“The Youngest Boy to Ever Fly to Space” by Jonathan Levy

The Youngest Boy

Billy Simmons, age 4, lay under his planet-covered sheets and stared at the system of neon stars on the ceiling, unable to sleep. Tomorrow he would finally be an astronaut.

Uncle Ben was there, along with Dr. Logan and her husband, the neighbors James and Donna Spitz, and many others he didn’t know. They set up a large TV.

The rocket ship, white and black with orange stripes, was at least twice Billy’s height. When Billy donned his father’s heavy-as-a-bowling-ball motorcycle helmet and boarded, his audience cheered.

He sat, buckled in, and studied all the buttons. The walkie-talkie popped, then came his father’s metallic countdown: “…3…2…1…Take Off!” The ship rumbled and shifted. Billy held his breath and reached for balance. The movement slowed and his father’s voice returned. “Captain Simmons, it’s now safe to open the viewing hatch.”

He saw Earth, no bigger than his own head, surrounded by glimmering stars. His breaths were deep and slow.

The hatch slammed shut and the ship shook again, harder. “Mayday! Prepare for emergency landing!” Billy’s chest heaved up and down; sweat collected on his forehead. “The red button!” Billy found it and pressed it and the ship was still again.

Billy stepped out. His father removed the helmet and raised Billy’s hand as if he had won a boxing match, yelling, “Hooray, Captain Simmons!” The audience erupted—clapping, whistling, stomping. They chanted “Bi-lly! Bi-lly!” Billy’s smile revealed all twenty teeth.

The next day, Billy sat shirtless on thin white crêpe paper, his legs dangling. Dr. Logan said, “The next several months will be difficult. You’re a brave boy.”

“Yesterday I flew to space,” Billy said, puffing out his chest.

“I remember. Are you ready?”

Billy nodded and slapped the examination table. “I’m ready for anything.”

 

 

 

Jonathan Levy lives in Raleigh, NC, with his wife and two dogs. He started writing fiction about a year ago. So far, the staff and readers of Boston Literary Magazine, Pure Slush, Tell Us a Story, r.kv.r.y quarterly, and Paper Tape have made him feel so grateful and lucky.

“Sevenling” by Annie Bolger

Sevenling

I devoted to you
an entire page of an ancient diary,
a small part of a soul.

You gave to me
deliciously generic compliments,
a plastic blue-beaded necklace

and mononucleosis.

 

 

Annie Bolger is pursuing a BA in English Literature and Classical Studies at Swarthmore College. She is currently the Co-Editor-in-Chief of Swarthmore’s daily newspaper, The Daily Gazette. She recently hand made and published Dated, a chapbook of her poetry. Her work has appeared in Prisms and the Swarthmore Review.

Read an interview with Annie here.

“Hope” by Matthew S. Rosin

Hope

In the beginning, there is the brick.

The brick sits in your frontal lobe, growing. It’s hard to hold your head up. Your neck crooks down and your shoulders curve forward.

Well, not really a brick. That’s just the weight of it. You weren’t paying attention.

You can’t ignore what’s happening to you anymore.

The narrow end of a funnel is wedged into your skull. Sand pours into your head from a bucket.

Each grain is a thought, and each thought is loud. They jostle for control. One grain screams loudest, then another.

Finally, a single thought stands apart.

This must stop.

Because you are one of the lucky ones, you ask for help.You meet a doctor in a small office with bookcases, a desk, chairs, and a couch. The doctor does not wear a white coat, but all the possible names for your struggle listen on a shelf behind her, inside a book as heavy as the sand in your skull.

You talk for a while. Thirty minutes in, you put your face in your hands. Sand spills on the floor, but the doctor doesn’t seem bothered by your mess.

You set another appointment. The doctor types a prescription into her computer. Moments later, her order reaches a man behind a counter.

The man wears a white coat, but he is not a doctor. Bottles, boxes, and vials stand on row upon row of neat, well-organized shelves behind him.

The man sets two orange bottles on the counter. Each bears a white label with precise, black lettering.

“Have you taken either of these before?”

“No,” you say.

He holds up the larger bottle. “Take one of these once a day.” He twists off the lid and shows you the narrow capsules inside. You lean forward to see, trying not to look too eager, but a few grains of sand scatter on the counter. The man does not seem to notice.

“They take a while to build up in your system,” he says. “Stick with it. No sexual side effects.”

You exhale with relief, then think about your last, swept aside by your sand, leaving just you again. Still, possibility is all you’ve got. You’d like to think you could respond fully to another, if given the chance.

The man behind the counter picks up the smaller bottle and shows you the tiny, circular tablets inside. “Take one of these as needed, like you discussed with your doctor. They act quickly and may make you drowsy. Best not to drive or operate heavy machinery.”

The man behind the counter does not say that he has no idea why these two little miracles will slow the flow of sand and maybe, one day, help you pull the funnel from your skull.

But that’s not his fault. The doctor doesn’t know why they work, either, though she can tell you about chemical interactions too small to see with your eyes, the years of testing and approval that separate science from magic, and how it’s all about balancing the benefits with the risks, anyway.

The important thing is to help you, before you blow a hole in your head big enough to drain the sand. Like Dad did.

It’s best to get started.

When you get home, you shake a capsule from the larger bottle. You take a breath, throw the capsule into your mouth, take a sip of water, and swallow. You put a reminder in your cell phone to do this again tomorrow morning, and every morning after that. The planning steadies you.

You open the smaller bottle and put a tablet on your tongue. You let it dissolve a little, then sweep it down with water.

You wait.

You’re not sure when it happens, but you notice that your neck isn’t crooked. The funnel is still wedged into your skull, but the bucket is upright. The sand is trapped, inches above your head.

You know the bucket is still there, full of screams. One day, you’ll have to start sorting the grains. But right now you’re not worried. Your mind is swept of sand, and thank God.

A few grains overflow the bucket, fall across your face.

Your eyelids get heavy.

 

 

 

Matthew S. Rosin is a dad, husband, and author based in California. You can keep up with him and read/hear his reflections on fatherhood at www.matthewsrosin.com.

Read an interview with Matthew here.

“Malignancies” by Emily Rich

Malignancies

It was all happening too fast. My mother was dying, I’d just been diagnosed, and my husband, Curt, was standing in the living room saying, “You need to call your parents and tell them to cancel their visit.” He was right, of course, but it was all happening too fast and I wanted a minute to just think about it. Or avoid thinking about it, really.

Curt had jaw set and his chest puffed out the way he did when making non-negotiable pronouncements. Enormous and serious in his dark suit and tie he stood like a wall between my troubled past and a now frightening future. Focus on what’s most important, his bulk was telling me. He’d just flown across the country, cutting short his meetings in Sacramento, so he could be with me after the diagnosis had come back. Because it really was cancer, just like my mom’s.

“Your parents would be too much stress for you now,” he said.

“But my mom…” I started.

“Look, If it was just your mom I guess it’d be ok,” he cut me off. “But having your dad here is too much stress on you now. Hell, I’ll call them myself and tell them not to come if you want.”

“No I’ll do it,” I said. I felt a pit of dread and sadness now growing as surely as the lump in my breast. I’m not a bad person, the type who abandons her dying mother in her hour of need. I don’t want to be seen that way, and yet, things are so much more complicated than you can imagine.

My parents had already left their home in Denver and were staying with my younger sister, Aggie, up in Philadelphia. Their plan was to head to our home in Northern Virginia next. They were calling it a farewell trip because Mom didn’t know how much time she had left now that her cancer had metasticized. And that was her trick, banking on pity to get around my edict that she not bring Dad near my kids.

No she can’t come. Of course she can’t. But how on earth was I going to make that phone call?

I’d last seen Mom the past Thanksgiving at Aggie’s. Her hair white, thinned from the oral chemo drugs. Her shoulders were slumped and her bosom concave because she’d never gotten reconstruction after her initial mastectomy. But her starling-bright eyes were alert and lively and she toddled around common room of Aggie’s husband’s church greeting all the guests with a warm smile. A kooky little garden-gnome grandma, you might marvel if you saw her. How much harm could she be?

Yeah, but that’s the problem! (I might answer in this imaginary conversation) She looks like the perfect person to set down in front of the grandkids with a book of nursery rhymes. But you have no idea how dangerous that woman’s powers of denial can be. How she could watch my father savagely beat her children, then blithely explain away our bruises and strange behavior to any teachers or neighbors who would ask. She fell when she was hiking at the cabin. She was sliding down the banister—so careless! She likes to kick herself in the shins, can you believe it? I don’t know how we stop her.

“Oh, it’s best not to talk about family issues outside the family,” Mom would tell us with a conspiratorial smile. We’re all in this together, you girls and me, being the implication. Like Dad’s abuse was some kind of fun secret bond that we shared.

* * *

But I didn’t want to share anything with her. Not as a child, not now. I wanted to cut her off, but god love her, she always found a way to intrude back into my life. You have to come see me, I have cancer. You have to see me because the cancer’s come back. You have to see me because I’m dying…

Then one morning in the shower, possibly right as my parents were boarding their plane for their East coast visit, I felt a pea-sized lump in my left breast. That’s not insignificant. How could I not have noticed that before? I thought in a dizzy panic. I knew immediately it was cancer.

“Mom’s done this to me!” I thought, irrationally. “To force a connection between us at last!”

It was late May, and the summer semester had recently begun at the community college where I taught. My own children had left for school, and I had only about 20 minutes to get out of the house and make it to my class on time. I shook myself out of my daze and with trembling hands, I dried my hair, dressed, gathered the things I would need for the day’s lesson. Then I put in a rushed call to my doctor’s office.

A blur of medical visits followed, each scheduled for me with an unsettling tone of urgency: You’ll need to get a mammogram, a sonogram, a biopsy…right away.

There had been signs. The night sweats, low grade fevers, the fatigue. I brushed them off. I take good care of myself, I reasoned. Eat right, exercise. My body wouldn’t betray me! I’m sure nothing is wrong.

“Aren’t you supposed to get regular mammograms?” Curt once asked. “You know, because of your mom’s cancer history?”

“Yeah, I will,” I would answer, without actually planning to. “But Curt, you know, I don’t think I’m at risk. I’m nothing like my mom.”

* * *

The final stage in the diagnostic whirlwind after I’d found the lump was a sonogram-guided biopsy to be performed by a nervous, almost apologetic radiologist with startled round eyes and thinning black hair.

“I see your mother has had breast cancer,” he said, scanning over my medical file. The room was dim and chilly, something typical, I would learn, with these high-tech exams: they don’t want to overheat the machinery. On a wall opposite the exam table a gray image of my breast tissue glowed on a lighted display board. “How old was she when she was diagnosed?”

“56,” I answered. I used to take comfort in that number. It sounded so old. Postmenopausal, I’d told myself, when that phase of life had seemed eons away.

“Umhm. And how was it treated?”

“She had a radical double mastectomy… chemo therapy… and I don’t know, maybe radiation too.” I cringed, self-conscious about how little I actually knew of my mother’s disease, despite the fact that I’d been with her for her initial surgery.

“And is she still living?”

“Yeah, she’s, let’s see, 70 now. But she’s not doing well,” I said. “The cancer returned and it’s in her bones. And maybe her lungs too.”

The doctor’s face emerged over the manila folder he’d been holding. His round eyes serious and sad. “I’m so sorry,” he said.

I felt both irritated by and protective of this doctor’s feelings. At 43, I was relatively young for cancer, and now here I was with a mother also stricken by the disease. The tragedy of genetics! There is only so much you can control.

* * *

In October, 1993, I was 28 years old, and had only recently returned to work from a three-month maternity leave following my second daughter’s birth. One day, out of the blue, my mother called me at the office.

“It would be nice if you could come out and see me for a few days,” she’d said. Her tone was even and pleasant, betraying no signs of distress.

“No Mom, I really can’t. I’ve only been back at work for a month. I don’t have any leave left.” I was trying to keep my voice hushed, to keep this intimate family phone call within the confines of my gray cubicle walls. There was nothing she could say that could get me to go out to family craziness in Denver, of that I was certain.

“Well, I’d really like you to. I could use some support.”

“Support? What for?” Here we go again, I was thinking. Some issue with Dad.

“I have breast cancer.”

“Oh God.”

“I’m scheduled for surgery this Thursday.”

“Thursday? Mom that’s in less than a week! Why didn’t you tell me about this earlier?”
I felt trapped. Mom springing this news on me at the last minute so I didn’t have time to react, calling me at work so I couldn’t raise my voice at her. Aggie was out of the country then, teaching English in Bogota, Colombia. Everything seemed calculated to leave me with no way to refuse my mother.

“This is bullshit, “ said Curt. “You shouldn’t go.”

“How can I not go? My mom has cancer.”

“Don’t take the kids, then.”

But he was working such long hours as a Senate staffer on Capitol Hill and I was still nursing.

In the end, I agreed to fly out Denver with my little daughters.

I wonder to this day what is it about my mother that made me so weak?

The cancer had been fairly advanced by the time Mom felt the lump in her breast. It had already spread beyond the breast tissue into her lymph nodes. She was scheduled for a radical double mastectomy, a disfiguring procedure in which the breast tissue, as well as the muscles beneath the breasts are removed. I now know the procedure is rarely performed unless the cancer has spread into the muscles, but at the time, my mother downplayed the seriousness of her situation. In fact, as I sat with her in the pre-op waiting area, she seemed giddy with all the attention being paid to her. Dad was mopey and sullen, slumped in a corner as if he’d sprung a small leak and was slowly deflating into his chair. But Mom was all smiles, like a queen for the day, chatting with the nurses from her hospital gurney, introducing them to four-month-old Rachael, who’d been allowed to accompany us.

Once the surgery was over, I retrieved two-year-old Isabel from the home of an old high school friend who’d been watching her, then returned to my parents’ house, where my father was waiting.

That evening, we ate a tense dinner, with Rachael asleep in her infant car seat on the floor and Isabel in the old wooden high chair we’d brought up from the basement.

The dining room was familiar with its odd clutter of things, from the brushed metal Scandinavian-style display shelves, the framed Japanese ink drawings, the old wrought iron chandelier. My father was sad and quiet, yet the anxiety of being so near him knotted my stomach so I could barely eat a mouthful. Picking up on the tension, Isabel squirmed and pushed her plate perilously close to the edge of the high chair tray. I sprung for it in a panic over what would happen should her dinner spill onto the floor.

“I wanna go,” she pouted.

“Ok,” I said. “Time for bed?”

“I don’t mind cleaning up,” Dad said, not looking up, his jowly face sagging, his voice deep with despair.

“Thanks Dad, guess I’ve got to get these girls to bed.” It was only eight o’clock, but I felt exhausted myself from all the emotion of the day.

I lifted Isabel out of the high chair, then gathered sleeping Rachael up in my arms.

We went through the dining room and living room toward the stairs. Then Isabel noticed Calypso, my parent’s Standard poodle, curled up on the rug in the front hall.

“Doggie!” Isabel exclaimed.

“Yes, that’s our old doggie,” Dad said. He had shuffled out from the dining room behind us.

“Doggie! Doggie!” she said again, and clapped her little hands. Calypso opened her eyes and lifted her head slightly.

“Hi doggie!” Isabel reached forward and Calypso—startled–growled and snapped her teeth. Isabel shrieked and I grabbed her arm, pulling her toward me, at the same time I felt the presence of Dad close behind. He lunged forward and landed a swift kick into Calypso’s side. She yelped in pain.

“That’s no way to behave!” he bellowed.

“Dad!” I shouted. Isabel clutched onto my leg.

Calypso got to her feet, trembling and cowering and backing toward the wall. Dad kicked her again, and I saw that look come over his face, that look that said the rage had taken over and there was no turning back. He bent over and pummeled the dog furiously with both fists, making grunting sounds as each blow landed, while the dog barked out high-pitched, human-like cries. Isabel was screaming and screaming and pressing herself into the back of my knees. Shifting Rachael to one arm, I managed to pry Isabel loose with the other, then, clutching her hand, I hustled her toward the stairs.

“Stop it Dad! Stop it! You monster!” I cried, the anger ripping at my throat, “You’re a goddamned monster! You’ll never change!”

I ran into my old bedroom, and slammed the door behind me. Mom had set up the room for our stay, with a portable crib lined with pastel bumpers and a little wind up polar bear that played Brahms Lullaby. My heart raced and my limbs quaked with adrenaline and fear and memory. How often had it been me on the receiving end of that rage the way poor Calypso had been tonight?

Why did you agree to come here? I scolded myself. I knew something like this would happen, that Dad would not be able to contain himself. It was so stupid of me to put myself in this situation! Now what was I going to do? I thought about calling my friend who’d watched Isabel earlier in the day to see if we could spend the night with her, but there was no phone in the room, and I was afraid to go back downstairs. I silently cursed my mother for manipulating me into this ordeal.

All night I sat on the bed in a state of alert with my back against the wall and a
sleeping daughter on either side. Around five o’clock the next morning, I gathered up our things and prepared to head out. With just the glow of a tiny night-light plugged into the socket by the door, I packed my bag and the diaper bag, zipped the girls coats over their pajamas and crept down the stairs. I dialed a taxi from the kitchen phone, then went out into the still black night to wait.

We got to the airport ten hours before our scheduled flight home, but the funny thing was, the girls acted like angels, as relaxed and relieved as I was to be out of my parents’ house.

The night after my biopsy results came back, I tossed and turned in bed. I held my breasts, soft and warm in my hands, and wondered what their fates would be.

My mind was unsettled, unable to land on a comforting image. When sleep finally found me, I dreamed of hospitals, of white halls, labyrinthine and impersonal. I dreamed myself a prisoner unable to reach Curt and the children.

My mother was there in the dream. I couldn’t see her but I felt her presence looming near like a scepter in her hospital gown, her thick googly-eye glasses and her Eleanor Roosevelt smile. Isn’t this fun? We’re in here together, she was saying.

I woke up drenched in sweat.

“You had a fitful sleep,” Curt said. He had his legs over the side of the bed, feet on the floor, his white undershirt was pulled taut across his broad back and he rubbed his hands over his dark hair, across his bearded face. My great bear of a husband, rousting himself for the day. I wanted to crawl up inside him, to wear him like a protective cloak.

“I know. I’m stressed.” I hadn’t stirred from my sleep position, lying on my back, my arms folded across my chest under the covers. I stared up at the blades of the ceiling fan whirring above our bed. Should they be turning that fast? Everything seemed to be spinning out of control.

“Did you call your mom yet?” he asked. “I’m sure once you do that you’re going to feel a whole lot better.”

“I’m going to,” I said.

* * *

Still in my pajamas, I padded my way into the kitchen and dialed Mom’s cell phone. She answered in the way she always did, as if she’d been suddenly startled awake. “Oh! uh, Hello?”

“Hey Mom, it’s Emily.”

“Oh, Emily! How are you?”

“Not good Mom. Look, I’m sorry, but you and Dad aren’t going to be able to visit this weekend.”

There was a pause. “Why? Is something the matter?”

“I’m sick.”

“Well, you know Dad and I are staying in a hotel. We won’t be any trouble.”

“No, I mean I’m really sick. I have breast cancer.”

There was a brief, stunned silence, then, in a lowered voice “How do you know?”

“I found a lump. I just had it biopsied. It’s cancer.”

“Oh, honey. Well, isn’t there something I can do?”

I sighed. Mom, always pretending—no, actually believing—that she could help me out with things.

“No, Mom. I just need to relax and be with Curt and the kids this weekend. I can’t entertain visitors. I’m sorry.”

She didn’t put up much protest. “Well, I…” she said, her voice trailing off, “I guess I feel somewhat responsible…”

God, why did she have to express regret right now? If she’d started arguing, I could have fended her off. Instead, her voice, so sad and resigned, nearly brought me to my knees. A deep, gut-level anguish overtook me. If ever there were a time I needed a mother’s embrace—or my mother needed a daughter to be partner and friend—it was now. And yet it could not happen. The weight of our personal history was just too much. We said goodbye and I stood in my empty kitchen mourning the loss of what I never had.

 

 

Emily Rich is the non-fiction editor of Little Patuxent Review. She writes mainly memoir and essay. Her work has been published in a number of small presses including Little Patuxent Review, Welter, River Poet’s Journal, Delmarva Review and the Pinch. Her story “On the Road to Human Rights Day” was a notable entrant in the 2014 edition of Best American Essays.

Read an interview with Emily here.

“Fifty-four Weeks?” by Annita Sawyer

Fifty-Four Weeks

“Let’s try again,” said the small, serious man beside you. His voice sounded kind – maybe too kind – as if he were making a special effort to protect your feelings. “How many weeks are there in a year?”

The consultation room felt empty, its only furnishings a wooden table, two chairs, and a dented, gray metal bookcase with well-worn magazines stacked on its shelves. An old-fashioned window with lead-lined panes let in dim light. Outside the glass, a thick safety-screen smudged the view of a hazy, late summer sky.

“Could I please have a minute to think about it?”

You moved your chair, straightened your hair, checked the pencil, looked out the window and around the room.

* * *

You had been at the Psychiatric Institute (“we call it PI,” a social worker explained) only a few weeks; your new ward was 6-South. This was the female serious-but-not-hopeless ward. If you had been hopeless, you would have been locked up on the eighth floor where they did drug experiments and lobotomies. Or they might have shipped you to one of the state hospitals, probably Rockland. According to patients who had relatives there, Rockland was huge, packed full of scary, truly crazy people, managed by mean, overworked nurses, and staffed by doctors who spoke only Romanian. Being shipped to Rockland was many patients’ worst fear. You had spent more than two years in a private hospital before the transfer to PI; for you, Rockland would be the end of the line. There were good reasons to be afraid.

6-South had all kinds of patients, none of them scary. There was a beautiful concert pianist, a woman who worked in publishing, and a stockbroker. There was a prostitute and an anesthesiologist. There was a nurse who became addicted from handling too many pills and a teenager whose parents were psychoanalysts. There were even identical twins who traded off which one was so sick she had to be hospitalized. They never came in at the same time.

A few patients were students like you, without jobs or careers. One had been in the honors program at her college and made perfect scores on her SATs. Another came from a special boarding school for gifted teens. You were twenty and hadn’t finished high school yet. You tried not to think about that.

* * *

Weeks in a year?

The room’s ceiling slipped lower; its walls began to shrink. You couldn’t take a deep breath. The buzzing in your ears grew louder. On borrowed time already, you couldn’t afford to blow it now. Psychological testing at the other hospital had gone all right. This shouldn’t have been so hard.

The psychologist’s round head and birdie face – shiny, dark eyes broadly spaced behind an elegant patrician nose – leaned over the collar of his white shirt, just above the knot of his thin, striped tie. Your eyes followed the tie’s pattern: against a sky blue background, delicate royal-blue lines ran beside broader burgundy ones as they emerged from beneath his collar and reappeared in a different direction on the front of the knot. You could imagine the path of those stripes where they looped inside the knot, before they appeared again, multiplying diagonally down the long ends that hung at the center edge of his shirt. The tie moved in and out with his breath.

He cleared his throat. Startled, you jerked upright in your chair and stared him straight in the eye, feigning poise, trying to remember where you were.

“Would you mind repeating that?” You prayed he hadn’t noticed your lapse.

“How many weeks are there in a year?” he said.

Weeks in a year . . . Weeks in a year? . . . Your muscles tightened. The room’s air thickened into fog, rank with the smell of unwashed crazies. Rockland loomed outside the door.

You’d have felt ashamed if you hadn’t been so desperate. The girl who less than three years earlier had been president of her high school’s National Honor Society now couldn’t say how many weeks were in a year. Come on! You pleaded with your brain. You have to know this.

You held your breath, your body absolutely still.

After several seconds, as if by a miracle, the fog lifted. A solution appeared before you. There were seven days in a week and three hundred and sixty-five days in a year. All you had to do was divide them and you’d get the weeks. Okay, so . . . seven into thirty-six goes five and uh . . .

* * *

You had spent a lot of time in institutions by then. From the beginning, when your parents first brought you to a psychiatric hospital as a desperate, suicidal teenager, the doctors decided you were schizophrenic. Despite your insisting that you weren’t mentally ill, and pleading with your parents not to leave you there, they admitted you. You did acknowledge deep sinfulness, a condition which called for your death, you explained, not hospitalization. No one tried to understand why you thought that way. It just proved their point: you were crazy.

In the hospital they started shock treatments right away. “It’s what we do for schizophrenia,” they said. Almost three years and countless shock treatments later, when you still hadn’t improved, they blamed stubbornness: you had resisted their treatment. You weren’t surprised when they gave up.

As it turned out, you got another chance. Your mother’s best friend from grammar school had become the Lt. Governor’s wife, so your parents were able to pull strings and have you transferred to P.I., a university hospital. “It’s good news,” they told you.

* * *

The tester looked bored. You were taking too long.

“Just a second,” you said, holding up a finger to say, Wait.

So then the seven goes into sixty-five . . . is it four? Okay, you had it. You puffed up a little in your chair. “There are fifty-four weeks in a year,” you announced quietly, although part of you wanted to shout it so loud your lungs would turn inside out.

The psychologist stared, eyes wide open over his beak, but without expression. He wrote down your answer as if nothing was wrong.

Good. That was close.

That night you cringed when your cubicle mate told you the answer was really fifty-two. After lights out you cried. You worried the psychologist thought you were stupid. Does that go with schizophrenia? Maybe you should have explained to him about the shock treatments – that it made people forget everything. Mental illness or lack of intelligence might not have been the main reason you answered wrong. But, it was too late for explanations, way too late. You were already twenty. Life was passing you by, and there was nothing you could do about it. Death may have been the best choice, after all.

* * *

Ensconced in my worn recliner in a corner of the den, I’m careful not to unsettle the purring calico cat draped across my forearms while I type therapy notes on my laptop. This used to be my son’s room. The floor’s jade green shag carpet has faded to dusty grass, but on a sunny day the Marimeko print curtains still glow as brightly as when I made them, almost thirty-five years ago. Psychology books and photos of grandchildren have replaced kites and model ships on the walls’ makeshift wooden shelves.

Writing about a young patient, suicidal with guilt from childhood abuse, takes me back to PI. I see you – alone, frightened, not knowing the answer. Why couldn’t someone have realized that your preoccupations with sinfulness and death were symptoms of molestation, not schizophrenia? We doctors understand that now.

Today, instead of narrowing for a sarcastic attack, my eyes fill with tears. I want to put my arms around you, hold you close. I let my head fall against the back of the chair; my breath stops. I’m remembering the terror: you were convinced that you’d be exiled to a dungeon forever.

In the end, no one shipped you to Rockland. You were discharged the day before you turned twenty-three. And life did carry you forward, if by an irregular route. There were many challenges: controlling your self-destructive impulses, for instance – no more scratching your face or bashing your head against walls, no burning holes in your arms and legs with cigarettes. There was getting into college, and pushing for that internship after graduate school. Sometimes you failed. Your first try was often rejected. But you – I – persisted. What those early psychiatrists condemned as stubbornness others praised as determination later.

Still, academic and professional accomplishments by themselves don’t undo that kind of profound emotional alienation from oneself. Moving from a separate you and me to I has taken decades.

* * *

Reaching for a tissue to wipe my cheeks, I disturb the cat. She gives me an injured look and stands as if to leave. “Please, don’t go,” I beg. “I’m sorry.” After a long, haughty pause she replants herself on my arms, then resumes purring. Tears flood my face and run down my chin.

* * *

I wish I could have comforted you with the forecast of a rich and satisfying life. I wish I could have assured you that you’d become a person you could accept, even take pride in, but I didn’t know it then. When I was young, I hated you. I blamed you for your secret shame and gloated when you failed. “You got what you deserved, bitch,” I said. “Miss Fancy Pants isn’t so smart after all.” It was less humiliating to gloat – to take charge of my denigration – than to feel terrified and powerless. I became a righteous judge, dispensing devastating judgements, because the alternative I feared was nonexistence – absolute nothingness.

I can’t say exactly when I allowed you into the space I considered me. It took years to feel secure enough to want to get to know you, then more time to appreciate you as a worthwhile part of who I am. Even with extensive psychotherapy, there were more instances than I could count when I had made it up the wobbly ladder from loathing or despair to within reach of forgiveness and understanding, only to find myself sliding downward, so I’d have to begin anew. Yet, I see now that as I climbed, and slid, and climbed again, hope was evolving into trust. Love takes longer.

 

 

 

Annita Sawyer is a psychologist in practice for over thirty years and a member of the clinical faculty at Yale. She has been a Wesleyan Writers Conference Fellow and a Bread Loaf Scholar. She has been a fellow at the MacDowell Colony, the Millay Colony, VCCA, Vermont Studio Center, Ragdale, and Hambidge Center for the Arts. Her nonfiction has appeared in professional and literary journals, won prizes, and been included among Notables in Best American Essays. Her first book, Smoking Cigarettes, Eating Glass: A Psychologist’s Memoir, was selected by Lee Gutkind for the 2013 Santa Fe Writers Project Literary Awards nonfiction grand prize and is forthcoming in June 2015.

Read an interview with Annita here.

“Born This Way” by Amy Newell

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So you say. And it is true, I do not remember a time when I was otherwise.
Twenty years now I have talked and talked in little rooms, walked
and walked in the rain, swallowed my pills. I remember once
dancing on a table in college with my shirt off, there was a strobe light,
I was drunk and dancing. How I would like to be drunk and dancing
now, instead of hiding from my children here in the bedroom.
If I put on bright lipstick and dance on a table and proclaim myself
perfect just as I am, will I be well? Such an anthem, would that I were easy
enough to make whole, would that I were just one happy variation
among variations. What purpose does this variation serve?
The pills take away everything that is beautiful about how I was born,
all that glitter, and leave the despair. It is no wonder that every night
I weigh my options, the big white pill, the blue and white capsule,
the yellow one, the orange, and the green. Show me your original face,
say the Zen masters, the one you had before you were born. My original
face has been sandblasted. Sometimes I meditate, I watch my breath
and I turn my eyes to the desert inside of me. If I was born this way
I shall always be this way, there is no saving me. There is no safety
in singing. Go ahead, sing for me. Tell me why I should continue to live.

 

 

 

Amy Newell writes poems about madness, marriage, motherhood, and elevators. In addition to her poetry, she has a trail of abandoned blogs and decades of overwrought journal entries. She lives in the Boston area with her husband, two children, and cat.

“Treatment” by Douglas Shearer

Treatment

My father was the straight man in a comedy duo without a partner. The world was his funny man. His comedic feeds were so good that the punch line was implied, and people would laugh. He, on the other hand, would keep his stoic expression, only on rare occasions revealing the slightest smirk or shoulder jiggle from suppressed laughter. This left his audience wondering if they had simply misunderstood what he’d said, sometimes apologizing for their laughter, which was exactly what he was going for.

I once found him sitting on my bed wearing my mother’s housecoat; a lamp shade on his head with a large green plant protruding from it. He looked up at me with piercing serious eyes and quickly strummed the guitar he had in his hands. He began to serenade me with “Lady of Spain.” He could neither play guitar nor sing if his life depended on it, which made the scene all the more absurd, and funny. When his performance was over, he got up and left the room without a bow or comment.

In some ways he was a typical dad. We played catch, he taught me how to fish, and how to swim, and he hit me when I deserved it. Times were different. Dad was also a gambler: horses, poker, stocks and commodities. He taught me about those too. Contrary to what you might think about gamblers, if he was up, he was a nervous wreck, but if he was down, he didn’t have a care in the world. He’d often say, “The bank’s got money I haven’t spent yet.” He also gambled on life. He smoked too much, didn’t exercise enough and his diet consisted of half eaten sandwiches and handfuls of antacids.

We thought he’d beaten it, but the cancer came back, and they couldn’t cut it out of him the second time. He had chemotherapy, radiation, and other experimental treatments that managed to rob him of his humor without killing the tumor. I watched him age before my eyes. His hair fell out in chunks, and gray skin hung off his thin bones. He had nothing left to give, had no fight left in him. If anyone had a reason to go, he did, but he stayed, not for himself, but for us. He became a test subject, and then a statistic.

My father died when I was fifteen from an overdose of Percodan. He popped them like candies and chased them with whisky, but it wasn’t enough to stop the pain until twenty of them were ground up in his drink. He died and finally got peace, but the man who was my father was gone long before his body expired. To this day, I’m not sure if it was the cancer or the alleged cure that led him to his grave.

It was tough, suddenly being the man of the house in a one-income family earning less than the poverty level with two siblings and a needy cocker spaniel. The only thing that Dad bequeathed us was debt. I became carpenter, plumber, electrician, roofer, dog walker and counselor. Yes, it was tough, but watching a man you love peacefully sleep in a chair then suddenly writhe in pain, hands balled into fists, neck stretched and back arched so that he almost vaults out of the chair, was worse.

When he died, it changed me. Friends didn’t know what to say, so they said nothing. I let those friendships drift away. My teenage life, and all the social norms that go along with it, was put on hold, never to be re-visited. I anticipated, but did not tempt, death. I wouldn’t take chances. No thrill seeking for me. I was not the gambler my father was. My focus was on the inevitability of death, and worse, a fear of intimacy that it would take ten years and two psychologists to help me recover from. I was and still am a cautious but prepared man. I eat well and exercise regularly. When I married and had children we bought life insurance and wrote a will. We drew up legal documents declaring who should raise our children should we both pass. We arranged trust funds for them.

I’ve never ridden a motorcycle nor jumped out of a perfectly good airplane with a parachute strapped to my back. I have never engaged the services of a prostitute, snorted cocaine, or kissed a camel. Okay, there was that one time, but I was really drunk and I made five bucks on the dare…the camel, not the coke or the prostitute.

Eighteen months ago the surgeon took out one of my kidneys. He said that the cancer was not a typical type for its location. I had no idea what that meant, but he explained that what they removed from me was probably a secondary cancer, suggesting that there was another tumor somewhere in my body. CT scans, x-rays and blood work revealed nothing, and then one day a year later, I just fell down. They found it in my brain. It’s inoperable.

I don’t smoke. Dad still did, even at the end. No point quitting, I guess, when the finish line is running towards you. I don’t have anything to quit. There’s no smoking gun that caused my affliction. Cancer does not discriminate.

The pain from the radiotherapy and chemotherapy stays long after the treatments are over. I don’t take Percodan. I take Morphine. My cancer is different. The pills are different, but the result is the same. My body is so used to the pain meds, that they have little effect. I have to take larger and larger doses, enough to put most men down, but all it does for me is dull the pain a bit. At the same time it makes me constipated, drowsy, and I throw up a lot. All of a sudden, I started thinking about using marijuana, cocaine, even heroin…anything to let me stay…be a father, a husband and contribute to my family’s wellbeing, but would I actually contribute or would I just sleep, slumped over in the chair, like Dad did? What about riding a motorcycle, or jumping out of a plane? If I’d lived my life differently and thrown caution to the wind, would I have ended up in the same place?

I think we’ve taught our kids good survival skills, and when I’m gone, the insurance will pay off the mortgage and put the kids through school. There will be no need for our teenage son to suddenly become the man of the house.

When I gave that drink to Dad all those years ago, I’d imagined him smiling when he tasted the bitterness and saw the chalky color of his drink caused by the Percodan I’d ground up in his glass. I’d imagined him falling asleep and drifting off to the afterlife with that smile still on his face, knowing that I’d taken his pain away. The glass was empty. He drank it all.

Yes, times were different, but I knew then, and know now, how the law, society, and the church would view what I’ve done. Call it euthanasia if you want, but I’ve had to live with the fact that I murdered my father. I can’t allow my pain to force my son into the same decision. Some would call me a criminal for what I’ve done, and some will call me a coward for what I’m about to do, but they are my choices, and I believe, the right ones. Maybe I’ll go to hell for what I’ve done, but hell can’t be worse than this.

“Hey, Son! Bring your old man the whiskey and my pills.”

 

 

 

Douglas Shearer spent years traveling for work and living out of a suitcase before returning to the city of his youth near Toronto, Canada where he now lives with his wife and two children. He graduated from The Institute of Children’s Literature in 2010 and was published in non-fiction before completing the course. His instructor said she loved his style, but suggested he not limit himself to writing for kids. “Treatment” is his first fiction to be published.

Read an interview with Douglas here.

“Overdue” by Mikayla Davis

Overdue

First
the earth shivers,
molten blood pumps
through dirt veins,
thrusts
against every surface,
quickening,
thrashing
through walls, scraping
at balance and gravity
and you are excited.

Second
the world stills.
The seagulls abandon
the clouds for the hard
rush of distance.
Silence perches
on shoulders, pierces
the flesh with a sharp ring,
drapes heavy against your neck,
bows you over,

and the sky is split.
Above it is light eggshells,
spotted with white watchers
and flaxen beams,
but below
cobalt rises, cracked
with sunburned teal,
creeps into the brightness,
brings together
calm and threat.

Third
you are drowning.
Bodies cling to your limbs,
mouths wide and black.
Waves of stress pull matted
hair from your scalp,
peel the skin down from your eyes,
leave behind dark pits.
Pressured, bones splinter,
are buried in thick
denial

and you are lost.

 

 

 

Mikayla Davis is an undergraduate from Spokane, Washington. She has a BA in English from Eastern Washington University as well as several two-year degrees from Spokane Falls Community College. She is the editor for The Wire Harp and has poems published in Railtown Almanac, Northwest Boulevard, Gold Dust, and CandleLit.

Contributors, Winter 2015

Roy Bentley
Roy Bentley (Rescue Dog) has received fellowships from the NEA, the Florida Division of Cultural Affairs, and the Ohio Arts Council. Poems have appeared in The Southern Review, Shenandoah, Pleiades, Blackbird, North American Review, Prairie Schooner and elsewhere. Books include Boy in a Boat (University of Alabama, 1986), Any One Man (Bottom Dog, 1992), The Trouble with a Short Horse in Montana (White Pine, 2006), and Starlight Taxi (Lynx House 2013). He has taught creative writing throughout the Midwest and south Florida. These days, he teaches at Georgian Court University and lives in Lakewood, New Jersey with his wife Gloria.

Annie Tv
Annie Bolger (Sevenling) is pursuing a BA in English Literature and Classical Studies at Swarthmore College. She is currently the Co-Editor-in-Chief of Swarthmore’s daily newspaper, The Daily Gazette. She recently hand made and published Dated, a chapbook of her poetry. Her work has appeared in Prisms and the Swarthmore Review.

Mikayla Davis
Mikayla Davis (Overdue) is an undergraduate from Spokane, Washington. She has a BA in English from Eastern Washington University as well as several two-year degrees from Spokane Falls Community College. She is the editor for The Wire Harp and has poems published in Railtown Almanac, Northwest Boulevard, Gold Dust, and CandleLit.

Danielle Dugan
Danielle Dugan
(A Few Simple Questions) graduated from Emmanuel College with her bachelor’s in writing and literature.  While attending she enjoyed composing poetry, fiction and nonfiction pieces. The Boston native continues to further her education.

Laurie Easter
Laurie Easter‘s (The Polarity of Incongruities) essays have appeared or are forthcoming in The RumpusChautauquaPrime Number Magazine, and Under the Gum Tree, among others. She holds an MFA from Vermont College of Fine Arts and recently took on the role of Assistant Creative Nonfiction Editor forHunger Mountain: the VCFA Journal of the Arts. She lives off the grid and on the edge of wilderness in a funky, little cabin in Southern Oregon. Visit her at laurieeaster.com.

Jonathan Levy
Jonathan Levy (The Youngest Boy to Ever Fly to Space) lives in Raleigh, NC, with his wife and two dogs. He started writing fiction about a year ago. So far, the staff and readers of Boston Literary Magazine, Pure Slush, Tell Us a Story, r.kv.r.y quarterly, and Paper Tape have made him feel so grateful and lucky.

Mary Lewis
Mary Lewis (Quesasomethings) has published stories in Trapeze, Valley Voice, and Frank Walsh’s Kitchen and Other Stories. She also has published in Persimmon Tree, Lost Lake Folk Opera Magazine, and Wapsipinicon Almanac. This is her second story for r.kv.r.y.. She is pursuing an MFA in fiction at Augsburg College and teaches biology at Luther College in Decorah, Iowa. She helped start Badgersett Research Corporation where hazels are being developed for growers in the Midwest. She is a figure skater, and for many years taught dance and piano.

Lauren Macios
Laurin Becker Macios (At the Piazza, I Remember You) holds an MFA from the University of New Hampshire and is the program director of Mass Poetry. Her work has recently appeared in Boxcar Poetry Review, Extracts: Daily Dose of Lit, Pif Magazine, [PANK], and elsewhere. She lives in Boston with six plants and one wicked awesome husband.

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Amy Newell
(Born This Way) writes poems about madness, marriage, motherhood, and elevators. In addition to her poetry, she has a trail of abandoned blogs and decades of overwrought journal entries. She lives in the Boston area with her husband, two children, and cat.

Ojas patel
Ojas Patel
(Your New Face), from Egg Harbor Township, NJ, earned his B.A. in English with a concentration in Creative Writing at Rowan University. His story “Your New Face” won first place for creative non-fiction in the Denise Gess Literary Awards. He has also won contests for his poetry and critical writing in Islamic Studies, has contributed to his local newspaper, The Current, and is currently working on his first novel.

Matthew Rosin
Matthew Rosin
(Hope) is a dad, husband, and author based in California. “Hope” is his first fiction publication (but hopefully not his last). Rosin plans to publish a novelette in 2015, and he writes and podcasts about fatherhood at www.matthewsrosin.com.

Emily Rich
Emily Rich
(Malignancies) is the non-fiction editor of Little Patuxent Review. She writes mainly memoir and essay. Her work has been published in a number of small presses including Little Patuxent Review, Welter, River Poet’s Journal, Delmarva Review and the Pinch. Her story “On the Road to Human Rights Day” was a notable entrant in the 2014 edition of The Best American Essays.

Annita Sawyer
Annita Sawyer
(Fifty-Four Weeks?) is a psychologist in practice for over thirty years and a member of the clinical faculty at Yale. She has been a Wesleyan Writers Conference Fellow and a Bread Loaf Scholar. She has been a fellow at the MacDowell Colony, the Millay Colony, VCCA, Vermont Studio Center, Ragdale, and Hambidge Center for the Arts. Her nonfiction has appeared in professional and literary journals, won prizes, and been included among Notables in Best American Essays. Her first book, Smoking Cigarettes, Eating Glass: A Psychologist’s Memoir, was selected by Lee Gutkind for the 2013 Santa Fe Writers Project Literary Awards nonfiction grand prize and is forthcoming in June 2015.

Cecil Sayre
Cecil Sayre (Bathing My 20-Year-Old Son) is a visiting lecturer for the English Department of Indiana University. His work has appeared or is forthcoming in Naugatuck Literary Review, Slipstream, and Southern Indiana Review.

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Douglas Shearer (Treatment) spent years traveling for work and living out of a suitcase before returning to the city of his youth near Toronto, Canada where he now lives with his wife and two children. He graduated from The Institute of Children’s Literature in 2010 and was published in non-fiction before completing the course. His instructor said she loved his style, but suggested he not limit himself to writing for kids. “Treatment” is his first fiction to be published.

Randi Ward1
Randi Ward (Illustrator) is a writer, translator, lyricist, and photographer from West Virginia. She earned her MA in Cultural Studies from the University of the Faroe Islands and is a recipient of The American-Scandinavian Foundation’s Nadia Christensen Prize. Ward is a Pushcart Prize and Best of the Net nominee whose work has appeared in AsymptoteBeloit Poetry JournalCimarron Review, Thrush Poetry JournalWorld Literature TodayAnthology of Appalachian Writers, and other publications. For more information, visit: www.randiward.com/about

Introducing Randi Ward

I’m thrilled to announce that Randi Ward will be illustrating our January 2015 CAREGIVERS issue! We are delighted to have her fine photographic work to grace our virtual pages.

Randi Ward is a writer, translator, lyricist, and photographer from West Virginia. She earned her MA in Cultural Studies from the University of the Faroe Islands and is a recipient of The American-Scandinavian Foundation’s Nadia Christensen Prize. Ward is a Pushcart Prize and Best of the Net nominee whose work has appeared in AsymptoteBeloit Poetry JournalCimarron Review, Thrush Poetry JournalWorld Literature TodayAnthology of Appalachian Writers, and other publications. For more information, visit: www.randiward.com/about

In the meantime, here are some images to whet your appetite for her work.

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Thank you, Randi, and welcome to the r.vr.r.y. family!