Cathleen Young: Model. Teacher. Business owner. Hollywood producer. How did all this lead you to writing?
Karin Aurino: I began writing as early as elementary school. I would hide under our staircase at home in Amherst, NY and spy on my two sisters. I wrote stories about them, often portraying them as evil villains, though their only offense was the role of ‘older sister.’ My mother encouraged my sisters and me to keep a diary then, and I have been journaling ever since. I have also sporadically written short stories and song lyrics over the years, most of which, fortunately, I did not keep.
Before working in the talent department at ICM, I began writing screenplay coverage for Brillstein/Grey. I was told my coverage was much too long, but the exercise was so rewarding, that I felt there must be a place for me in the entertainment industry. As a television producer, I did a good deal of writing, whether I was developing someone else’s material or creating my own original work. I found the writing process gratifying, whether I was able to sell the project or not.
CY: What came after producing in terms of the type of writing you are working on now?
KA: By my early 30’s, my husband and I agreed that I would take a break from working so that I could focus on raising our two children. That has been one of the best decisions of my life. Yet, even as a full-time mom changing diapers, breast feeding, taking my kids on park runs and play dates, and volunteering an outrageously excessive amount at their schools, I never stopped writing. I have always found the process therapeutic.
As my children grew, I wrote bad poetry, short fiction and essays, as well as two screenplays. These things I kept to myself. After I blinked twice, my kids were suddenly in upper elementary school and middle school. In 8th grade, my oldest began to exert her independence, which sent me into early panic mode—my children would one day leave me. I had to do something! I began to write a novel. I used one of the screenplays as my outline, and today I am working on the final draft before the submission process begins.
CY: You’re a mother of two children. Do you ever worry about being “too honest?”
KA: I do, which is why I suppose I focus on fiction for publication. My personal essays tend to be heavy hearted, and I have shared some of them only with my writing group. I recently began submitting short stories, including “The Magic Cure,” and I feel this need for them to convey a positive message. This is important to me because I have children—and a husband, a mother, a father, five sisters, friends… I want them to feel uplifted in some way. I believe my children have made me a more empathetic and responsible writer.
CY: How does “The Magic Cure” tie into a positive message for your children, and everyone else?
KA: “The Magic Cure” is about a high school girl with abandonment issues. She makes bad choices when no one seems to be watching. Her parents started out as strong, attentive role models, but that fell by the wayside, as sometimes happens when teenagers become more independent. Some parents don’t think their kids need them as much anymore. Yet the truth is, teenagers need their parents more than ever, and I wanted this good family to learn this lesson and reconnect in the end.
What I hope my children will take away from “The Magic Cure,” is that even though parents make mistakes, and their children may make bad choices as a result, that is not the end of the story. Life is trial and error, and if you take the time to open your heart to those who love you, in this case the whole family, the rewards are immense. Happily ever after will still require maintenance and care, as it does in this story, but it is best acquired with the love and support of one’s family.
CY: You’re a member of the WOOLF PACK – a group of 75 Hollywood writers. The group was inspired by Virginia Woolf’s book, A Room of One’s Own. What challenges do you feel women writers have to deal with in particular?
KA: According to VIDA, Women in Literary Arts, in their 2015 VIDA Count, women are still underrepresented in many publications. The question is, why? There are many reasons, but believe it or not, in some cases we have ourselves to blame. I have read that women are less published in journals than men because we tend to give up more easily. I’ve discussed this with many of my female writing friends and they agree. After a few rejections, we actually believe our work may not be good enough. What a fallacy as well as a tragedy!
Instead of giving up, I suggest women turn to their writing communities for support. If you don’t have one yet, start with friends, public library groups, or websites such as Poets and Writers, Writers-Network, Book-In-A-Week, or Writers Café, among many others. In my case that would include my intimate writing group of four accomplished women, my writing residency friends, my non-writer friends and family, Women Who Submit-LA Chapter, or the Woolf Pack, which consists of humble writing, directing and/or producing superstars, whose advice and support often astounds me in the most valuable manner. Ask your writing community honestly how your work can be elevated. Then do the work. Then submit again, and again, and again. Keep writing and enjoy the process. And most importantly, keep reading, because so many of our successes often come from the inspiration of others.
Cathleen Young is the Executive Director of HUMANITAS. In her 20-year television writing career, she wrote 13 two-hour network movies for ABC, NBC, CBS and Lifetime. Young won the HUMANITAS Prize and a Christopher Award in 1995 for her ABC Hallmark Hall of Fame Presentation A Place for Annie, which was a WGA Award finalist and nominated for an Emmy. Recently, Young secured a deal with Wendy Lamb Books for her middle grade novel, The Pumpkin War. Publication is scheduled for 2018. Young lives in Santa Monica, California with her husband, Patrick DeCarolis, and their twin daughters, Gemma and Shaelee.