictions of 2012 and “To Kiss a Bear” was selected for Wigleaf’s Longlist 2016. Recently she completed a novel, a thriller. She teaches at St. Cloud State University. Her website is http://magicmasterminds.com/cezarija/
Digby Beaumont‘s (Mother) stories have appeared or are forthcoming in The Journal of Compressed Creative Arts, KYSO Flash, Literary Orphans, Blue Five Notebook, Bartleby Snopes, Change Seven Magazine, Flash Frontier, Jellyfish Review and 100-Word Story among others. He worked as a nonfiction author for many years, with numerous publications, and lives in Hove, England.
Pam Brodersen (Illustrator) shot Morris the cat. She also shot a tiger named Tony and a Doughboy in mittens atop a Christmas cookie. This all took place in her Chicago studio when she was a freelance photographic illustrator hired by “Mad Men” to promote their clients’ products. In the process, she exposed countless sheets of 8” x 10” Kodak Ektachrome. Today’s technology has morphed her “darkroom” into computer software and a stylus on a pressure-sensitive tablet. This complete control and limitless creative possibility challenges and inspires her to continue to shoot–without the “Mad Men” looking over her shoulder.
Tina Cane (Nocturne) is the founder and director of Writers-in-the-Schools, RI and is an instructor with the writing community, Frequency Providence. Her poems and translations have appeared in numerous publications, including The Literary Review, Two Serious Ladies, Tupelo Quarterly Jubliat and The Common. She is the author of The Fifth Thought (Other Painters Press, 2008), Dear Elena: Letters for Elena Ferrante, poems with art by Esther Solondz (Skillman Avenue Press, 2016) and Once More With Feeling (Veliz Books, 2017). In 2016, Tina received the Fellowship Merit Award in Poetry from the Rhode Island State Council on the Arts. She currently serves as the Poet Laureate of Rhode Island, where she lives with her husband and their three children. Photo credit: Michael Salerno
Ree Davis (An Opening) has worked as a cook, dishwasher, seamstress, farmworker, typist, and baker. She’s traveled across the Americas, Europe, and Asia. Graduating from Cornell University, she headed R&D for a Fortune 500 Company and gained masters degrees in architecture and creative writing. Ree lived on both US coasts, in Japan and China. Her work has won two Pushcart Nominations and appeared in Narrative Magazine, Daedalus: The Journal of the American Academy of Arts and Sciences, Limestone, and Penmen Review, among others. Her story “A Limitless Sky” was adapted to a radioplay by Delmarva Public Radio. She lives in southwest Virginia.
Rebekah Keaton (It Hangs a Delicate Chain) has had poems appear in various online and print journals, including recently in The Dying Dahlia, PoemMemoirStory, The Healing Muse, Rust+Moth and Common Ground Review.
Kathryn Kulpa (Shelby County Courthouse) is the author of Girls on Film, a winner of the Vella Chapbook Contest, published by Paper Nautilus. Her stories have appeared in Thrice Fiction, Reservoir, Monkeybicycle, and other journals. She leads writing workshops for teens and adults in Rhode Island and will be a visiting writer at Wheaton College in fall 2017.
M.H. Lee (Brown Days) has been published in The Quotable, Green Eggs and Hamlet, Forge Journal, and RearView Mirror. She graduated with an MA in theatre from Texas A&M University-Commerce and a BA in journalism and theatre from Southeastern Oklahoma State University. She has studied with Billie Letts and Stoney Hardcastle. Having lived in several states growing up, she is now working as a foster care recruiter for DHS in Oklahoma.
Joe Mills (Teeth) is a faculty member at the University of North Carolina School of the Arts and holds an endowed chair, the Susan Burress Wall Distinguished Professorship in the Humanities. He has published six collections of poetry with Press 53, most recently Exit, pursued by a bear which consists of poems triggered by stage directions in Shakespeare. He edited the collection of film criticism A Century of the Marx Brothers. With his wife, Danielle Tarmey, he researched and wrote two editions of A Guide to North Carolina’s Wineries, and his essay “On Hearing My Daughter Trying to Sing Dixie” won this year’s Rose Post Creative Nonfiction Competition. More information about his work is available at www.josephrobertmills.com.
Barbara Presnell (When Words Spill Like Rain) is an essayist and poet who lives in North Carolina. Her latest poetry book, Blue Star, traces her family’s involvement in war from the Civil War to the present through military records, census reports, letters, journals, and photographs. Her book, Piece Work, won the Cleveland State University Poetry Center’s First Book Prize. She has published work in Cumberland River Review, The Southern Review, Malahat Review, Appalachian Journal, Chariton Review, and other journals and anthologies. She has received grant and residency support from the North Carolina Arts Council, the Kentucky Arts Council, Soapstone, Inc., and Willapa Bay AiR.
Meaghan Quinn (I Met Him at an Anonymous Meeting) is an Assistant Poetry Editor for The Tishman Review. She holds an MFA from the Writing Seminars at Bennington College. She was nominated for Best New Poets 2015 and a 2015 Pushcart Prize and was a recipient of the Nancy Penn Holsenbeck Prize. Her poems are forthcoming or have been published in Heartwood, 2River, Adrienne, Triggerfish, Free State Review, and other journals.
Ron Riekki (The One-Time Return of Night Terrors) wrote U.P.: a novel (Sewanee Writers Series and Great Michigan Read nominated) and edited The Way North: Collected Upper Peninsula New Works (2014 Michigan Notable Book from the Library of Michigan and finalist for the Eric Hoffer Book Award/Grand Prize shortlist, Midwest Book Award, Foreword Book of the Year, and Next Generation Indie Book Award), Here: Women Writing on Michigan’s Upper Peninsula (2016 IPPY/Independent Publisher Book Award Gold Medal Great Lakes—Best Regional Fiction and Next Generation Indie Book Award—Short Story finalist), and And Here: 100 Years of Upper Peninsula Writing, 1917-2017 (Michigan State University Press, 2017).
Carroll Sandel (The Memory Keeper and the Myth Maker) After a career in social work, Carroll Sandel took her first class at Grub St. Writing Center and felt as though she had leapt off a cliff. That exhilarating, terrifying feeling re-emerges each time she sits at the computer to write again. Her work has appeared in Hippocampus Magazine, Pangyrus, The Drum, Grub Daily and she was a 2014 finalist for the Dorothy Cappon non-fiction prize in New Letters. She has recently completed a memoir, Lying Eyes, which explores her untrustworthy memories and how certainty about our memories can betray us.
Ryan Stembridge (The Void) recently graduated with an MFA in fiction from the University of Memphis. He enjoys magical realism and exploring experimental formats, as well as more traditional styles. Ryan’s poetry recently appeared in the Merrimack Review’s spring issue and he worked as an editor with The Pinch Journal for three years. Outside of writing, Ryan is a proud new father and sometimes sleeps.
Foster Trecost (Cactus) writes stories that are mostly made up. They tend to follow his attention span: sometimes short, and sometimes very short. He lives in New Orleans.
Ekweremadu Uchenna-Franklin (Requiem XIV) writes from Kaduna, Nigeria. He was Longlisted for the Erbacce Prize For Poetry 2015; he was the First Runner-up for PEN Nigeria/Saraba Magazine Poetry Prize 2011, and made it to the Book of Winners, Castello di Duino International Poetry Competition 2010. His works have appeared in Coe Review, The Write Room, Saraba Magazine, Wilderness House Literary, A&U American AIDS Magazine, Kalahari Review and elsewhere.
Hannah Whiteoak (The Elephant in the Garden) is a freelance writer from the United Kingdom. Her poetry has been published in Ember Journal. She is the winner of a Reedsy Weekly Short Story Contest and was shortlisted for the OWT Short Fiction Contest in 2017.